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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B18EE6 it is the complementary color #4E7119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B18EE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B18EE6 shade: #B68EE1, #C7A0F4, #D8B2FF, #E9C4FF and #FAD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B18EE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B18EE6 shade: #B18EE6, #A07CD3, #8F6AC0, #7E58AD and #6D469A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B18EE6 shade: #B18EE6, #C88EE6, #E08EE6, #E68ED4 and #E68EBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B18EE6 shade: #B18EE6, #998EE6 and #8E8EE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B18EE6 shade matches the following richer shades: #B18EE6, #AE82F1 and #AC77FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B18EE6 shade: #B18EE6, #B399DB, #B5A4CF, #B7AFC4 and #BABAB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B18EE6 shade: #8E9BE6, #988EE6, #AF8EE6, #C78EE6 and #DE8EE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B18EE6 shade: #824AD7, #996CDE, #B18EE6, #C8AFED and #DFD1F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B18EE6 shade: #B18EE6, #E68EB2 and #8FE68E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B18EE6 shade: #B18EE6, #E6AF8E and #8EE6AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B18EE6 shade: #B18EE6, #E68EB2, #C4E68E and #8EE6C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B18EE6 shade: #B18EE6, #E68E98, #C4E68E and #8EE6DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 38 / 0 / 10

HEX #B18EE6

RGB 177 142 230

HSL 263.86, 0.64%, 0.73%

LAB 65.28, 30.74, -39.79

 

Complementary color

CMYK 31 / 0 / 78 / 56

HEX #4E7119

RGB 78 113 25

HSL 83.86, 0.64%, 0.27%

LAB 43.51, -26.74, 41.93

 

CMYK 19 / 37 / 0 / 12

HEX #B68EE1

RGB 182 142 225

HSL 268.92, 0.58%, 0.72%

LAB 65.54, 31.06, -36.59

 

CMYK 18 / 34 / 0 / 4

HEX #C7A0F4

RGB 199 160 244

HSL 267.86, 0.79%, 0.79%

LAB 72.1, 30.36, -36.68

 

CMYK 15 / 30 / 0 / 0

HEX #D8B2FF

RGB 216 178 255

HSL 269.61, 1%, 0.85%

LAB 78.26, 28, -32.97

 

CMYK 9 / 23 / 0 / 0

HEX #E9C4FF

RGB 233 196 255

HSL 277.63, 1%, 0.88%

LAB 83.98, 23.57, -24.08

 

CMYK 2 / 16 / 0 / 0

HEX #FAD6FF

RGB 250 214 255

HSL 292.68, 1%, 0.92%

LAB 89.69, 19.5, -15.31

 

CMYK 23 / 38 / 0 / 10

HEX #B18EE6

RGB 177 142 230

HSL 263.86, 0.64%, 0.73%

LAB 65.28, 30.74, -39.79

 

CMYK 24 / 41 / 0 / 17

HEX #A07CD3

RGB 160 124 211

HSL 264.83, 0.5%, 0.66%

LAB 58.59, 31.53, -39.79

 

CMYK 26 / 45 / 0 / 25

HEX #8F6AC0

RGB 143 106 192

HSL 265.81, 0.41%, 0.58%

LAB 51.78, 32.38, -39.81

 

CMYK 27 / 49 / 0 / 32

HEX #7E58AD

RGB 126 88 173

HSL 266.82, 0.34%, 0.51%

LAB 44.85, 33.31, -39.85

 

CMYK 29 / 55 / 0 / 40

HEX #6D469A

RGB 109 70 154

HSL 267.86, 0.38%, 0.44%

LAB 37.78, 34.31, -39.89

 

CMYK 23 / 38 / 0 / 10

HEX #B18EE6

RGB 177 142 230

HSL 263.86, 0.64%, 0.73%

LAB 65.28, 30.74, -39.79

 

CMYK 13 / 38 / 0 / 10

HEX #C88EE6

RGB 200 142 230

HSL 279.55, 0.64%, 0.73%

LAB 67.53, 37.51, -36.12

 

CMYK 3 / 38 / 0 / 10

HEX #E08EE6

RGB 224 142 230

HSL 295.91, 0.64%, 0.73%

LAB 70.11, 44.72, -31.91

 

CMYK 0 / 38 / 8 / 10

HEX #E68ED4

RGB 230 142 212

HSL 312.27, 0.64%, 0.73%

LAB 70.12, 43.39, -21.91

 

CMYK 0 / 38 / 18 / 10

HEX #E68EBC

RGB 230 142 188

HSL 328.64, 0.64%, 0.73%

LAB 69.33, 39.53, -9.77

 

CMYK 23 / 38 / 0 / 10

HEX #B18EE6

RGB 177 142 230

HSL 263.86, 0.64%, 0.73%

LAB 65.28, 30.74, -39.79

 

CMYK 33 / 38 / 0 / 10

HEX #998EE6

RGB 153 142 230

HSL 247.5, 0.64%, 0.73%

LAB 63.2, 23.99, -43.2

 

CMYK 38 / 38 / 0 / 10

HEX #8E8EE6

RGB 142 142 230

HSL 240, 0.64%, 0.73%

LAB 62.35, 21.06, -44.6

 

CMYK 23 / 38 / 0 / 10

HEX #B18EE6

RGB 177 142 230

HSL 263.86, 0.64%, 0.73%

LAB 65.28, 30.74, -39.79

 

CMYK 28 / 46 / 0 / 5

HEX #AE82F1

RGB 174 130 241

HSL 263.78, 0.8%, 0.73%

LAB 62.77, 39.22, -49.83

 

CMYK 32 / 53 / 0 / 1

HEX #AC77FC

RGB 172 119 252

HSL 263.91, 0.96%, 0.73%

LAB 60.78, 47.42, -59.09

 

CMYK 23 / 38 / 0 / 10

HEX #B18EE6

RGB 177 142 230

HSL 263.86, 0.64%, 0.73%

LAB 65.28, 30.74, -39.79

 

CMYK 18 / 30 / 0 / 14

HEX #B399DB

RGB 179 153 219

HSL 263.64, 0.48%, 0.73%

LAB 67.64, 22.64, -30.04

 

CMYK 13 / 21 / 0 / 19

HEX #B5A4CF

RGB 181 164 207

HSL 263.72, 0.31%, 0.73%

LAB 70.09, 14.51, -19.64

 

CMYK 7 / 11 / 0 / 23

HEX #B7AFC4

RGB 183 175 196

HSL 262.86, 0.15%, 0.73%

LAB 72.7, 6.85, -9.65

 

CMYK 0 / 0 / 1 / 27

HEX #BABAB9

RGB 186 186 185

HSL 60, 0.01%, 0.73%

LAB 75.49, -0.18, 0.5

 

CMYK 38 / 33 / 0 / 10

HEX #8E9BE6

RGB 142 155 230

HSL 231.14, 0.64%, 0.73%

LAB 65.68, 13.56, -39.38

 

CMYK 34 / 38 / 0 / 10

HEX #988EE6

RGB 152 142 230

HSL 246.82, 0.64%, 0.73%

LAB 63.12, 23.72, -43.33

 

CMYK 24 / 38 / 0 / 10

HEX #AF8EE6

RGB 175 142 230

HSL 262.5, 0.64%, 0.73%

LAB 65.1, 30.16, -40.09

 

CMYK 13 / 38 / 0 / 10

HEX #C78EE6

RGB 199 142 230

HSL 278.86, 0.64%, 0.73%

LAB 67.43, 37.21, -36.28

 

CMYK 3 / 38 / 0 / 10

HEX #DE8EE6

RGB 222 142 230

HSL 294.55, 0.64%, 0.73%

LAB 69.89, 44.12, -32.27

 

CMYK 40 / 66 / 0 / 16

HEX #824AD7

RGB 130 74 215

HSL 263.83, 0.64%, 0.57%

LAB 45.01, 52.7, -63.93

 

CMYK 31 / 51 / 0 / 13

HEX #996CDE

RGB 153 108 222

HSL 263.68, 0.63%, 0.65%

LAB 54.84, 41.36, -51.98

 

CMYK 23 / 38 / 0 / 10

HEX #B18EE6

RGB 177 142 230

HSL 263.86, 0.64%, 0.73%

LAB 65.28, 30.74, -39.79

 

CMYK 16 / 26 / 0 / 7

HEX #C8AFED

RGB 200 175 237

HSL 264.19, 0.63%, 0.81%

LAB 75.48, 20.9, -27.66

 

CMYK 9 / 15 / 0 / 4

HEX #DFD1F5

RGB 223 209 245

HSL 263.33, 0.64%, 0.89%

LAB 85.95, 11.49, -15.88

 

CMYK 23 / 38 / 0 / 10

HEX #B18EE6

RGB 177 142 230

HSL 263.86, 0.64%, 0.73%

LAB 65.28, 30.74, -39.79

 

CMYK 0 / 38 / 23 / 10

HEX #E68EB2

RGB 230 142 178

HSL 335.45, 0.64%, 0.73%

LAB 69.03, 38.05, -4.62

 

CMYK 38 / 0 / 38 / 10

HEX #8FE68E

RGB 143 230 142

HSL 119.32, 0.64%, 0.73%

LAB 84.17, -43.48, 34.82

 

CMYK 23 / 38 / 0 / 10

HEX #B18EE6

RGB 177 142 230

HSL 263.86, 0.64%, 0.73%

LAB 65.28, 30.74, -39.79

 

CMYK 0 / 24 / 38 / 10

HEX #E6AF8E

RGB 230 175 142

HSL 22.5, 0.64%, 0.73%

LAB 75.72, 15.79, 24.69

 

CMYK 38 / 0 / 24 / 10

HEX #8EE6AF

RGB 142 230 175

HSL 142.5, 0.64%, 0.73%

LAB 84.71, -38.17, 18.62

 

CMYK 23 / 38 / 0 / 10

HEX #B18EE6

RGB 177 142 230

HSL 263.86, 0.64%, 0.73%

LAB 65.28, 30.74, -39.79

 

CMYK 0 / 38 / 23 / 10

HEX #E68EB2

RGB 230 142 178

HSL 335.45, 0.64%, 0.73%

LAB 69.03, 38.05, -4.62

 

CMYK 15 / 0 / 38 / 10

HEX #C4E68E

RGB 196 230 142

HSL 83.18, 0.64%, 0.73%

LAB 87.14, -25.52, 39.26

 

CMYK 38 / 0 / 16 / 10

HEX #8EE6C1

RGB 142 230 193

HSL 154.77, 0.64%, 0.73%

LAB 85.1, -34.63, 9.75

 

CMYK 23 / 38 / 0 / 10

HEX #B18EE6

RGB 177 142 230

HSL 263.86, 0.64%, 0.73%

LAB 65.28, 30.74, -39.79

 

CMYK 0 / 38 / 34 / 10

HEX #E68E98

RGB 230 142 152

HSL 353.18, 0.64%, 0.73%

LAB 68.34, 34.56, 8.94

 

CMYK 15 / 0 / 38 / 10

HEX #C4E68E

RGB 196 230 142

HSL 83.18, 0.64%, 0.73%

LAB 87.14, -25.52, 39.26

 

CMYK 38 / 0 / 5 / 10

HEX #8EE6DB

RGB 142 230 219

HSL 172.5, 0.64%, 0.73%

LAB 85.74, -28.95, -3

 

Description

Color code: HEX #B18EE6 | qconv.com Color code: HEX #B18EE6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 142 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 142 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 38 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 38% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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