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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1956C it is the complementary color #4E6A93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1956C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1956C shade: #B69567, #C7A77A, #D8B98D, #E9CBA0 and #FADDB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1956C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1956C shade: #B1956C, #A08359, #8F7146, #7E5F33 and #6D4D20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1956C shade: #B1956C, #B1826C, #B16F6C and #B16C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1956C shade: #B1956C, #B1A86C, #A8B16C, #95B16C and #82B16C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1956C shade matches the following richer shades: #B1956C, #C39859, #D59C47, #E89F35 and #FAA323

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1956C shade: #B1956C, #9F917E, #8D8E90, #7B8BA2 and #6887B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1956C shade: #B16F6C, #B1826C, #B1946C, #B1A76C and #A9B16C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1956C shade: #856B46, #A08154, #B1956C, #BFA887 and #CEBCA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1956C shade: #B1956C, #7BB16C and #786CB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1956C shade: #B1956C, #6CB194 and #946CB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1956C shade: #B1956C, #7BB16C, #6C89B1 and #A26CB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1956C shade: #B1956C, #6CB171, #6C89B1 and #B16CAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 39 / 31

HEX #B1956C

RGB 177 149 108

HSL 35.65, 0.31%, 0.56%

LAB 63.28, 4.6, 25.55

 

Complementary color

CMYK 47 / 28 / 0 / 42

HEX #4E6A93

RGB 78 106 147

HSL 215.65, 0.31%, 0.44%

LAB 44.28, 1.44, -25.62

 

CMYK 0 / 18 / 43 / 29

HEX #B69567

RGB 182 149 103

HSL 34.94, 0.35%, 0.56%

LAB 63.69, 6.11, 28.91

 

CMYK 0 / 16 / 39 / 22

HEX #C7A77A

RGB 199 167 122

HSL 35.06, 0.41%, 0.63%

LAB 70.31, 5.43, 27.64

 

CMYK 0 / 14 / 35 / 15

HEX #D8B98D

RGB 216 185 141

HSL 35.2, 0.49%, 0.7%

LAB 76.81, 4.85, 26.46

 

CMYK 0 / 13 / 31 / 9

HEX #E9CBA0

RGB 233 203 160

HSL 35.34, 0.62%, 0.77%

LAB 83.22, 4.34, 25.36

 

CMYK 0 / 12 / 28 / 2

HEX #FADDB3

RGB 250 221 179

HSL 35.49, 0.88%, 0.84%

LAB 89.53, 3.9, 24.31

 

CMYK 0 / 16 / 39 / 31

HEX #B1956C

RGB 177 149 108

HSL 35.65, 0.31%, 0.56%

LAB 63.28, 4.6, 25.55

 

CMYK 0 / 18 / 44 / 37

HEX #A08359

RGB 160 131 89

HSL 35.49, 0.29%, 0.49%

LAB 56.51, 5.29, 26.85

 

CMYK 0 / 21 / 51 / 44

HEX #8F7146

RGB 143 113 70

HSL 35.34, 0.34%, 0.42%

LAB 49.61, 6.13, 28.25

 

CMYK 0 / 25 / 60 / 51

HEX #7E5F33

RGB 126 95 51

HSL 35.2, 0.42%, 0.35%

LAB 42.55, 7.17, 29.74

 

CMYK 0 / 29 / 71 / 57

HEX #6D4D20

RGB 109 77 32

HSL 35.06, 0.55%, 0.28%

LAB 35.33, 8.51, 31.25

 

CMYK 0 / 16 / 39 / 31

HEX #B1956C

RGB 177 149 108

HSL 35.65, 0.31%, 0.56%

LAB 63.28, 4.6, 25.55

 

CMYK 0 / 27 / 39 / 31

HEX #B1826C

RGB 177 130 108

HSL 19.13, 0.31%, 0.56%

LAB 58.41, 15.18, 19.01

 

CMYK 0 / 37 / 39 / 31

HEX #B16F6C

RGB 177 111 108

HSL 2.61, 0.31%, 0.56%

LAB 53.81, 25.82, 12.68

 

CMYK 0 / 39 / 39 / 31

HEX #B16C6C

RGB 177 108 108

HSL 0, 0.31%, 0.56%

LAB 53.12, 27.48, 11.71

 

CMYK 0 / 16 / 39 / 31

HEX #B1956C

RGB 177 149 108

HSL 35.65, 0.31%, 0.56%

LAB 63.28, 4.6, 25.55

 

CMYK 0 / 5 / 39 / 31

HEX #B1A86C

RGB 177 168 108

HSL 52.17, 0.31%, 0.56%

LAB 68.34, -5.7, 32.16

 

CMYK 5 / 0 / 39 / 31

HEX #A8B16C

RGB 168 177 108

HSL 67.83, 0.31%, 0.56%

LAB 70.07, -14.07, 34.24

 

CMYK 16 / 0 / 39 / 31

HEX #95B16C

RGB 149 177 108

HSL 84.35, 0.31%, 0.56%

LAB 68.69, -21.53, 32.19

 

CMYK 27 / 0 / 39 / 31

HEX #82B16C

RGB 130 177 108

HSL 100.87, 0.31%, 0.56%

LAB 67.48, -28.59, 30.39

 

CMYK 0 / 16 / 39 / 31

HEX #B1956C

RGB 177 149 108

HSL 35.65, 0.31%, 0.56%

LAB 63.28, 4.6, 25.55

 

CMYK 0 / 22 / 54 / 24

HEX #C39859

RGB 195 152 89

HSL 35.66, 0.47%, 0.56%

LAB 65.58, 8.58, 39.01

 

CMYK 0 / 27 / 67 / 16

HEX #D59C47

RGB 213 156 71

HSL 35.92, 0.63%, 0.56%

LAB 68.3, 12.79, 51.53

 

CMYK 0 / 31 / 77 / 9

HEX #E89F35

RGB 232 159 53

HSL 35.53, 0.8%, 0.56%

LAB 71.01, 18.41, 62.67

 

CMYK 0 / 35 / 86 / 2

HEX #FAA323

RGB 250 163 35

HSL 35.72, 0.96%, 0.56%

LAB 73.96, 23.34, 72.01

 

CMYK 0 / 16 / 39 / 31

HEX #B1956C

RGB 177 149 108

HSL 35.65, 0.31%, 0.56%

LAB 63.28, 4.6, 25.55

 

CMYK 0 / 9 / 21 / 38

HEX #9F917E

RGB 159 145 126

HSL 34.55, 0.15%, 0.56%

LAB 60.89, 2, 11.97

 

CMYK 2 / 1 / 0 / 44

HEX #8D8E90

RGB 141 142 144

HSL 220, 0.01%, 0.56%

LAB 58.99, 0.03, -1.2

 

CMYK 24 / 14 / 0 / 36

HEX #7B8BA2

RGB 123 139 162

HSL 215.38, 0.17%, 0.56%

LAB 57.35, -0.48, -14.1

 

CMYK 42 / 25 / 0 / 29

HEX #6887B4

RGB 104 135 180

HSL 215.53, 0.34%, 0.56%

LAB 55.65, 0.97, -27.12

 

CMYK 0 / 37 / 39 / 31

HEX #B16F6C

RGB 177 111 108

HSL 2.61, 0.31%, 0.56%

LAB 53.81, 25.82, 12.68

 

CMYK 0 / 27 / 39 / 31

HEX #B1826C

RGB 177 130 108

HSL 19.13, 0.31%, 0.56%

LAB 58.41, 15.18, 19.01

 

CMYK 0 / 16 / 39 / 31

HEX #B1946C

RGB 177 148 108

HSL 34.78, 0.31%, 0.56%

LAB 63.02, 5.15, 25.2

 

CMYK 0 / 6 / 39 / 31

HEX #B1A76C

RGB 177 167 108

HSL 51.3, 0.31%, 0.56%

LAB 68.07, -5.16, 31.81

 

CMYK 5 / 0 / 39 / 31

HEX #A9B16C

RGB 169 177 108

HSL 66.96, 0.31%, 0.56%

LAB 70.15, -13.67, 34.35

 

CMYK 0 / 20 / 47 / 48

HEX #856B46

RGB 133 107 70

HSL 35.24, 0.31%, 0.4%

LAB 46.9, 5.16, 24.59

 

CMYK 0 / 19 / 48 / 37

HEX #A08154

RGB 160 129 84

HSL 35.53, 0.31%, 0.48%

LAB 55.9, 5.88, 28.82

 

CMYK 0 / 16 / 39 / 31

HEX #B1956C

RGB 177 149 108

HSL 35.65, 0.31%, 0.56%

LAB 63.28, 4.6, 25.55

 

CMYK 0 / 12 / 29 / 25

HEX #BFA887

RGB 191 168 135

HSL 35.36, 0.3%, 0.64%

LAB 70.06, 3.33, 20.14

 

CMYK 0 / 9 / 21 / 19

HEX #CEBCA2

RGB 206 188 162

HSL 35.45, 0.31%, 0.72%

LAB 77.1, 2.23, 15.48

 

CMYK 0 / 16 / 39 / 31

HEX #B1956C

RGB 177 149 108

HSL 35.65, 0.31%, 0.56%

LAB 63.28, 4.6, 25.55

 

CMYK 31 / 0 / 39 / 31

HEX #7BB16C

RGB 123 177 108

HSL 106.96, 0.31%, 0.56%

LAB 67.08, -31.06, 29.79

 

CMYK 32 / 39 / 0 / 31

HEX #786CB1

RGB 120 108 177

HSL 250.43, 0.31%, 0.56%

LAB 49.37, 20.74, -35.1

 

CMYK 0 / 16 / 39 / 31

HEX #B1956C

RGB 177 149 108

HSL 35.65, 0.31%, 0.56%

LAB 63.28, 4.6, 25.55

 

CMYK 39 / 0 / 16 / 31

HEX #6CB194

RGB 108 177 148

HSL 154.78, 0.31%, 0.56%

LAB 67.1, -28.51, 8.03

 

CMYK 16 / 39 / 0 / 31

HEX #946CB1

RGB 148 108 177

HSL 274.78, 0.31%, 0.56%

LAB 52.06, 29.18, -30.69

 

CMYK 0 / 16 / 39 / 31

HEX #B1956C

RGB 177 149 108

HSL 35.65, 0.31%, 0.56%

LAB 63.28, 4.6, 25.55

 

CMYK 31 / 0 / 39 / 31

HEX #7BB16C

RGB 123 177 108

HSL 106.96, 0.31%, 0.56%

LAB 67.08, -31.06, 29.79

 

CMYK 39 / 23 / 0 / 31

HEX #6C89B1

RGB 108 137 177

HSL 214.78, 0.31%, 0.56%

LAB 56.34, 0.06, -24.32

 

CMYK 8 / 39 / 0 / 31

HEX #A26CB1

RGB 162 108 177

HSL 286.96, 0.31%, 0.56%

LAB 53.58, 33.57, -28.21

 

CMYK 0 / 16 / 39 / 31

HEX #B1956C

RGB 177 149 108

HSL 35.65, 0.31%, 0.56%

LAB 63.28, 4.6, 25.55

 

CMYK 39 / 0 / 36 / 31

HEX #6CB171

RGB 108 177 113

HSL 124.35, 0.31%, 0.56%

LAB 66.39, -35.23, 26.08

 

CMYK 39 / 23 / 0 / 31

HEX #6C89B1

RGB 108 137 177

HSL 214.78, 0.31%, 0.56%

LAB 56.34, 0.06, -24.32

 

CMYK 0 / 39 / 3 / 31

HEX #B16CAB

RGB 177 108 171

HSL 305.22, 0.31%, 0.56%

LAB 55.09, 37.2, -22.27

 

Description

Color code: HEX #B1956C | qconv.com Color code: HEX #B1956C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 149 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 149 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 39 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 39% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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