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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B16B5D it is the complementary color #4E94A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B16B5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B16B5D shade: #B66B58, #C77D6B, #D88F7E, #E9A191 and #FAB3A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B16B5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B16B5D shade: #B16B5D, #A0594A, #8F4737, #7E3524 and #6D2311

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B16B5D shade: #B16B5D and #B15D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B16B5D shade: #B16B5D, #B1815D, #B1985D, #B1AF5D and #9CB15D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B16B5D shade matches the following richer shades: #B16B5D, #C45E49, #D75136, #EB4423 and #FE370F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B16B5D shade: #B16B5D, #9D7870, #8A8583, #769197 and #639EAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B16B5D shade: #B15D7B, #B15D65, #B16B5D, #B1815D and #B1975D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B16B5D shade: #7E473D, #9A574A, #B16B5D, #BE8479 and #CB9E94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B16B5D shade: #B16B5D, #92B15D and #5D70B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B16B5D shade: #B16B5D, #5DB16B and #6B5DB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B16B5D shade: #B16B5D, #92B15D, #5DA3B1 and #7B5DB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B16B5D shade: #B16B5D, #79B15D, #5DA3B1 and #955DB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 47 / 31

HEX #B16B5D

RGB 177 107 93

HSL 10, 0.35%, 0.53%

LAB 52.57, 26.36, 19.72

 

Complementary color

CMYK 52 / 9 / 0 / 36

HEX #4E94A2

RGB 78 148 162

HSL 190, 0.35%, 0.47%

LAB 57.47, -18.04, -14.16

 

CMYK 0 / 41 / 52 / 29

HEX #B66B58

RGB 182 107 88

HSL 12.13, 0.39%, 0.53%

LAB 53.13, 27.89, 23.48

 

CMYK 0 / 37 / 46 / 22

HEX #C77D6B

RGB 199 125 107

HSL 11.74, 0.45%, 0.6%

LAB 59.77, 26.73, 21.86

 

CMYK 0 / 34 / 42 / 15

HEX #D88F7E

RGB 216 143 126

HSL 11.33, 0.54%, 0.67%

LAB 66.33, 25.69, 20.41

 

CMYK 0 / 31 / 38 / 9

HEX #E9A191

RGB 233 161 145

HSL 10.91, 0.67%, 0.74%

LAB 72.8, 24.77, 19.12

 

CMYK 0 / 28 / 34 / 2

HEX #FAB3A4

RGB 250 179 164

HSL 10.47, 0.9%, 0.81%

LAB 79.18, 23.94, 17.94

 

CMYK 0 / 40 / 47 / 31

HEX #B16B5D

RGB 177 107 93

HSL 10, 0.35%, 0.53%

LAB 52.57, 26.36, 19.72

 

CMYK 0 / 44 / 54 / 37

HEX #A0594A

RGB 160 89 74

HSL 10.47, 0.37%, 0.46%

LAB 45.79, 27.58, 21.46

 

CMYK 0 / 50 / 62 / 44

HEX #8F4737

RGB 143 71 55

HSL 10.91, 0.44%, 0.39%

LAB 38.94, 28.95, 23.52

 

CMYK 0 / 58 / 71 / 51

HEX #7E3524

RGB 126 53 36

HSL 11.33, 0.56%, 0.32%

LAB 32.05, 30.44, 25.98

 

CMYK 0 / 68 / 84 / 57

HEX #6D2311

RGB 109 35 17

HSL 11.74, 0.73%, 0.25%

LAB 25.24, 31.91, 28.83

 

CMYK 0 / 40 / 47 / 31

HEX #B16B5D

RGB 177 107 93

HSL 10, 0.35%, 0.53%

LAB 52.57, 26.36, 19.72

 

CMYK 0 / 47 / 47 / 31

HEX #B15D5D

RGB 177 93 93

HSL 0, 0.35%, 0.53%

LAB 49.45, 33.99, 15.5

 

CMYK 0 / 40 / 47 / 31

HEX #B16B5D

RGB 177 107 93

HSL 10, 0.35%, 0.53%

LAB 52.57, 26.36, 19.72

 

CMYK 0 / 27 / 47 / 31

HEX #B1815D

RGB 177 129 93

HSL 25.71, 0.35%, 0.53%

LAB 57.88, 14.06, 26.75

 

CMYK 0 / 14 / 47 / 31

HEX #B1985D

RGB 177 152 93

HSL 42.14, 0.35%, 0.53%

LAB 63.83, 1.31, 34.36

 

CMYK 0 / 1 / 47 / 31

HEX #B1AF5D

RGB 177 175 93

HSL 58.57, 0.35%, 0.53%

LAB 70.03, -10.97, 42

 

CMYK 12 / 0 / 47 / 31

HEX #9CB15D

RGB 156 177 93

HSL 75, 0.35%, 0.53%

LAB 68.97, -20.57, 40.33

 

CMYK 0 / 40 / 47 / 31

HEX #B16B5D

RGB 177 107 93

HSL 10, 0.35%, 0.53%

LAB 52.57, 26.36, 19.72

 

CMYK 0 / 52 / 63 / 23

HEX #C45E49

RGB 196 94 73

HSL 10.24, 0.51%, 0.53%

LAB 52.09, 39.09, 31.14

 

CMYK 0 / 62 / 75 / 16

HEX #D75136

RGB 215 81 54

HSL 10.06, 0.67%, 0.53%

LAB 52.51, 51.21, 42.87

 

CMYK 0 / 71 / 85 / 8

HEX #EB4423

RGB 235 68 35

HSL 9.9, 0.83%, 0.53%

LAB 53.94, 62.4, 54.71

 

CMYK 0 / 78 / 94 / 0

HEX #FE370F

RGB 254 55 15

HSL 10.04, 0.99%, 0.53%

LAB 55.92, 71.8, 64.82

 

CMYK 0 / 40 / 47 / 31

HEX #B16B5D

RGB 177 107 93

HSL 10, 0.35%, 0.53%

LAB 52.57, 26.36, 19.72

 

CMYK 0 / 24 / 29 / 38

HEX #9D7870

RGB 157 120 112

HSL 10.67, 0.19%, 0.53%

LAB 53.78, 13.23, 9.96

 

CMYK 0 / 4 / 5 / 46

HEX #8A8583

RGB 138 133 131

HSL 17.14, 0.03%, 0.53%

LAB 55.9, 1.49, 1.73

 

CMYK 22 / 4 / 0 / 41

HEX #769197

RGB 118 145 151

HSL 190.91, 0.14%, 0.53%

LAB 58.36, -8.1, -6.33

 

CMYK 42 / 7 / 0 / 33

HEX #639EAA

RGB 99 158 170

HSL 190.14, 0.29%, 0.53%

LAB 61.66, -15.99, -12.29

 

CMYK 0 / 47 / 31 / 31

HEX #B15D7B

RGB 177 93 123

HSL 338.57, 0.35%, 0.53%

LAB 50.22, 37.55, -1.34

 

CMYK 0 / 47 / 43 / 31

HEX #B15D65

RGB 177 93 101

HSL 354.29, 0.35%, 0.53%

LAB 49.64, 34.84, 10.98

 

CMYK 0 / 40 / 47 / 31

HEX #B16B5D

RGB 177 107 93

HSL 10, 0.35%, 0.53%

LAB 52.57, 26.36, 19.72

 

CMYK 0 / 27 / 47 / 31

HEX #B1815D

RGB 177 129 93

HSL 25.71, 0.35%, 0.53%

LAB 57.88, 14.06, 26.75

 

CMYK 0 / 15 / 47 / 31

HEX #B1975D

RGB 177 151 93

HSL 41.43, 0.35%, 0.53%

LAB 63.57, 1.86, 34.02

 

CMYK 0 / 44 / 52 / 51

HEX #7E473D

RGB 126 71 61

HSL 9.23, 0.35%, 0.37%

LAB 36.52, 22.36, 16.22

 

CMYK 0 / 44 / 52 / 40

HEX #9A574A

RGB 154 87 74

HSL 9.75, 0.35%, 0.45%

LAB 44.49, 26.24, 19.6

 

CMYK 0 / 40 / 47 / 31

HEX #B16B5D

RGB 177 107 93

HSL 10, 0.35%, 0.53%

LAB 52.57, 26.36, 19.72

 

CMYK 0 / 31 / 36 / 25

HEX #BE8479

RGB 190 132 121

HSL 9.57, 0.35%, 0.61%

LAB 60.63, 20.89, 14.91

 

CMYK 0 / 22 / 27 / 20

HEX #CB9E94

RGB 203 158 148

HSL 10.91, 0.35%, 0.69%

LAB 68.96, 15.24, 11.63

 

CMYK 0 / 40 / 47 / 31

HEX #B16B5D

RGB 177 107 93

HSL 10, 0.35%, 0.53%

LAB 52.57, 26.36, 19.72

 

CMYK 18 / 0 / 47 / 31

HEX #92B15D

RGB 146 177 93

HSL 82.14, 0.35%, 0.53%

LAB 68.27, -24.52, 39.32

 

CMYK 47 / 37 / 0 / 31

HEX #5D70B1

RGB 93 112 177

HSL 226.43, 0.35%, 0.53%

LAB 48.37, 10.95, -36.8

 

CMYK 0 / 40 / 47 / 31

HEX #B16B5D

RGB 177 107 93

HSL 10, 0.35%, 0.53%

LAB 52.57, 26.36, 19.72

 

CMYK 47 / 0 / 40 / 31

HEX #5DB16B

RGB 93 177 107

HSL 130, 0.35%, 0.53%

LAB 65.62, -40.72, 28.13

 

CMYK 40 / 47 / 0 / 31

HEX #6B5DB1

RGB 107 93 177

HSL 250, 0.35%, 0.53%

LAB 44.42, 26.25, -43

 

CMYK 0 / 40 / 47 / 31

HEX #B16B5D

RGB 177 107 93

HSL 10, 0.35%, 0.53%

LAB 52.57, 26.36, 19.72

 

CMYK 18 / 0 / 47 / 31

HEX #92B15D

RGB 146 177 93

HSL 82.14, 0.35%, 0.53%

LAB 68.27, -24.52, 39.32

 

CMYK 47 / 8 / 0 / 31

HEX #5DA3B1

RGB 93 163 177

HSL 190, 0.35%, 0.53%

LAB 63.09, -18.23, -14.1

 

CMYK 31 / 47 / 0 / 31

HEX #7B5DB1

RGB 123 93 177

HSL 261.43, 0.35%, 0.53%

LAB 45.93, 30.57, -40.51

 

CMYK 0 / 40 / 47 / 31

HEX #B16B5D

RGB 177 107 93

HSL 10, 0.35%, 0.53%

LAB 52.57, 26.36, 19.72

 

CMYK 32 / 0 / 47 / 31

HEX #79B15D

RGB 121 177 93

HSL 100, 0.35%, 0.53%

LAB 66.75, -33.84, 37.1

 

CMYK 47 / 8 / 0 / 31

HEX #5DA3B1

RGB 93 163 177

HSL 190, 0.35%, 0.53%

LAB 63.09, -18.23, -14.1

 

CMYK 16 / 47 / 0 / 31

HEX #955DB1

RGB 149 93 177

HSL 280, 0.35%, 0.53%

LAB 48.75, 38, -35.86

 

Description

Color code: HEX #B16B5D | qconv.com Color code: HEX #B16B5D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 107 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 107 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 47 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 47% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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