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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B14371 it is the complementary color #4EBC8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B14371. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B14371 shade: #B6436C, #C7557F, #D86792, #E979A5 and #FA8BB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B14371. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B14371 shade: #B14371, #A0315E, #8F1F4B, #7E0D38 and #6D0025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B14371 shade: #B14371, #B14353 and #B14343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B14371 shade: #B14371, #B1438F, #B143AC, #9843B1 and #7A43B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B14371 shade matches the following richer shades: #B14371, #C52F6E, #D91B6A and #EC0767

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B14371 shade: #B14371, #9D5774, #896A77, #767E7B and #62927E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B14371 shade: #B143AD, #B14390, #B14373, #B14355 and #B14E43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B14371 shade: #752C4B, #93375E, #B14371, #C15C86 and #CC7A9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B14371 shade: #B14371, #B19743 and #439FB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B14371 shade: #B14371, #73B143 and #4373B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B14371 shade: #B14371, #B19743, #43B181 and #435DB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B14371 shade: #B14371, #AAB143, #43B181 and #4A43B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 36 / 31

HEX #B14371

RGB 177 67 113

HSL 334.91, 0.45%, 0.48%

LAB 45.02, 49.11, -2.94

 

Complementary color

CMYK 59 / 0 / 24 / 26

HEX #4EBC8E

RGB 78 188 142

HSL 154.91, 0.45%, 0.52%

LAB 69.14, -42.38, 14.03

 

CMYK 0 / 63 / 41 / 29

HEX #B6436C

RGB 182 67 108

HSL 338.61, 0.46%, 0.49%

LAB 45.69, 50.14, 1.21

 

CMYK 0 / 57 / 36 / 22

HEX #C7557F

RGB 199 85 127

HSL 337.89, 0.5%, 0.56%

LAB 52.03, 49.57, -0.7

 

CMYK 0 / 52 / 32 / 15

HEX #D86792

RGB 216 103 146

HSL 337.17, 0.59%, 0.63%

LAB 58.39, 48.84, -2.26

 

CMYK 0 / 48 / 29 / 9

HEX #E979A5

RGB 233 121 165

HSL 336.43, 0.72%, 0.69%

LAB 64.74, 48.04, -3.58

 

CMYK 0 / 44 / 26 / 2

HEX #FA8BB8

RGB 250 139 184

HSL 335.68, 0.92%, 0.76%

LAB 71.04, 47.22, -4.72

 

CMYK 0 / 62 / 36 / 31

HEX #B14371

RGB 177 67 113

HSL 334.91, 0.45%, 0.48%

LAB 45.02, 49.11, -2.94

 

CMYK 0 / 69 / 41 / 37

HEX #A0315E

RGB 160 49 94

HSL 335.68, 0.53%, 0.41%

LAB 38.69, 49.35, -0.75

 

CMYK 0 / 78 / 48 / 44

HEX #8F1F4B

RGB 143 31 75

HSL 336.43, 0.64%, 0.34%

LAB 32.54, 48.96, 2.14

 

CMYK 0 / 90 / 56 / 51

HEX #7E0D38

RGB 126 13 56

HSL 337.17, 0.81%, 0.27%

LAB 26.76, 47.42, 6.1

 

CMYK 0 / 100 / 66 / 57

HEX #6D0025

RGB 109 0 37

HSL 339.63, 1%, 0.21%

LAB 21.52, 44.19, 11.46

 

CMYK 0 / 62 / 36 / 31

HEX #B14371

RGB 177 67 113

HSL 334.91, 0.45%, 0.48%

LAB 45.02, 49.11, -2.94

 

CMYK 0 / 62 / 53 / 31

HEX #B14353

RGB 177 67 83

HSL 351.27, 0.45%, 0.48%

LAB 44.21, 46.06, 14.37

 

CMYK 0 / 62 / 62 / 31

HEX #B14343

RGB 177 67 67

HSL 0, 0.45%, 0.48%

LAB 43.9, 44.82, 23.72

 

CMYK 0 / 62 / 36 / 31

HEX #B14371

RGB 177 67 113

HSL 334.91, 0.45%, 0.48%

LAB 45.02, 49.11, -2.94

 

CMYK 0 / 62 / 19 / 31

HEX #B1438F

RGB 177 67 143

HSL 318.55, 0.45%, 0.48%

LAB 46.1, 53.09, -19.54

 

CMYK 0 / 62 / 3 / 31

HEX #B143AC

RGB 177 67 172

HSL 302.73, 0.45%, 0.48%

LAB 47.42, 57.69, -34.77

 

CMYK 14 / 62 / 0 / 31

HEX #9843B1

RGB 152 67 177

HSL 286.36, 0.45%, 0.48%

LAB 44.04, 52.31, -43.3

 

CMYK 31 / 62 / 0 / 31

HEX #7A43B1

RGB 122 67 177

HSL 270, 0.45%, 0.48%

LAB 40.12, 45.05, -49.78

 

CMYK 0 / 62 / 36 / 31

HEX #B14371

RGB 177 67 113

HSL 334.91, 0.45%, 0.48%

LAB 45.02, 49.11, -2.94

 

CMYK 0 / 76 / 44 / 23

HEX #C52F6E

RGB 197 47 110

HSL 334.8, 0.61%, 0.48%

LAB 45.67, 62.27, 0.28

 

CMYK 0 / 88 / 51 / 15

HEX #D91B6A

RGB 217 27 106

HSL 335.05, 0.78%, 0.48%

LAB 47.72, 71.75, 6.18

 

CMYK 0 / 97 / 56 / 7

HEX #EC0767

RGB 236 7 103

HSL 334.85, 0.94%, 0.48%

LAB 50.65, 78.2, 12.69

 

CMYK 0 / 62 / 36 / 31

HEX #B14371

RGB 177 67 113

HSL 334.91, 0.45%, 0.48%

LAB 45.02, 49.11, -2.94

 

CMYK 0 / 45 / 26 / 38

HEX #9D5774

RGB 157 87 116

HSL 335.14, 0.29%, 0.48%

LAB 45.97, 32.58, -3.7

 

CMYK 0 / 23 / 13 / 46

HEX #896A77

RGB 137 106 119

HSL 334.84, 0.13%, 0.48%

LAB 48.21, 14.57, -2.48

 

CMYK 6 / 0 / 2 / 51

HEX #767E7B

RGB 118 126 123

HSL 157.5, 0.03%, 0.48%

LAB 52.07, -3.59, 0.6

 

CMYK 33 / 0 / 14 / 43

HEX #62927E

RGB 98 146 126

HSL 155, 0.2%, 0.48%

LAB 56.74, -20.78, 5.46

 

CMYK 0 / 62 / 2 / 31

HEX #B143AD

RGB 177 67 173

HSL 302.18, 0.45%, 0.48%

LAB 47.47, 57.86, -35.28

 

CMYK 0 / 62 / 19 / 31

HEX #B14390

RGB 177 67 144

HSL 318, 0.45%, 0.48%

LAB 46.14, 53.23, -20.08

 

CMYK 0 / 62 / 35 / 31

HEX #B14373

RGB 177 67 115

HSL 333.82, 0.45%, 0.48%

LAB 45.08, 49.35, -4.07

 

CMYK 0 / 62 / 52 / 31

HEX #B14355

RGB 177 67 85

HSL 350.18, 0.45%, 0.48%

LAB 44.26, 46.23, 13.2

 

CMYK 0 / 56 / 62 / 31

HEX #B14E43

RGB 177 78 67

HSL 6, 0.45%, 0.48%

LAB 45.91, 39.54, 26.27

 

CMYK 0 / 62 / 36 / 54

HEX #752C4B

RGB 117 44 75

HSL 334.52, 0.45%, 0.32%

LAB 29.64, 35.37, -2.67

 

CMYK 0 / 63 / 36 / 42

HEX #93375E

RGB 147 55 94

HSL 334.57, 0.46%, 0.4%

LAB 37.38, 42.62, -2.94

 

CMYK 0 / 62 / 36 / 31

HEX #B14371

RGB 177 67 113

HSL 334.91, 0.45%, 0.48%

LAB 45.02, 49.11, -2.94

 

CMYK 0 / 52 / 31 / 24

HEX #C15C86

RGB 193 92 134

HSL 335.05, 0.45%, 0.56%

LAB 52.63, 45.06, -4.08

 

CMYK 0 / 40 / 24 / 20

HEX #CC7A9C

RGB 204 122 156

HSL 335.12, 0.45%, 0.64%

LAB 60.92, 36.35, -4.49

 

CMYK 0 / 62 / 36 / 31

HEX #B14371

RGB 177 67 113

HSL 334.91, 0.45%, 0.48%

LAB 45.02, 49.11, -2.94

 

CMYK 0 / 15 / 62 / 31

HEX #B19743

RGB 177 151 67

HSL 45.82, 0.45%, 0.48%

LAB 63.25, -0.36, 46.78

 

CMYK 62 / 10 / 0 / 31

HEX #439FB1

RGB 67 159 177

HSL 189.82, 0.45%, 0.48%

LAB 60.93, -21.59, -17.47

 

CMYK 0 / 62 / 36 / 31

HEX #B14371

RGB 177 67 113

HSL 334.91, 0.45%, 0.48%

LAB 45.02, 49.11, -2.94

 

CMYK 35 / 0 / 62 / 31

HEX #73B143

RGB 115 177 67

HSL 93.82, 0.45%, 0.48%

LAB 66.13, -38.84, 48.72

 

CMYK 62 / 35 / 0 / 31

HEX #4373B1

RGB 67 115 177

HSL 213.82, 0.45%, 0.48%

LAB 47.79, 3.3, -37.82

 

CMYK 0 / 62 / 36 / 31

HEX #B14371

RGB 177 67 113

HSL 334.91, 0.45%, 0.48%

LAB 45.02, 49.11, -2.94

 

CMYK 0 / 15 / 62 / 31

HEX #B19743

RGB 177 151 67

HSL 45.82, 0.45%, 0.48%

LAB 63.25, -0.36, 46.78

 

CMYK 62 / 0 / 27 / 31

HEX #43B181

RGB 67 177 129

HSL 153.82, 0.45%, 0.48%

LAB 65.14, -42.74, 15.47

 

CMYK 62 / 47 / 0 / 31

HEX #435DB1

RGB 67 93 177

HSL 225.82, 0.45%, 0.48%

LAB 41.53, 17.13, -47.78

 

CMYK 0 / 62 / 36 / 31

HEX #B14371

RGB 177 67 113

HSL 334.91, 0.45%, 0.48%

LAB 45.02, 49.11, -2.94

 

CMYK 4 / 0 / 62 / 31

HEX #AAB143

RGB 170 177 67

HSL 63.82, 0.45%, 0.48%

LAB 69.75, -17.09, 53.72

 

CMYK 62 / 0 / 27 / 31

HEX #43B181

RGB 67 177 129

HSL 153.82, 0.45%, 0.48%

LAB 65.14, -42.74, 15.47

 

CMYK 58 / 62 / 0 / 31

HEX #4A43B1

RGB 74 67 177

HSL 243.82, 0.45%, 0.48%

LAB 35.29, 34.99, -57.84

 

Description

Color code: HEX #B14371 | qconv.com Color code: HEX #B14371 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 67 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 67 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 36 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 36% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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