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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B18875 it is the complementary color #4E778A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B18875. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B18875 shade: #B68870, #C79A83, #D8AC96, #E9BEA9 and #FAD0BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B18875. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B18875 shade: #B18875, #A07662, #8F644F, #7E523C and #6D4029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B18875 shade: #B18875, #B17875 and #B17575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B18875 shade: #B18875, #B19975, #B1A975, #AAB175 and #9AB175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B18875 shade matches the following richer shades: #B18875, #C38264, #D47C53, #E57541 and #F76F30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B18875 shade: #B18875, #A08F87, #8F9598, #7D9BA9 and #6CA2BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B18875 shade: #B17582, #B17875, #B18875, #B19875 and #B1A875

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B18875 shade: #885F4C, #A2725B, #B18875, #C09F90 and #CFB6AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B18875 shade: #B18875, #92B175 and #757AB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B18875 shade: #B18875, #75B188 and #8875B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B18875 shade: #B18875, #92B175, #759EB1 and #9475B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B18875 shade: #B18875, #80B175, #759EB1 and #A675B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 34 / 31

HEX #B18875

RGB 177 136 117

HSL 19, 0.28%, 0.58%

LAB 60.1, 12.95, 16.23

 

Complementary color

CMYK 43 / 14 / 0 / 46

HEX #4E778A

RGB 78 119 138

HSL 199, 0.28%, 0.42%

LAB 47.81, -8.97, -14.85

 

CMYK 0 / 25 / 38 / 29

HEX #B68870

RGB 182 136 112

HSL 20.57, 0.32%, 0.58%

LAB 60.54, 14.35, 19.73

 

CMYK 0 / 23 / 34 / 22

HEX #C79A83

RGB 199 154 131

HSL 20.29, 0.38%, 0.65%

LAB 67.2, 13.59, 18.53

 

CMYK 0 / 20 / 31 / 15

HEX #D8AC96

RGB 216 172 150

HSL 20, 0.46%, 0.72%

LAB 73.74, 12.93, 17.42

 

CMYK 0 / 18 / 27 / 9

HEX #E9BEA9

RGB 233 190 169

HSL 19.69, 0.59%, 0.79%

LAB 80.19, 12.35, 16.4

 

CMYK 0 / 17 / 25 / 2

HEX #FAD0BC

RGB 250 208 188

HSL 19.35, 0.86%, 0.86%

LAB 86.54, 11.83, 15.45

 

CMYK 0 / 23 / 34 / 31

HEX #B18875

RGB 177 136 117

HSL 19, 0.28%, 0.58%

LAB 60.1, 12.95, 16.23

 

CMYK 0 / 26 / 39 / 37

HEX #A07662

RGB 160 118 98

HSL 19.35, 0.25%, 0.51%

LAB 53.29, 13.73, 17.46

 

CMYK 0 / 30 / 45 / 44

HEX #8F644F

RGB 143 100 79

HSL 19.69, 0.29%, 0.44%

LAB 46.34, 14.65, 18.83

 

CMYK 0 / 35 / 52 / 51

HEX #7E523C

RGB 126 82 60

HSL 20, 0.35%, 0.36%

LAB 39.24, 15.76, 20.4

 

CMYK 0 / 41 / 62 / 57

HEX #6D4029

RGB 109 64 41

HSL 20.29, 0.45%, 0.29%

LAB 31.98, 17.12, 22.23

 

CMYK 0 / 23 / 34 / 31

HEX #B18875

RGB 177 136 117

HSL 19, 0.28%, 0.58%

LAB 60.1, 12.95, 16.23

 

CMYK 0 / 32 / 34 / 31

HEX #B17875

RGB 177 120 117

HSL 3, 0.28%, 0.58%

LAB 56.15, 21.92, 10.72

 

CMYK 0 / 34 / 34 / 31

HEX #B17575

RGB 177 117 117

HSL 0, 0.28%, 0.58%

LAB 55.44, 23.6, 9.71

 

CMYK 0 / 23 / 34 / 31

HEX #B18875

RGB 177 136 117

HSL 19, 0.28%, 0.58%

LAB 60.1, 12.95, 16.23

 

CMYK 0 / 14 / 34 / 31

HEX #B19975

RGB 177 153 117

HSL 36, 0.28%, 0.58%

LAB 64.49, 3.51, 22.22

 

CMYK 0 / 5 / 34 / 31

HEX #B1A975

RGB 177 169 117

HSL 52, 0.28%, 0.58%

LAB 68.76, -5.15, 27.91

 

CMYK 4 / 0 / 34 / 31

HEX #AAB175

RGB 170 177 117

HSL 67, 0.28%, 0.58%

LAB 70.37, -12.16, 29.93

 

CMYK 13 / 0 / 34 / 31

HEX #9AB175

RGB 154 177 117

HSL 83, 0.28%, 0.58%

LAB 69.18, -18.39, 28.15

 

CMYK 0 / 23 / 34 / 31

HEX #B18875

RGB 177 136 117

HSL 19, 0.28%, 0.58%

LAB 60.1, 12.95, 16.23

 

CMYK 0 / 33 / 49 / 24

HEX #C38264

RGB 195 130 100

HSL 18.95, 0.44%, 0.58%

LAB 60.33, 21.68, 26.44

 

CMYK 0 / 42 / 61 / 17

HEX #D47C53

RGB 212 124 83

HSL 19.07, 0.6%, 0.58%

LAB 60.81, 30.4, 36.83

 

CMYK 0 / 49 / 72 / 10

HEX #E57541

RGB 229 117 65

HSL 19.02, 0.76%, 0.58%

LAB 61.45, 39.7, 47.53

 

CMYK 0 / 55 / 81 / 3

HEX #F76F30

RGB 247 111 48

HSL 18.99, 0.93%, 0.58%

LAB 62.81, 48.78, 57.71

 

CMYK 0 / 23 / 34 / 31

HEX #B18875

RGB 177 136 117

HSL 19, 0.28%, 0.58%

LAB 60.1, 12.95, 16.23

 

CMYK 0 / 11 / 16 / 37

HEX #A08F87

RGB 160 143 135

HSL 19.2, 0.12%, 0.58%

LAB 60.66, 4.96, 6.56

 

CMYK 6 / 2 / 0 / 40

HEX #8F9598

RGB 143 149 152

HSL 200, 0.04%, 0.58%

LAB 61.31, -1.56, -2.34

 

CMYK 26 / 8 / 0 / 34

HEX #7D9BA9

RGB 125 155 169

HSL 199.09, 0.2%, 0.58%

LAB 62.23, -7.12, -10.73

 

CMYK 42 / 13 / 0 / 27

HEX #6CA2BB

RGB 108 162 187

HSL 198.99, 0.37%, 0.58%

LAB 63.85, -11.19, -18.49

 

CMYK 0 / 34 / 27 / 31

HEX #B17582

RGB 177 117 130

HSL 347, 0.28%, 0.58%

LAB 55.77, 25.41, 2.61

 

CMYK 0 / 32 / 34 / 31

HEX #B17875

RGB 177 120 117

HSL 3, 0.28%, 0.58%

LAB 56.15, 21.92, 10.72

 

CMYK 0 / 23 / 34 / 31

HEX #B18875

RGB 177 136 117

HSL 19, 0.28%, 0.58%

LAB 60.1, 12.95, 16.23

 

CMYK 0 / 14 / 34 / 31

HEX #B19875

RGB 177 152 117

HSL 35, 0.28%, 0.58%

LAB 64.23, 4.06, 21.87

 

CMYK 0 / 5 / 34 / 31

HEX #B1A875

RGB 177 168 117

HSL 51, 0.28%, 0.58%

LAB 68.49, -4.61, 27.56

 

CMYK 0 / 30 / 44 / 47

HEX #885F4C

RGB 136 95 76

HSL 19, 0.28%, 0.42%

LAB 44.15, 14.21, 17.53

 

CMYK 0 / 30 / 44 / 36

HEX #A2725B

RGB 162 114 91

HSL 19.44, 0.28%, 0.5%

LAB 52.37, 16.02, 20.29

 

CMYK 0 / 23 / 34 / 31

HEX #B18875

RGB 177 136 117

HSL 19, 0.28%, 0.58%

LAB 60.1, 12.95, 16.23

 

CMYK 0 / 17 / 25 / 25

HEX #C09F90

RGB 192 159 144

HSL 18.75, 0.28%, 0.66%

LAB 68.03, 9.88, 12.39

 

CMYK 0 / 12 / 18 / 19

HEX #CFB6AA

RGB 207 182 170

HSL 19.46, 0.28%, 0.74%

LAB 75.84, 7.01, 9.38

 

CMYK 0 / 23 / 34 / 31

HEX #B18875

RGB 177 136 117

HSL 19, 0.28%, 0.58%

LAB 60.1, 12.95, 16.23

 

CMYK 18 / 0 / 34 / 31

HEX #92B175

RGB 146 177 117

HSL 91, 0.28%, 0.58%

LAB 68.63, -21.42, 27.32

 

CMYK 34 / 31 / 0 / 31

HEX #757AB1

RGB 117 122 177

HSL 235, 0.28%, 0.58%

LAB 52.81, 11.46, -29.73

 

CMYK 0 / 23 / 34 / 31

HEX #B18875

RGB 177 136 117

HSL 19, 0.28%, 0.58%

LAB 60.1, 12.95, 16.23

 

CMYK 34 / 0 / 23 / 31

HEX #75B188

RGB 117 177 136

HSL 139, 0.28%, 0.58%

LAB 67.28, -28.26, 14.93

 

CMYK 23 / 34 / 0 / 31

HEX #8875B1

RGB 136 117 177

HSL 259, 0.28%, 0.58%

LAB 53.09, 20.18, -29.17

 

CMYK 0 / 23 / 34 / 31

HEX #B18875

RGB 177 136 117

HSL 19, 0.28%, 0.58%

LAB 60.1, 12.95, 16.23

 

CMYK 18 / 0 / 34 / 31

HEX #92B175

RGB 146 177 117

HSL 91, 0.28%, 0.58%

LAB 68.63, -21.42, 27.32

 

CMYK 34 / 11 / 0 / 31

HEX #759EB1

RGB 117 158 177

HSL 199, 0.28%, 0.58%

LAB 62.85, -9.18, -14.34

 

CMYK 16 / 34 / 0 / 31

HEX #9475B1

RGB 148 117 177

HSL 271, 0.28%, 0.58%

LAB 54.23, 23.96, -27.31

 

CMYK 0 / 23 / 34 / 31

HEX #B18875

RGB 177 136 117

HSL 19, 0.28%, 0.58%

LAB 60.1, 12.95, 16.23

 

CMYK 28 / 0 / 34 / 31

HEX #80B175

RGB 128 177 117

HSL 109, 0.28%, 0.58%

LAB 67.51, -27.94, 25.63

 

CMYK 34 / 11 / 0 / 31

HEX #759EB1

RGB 117 158 177

HSL 199, 0.28%, 0.58%

LAB 62.85, -9.18, -14.34

 

CMYK 6 / 34 / 0 / 31

HEX #A675B1

RGB 166 117 177

HSL 289, 0.28%, 0.58%

LAB 56.09, 29.78, -24.29

 

Description

Color code: HEX #B18875 | qconv.com Color code: HEX #B18875 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 136 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 136 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 34 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 34% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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