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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B15ED5 it is the complementary color #4EA12A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B15ED5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B15ED5 shade: #B65ED0, #C770E3, #D882F6, #E994FF and #FAA6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B15ED5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B15ED5 shade: #B15ED5, #A04CC2, #8F3AAF, #7E289C and #6D1689

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B15ED5 shade: #B05CD5, #D15CD5, #D55CB8, #D55C98 and #D55C77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B15ED5 shade: #B05CD5, #905CD5, #6F5CD5 and #5C5CD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B15ED5 shade matches the following richer shades: #B05CD5, #B74CE5 and #BD3BF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B15ED5 shade: #B05CD5, #AA6DC4, #A37DB4, #9D8EA3 and #969E93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B15ED5 shade: #6E5CD5, #8E5CD5, #AF5CD5, #CF5CD5 and #D55CBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B15ED5 shade: #892DB1, #A03CCC, #B05CD5, #C07DDD and #D09EE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B15ED5 shade: #B15ED5, #D55C6A and #5CD57E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B15ED5 shade: #B15ED5, #D5AF5C and #5CD5AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B15ED5 shade: #B15ED5, #D55C6A, #82D55C and #5CD5C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B15ED5 shade: #B15ED5, #D5725C, #82D55C and #5CBFD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 56 / 0 / 16

HEX #B15ED5

RGB 177 94 213

HSL 281.85, 0.59%, 0.6%

LAB 54.19, 52.88, -47.75

 

Complementary color

CMYK 52 / 0 / 74 / 37

HEX #4EA12A

RGB 78 161 42

HSL 101.85, 0.59%, 0.4%

LAB 59.23, -46.45, 51.16

 

CMYK 13 / 55 / 0 / 18

HEX #B65ED0

RGB 182 94 208

HSL 286.32, 0.55%, 0.59%

LAB 54.56, 53.15, -44.29

 

CMYK 12 / 51 / 0 / 11

HEX #C770E3

RGB 199 112 227

HSL 285.39, 0.67%, 0.66%

LAB 61.02, 52.46, -44.65

 

CMYK 12 / 47 / 0 / 4

HEX #D882F6

RGB 216 130 246

HSL 284.48, 0.87%, 0.74%

LAB 67.44, 51.72, -44.93

 

CMYK 9 / 42 / 0 / 0

HEX #E994FF

RGB 233 148 255

HSL 287.66, 1%, 0.79%

LAB 73.37, 49, -40.43

 

CMYK 2 / 35 / 0 / 0

HEX #FAA6FF

RGB 250 166 255

HSL 296.63, 1%, 0.83%

LAB 78.94, 44.7, -31.65

 

CMYK 17 / 56 / 0 / 16

HEX #B15ED5

RGB 177 94 213

HSL 281.85, 0.59%, 0.6%

LAB 54.19, 52.88, -47.75

 

CMYK 18 / 61 / 0 / 24

HEX #A04CC2

RGB 160 76 194

HSL 282.71, 0.49%, 0.53%

LAB 47.67, 53.5, -47.37

 

CMYK 18 / 67 / 0 / 31

HEX #8F3AAF

RGB 143 58 175

HSL 283.59, 0.5%, 0.46%

LAB 41.15, 53.88, -46.79

 

CMYK 19 / 74 / 0 / 39

HEX #7E289C

RGB 126 40 156

HSL 284.48, 0.59%, 0.38%

LAB 34.71, 53.8, -45.9

 

CMYK 20 / 84 / 0 / 46

HEX #6D1689

RGB 109 22 137

HSL 285.39, 0.72%, 0.31%

LAB 28.46, 52.82, -44.44

 

CMYK 17 / 57 / 0 / 16

HEX #B05CD5

RGB 176 92 213

HSL 281.65, 0.59%, 0.6%

LAB 53.69, 53.63, -48.55

 

CMYK 2 / 57 / 0 / 16

HEX #D15CD5

RGB 209 92 213

HSL 298.02, 0.59%, 0.6%

LAB 58.05, 62.05, -41.38

 

CMYK 0 / 57 / 14 / 16

HEX #D55CB8

RGB 213 92 184

HSL 314.38, 0.59%, 0.6%

LAB 57.33, 58.37, -25.91

 

CMYK 0 / 57 / 29 / 16

HEX #D55C98

RGB 213 92 152

HSL 330.25, 0.59%, 0.6%

LAB 56.16, 53.86, -9.12

 

CMYK 0 / 57 / 44 / 16

HEX #D55C77

RGB 213 92 119

HSL 346.61, 0.59%, 0.6%

LAB 55.21, 50.07, 8.91

 

CMYK 17 / 57 / 0 / 16

HEX #B05CD5

RGB 176 92 213

HSL 281.65, 0.59%, 0.6%

LAB 53.69, 53.63, -48.55

 

CMYK 32 / 57 / 0 / 16

HEX #905CD5

RGB 144 92 213

HSL 265.79, 0.59%, 0.6%

LAB 49.96, 45.73, -54.72

 

CMYK 48 / 57 / 0 / 16

HEX #6F5CD5

RGB 111 92 213

HSL 249.42, 0.59%, 0.6%

LAB 46.76, 38.29, -60.04

 

CMYK 57 / 57 / 0 / 16

HEX #5C5CD5

RGB 92 92 213

HSL 240, 0.59%, 0.6%

LAB 45.27, 34.55, -62.53

 

CMYK 17 / 57 / 0 / 16

HEX #B05CD5

RGB 176 92 213

HSL 281.65, 0.59%, 0.6%

LAB 53.69, 53.63, -48.55

 

CMYK 20 / 67 / 0 / 10

HEX #B74CE5

RGB 183 76 229

HSL 281.96, 0.75%, 0.6%

LAB 52.83, 65.93, -58.93

 

CMYK 23 / 76 / 0 / 4

HEX #BD3BF6

RGB 189 59 246

HSL 281.71, 0.91%, 0.6%

LAB 52.51, 76.83, -68.95

 

CMYK 17 / 57 / 0 / 16

HEX #B05CD5

RGB 176 92 213

HSL 281.65, 0.59%, 0.6%

LAB 53.69, 53.63, -48.55

 

CMYK 13 / 44 / 0 / 23

HEX #AA6DC4

RGB 170 109 196

HSL 282.07, 0.42%, 0.6%

LAB 55.55, 39.46, -35.98

 

CMYK 9 / 31 / 0 / 29

HEX #A37DB4

RGB 163 125 180

HSL 281.45, 0.27%, 0.6%

LAB 57.8, 24.88, -23.41

 

CMYK 4 / 13 / 0 / 36

HEX #9D8EA3

RGB 157 142 163

HSL 282.86, 0.1%, 0.6%

LAB 60.92, 9.59, -9.03

 

CMYK 5 / 0 / 7 / 38

HEX #969E93

RGB 150 158 147

HSL 103.64, 0.05%, 0.6%

LAB 64.2, -4.98, 4.75

 

CMYK 48 / 57 / 0 / 16

HEX #6E5CD5

RGB 110 92 213

HSL 248.93, 0.59%, 0.6%

LAB 46.68, 38.08, -60.19

 

CMYK 33 / 57 / 0 / 16

HEX #8E5CD5

RGB 142 92 213

HSL 264.79, 0.59%, 0.6%

LAB 49.75, 45.25, -55.08

 

CMYK 18 / 57 / 0 / 16

HEX #AF5CD5

RGB 175 92 213

HSL 281.16, 0.59%, 0.6%

LAB 53.57, 53.37, -48.75

 

CMYK 3 / 57 / 0 / 16

HEX #CF5CD5

RGB 207 92 213

HSL 297.02, 0.59%, 0.6%

LAB 57.77, 61.54, -41.83

 

CMYK 0 / 57 / 12 / 16

HEX #D55CBB

RGB 213 92 187

HSL 312.89, 0.59%, 0.6%

LAB 57.45, 58.83, -27.45

 

CMYK 23 / 75 / 0 / 31

HEX #892DB1

RGB 137 45 177

HSL 281.82, 0.59%, 0.44%

LAB 38.5, 58.43, -52.3

 

CMYK 22 / 71 / 0 / 20

HEX #A03CCC

RGB 160 60 204

HSL 281.67, 0.59%, 0.52%

LAB 45.72, 62.69, -56.27

 

CMYK 17 / 57 / 0 / 16

HEX #B05CD5

RGB 176 92 213

HSL 281.65, 0.59%, 0.6%

LAB 53.69, 53.63, -48.55

 

CMYK 13 / 43 / 0 / 13

HEX #C07DDD

RGB 192 125 221

HSL 281.88, 0.59%, 0.68%

LAB 62.59, 42.47, -38.9

 

CMYK 10 / 31 / 0 / 10

HEX #D09EE6

RGB 208 158 230

HSL 281.67, 0.59%, 0.76%

LAB 71.94, 31.23, -29.22

 

CMYK 17 / 56 / 0 / 16

HEX #B15ED5

RGB 177 94 213

HSL 281.85, 0.59%, 0.6%

LAB 54.19, 52.88, -47.75

 

CMYK 0 / 57 / 50 / 16

HEX #D55C6A

RGB 213 92 106

HSL 353.06, 0.59%, 0.6%

LAB 54.91, 48.84, 16.15

 

CMYK 57 / 0 / 41 / 16

HEX #5CD57E

RGB 92 213 126

HSL 136.86, 0.59%, 0.6%

LAB 76.9, -52.7, 33.04

 

CMYK 17 / 56 / 0 / 16

HEX #B15ED5

RGB 177 94 213

HSL 281.85, 0.59%, 0.6%

LAB 54.19, 52.88, -47.75

 

CMYK 0 / 18 / 57 / 16

HEX #D5AF5C

RGB 213 175 92

HSL 41.16, 0.59%, 0.6%

LAB 73.27, 4.05, 47.14

 

CMYK 57 / 0 / 18 / 16

HEX #5CD5AF

RGB 92 213 175

HSL 161.16, 0.59%, 0.6%

LAB 77.85, -42.95, 8.67

 

CMYK 17 / 56 / 0 / 16

HEX #B15ED5

RGB 177 94 213

HSL 281.85, 0.59%, 0.6%

LAB 54.19, 52.88, -47.75

 

CMYK 0 / 57 / 50 / 16

HEX #D55C6A

RGB 213 92 106

HSL 353.06, 0.59%, 0.6%

LAB 54.91, 48.84, 16.15

 

CMYK 39 / 0 / 57 / 16

HEX #82D55C

RGB 130 213 92

HSL 101.16, 0.59%, 0.6%

LAB 77.94, -46.76, 51.12

 

CMYK 57 / 0 / 7 / 16

HEX #5CD5C7

RGB 92 213 199

HSL 173.06, 0.59%, 0.6%

LAB 78.45, -37.13, -3.29

 

CMYK 17 / 56 / 0 / 16

HEX #B15ED5

RGB 177 94 213

HSL 281.85, 0.59%, 0.6%

LAB 54.19, 52.88, -47.75

 

CMYK 0 / 46 / 57 / 16

HEX #D5725C

RGB 213 114 92

HSL 10.91, 0.59%, 0.6%

LAB 58.93, 36.73, 29.56

 

CMYK 39 / 0 / 57 / 16

HEX #82D55C

RGB 130 213 92

HSL 101.16, 0.59%, 0.6%

LAB 77.94, -46.76, 51.12

 

CMYK 57 / 10 / 0 / 16

HEX #5CBFD5

RGB 92 191 213

HSL 190.91, 0.59%, 0.6%

LAB 72.46, -22.71, -19.83

 

Description

Color code: HEX #B15ED5 | qconv.com Color code: HEX #B15ED5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 94 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 94 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 56 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 56% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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