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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1619C it is the complementary color #4E9E63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1619C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1619C shade: #B66197, #C773AA, #D885BD, #E997D0 and #FAA9E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1619C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1619C shade: #B1619C, #A04F89, #8F3D76, #7E2B63 and #6D1950

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1619C shade: #B1619C, #B16187, #B16171 and #B16161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1619C shade: #B1619C, #B161B1, #9B61B1, #8561B1 and #7061B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1619C shade matches the following richer shades: #B1619C, #C44EA5, #D73BAE, #EA28B7 and #FD15C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1619C shade: #B1619C, #9E7493, #8B878A, #789A81 and #65AD78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1619C shade: #9A61B1, #B061B1, #B1619D, #B16188 and #B16173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1619C shade: #813F70, #9C4D87, #B1619C, #BF7DAD and #CC99BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1619C shade: #B1619C, #B18561 and #61B1A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1619C shade: #B1619C, #9DB161 and #619DB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1619C shade: #B1619C, #B18561, #61B175 and #618DB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1619C shade: #B1619C, #B19D61, #61B175 and #6175B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 12 / 31

HEX #B1619C

RGB 177 97 156

HSL 315.75, 0.34%, 0.54%

LAB 52.17, 40.46, -17.98

 

Complementary color

CMYK 51 / 0 / 37 / 38

HEX #4E9E63

RGB 78 158 99

HSL 135.75, 0.34%, 0.46%

LAB 58.95, -37.96, 23.5

 

CMYK 0 / 47 / 17 / 29

HEX #B66197

RGB 182 97 151

HSL 321.88, 0.37%, 0.55%

LAB 52.65, 41.28, -14.25

 

CMYK 0 / 42 / 15 / 22

HEX #C773AA

RGB 199 115 170

HSL 320.71, 0.43%, 0.62%

LAB 59.26, 40.5, -15.09

 

CMYK 0 / 38 / 13 / 15

HEX #D885BD

RGB 216 133 189

HSL 319.52, 0.52%, 0.68%

LAB 65.79, 39.73, -15.81

 

CMYK 0 / 35 / 11 / 9

HEX #E997D0

RGB 233 151 208

HSL 318.29, 0.65%, 0.75%

LAB 72.24, 38.98, -16.46

 

CMYK 0 / 32 / 9 / 2

HEX #FAA9E3

RGB 250 169 227

HSL 317.04, 0.89%, 0.82%

LAB 78.6, 38.26, -17.05

 

CMYK 0 / 45 / 12 / 31

HEX #B1619C

RGB 177 97 156

HSL 315.75, 0.34%, 0.54%

LAB 52.17, 40.46, -17.98

 

CMYK 0 / 51 / 14 / 37

HEX #A04F89

RGB 160 79 137

HSL 317.04, 0.34%, 0.47%

LAB 45.46, 41.2, -17.14

 

CMYK 0 / 57 / 17 / 44

HEX #8F3D76

RGB 143 61 118

HSL 318.29, 0.4%, 0.4%

LAB 38.7, 41.83, -16.08

 

CMYK 0 / 66 / 21 / 51

HEX #7E2B63

RGB 126 43 99

HSL 319.52, 0.49%, 0.33%

LAB 31.95, 42.18, -14.66

 

CMYK 0 / 77 / 27 / 57

HEX #6D1950

RGB 109 25 80

HSL 320.71, 0.63%, 0.26%

LAB 25.34, 41.87, -12.62

 

CMYK 0 / 45 / 12 / 31

HEX #B1619C

RGB 177 97 156

HSL 315.75, 0.34%, 0.54%

LAB 52.17, 40.46, -17.98

 

CMYK 0 / 45 / 24 / 31

HEX #B16187

RGB 177 97 135

HSL 331.5, 0.34%, 0.54%

LAB 51.43, 37.12, -6.69

 

CMYK 0 / 45 / 36 / 31

HEX #B16171

RGB 177 97 113

HSL 348, 0.34%, 0.54%

LAB 50.79, 34.11, 5.45

 

CMYK 0 / 45 / 45 / 31

HEX #B16161

RGB 177 97 97

HSL 0, 0.34%, 0.54%

LAB 50.4, 32.26, 14.43

 

CMYK 0 / 45 / 12 / 31

HEX #B1619C

RGB 177 97 156

HSL 315.75, 0.34%, 0.54%

LAB 52.17, 40.46, -17.98

 

CMYK 0 / 45 / 0 / 31

HEX #B161B1

RGB 177 97 177

HSL 300, 0.34%, 0.54%

LAB 53.03, 44.19, -28.92

 

CMYK 12 / 45 / 0 / 31

HEX #9B61B1

RGB 155 97 177

HSL 283.5, 0.34%, 0.54%

LAB 50.33, 37.55, -33.34

 

CMYK 25 / 45 / 0 / 31

HEX #8561B1

RGB 133 97 177

HSL 267, 0.34%, 0.54%

LAB 47.89, 31.05, -37.33

 

CMYK 37 / 45 / 0 / 31

HEX #7061B1

RGB 112 97 177

HSL 251.25, 0.34%, 0.54%

LAB 45.86, 25.15, -40.67

 

CMYK 0 / 45 / 12 / 31

HEX #B1619C

RGB 177 97 156

HSL 315.75, 0.34%, 0.54%

LAB 52.17, 40.46, -17.98

 

CMYK 0 / 60 / 16 / 23

HEX #C44EA5

RGB 196 78 165

HSL 315.76, 0.5%, 0.54%

LAB 51.73, 56.93, -23.72

 

CMYK 0 / 73 / 19 / 16

HEX #D73BAE

RGB 215 59 174

HSL 315.77, 0.66%, 0.54%

LAB 52.54, 70.39, -27.48

 

CMYK 0 / 83 / 22 / 8

HEX #EA28B7

RGB 234 40 183

HSL 315.77, 0.82%, 0.54%

LAB 54.48, 80.75, -29.47

 

CMYK 0 / 92 / 24 / 1

HEX #FD15C0

RGB 253 21 192

HSL 315.78, 0.98%, 0.54%

LAB 57.29, 88.49, -30.05

 

CMYK 0 / 45 / 12 / 31

HEX #B1619C

RGB 177 97 156

HSL 315.75, 0.34%, 0.54%

LAB 52.17, 40.46, -17.98

 

CMYK 0 / 27 / 7 / 38

HEX #9E7493

RGB 158 116 147

HSL 315.71, 0.18%, 0.54%

LAB 53.89, 21.73, -10.33

 

CMYK 0 / 3 / 1 / 45

HEX #8B878A

RGB 139 135 138

HSL 315, 0.02%, 0.54%

LAB 56.73, 2.07, -1.08

 

CMYK 22 / 0 / 16 / 40

HEX #789A81

RGB 120 154 129

HSL 135.88, 0.14%, 0.54%

LAB 60.51, -17, 9.31

 

CMYK 42 / 0 / 31 / 32

HEX #65AD78

RGB 101 173 120

HSL 135.83, 0.31%, 0.54%

LAB 64.97, -34.3, 20.35

 

CMYK 13 / 45 / 0 / 31

HEX #9A61B1

RGB 154 97 177

HSL 282.75, 0.34%, 0.54%

LAB 50.21, 37.26, -33.53

 

CMYK 1 / 45 / 0 / 31

HEX #B061B1

RGB 176 97 177

HSL 299.25, 0.34%, 0.54%

LAB 52.9, 43.89, -29.13

 

CMYK 0 / 45 / 11 / 31

HEX #B1619D

RGB 177 97 157

HSL 315, 0.34%, 0.54%

LAB 52.21, 40.62, -18.51

 

CMYK 0 / 45 / 23 / 31

HEX #B16188

RGB 177 97 136

HSL 330.75, 0.34%, 0.54%

LAB 51.47, 37.27, -7.24

 

CMYK 0 / 45 / 35 / 31

HEX #B16173

RGB 177 97 115

HSL 346.5, 0.34%, 0.54%

LAB 50.84, 34.36, 4.34

 

CMYK 0 / 51 / 13 / 49

HEX #813F70

RGB 129 63 112

HSL 315.45, 0.34%, 0.38%

LAB 36.73, 35.23, -15.54

 

CMYK 0 / 51 / 13 / 39

HEX #9C4D87

RGB 156 77 135

HSL 315.95, 0.34%, 0.46%

LAB 44.41, 40.61, -17.58

 

CMYK 0 / 45 / 12 / 31

HEX #B1619C

RGB 177 97 156

HSL 315.75, 0.34%, 0.54%

LAB 52.17, 40.46, -17.98

 

CMYK 0 / 35 / 9 / 25

HEX #BF7DAD

RGB 191 125 173

HSL 316.36, 0.34%, 0.62%

LAB 60.57, 32.93, -14.91

 

CMYK 0 / 25 / 6 / 20

HEX #CC99BF

RGB 204 153 191

HSL 315.29, 0.33%, 0.7%

LAB 69.03, 25.21, -12.18

 

CMYK 0 / 45 / 12 / 31

HEX #B1619C

RGB 177 97 156

HSL 315.75, 0.34%, 0.54%

LAB 52.17, 40.46, -17.98

 

CMYK 0 / 25 / 45 / 31

HEX #B18561

RGB 177 133 97

HSL 27, 0.34%, 0.54%

LAB 58.96, 12.25, 25.93

 

CMYK 45 / 0 / 7 / 31

HEX #61B1A5

RGB 97 177 165

HSL 171, 0.34%, 0.54%

LAB 67.05, -27.51, -1.5

 

CMYK 0 / 45 / 12 / 31

HEX #B1619C

RGB 177 97 156

HSL 315.75, 0.34%, 0.54%

LAB 52.17, 40.46, -17.98

 

CMYK 11 / 0 / 45 / 31

HEX #9DB161

RGB 157 177 97

HSL 75, 0.34%, 0.54%

LAB 69.09, -19.73, 38.49

 

CMYK 45 / 11 / 0 / 31

HEX #619DB1

RGB 97 157 177

HSL 195, 0.34%, 0.54%

LAB 61.51, -14.05, -16.48

 

CMYK 0 / 45 / 12 / 31

HEX #B1619C

RGB 177 97 156

HSL 315.75, 0.34%, 0.54%

LAB 52.17, 40.46, -17.98

 

CMYK 0 / 25 / 45 / 31

HEX #B18561

RGB 177 133 97

HSL 27, 0.34%, 0.54%

LAB 58.96, 12.25, 25.93

 

CMYK 45 / 0 / 34 / 31

HEX #61B175

RGB 97 177 117

HSL 135, 0.34%, 0.54%

LAB 65.96, -37.84, 23.28

 

CMYK 45 / 20 / 0 / 31

HEX #618DB1

RGB 97 141 177

HSL 207, 0.34%, 0.54%

LAB 56.85, -5.19, -23.59

 

CMYK 0 / 45 / 12 / 31

HEX #B1619C

RGB 177 97 156

HSL 315.75, 0.34%, 0.54%

LAB 52.17, 40.46, -17.98

 

CMYK 0 / 11 / 45 / 31

HEX #B19D61

RGB 177 157 97

HSL 45, 0.34%, 0.54%

LAB 65.22, -1, 33.99

 

CMYK 45 / 0 / 34 / 31

HEX #61B175

RGB 97 177 117

HSL 135, 0.34%, 0.54%

LAB 65.96, -37.84, 23.28

 

CMYK 45 / 34 / 0 / 31

HEX #6175B1

RGB 97 117 177

HSL 225, 0.34%, 0.54%

LAB 50.02, 8.93, -34.19

 

Description

Color code: HEX #B1619C | qconv.com Color code: HEX #B1619C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 97 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 97 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 12 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 12% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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