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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B15824 it is the complementary color #4EA7DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B15824. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B15824 shade: #B6581F, #C76A32, #D87C45, #E98E58 and #FAA06B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B15824. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B15824 shade: #B15824, #A04611, #8F3400, #7E2200 and #6D1000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B15824 shade: #B15824, #B13224 and #B12424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B15824 shade: #B15824, #B17E24, #B1A424, #98B124 and #72B124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B15824 shade matches the following richer shades: #B15824, #C35413 and #D44F01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B15824 shade: #B15824, #A05D35, #8F6147, #7D6658 and #6C6A69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B15824 shade: #B1243B, #B13224, #B15824, #B17D24 and #B1A324

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B15824 shade: #6D3616, #8F471D, #B15824, #D3692B and #DA814D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B15824 shade: #B15824, #61B124 and #2429B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B15824 shade: #B15824, #24B158 and #5824B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B15824 shade: #B15824, #61B124, #247DB1 and #7424B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B15824 shade: #B15824, #37B124, #247DB1 and #9E24B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 80 / 31

HEX #B15824

RGB 177 88 36

HSL 22.13, 0.66%, 0.42%

LAB 47.56, 32.73, 44.88

 

Complementary color

CMYK 64 / 24 / 0 / 14

HEX #4EA7DB

RGB 78 167 219

HSL 202.13, 0.66%, 0.58%

LAB 65.26, -10.77, -34.21

 

CMYK 0 / 52 / 83 / 29

HEX #B6581F

RGB 182 88 31

HSL 22.65, 0.71%, 0.42%

LAB 48.29, 34.6, 48.06

 

CMYK 0 / 47 / 75 / 22

HEX #C76A32

RGB 199 106 50

HSL 22.55, 0.6%, 0.49%

LAB 54.74, 32.78, 46.49

 

CMYK 0 / 43 / 68 / 15

HEX #D87C45

RGB 216 124 69

HSL 22.45, 0.65%, 0.56%

LAB 61.17, 31.13, 44.71

 

CMYK 0 / 39 / 62 / 9

HEX #E98E58

RGB 233 142 88

HSL 22.34, 0.77%, 0.63%

LAB 67.56, 29.65, 42.94

 

CMYK 0 / 36 / 57 / 2

HEX #FAA06B

RGB 250 160 107

HSL 22.24, 0.93%, 0.7%

LAB 73.89, 28.33, 41.27

 

CMYK 0 / 50 / 80 / 31

HEX #B15824

RGB 177 88 36

HSL 22.13, 0.66%, 0.42%

LAB 47.56, 32.73, 44.88

 

CMYK 0 / 56 / 89 / 37

HEX #A04611

RGB 160 70 17

HSL 22.24, 0.81%, 0.35%

LAB 41.05, 34.64, 46.11

 

CMYK 0 / 64 / 100 / 44

HEX #8F3400

RGB 143 52 0

HSL 21.82, 1%, 0.28%

LAB 34.59, 36.58, 46.2

 

CMYK 0 / 73 / 100 / 51

HEX #7E2200

RGB 126 34 0

HSL 16.19, 1%, 0.25%

LAB 28.33, 38.31, 40.35

 

CMYK 0 / 85 / 100 / 57

HEX #6D1000

RGB 109 16 0

HSL 8.81, 1%, 0.21%

LAB 22.38, 38.96, 33.48

 

CMYK 0 / 50 / 80 / 31

HEX #B15824

RGB 177 88 36

HSL 22.13, 0.66%, 0.42%

LAB 47.56, 32.73, 44.88

 

CMYK 0 / 72 / 80 / 31

HEX #B13224

RGB 177 50 36

HSL 5.96, 0.66%, 0.42%

LAB 40.83, 50.42, 38.21

 

CMYK 0 / 80 / 80 / 31

HEX #B12424

RGB 177 36 36

HSL 0, 0.66%, 0.42%

LAB 39.13, 55.13, 36.48

 

CMYK 0 / 50 / 80 / 31

HEX #B15824

RGB 177 88 36

HSL 22.13, 0.66%, 0.42%

LAB 47.56, 32.73, 44.88

 

CMYK 0 / 29 / 80 / 31

HEX #B17E24

RGB 177 126 36

HSL 38.3, 0.66%, 0.42%

LAB 56.48, 11.78, 53.29

 

CMYK 0 / 7 / 80 / 31

HEX #B1A424

RGB 177 164 36

HSL 54.47, 0.66%, 0.42%

LAB 66.54, -8.94, 62.38

 

CMYK 14 / 0 / 80 / 31

HEX #98B124

RGB 152 177 36

HSL 70.64, 0.66%, 0.42%

LAB 68.2, -26.37, 63.11

 

CMYK 36 / 0 / 80 / 31

HEX #72B124

RGB 114 177 36

HSL 86.81, 0.66%, 0.42%

LAB 65.86, -41.38, 60.11

 

CMYK 0 / 50 / 80 / 31

HEX #B15824

RGB 177 88 36

HSL 22.13, 0.66%, 0.42%

LAB 47.56, 32.73, 44.88

 

CMYK 0 / 57 / 90 / 24

HEX #C35413

RGB 195 84 19

HSL 22.16, 0.82%, 0.42%

LAB 49.48, 41.46, 54.37

 

CMYK 0 / 63 / 100 / 17

HEX #D44F01

RGB 212 79 1

HSL 22.18, 0.99%, 0.42%

LAB 51.37, 49.86, 61.43

 

CMYK 0 / 50 / 80 / 31

HEX #B15824

RGB 177 88 36

HSL 22.13, 0.66%, 0.42%

LAB 47.56, 32.73, 44.88

 

CMYK 0 / 42 / 67 / 37

HEX #A05D35

RGB 160 93 53

HSL 22.43, 0.5%, 0.42%

LAB 46.39, 23.7, 34.24

 

CMYK 0 / 32 / 50 / 44

HEX #8F6147

RGB 143 97 71

HSL 21.67, 0.34%, 0.42%

LAB 45.42, 15.53, 22.32

 

CMYK 0 / 18 / 30 / 51

HEX #7D6658

RGB 125 102 88

HSL 22.7, 0.17%, 0.42%

LAB 45.04, 6.94, 11.37

 

CMYK 0 / 2 / 3 / 58

HEX #6C6A69

RGB 108 106 105

HSL 20, 0.01%, 0.42%

LAB 44.96, 0.58, 0.83

 

CMYK 0 / 80 / 67 / 31

HEX #B1243B

RGB 177 36 59

HSL 350.21, 0.66%, 0.42%

LAB 39.45, 56.13, 22.97

 

CMYK 0 / 72 / 80 / 31

HEX #B13224

RGB 177 50 36

HSL 5.96, 0.66%, 0.42%

LAB 40.83, 50.42, 38.21

 

CMYK 0 / 50 / 80 / 31

HEX #B15824

RGB 177 88 36

HSL 22.13, 0.66%, 0.42%

LAB 47.56, 32.73, 44.88

 

CMYK 0 / 29 / 80 / 31

HEX #B17D24

RGB 177 125 36

HSL 37.87, 0.66%, 0.42%

LAB 56.23, 12.34, 53.06

 

CMYK 0 / 8 / 80 / 31

HEX #B1A324

RGB 177 163 36

HSL 54.04, 0.66%, 0.42%

LAB 66.27, -8.41, 62.14

 

CMYK 0 / 50 / 80 / 57

HEX #6D3616

RGB 109 54 22

HSL 22.07, 0.66%, 0.26%

LAB 29.28, 21.84, 30.15

 

CMYK 0 / 50 / 80 / 44

HEX #8F471D

RGB 143 71 29

HSL 22.11, 0.66%, 0.34%

LAB 38.61, 27.42, 37.7

 

CMYK 0 / 50 / 80 / 31

HEX #B15824

RGB 177 88 36

HSL 22.13, 0.66%, 0.42%

LAB 47.56, 32.73, 44.88

 

CMYK 0 / 50 / 80 / 17

HEX #D3692B

RGB 211 105 43

HSL 22.14, 0.66%, 0.5%

LAB 56.21, 37.84, 51.77

 

CMYK 0 / 41 / 65 / 15

HEX #DA814D

RGB 218 129 77

HSL 22.13, 0.66%, 0.58%

LAB 62.63, 29.77, 42.35

 

CMYK 0 / 50 / 80 / 31

HEX #B15824

RGB 177 88 36

HSL 22.13, 0.66%, 0.42%

LAB 47.56, 32.73, 44.88

 

CMYK 45 / 0 / 80 / 31

HEX #61B124

RGB 97 177 36

HSL 94.04, 0.66%, 0.42%

LAB 65.05, -47.23, 59.06

 

CMYK 80 / 77 / 0 / 31

HEX #2429B1

RGB 36 41 177

HSL 237.87, 0.66%, 0.42%

LAB 27.12, 45.84, -71.35

 

CMYK 0 / 50 / 80 / 31

HEX #B15824

RGB 177 88 36

HSL 22.13, 0.66%, 0.42%

LAB 47.56, 32.73, 44.88

 

CMYK 80 / 0 / 50 / 31

HEX #24B158

RGB 36 177 88

HSL 142.13, 0.66%, 0.42%

LAB 63.77, -55.6, 35.29

 

CMYK 50 / 80 / 0 / 31

HEX #5824B1

RGB 88 36 177

HSL 262.13, 0.66%, 0.42%

LAB 30.67, 53.74, -65.35

 

CMYK 0 / 50 / 80 / 31

HEX #B15824

RGB 177 88 36

HSL 22.13, 0.66%, 0.42%

LAB 47.56, 32.73, 44.88

 

CMYK 45 / 0 / 80 / 31

HEX #61B124

RGB 97 177 36

HSL 94.04, 0.66%, 0.42%

LAB 65.05, -47.23, 59.06

 

CMYK 80 / 29 / 0 / 31

HEX #247DB1

RGB 36 125 177

HSL 202.13, 0.66%, 0.42%

LAB 49.76, -7.38, -34.79

 

CMYK 34 / 80 / 0 / 31

HEX #7424B1

RGB 116 36 177

HSL 274.04, 0.66%, 0.42%

LAB 34.29, 57.97, -59.27

 

CMYK 0 / 50 / 80 / 31

HEX #B15824

RGB 177 88 36

HSL 22.13, 0.66%, 0.42%

LAB 47.56, 32.73, 44.88

 

CMYK 69 / 0 / 80 / 31

HEX #37B124

RGB 55 177 36

HSL 111.91, 0.66%, 0.42%

LAB 63.66, -58.28, 57.26

 

CMYK 80 / 29 / 0 / 31

HEX #247DB1

RGB 36 125 177

HSL 202.13, 0.66%, 0.42%

LAB 49.76, -7.38, -34.79

 

CMYK 11 / 80 / 0 / 31

HEX #9E24B1

RGB 158 36 177

HSL 291.91, 0.66%, 0.42%

LAB 40.74, 65.48, -48.51

 

Description

Color code: HEX #B15824 | qconv.com Color code: HEX #B15824 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 88 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 88 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 80 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 80% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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