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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B17A2E it is the complementary color #4E85D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B17A2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B17A2E shade: #B67A29, #C78C3C, #D89E4F, #E9B062 and #FAC275

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B17A2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B17A2E shade: #B17A2E, #A0681B, #8F5608, #7E4400 and #6D3200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B17A2E shade: #B27A2E, #B2572E, #B2332E and #B22E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B17A2E shade: #B27A2E, #B29E2E, #A2B22E, #7EB22E and #5BB22E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B17A2E shade matches the following richer shades: #B27A2E, #C47D1B and #D68009

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B17A2E shade: #B27A2E, #A07740, #8E7452, #7B7264 and #696F76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B17A2E shade: #B2322E, #B2552E, #B2792E, #B29C2E and #A5B22E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B17A2E shade: #704D1D, #916425, #B27A2E, #CC903C and #D5A35D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B17A2E shade: #B17A2E, #4CB22E and #442EB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B17A2E shade: #B17A2E, #2EB279 and #792EB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B17A2E shade: #B17A2E, #4CB22E, #2E67B2 and #932EB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B17A2E shade: #B17A2E, #2EB236, #2E67B2 and #B22EA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 74 / 31

HEX #B17A2E

RGB 177 122 46

HSL 34.81, 0.59%, 0.44%

LAB 55.55, 14.44, 48.25

 

Complementary color

CMYK 63 / 36 / 0 / 18

HEX #4E85D1

RGB 78 133 209

HSL 214.81, 0.59%, 0.56%

LAB 55.07, 5.41, -44.6

 

CMYK 0 / 33 / 77 / 29

HEX #B67A29

RGB 182 122 41

HSL 34.47, 0.63%, 0.44%

LAB 56.11, 16.43, 51.17

 

CMYK 0 / 30 / 70 / 22

HEX #C78C3C

RGB 199 140 60

HSL 34.53, 0.55%, 0.51%

LAB 62.7, 14.84, 50.13

 

CMYK 0 / 27 / 63 / 15

HEX #D89E4F

RGB 216 158 79

HSL 34.6, 0.64%, 0.58%

LAB 69.2, 13.48, 48.83

 

CMYK 0 / 24 / 58 / 9

HEX #E9B062

RGB 233 176 98

HSL 34.67, 0.75%, 0.65%

LAB 75.61, 12.31, 47.46

 

CMYK 0 / 22 / 53 / 2

HEX #FAC275

RGB 250 194 117

HSL 34.74, 0.93%, 0.72%

LAB 81.94, 11.3, 46.1

 

CMYK 0 / 31 / 74 / 31

HEX #B17A2E

RGB 177 122 46

HSL 34.81, 0.59%, 0.44%

LAB 55.55, 14.44, 48.25

 

CMYK 0 / 35 / 83 / 37

HEX #A0681B

RGB 160 104 27

HSL 34.74, 0.71%, 0.37%

LAB 48.83, 16.2, 48.97

 

CMYK 0 / 40 / 94 / 44

HEX #8F5608

RGB 143 86 8

HSL 34.67, 0.89%, 0.3%

LAB 42.02, 18.3, 48.43

 

CMYK 0 / 46 / 100 / 51

HEX #7E4400

RGB 126 68 0

HSL 32.38, 1%, 0.25%

LAB 35.14, 20.77, 45.05

 

CMYK 0 / 54 / 100 / 57

HEX #6D3200

RGB 109 50 0

HSL 27.52, 1%, 0.21%

LAB 28.2, 23.43, 38.96

 

CMYK 0 / 31 / 74 / 30

HEX #B27A2E

RGB 178 122 46

HSL 34.55, 0.59%, 0.44%

LAB 55.67, 14.89, 48.41

 

CMYK 0 / 51 / 74 / 30

HEX #B2572E

RGB 178 87 46

HSL 18.64, 0.59%, 0.44%

LAB 47.6, 34.08, 40.03

 

CMYK 0 / 71 / 74 / 30

HEX #B2332E

RGB 178 51 46

HSL 2.27, 0.59%, 0.44%

LAB 41.26, 50.75, 33.08

 

CMYK 0 / 74 / 74 / 30

HEX #B22E2E

RGB 178 46 46

HSL 0, 0.59%, 0.44%

LAB 40.6, 52.59, 32.33

 

CMYK 0 / 31 / 74 / 30

HEX #B27A2E

RGB 178 122 46

HSL 34.55, 0.59%, 0.44%

LAB 55.67, 14.89, 48.41

 

CMYK 0 / 11 / 74 / 30

HEX #B29E2E

RGB 178 158 46

HSL 50.91, 0.59%, 0.44%

LAB 65.05, -4.9, 57.65

 

CMYK 9 / 0 / 74 / 30

HEX #A2B22E

RGB 162 178 46

HSL 67.27, 0.59%, 0.44%

LAB 69.27, -22.21, 61.2

 

CMYK 29 / 0 / 74 / 30

HEX #7EB22E

RGB 126 178 46

HSL 83.64, 0.59%, 0.44%

LAB 66.88, -36.81, 58.07

 

CMYK 49 / 0 / 74 / 30

HEX #5BB22E

RGB 91 178 46

HSL 99.55, 0.59%, 0.44%

LAB 65.17, -48.91, 55.81

 

CMYK 0 / 31 / 74 / 30

HEX #B27A2E

RGB 178 122 46

HSL 34.55, 0.59%, 0.44%

LAB 55.67, 14.89, 48.41

 

CMYK 0 / 36 / 86 / 23

HEX #C47D1B

RGB 196 125 27

HSL 34.79, 0.76%, 0.44%

LAB 58.49, 20.46, 59.02

 

CMYK 0 / 40 / 96 / 16

HEX #D68009

RGB 214 128 9

HSL 34.83, 0.92%, 0.44%

LAB 61.44, 26.28, 66.32

 

CMYK 0 / 31 / 74 / 30

HEX #B27A2E

RGB 178 122 46

HSL 34.55, 0.59%, 0.44%

LAB 55.67, 14.89, 48.41

 

CMYK 0 / 26 / 60 / 37

HEX #A07740

RGB 160 119 64

HSL 34.38, 0.43%, 0.44%

LAB 52.99, 9.71, 36.06

 

CMYK 0 / 18 / 42 / 44

HEX #8E7452

RGB 142 116 82

HSL 34, 0.27%, 0.44%

LAB 50.51, 5.27, 22.6

 

CMYK 0 / 7 / 19 / 52

HEX #7B7264

RGB 123 114 100

HSL 36.52, 0.1%, 0.44%

LAB 48.47, 0.96, 9.02

 

CMYK 11 / 6 / 0 / 54

HEX #696F76

RGB 105 111 118

HSL 212.31, 0.06%, 0.44%

LAB 46.55, -0.75, -4.67

 

CMYK 0 / 72 / 74 / 30

HEX #B2322E

RGB 178 50 46

HSL 1.82, 0.59%, 0.44%

LAB 41.13, 51.13, 32.93

 

CMYK 0 / 52 / 74 / 30

HEX #B2552E

RGB 178 85 46

HSL 17.73, 0.59%, 0.44%

LAB 47.18, 35.13, 39.59

 

CMYK 0 / 32 / 74 / 30

HEX #B2792E

RGB 178 121 46

HSL 34.09, 0.59%, 0.44%

LAB 55.42, 15.45, 48.16

 

CMYK 0 / 12 / 74 / 30

HEX #B29C2E

RGB 178 156 46

HSL 50, 0.59%, 0.44%

LAB 64.51, -3.83, 57.13

 

CMYK 7 / 0 / 74 / 30

HEX #A5B22E

RGB 165 178 46

HSL 65.91, 0.59%, 0.44%

LAB 69.5, -20.93, 61.5

 

CMYK 0 / 31 / 74 / 56

HEX #704D1D

RGB 112 77 29

HSL 34.7, 0.59%, 0.28%

LAB 35.68, 9.77, 33.29

 

CMYK 0 / 31 / 74 / 43

HEX #916425

RGB 145 100 37

HSL 35, 0.59%, 0.36%

LAB 46, 12.07, 41.4

 

CMYK 0 / 31 / 74 / 30

HEX #B27A2E

RGB 178 122 46

HSL 34.55, 0.59%, 0.44%

LAB 55.67, 14.89, 48.41

 

CMYK 0 / 29 / 71 / 20

HEX #CC903C

RGB 204 144 60

HSL 35, 0.59%, 0.52%

LAB 64.25, 14.82, 51.94

 

CMYK 0 / 23 / 56 / 16

HEX #D5A35D

RGB 213 163 93

HSL 35, 0.59%, 0.6%

LAB 70.27, 10.54, 43.08

 

CMYK 0 / 31 / 74 / 31

HEX #B17A2E

RGB 177 122 46

HSL 34.81, 0.59%, 0.44%

LAB 55.55, 14.44, 48.25

 

CMYK 57 / 0 / 74 / 30

HEX #4CB22E

RGB 76 178 46

HSL 106.36, 0.59%, 0.44%

LAB 64.62, -53.15, 55.09

 

CMYK 62 / 74 / 0 / 30

HEX #442EB2

RGB 68 46 178

HSL 250, 0.59%, 0.44%

LAB 30.39, 46.59, -66.47

 

CMYK 0 / 31 / 74 / 31

HEX #B17A2E

RGB 177 122 46

HSL 34.81, 0.59%, 0.44%

LAB 55.55, 14.44, 48.25

 

CMYK 74 / 0 / 32 / 30

HEX #2EB279

RGB 46 178 121

HSL 154.09, 0.59%, 0.44%

LAB 64.81, -48.45, 19.29

 

CMYK 32 / 74 / 0 / 30

HEX #792EB2

RGB 121 46 178

HSL 274.09, 0.59%, 0.44%

LAB 36.43, 55.16, -56.35

 

CMYK 0 / 31 / 74 / 31

HEX #B17A2E

RGB 177 122 46

HSL 34.81, 0.59%, 0.44%

LAB 55.55, 14.44, 48.25

 

CMYK 57 / 0 / 74 / 30

HEX #4CB22E

RGB 76 178 46

HSL 106.36, 0.59%, 0.44%

LAB 64.62, -53.15, 55.09

 

CMYK 74 / 42 / 0 / 30

HEX #2E67B2

RGB 46 103 178

HSL 214.09, 0.59%, 0.44%

LAB 43.5, 7.67, -45.26

 

CMYK 17 / 74 / 0 / 30

HEX #932EB2

RGB 147 46 178

HSL 285.91, 0.59%, 0.44%

LAB 40.2, 60.25, -50.07

 

CMYK 0 / 31 / 74 / 31

HEX #B17A2E

RGB 177 122 46

HSL 34.81, 0.59%, 0.44%

LAB 55.55, 14.44, 48.25

 

CMYK 74 / 0 / 70 / 30

HEX #2EB236

RGB 46 178 54

HSL 123.64, 0.59%, 0.44%

LAB 63.91, -58.83, 51.09

 

CMYK 74 / 42 / 0 / 30

HEX #2E67B2

RGB 46 103 178

HSL 214.09, 0.59%, 0.44%

LAB 43.5, 7.67, -45.26

 

CMYK 0 / 74 / 5 / 30

HEX #B22EA9

RGB 178 46 169

HSL 304.09, 0.59%, 0.44%

LAB 44.64, 65.27, -37.36

 

Description

Color code: HEX #B17A2E | qconv.com Color code: HEX #B17A2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 122 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 122 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 74 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 74% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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