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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1703E it is the complementary color #4E8FC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1703E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1703E shade: #B67039, #C7824C, #D8945F, #E9A672 and #FAB885

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1703E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1703E shade: #B1703E, #A05E2B, #8F4C18, #7E3A05 and #6D2800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1703E shade: #B1703E, #B1513E and #B13E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1703E shade: #B1703E, #B18F3E, #B1AE3E, #95B13E and #76B13E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1703E shade matches the following richer shades: #B1703E, #C46D2A, #D86B17 and #EB6804

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1703E shade: #B1703E, #9D7251, #8A7565, #777778 and #637A8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1703E shade: #B13E49, #B1513E, #B1703E, #B18E3E and #B1AD3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1703E shade: #744928, #925D33, #B1703E, #C38555 and #CE9B74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1703E shade: #B1703E, #68B13E and #423EB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1703E shade: #B1703E, #3EB170 and #703EB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1703E shade: #B1703E, #68B13E, #3E7FB1 and #873EB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1703E shade: #B1703E, #45B13E, #3E7FB1 and #A93EB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 65 / 31

HEX #B1703E

RGB 177 112 62

HSL 26.09, 0.48%, 0.47%

LAB 53.26, 20.96, 37.94

 

Complementary color

CMYK 60 / 26 / 0 / 24

HEX #4E8FC1

RGB 78 143 193

HSL 206.09, 0.48%, 0.53%

LAB 57.19, -5.75, -32.23

 

CMYK 0 / 38 / 69 / 29

HEX #B67039

RGB 182 112 57

HSL 26.4, 0.52%, 0.47%

LAB 53.84, 22.79, 41.37

 

CMYK 0 / 35 / 62 / 22

HEX #C7824C

RGB 199 130 76

HSL 26.34, 0.52%, 0.54%

LAB 60.45, 21.32, 39.72

 

CMYK 0 / 31 / 56 / 15

HEX #D8945F

RGB 216 148 95

HSL 26.28, 0.61%, 0.61%

LAB 66.98, 20.04, 38.12

 

CMYK 0 / 29 / 51 / 9

HEX #E9A672

RGB 233 166 114

HSL 26.22, 0.73%, 0.68%

LAB 73.42, 18.93, 36.62

 

CMYK 0 / 26 / 47 / 2

HEX #FAB885

RGB 250 184 133

HSL 26.15, 0.92%, 0.75%

LAB 79.78, 17.95, 35.22

 

CMYK 0 / 37 / 65 / 31

HEX #B1703E

RGB 177 112 62

HSL 26.09, 0.48%, 0.47%

LAB 53.26, 20.96, 37.94

 

CMYK 0 / 41 / 73 / 37

HEX #A05E2B

RGB 160 94 43

HSL 26.15, 0.58%, 0.4%

LAB 46.52, 22.56, 39.63

 

CMYK 0 / 47 / 83 / 44

HEX #8F4C18

RGB 143 76 24

HSL 26.22, 0.71%, 0.33%

LAB 39.71, 24.43, 41.08

 

CMYK 0 / 54 / 96 / 51

HEX #7E3A05

RGB 126 58 5

HSL 26.28, 0.92%, 0.26%

LAB 32.86, 26.57, 41.65

 

CMYK 0 / 63 / 100 / 57

HEX #6D2800

RGB 109 40 0

HSL 22.02, 1%, 0.21%

LAB 26.07, 28.92, 37.1

 

CMYK 0 / 37 / 65 / 31

HEX #B1703E

RGB 177 112 62

HSL 26.09, 0.48%, 0.47%

LAB 53.26, 20.96, 37.94

 

CMYK 0 / 54 / 65 / 31

HEX #B1513E

RGB 177 81 62

HSL 9.91, 0.48%, 0.47%

LAB 46.42, 37.69, 29.82

 

CMYK 0 / 65 / 65 / 31

HEX #B13E3E

RGB 177 62 62

HSL 0, 0.48%, 0.47%

LAB 42.97, 46.74, 25.57

 

CMYK 0 / 37 / 65 / 31

HEX #B1703E

RGB 177 112 62

HSL 26.09, 0.48%, 0.47%

LAB 53.26, 20.96, 37.94

 

CMYK 0 / 19 / 65 / 31

HEX #B18F3E

RGB 177 143 62

HSL 42.26, 0.48%, 0.47%

LAB 61.08, 3.68, 46.75

 

CMYK 0 / 2 / 65 / 31

HEX #B1AE3E

RGB 177 174 62

HSL 58.43, 0.48%, 0.47%

LAB 69.45, -12.89, 55.69

 

CMYK 16 / 0 / 65 / 31

HEX #95B13E

RGB 149 177 62

HSL 74.61, 0.48%, 0.47%

LAB 68.15, -26.18, 53.67

 

CMYK 33 / 0 / 65 / 31

HEX #76B13E

RGB 118 177 62

HSL 90.78, 0.48%, 0.47%

LAB 66.25, -38.21, 51.06

 

CMYK 0 / 37 / 65 / 31

HEX #B1703E

RGB 177 112 62

HSL 26.09, 0.48%, 0.47%

LAB 53.26, 20.96, 37.94

 

CMYK 0 / 44 / 79 / 23

HEX #C46D2A

RGB 196 109 42

HSL 26.1, 0.65%, 0.47%

LAB 54.91, 29.62, 50.21

 

CMYK 0 / 50 / 89 / 15

HEX #D86B17

RGB 216 107 23

HSL 26.11, 0.81%, 0.47%

LAB 57.25, 38.28, 60.4

 

CMYK 0 / 56 / 98 / 8

HEX #EB6804

RGB 235 104 4

HSL 25.97, 0.97%, 0.47%

LAB 59.5, 46.85, 67.38

 

CMYK 0 / 37 / 65 / 31

HEX #B1703E

RGB 177 112 62

HSL 26.09, 0.48%, 0.47%

LAB 53.26, 20.96, 37.94

 

CMYK 0 / 27 / 48 / 38

HEX #9D7251

RGB 157 114 81

HSL 26.05, 0.32%, 0.47%

LAB 51.61, 12.8, 24.91

 

CMYK 0 / 15 / 27 / 46

HEX #8A7565

RGB 138 117 101

HSL 25.95, 0.15%, 0.47%

LAB 50.76, 5.56, 11.86

 

CMYK 1 / 1 / 0 / 53

HEX #777778

RGB 119 119 120

HSL 240, 0%, 0.47%

LAB 50.06, 0.21, -0.55

 

CMYK 29 / 12 / 0 / 45

HEX #637A8B

RGB 99 122 139

HSL 205.5, 0.17%, 0.47%

LAB 50.02, -4.16, -11.98

 

CMYK 0 / 65 / 59 / 31

HEX #B13E49

RGB 177 62 73

HSL 354.26, 0.48%, 0.47%

LAB 43.17, 47.49, 19.12

 

CMYK 0 / 54 / 65 / 31

HEX #B1513E

RGB 177 81 62

HSL 9.91, 0.48%, 0.47%

LAB 46.42, 37.69, 29.82

 

CMYK 0 / 37 / 65 / 31

HEX #B1703E

RGB 177 112 62

HSL 26.09, 0.48%, 0.47%

LAB 53.26, 20.96, 37.94

 

CMYK 0 / 20 / 65 / 31

HEX #B18E3E

RGB 177 142 62

HSL 41.74, 0.48%, 0.47%

LAB 60.82, 4.23, 46.46

 

CMYK 0 / 2 / 65 / 31

HEX #B1AD3E

RGB 177 173 62

HSL 57.91, 0.48%, 0.47%

LAB 69.17, -12.37, 55.4

 

CMYK 0 / 37 / 66 / 55

HEX #744928

RGB 116 73 40

HSL 26.05, 0.49%, 0.31%

LAB 35.26, 14.82, 27

 

CMYK 0 / 36 / 65 / 43

HEX #925D33

RGB 146 93 51

HSL 26.53, 0.48%, 0.39%

LAB 44.49, 17.44, 32.64

 

CMYK 0 / 37 / 65 / 31

HEX #B1703E

RGB 177 112 62

HSL 26.09, 0.48%, 0.47%

LAB 53.26, 20.96, 37.94

 

CMYK 0 / 32 / 56 / 24

HEX #C38555

RGB 195 133 85

HSL 26.18, 0.48%, 0.55%

LAB 60.81, 18.67, 35.27

 

CMYK 0 / 25 / 44 / 19

HEX #CE9B74

RGB 206 155 116

HSL 26, 0.48%, 0.63%

LAB 67.89, 14.11, 27.82

 

CMYK 0 / 37 / 65 / 31

HEX #B1703E

RGB 177 112 62

HSL 26.09, 0.48%, 0.47%

LAB 53.26, 20.96, 37.94

 

CMYK 41 / 0 / 65 / 31

HEX #68B13E

RGB 104 177 62

HSL 98.09, 0.48%, 0.47%

LAB 65.54, -43.09, 50.09

 

CMYK 63 / 65 / 0 / 31

HEX #423EB1

RGB 66 62 177

HSL 242.09, 0.48%, 0.47%

LAB 33.52, 36.74, -60.76

 

CMYK 0 / 37 / 65 / 31

HEX #B1703E

RGB 177 112 62

HSL 26.09, 0.48%, 0.47%

LAB 53.26, 20.96, 37.94

 

CMYK 65 / 0 / 37 / 31

HEX #3EB170

RGB 62 177 112

HSL 146.09, 0.48%, 0.47%

LAB 64.67, -47.23, 24.03

 

CMYK 37 / 65 / 0 / 31

HEX #703EB1

RGB 112 62 177

HSL 266.09, 0.48%, 0.47%

LAB 37.96, 45.45, -53.34

 

CMYK 0 / 37 / 65 / 31

HEX #B1703E

RGB 177 112 62

HSL 26.09, 0.48%, 0.47%

LAB 53.26, 20.96, 37.94

 

CMYK 41 / 0 / 65 / 31

HEX #68B13E

RGB 104 177 62

HSL 98.09, 0.48%, 0.47%

LAB 65.54, -43.09, 50.09

 

CMYK 65 / 28 / 0 / 31

HEX #3E7FB1

RGB 62 127 177

HSL 206.09, 0.48%, 0.47%

LAB 51.13, -4.82, -32.59

 

CMYK 24 / 65 / 0 / 31

HEX #873EB1

RGB 135 62 177

HSL 278.09, 0.48%, 0.47%

LAB 40.85, 50.61, -48.53

 

CMYK 0 / 37 / 65 / 31

HEX #B1703E

RGB 177 112 62

HSL 26.09, 0.48%, 0.47%

LAB 53.26, 20.96, 37.94

 

CMYK 61 / 0 / 65 / 31

HEX #45B13E

RGB 69 177 62

HSL 116.35, 0.48%, 0.47%

LAB 64.21, -53.13, 48.25

 

CMYK 65 / 28 / 0 / 31

HEX #3E7FB1

RGB 62 127 177

HSL 206.09, 0.48%, 0.47%

LAB 51.13, -4.82, -32.59

 

CMYK 5 / 65 / 0 / 31

HEX #A93EB1

RGB 169 62 177

HSL 295.83, 0.48%, 0.47%

LAB 45.71, 58.67, -40.49

 

Description

Color code: HEX #B1703E | qconv.com Color code: HEX #B1703E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 112 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 112 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 65 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 65% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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