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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B18CD3 it is the complementary color #4E732C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B18CD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B18CD3 shade: #B68CCE, #C79EE1, #D8B0F4, #E9C2FF and #FAD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B18CD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B18CD3 shade: #B18CD3, #A07AC0, #8F68AD, #7E569A and #6D4487

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B18CD3 shade: #B18CD3, #C48CD3, #D38CCF, #D38CBC and #D38CA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B18CD3 shade: #B18CD3, #9E8CD3 and #8C8CD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B18CD3 shade matches the following richer shades: #B18CD3, #B17FE0, #B272ED and #B366F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B18CD3 shade: #B18CD3, #B099C6, #B0A5B9, #AFB2AD and #AFBFA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B18CD3 shade: #8C8DD3, #9E8CD3, #B18CD3, #C48CD3 and #D38CCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B18CD3 shade: #8850BC, #9D6EC8, #B18CD3, #C5AADE and #D9C8EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B18CD3 shade: #B18CD3, #D38CA0 and #8CD394

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B18CD3 shade: #B18CD3, #D3B18C and #8CD3B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B18CD3 shade: #B18CD3, #D38CA0, #AED38C and #8CD3BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B18CD3 shade: #B18CD3, #D38D8C, #AED38C and #8CD2D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 34 / 0 / 17

HEX #B18CD3

RGB 177 140 211

HSL 271.27, 0.45%, 0.69%

LAB 64, 27.55, -31.23

 

Complementary color

CMYK 32 / 0 / 62 / 55

HEX #4E732C

RGB 78 115 44

HSL 91.27, 0.45%, 0.31%

LAB 44.32, -26.14, 34.43

 

CMYK 12 / 32 / 0 / 19

HEX #B68CCE

RGB 182 140 206

HSL 278.18, 0.4%, 0.68%

LAB 64.29, 28.03, -27.96

 

CMYK 12 / 30 / 0 / 12

HEX #C79EE1

RGB 199 158 225

HSL 276.72, 0.53%, 0.75%

LAB 70.89, 27.39, -28.17

 

CMYK 11 / 28 / 0 / 4

HEX #D8B0F4

RGB 216 176 244

HSL 275.29, 0.76%, 0.82%

LAB 77.39, 26.79, -28.4

 

CMYK 9 / 24 / 0 / 0

HEX #E9C2FF

RGB 233 194 255

HSL 278.36, 1%, 0.88%

LAB 83.51, 24.64, -24.8

 

CMYK 2 / 17 / 0 / 0

HEX #FAD4FF

RGB 250 212 255

HSL 293.02, 1%, 0.92%

LAB 89.22, 20.55, -16.02

 

CMYK 16 / 34 / 0 / 17

HEX #B18CD3

RGB 177 140 211

HSL 271.27, 0.45%, 0.69%

LAB 64, 27.55, -31.23

 

CMYK 17 / 36 / 0 / 25

HEX #A07AC0

RGB 160 122 192

HSL 272.57, 0.36%, 0.62%

LAB 57.27, 28.26, -31.1

 

CMYK 17 / 40 / 0 / 32

HEX #8F68AD

RGB 143 104 173

HSL 273.91, 0.3%, 0.54%

LAB 50.4, 29.02, -30.99

 

CMYK 18 / 44 / 0 / 40

HEX #7E569A

RGB 126 86 154

HSL 275.29, 0.28%, 0.47%

LAB 43.4, 29.86, -30.88

 

CMYK 19 / 50 / 0 / 47

HEX #6D4487

RGB 109 68 135

HSL 276.72, 0.33%, 0.4%

LAB 36.24, 30.75, -30.76

 

CMYK 16 / 34 / 0 / 17

HEX #B18CD3

RGB 177 140 211

HSL 271.27, 0.45%, 0.69%

LAB 64, 27.55, -31.23

 

CMYK 7 / 34 / 0 / 17

HEX #C48CD3

RGB 196 140 211

HSL 287.32, 0.45%, 0.69%

LAB 65.9, 33.48, -28.15

 

CMYK 0 / 34 / 2 / 17

HEX #D38CCF

RGB 211 140 207

HSL 303.38, 0.45%, 0.69%

LAB 67.36, 37.49, -23.54

 

CMYK 0 / 34 / 11 / 17

HEX #D38CBC

RGB 211 140 188

HSL 319.44, 0.45%, 0.69%

LAB 66.7, 34.15, -13.93

 

CMYK 0 / 34 / 20 / 17

HEX #D38CA8

RGB 211 140 168

HSL 336.34, 0.45%, 0.69%

LAB 66.08, 30.95, -3.6

 

CMYK 16 / 34 / 0 / 17

HEX #B18CD3

RGB 177 140 211

HSL 271.27, 0.45%, 0.69%

LAB 64, 27.55, -31.23

 

CMYK 25 / 34 / 0 / 17

HEX #9E8CD3

RGB 158 140 211

HSL 255.21, 0.45%, 0.69%

LAB 62.28, 21.78, -34.04

 

CMYK 34 / 34 / 0 / 17

HEX #8C8CD3

RGB 140 140 211

HSL 240, 0.45%, 0.69%

LAB 60.81, 16.57, -36.44

 

CMYK 16 / 34 / 0 / 17

HEX #B18CD3

RGB 177 140 211

HSL 271.27, 0.45%, 0.69%

LAB 64, 27.55, -31.23

 

CMYK 21 / 43 / 0 / 12

HEX #B17FE0

RGB 177 127 224

HSL 270.93, 0.61%, 0.69%

LAB 61.57, 37.73, -42.27

 

CMYK 25 / 52 / 0 / 7

HEX #B272ED

RGB 178 114 237

HSL 271.22, 0.77%, 0.69%

LAB 59.54, 48.04, -52.72

 

CMYK 28 / 59 / 0 / 2

HEX #B366F9

RGB 179 102 249

HSL 271.43, 0.92%, 0.69%

LAB 57.97, 57.24, -61.89

 

CMYK 16 / 34 / 0 / 17

HEX #B18CD3

RGB 177 140 211

HSL 271.27, 0.45%, 0.69%

LAB 64, 27.55, -31.23

 

CMYK 11 / 23 / 0 / 22

HEX #B099C6

RGB 176 153 198

HSL 270.67, 0.28%, 0.69%

LAB 66.59, 17.11, -20.02

 

CMYK 5 / 11 / 0 / 27

HEX #B0A5B9

RGB 176 165 185

HSL 273, 0.13%, 0.69%

LAB 69.21, 7.75, -8.84

 

CMYK 2 / 0 / 3 / 30

HEX #AFB2AD

RGB 175 178 173

HSL 96, 0.03%, 0.69%

LAB 72.21, -1.99, 2.17

 

CMYK 8 / 0 / 16 / 25

HEX #AFBFA0

RGB 175 191 160

HSL 90.97, 0.19%, 0.69%

LAB 75.4, -11.15, 13.81

 

CMYK 34 / 33 / 0 / 17

HEX #8C8DD3

RGB 140 141 211

HSL 239.15, 0.45%, 0.69%

LAB 61.07, 15.99, -36.04

 

CMYK 25 / 34 / 0 / 17

HEX #9E8CD3

RGB 158 140 211

HSL 255.21, 0.45%, 0.69%

LAB 62.28, 21.78, -34.04

 

CMYK 16 / 34 / 0 / 17

HEX #B18CD3

RGB 177 140 211

HSL 271.27, 0.45%, 0.69%

LAB 64, 27.55, -31.23

 

CMYK 7 / 34 / 0 / 17

HEX #C48CD3

RGB 196 140 211

HSL 287.32, 0.45%, 0.69%

LAB 65.9, 33.48, -28.15

 

CMYK 0 / 34 / 2 / 17

HEX #D38CCF

RGB 211 140 207

HSL 303.38, 0.45%, 0.69%

LAB 67.36, 37.49, -23.54

 

CMYK 28 / 57 / 0 / 26

HEX #8850BC

RGB 136 80 188

HSL 271.11, 0.45%, 0.53%

LAB 45.08, 44.16, -48.19

 

CMYK 22 / 45 / 0 / 22

HEX #9D6EC8

RGB 157 110 200

HSL 271.33, 0.45%, 0.61%

LAB 54.54, 36.01, -39.95

 

CMYK 16 / 34 / 0 / 17

HEX #B18CD3

RGB 177 140 211

HSL 271.27, 0.45%, 0.69%

LAB 64, 27.55, -31.23

 

CMYK 11 / 23 / 0 / 13

HEX #C5AADE

RGB 197 170 222

HSL 271.15, 0.44%, 0.77%

LAB 73.48, 19.52, -22.59

 

CMYK 7 / 15 / 0 / 8

HEX #D9C8EA

RGB 217 200 234

HSL 270, 0.45%, 0.85%

LAB 82.91, 12.17, -14.64

 

CMYK 16 / 34 / 0 / 17

HEX #B18CD3

RGB 177 140 211

HSL 271.27, 0.45%, 0.69%

LAB 64, 27.55, -31.23

 

CMYK 0 / 34 / 24 / 17

HEX #D38CA0

RGB 211 140 160

HSL 343.1, 0.45%, 0.69%

LAB 65.86, 29.76, 0.58

 

CMYK 34 / 0 / 30 / 17

HEX #8CD394

RGB 140 211 148

HSL 126.76, 0.45%, 0.69%

LAB 78.64, -34.94, 24.34

 

CMYK 16 / 34 / 0 / 17

HEX #B18CD3

RGB 177 140 211

HSL 271.27, 0.45%, 0.69%

LAB 64, 27.55, -31.23

 

CMYK 0 / 16 / 34 / 17

HEX #D3B18C

RGB 211 177 140

HSL 31.27, 0.45%, 0.69%

LAB 74.31, 7.02, 23.53

 

CMYK 34 / 0 / 16 / 17

HEX #8CD3B1

RGB 140 211 177

HSL 151.27, 0.45%, 0.69%

LAB 79.24, -29.52, 9.84

 

CMYK 16 / 34 / 0 / 17

HEX #B18CD3

RGB 177 140 211

HSL 271.27, 0.45%, 0.69%

LAB 64, 27.55, -31.23

 

CMYK 0 / 34 / 24 / 17

HEX #D38CA0

RGB 211 140 160

HSL 343.1, 0.45%, 0.69%

LAB 65.86, 29.76, 0.58

 

CMYK 18 / 0 / 34 / 17

HEX #AED38C

RGB 174 211 140

HSL 91.27, 0.45%, 0.69%

LAB 80.45, -24.64, 31.26

 

CMYK 34 / 0 / 9 / 17

HEX #8CD3BF

RGB 140 211 191

HSL 163.1, 0.45%, 0.69%

LAB 79.57, -26.59, 2.85

 

CMYK 16 / 34 / 0 / 17

HEX #B18CD3

RGB 177 140 211

HSL 271.27, 0.45%, 0.69%

LAB 64, 27.55, -31.23

 

CMYK 0 / 33 / 34 / 17

HEX #D38D8C

RGB 211 141 140

HSL 0.85, 0.45%, 0.69%

LAB 65.59, 26.5, 11.46

 

CMYK 18 / 0 / 34 / 17

HEX #AED38C

RGB 174 211 140

HSL 91.27, 0.45%, 0.69%

LAB 80.45, -24.64, 31.26

 

CMYK 34 / 0 / 0 / 17

HEX #8CD2D3

RGB 140 210 211

HSL 180.85, 0.45%, 0.69%

LAB 79.82, -21.56, -7.48

 

Description

Color code: HEX #B18CD3 | qconv.com Color code: HEX #B18CD3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 140 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 140 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 34 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 34% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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