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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B15943 it is the complementary color #4EA6BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B15943. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B15943 shade: #B6593E, #C76B51, #D87D64, #E98F77 and #FAA18A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B15943. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B15943 shade: #B15943, #A04730, #8F351D, #7E230A and #6D1100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B15943 shade: #B15943 and #B14343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B15943 shade: #B15943, #B17743, #B19443, #B0B143 and #92B143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B15943 shade matches the following richer shades: #B15943, #C54D2F, #D9411B and #EC3507

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B15943 shade: #B15943, #9D6557, #89716A, #767C7E and #628892

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B15943 shade: #B14368, #B1434A, #B15943, #B17643 and #B19443

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B15943 shade: #753B2C, #934A37, #B15943, #C1705C and #CC8A7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B15943 shade: #B15943, #85B143 and #4359B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B15943 shade: #B15943, #43B159 and #5943B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B15943 shade: #B15943, #85B143, #439BB1 and #6F43B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B15943 shade: #B15943, #64B143, #439BB1 and #9043B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 62 / 31

HEX #B15943

RGB 177 89 67

HSL 12, 0.45%, 0.48%

LAB 48.13, 33.87, 29.05

 

Complementary color

CMYK 59 / 12 / 0 / 26

HEX #4EA6BC

RGB 78 166 188

HSL 192, 0.45%, 0.52%

LAB 63.77, -19.88, -19.28

 

CMYK 0 / 51 / 66 / 29

HEX #B6593E

RGB 182 89 62

HSL 13.5, 0.49%, 0.48%

LAB 48.81, 35.51, 32.89

 

CMYK 0 / 46 / 59 / 22

HEX #C76B51

RGB 199 107 81

HSL 13.22, 0.51%, 0.55%

LAB 55.33, 34.09, 30.76

 

CMYK 0 / 42 / 54 / 15

HEX #D87D64

RGB 216 125 100

HSL 12.93, 0.6%, 0.62%

LAB 61.81, 32.78, 28.88

 

CMYK 0 / 39 / 49 / 9

HEX #E98F77

RGB 233 143 119

HSL 12.63, 0.72%, 0.69%

LAB 68.24, 31.59, 27.21

 

CMYK 0 / 36 / 45 / 2

HEX #FAA18A

RGB 250 161 138

HSL 12.32, 0.92%, 0.76%

LAB 74.6, 30.52, 25.71

 

CMYK 0 / 50 / 62 / 31

HEX #B15943

RGB 177 89 67

HSL 12, 0.45%, 0.48%

LAB 48.13, 33.87, 29.05

 

CMYK 0 / 56 / 70 / 37

HEX #A04730

RGB 160 71 48

HSL 12.32, 0.54%, 0.41%

LAB 41.52, 35.33, 31.39

 

CMYK 0 / 63 / 80 / 44

HEX #8F351D

RGB 143 53 29

HSL 12.63, 0.66%, 0.34%

LAB 34.95, 36.82, 34.02

 

CMYK 0 / 72 / 92 / 51

HEX #7E230A

RGB 126 35 10

HSL 12.93, 0.85%, 0.27%

LAB 28.54, 38.1, 36.45

 

CMYK 0 / 84 / 100 / 57

HEX #6D1100

RGB 109 17 0

HSL 9.36, 1%, 0.21%

LAB 22.49, 38.65, 33.59

 

CMYK 0 / 50 / 62 / 31

HEX #B15943

RGB 177 89 67

HSL 12, 0.45%, 0.48%

LAB 48.13, 33.87, 29.05

 

CMYK 0 / 62 / 62 / 31

HEX #B14343

RGB 177 67 67

HSL 0, 0.45%, 0.48%

LAB 43.9, 44.82, 23.72

 

CMYK 0 / 50 / 62 / 31

HEX #B15943

RGB 177 89 67

HSL 12, 0.45%, 0.48%

LAB 48.13, 33.87, 29.05

 

CMYK 0 / 33 / 62 / 31

HEX #B17743

RGB 177 119 67

HSL 28.36, 0.45%, 0.48%

LAB 55.02, 17.39, 37.36

 

CMYK 0 / 16 / 62 / 31

HEX #B19443

RGB 177 148 67

HSL 44.18, 0.45%, 0.48%

LAB 62.45, 1.28, 45.89

 

CMYK 1 / 0 / 62 / 31

HEX #B0B143

RGB 176 177 67

HSL 60.55, 0.45%, 0.48%

LAB 70.23, -14.54, 54.37

 

CMYK 18 / 0 / 62 / 31

HEX #92B143

RGB 146 177 67

HSL 76.91, 0.45%, 0.48%

LAB 67.99, -27.02, 51.3

 

CMYK 0 / 50 / 62 / 31

HEX #B15943

RGB 177 89 67

HSL 12, 0.45%, 0.48%

LAB 48.13, 33.87, 29.05

 

CMYK 0 / 61 / 76 / 23

HEX #C54D2F

RGB 197 77 47

HSL 12, 0.61%, 0.48%

LAB 48.74, 46.33, 41.64

 

CMYK 0 / 70 / 88 / 15

HEX #D9411B

RGB 217 65 27

HSL 12, 0.78%, 0.48%

LAB 50.23, 57.6, 53.71

 

CMYK 0 / 78 / 97 / 7

HEX #EC3507

RGB 236 53 7

HSL 12.05, 0.94%, 0.48%

LAB 52.28, 67.13, 62.88

 

CMYK 0 / 50 / 62 / 31

HEX #B15943

RGB 177 89 67

HSL 12, 0.45%, 0.48%

LAB 48.13, 33.87, 29.05

 

CMYK 0 / 36 / 45 / 38

HEX #9D6557

RGB 157 101 87

HSL 12, 0.29%, 0.48%

LAB 48.47, 20.9, 17.27

 

CMYK 0 / 18 / 23 / 46

HEX #89716A

RGB 137 113 106

HSL 13.55, 0.13%, 0.48%

LAB 49.7, 8.25, 7.41

 

CMYK 6 / 2 / 0 / 51

HEX #767C7E

RGB 118 124 126

HSL 195, 0.03%, 0.48%

LAB 51.58, -1.81, -1.87

 

CMYK 33 / 7 / 0 / 43

HEX #628892

RGB 98 136 146

HSL 192.5, 0.2%, 0.48%

LAB 54.32, -10.61, -9.6

 

CMYK 0 / 62 / 41 / 31

HEX #B14368

RGB 177 67 104

HSL 339.82, 0.45%, 0.48%

LAB 44.75, 48.09, 2.19

 

CMYK 0 / 62 / 58 / 31

HEX #B1434A

RGB 177 67 74

HSL 356.18, 0.45%, 0.48%

LAB 44.03, 45.33, 19.63

 

CMYK 0 / 50 / 62 / 31

HEX #B15943

RGB 177 89 67

HSL 12, 0.45%, 0.48%

LAB 48.13, 33.87, 29.05

 

CMYK 0 / 33 / 62 / 31

HEX #B17643

RGB 177 118 67

HSL 27.82, 0.45%, 0.48%

LAB 54.77, 17.95, 37.07

 

CMYK 0 / 16 / 62 / 31

HEX #B19443

RGB 177 148 67

HSL 44.18, 0.45%, 0.48%

LAB 62.45, 1.28, 45.89

 

CMYK 0 / 50 / 62 / 54

HEX #753B2C

RGB 117 59 44

HSL 12.33, 0.45%, 0.32%

LAB 32.01, 23.89, 20.69

 

CMYK 0 / 50 / 63 / 42

HEX #934A37

RGB 147 74 55

HSL 12.39, 0.46%, 0.4%

LAB 40.21, 28.95, 25.24

 

CMYK 0 / 50 / 62 / 31

HEX #B15943

RGB 177 89 67

HSL 12, 0.45%, 0.48%

LAB 48.13, 33.87, 29.05

 

CMYK 0 / 42 / 52 / 24

HEX #C1705C

RGB 193 112 92

HSL 11.88, 0.45%, 0.56%

LAB 55.78, 29.95, 24.95

 

CMYK 0 / 32 / 40 / 20

HEX #CC8A7A

RGB 204 138 122

HSL 11.71, 0.45%, 0.64%

LAB 63.69, 23.25, 18.81

 

CMYK 0 / 50 / 62 / 31

HEX #B15943

RGB 177 89 67

HSL 12, 0.45%, 0.48%

LAB 48.13, 33.87, 29.05

 

CMYK 25 / 0 / 62 / 31

HEX #85B143

RGB 133 177 67

HSL 84, 0.45%, 0.48%

LAB 67.15, -32.16, 50.14

 

CMYK 62 / 50 / 0 / 31

HEX #4359B1

RGB 67 89 177

HSL 228, 0.45%, 0.48%

LAB 40.43, 19.71, -49.54

 

CMYK 0 / 50 / 62 / 31

HEX #B15943

RGB 177 89 67

HSL 12, 0.45%, 0.48%

LAB 48.13, 33.87, 29.05

 

CMYK 62 / 0 / 50 / 31

HEX #43B159

RGB 67 177 89

HSL 132, 0.45%, 0.48%

LAB 64.45, -50.17, 35.77

 

CMYK 50 / 62 / 0 / 31

HEX #5943B1

RGB 89 67 177

HSL 252, 0.45%, 0.48%

LAB 36.58, 37.82, -55.68

 

CMYK 0 / 50 / 62 / 31

HEX #B15943

RGB 177 89 67

HSL 12, 0.45%, 0.48%

LAB 48.13, 33.87, 29.05

 

CMYK 25 / 0 / 62 / 31

HEX #85B143

RGB 133 177 67

HSL 84, 0.45%, 0.48%

LAB 67.15, -32.16, 50.14

 

CMYK 62 / 12 / 0 / 31

HEX #439BB1

RGB 67 155 177

HSL 192, 0.45%, 0.48%

LAB 59.72, -19.5, -19.31

 

CMYK 37 / 62 / 0 / 31

HEX #6F43B1

RGB 111 67 177

HSL 264, 0.45%, 0.48%

LAB 38.84, 42.52, -51.91

 

CMYK 0 / 50 / 62 / 31

HEX #B15943

RGB 177 89 67

HSL 12, 0.45%, 0.48%

LAB 48.13, 33.87, 29.05

 

CMYK 44 / 0 / 62 / 31

HEX #64B143

RGB 100 177 67

HSL 102, 0.45%, 0.48%

LAB 65.4, -43.93, 47.71

 

CMYK 62 / 12 / 0 / 31

HEX #439BB1

RGB 67 155 177

HSL 192, 0.45%, 0.48%

LAB 59.72, -19.5, -19.31

 

CMYK 19 / 62 / 0 / 31

HEX #9043B1

RGB 144 67 177

HSL 282, 0.45%, 0.48%

LAB 42.94, 50.34, -45.11

 

Description

Color code: HEX #B15943 | qconv.com Color code: HEX #B15943 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 89 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 89 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 62 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 62% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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