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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1978A it is the complementary color #4E6875. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1978A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1978A shade: #B69785, #C7A998, #D8BBAB, #E9CDBE and #FADFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1978A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1978A shade: #B1978A, #A08577, #8F7364, #7E6151 and #6D4F3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1978A shade: #B1978A, #B18D8A and #B18A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1978A shade: #B1978A, #B1A28A, #B1AC8A, #ABB18A and #A1B18A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1978A shade matches the following richer shades: #B1978A, #C1927B, #D08D6B, #E0875B and #F0824C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1978A shade: #B1978A, #A19C9A, #92A2AA, #82A7B9 and #72ACC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1978A shade: #B18A92, #B18D8A, #B1978A, #B1A18A and #B1AC8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1978A shade: #8C6D5D, #A08171, #B1978A, #C1ADA3 and #D2C3BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1978A shade: #B1978A, #9CB18A and #8A8DB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1978A shade: #B1978A, #8AB197 and #978AB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1978A shade: #B1978A, #9CB18A, #8AA4B1 and #9F8AB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1978A shade: #B1978A, #91B18A, #8AA4B1 and #AB8AB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 22 / 31

HEX #B1978A

RGB 177 151 138

HSL 20, 0.2%, 0.62%

LAB 64.42, 7.57, 10.42

 

Complementary color

CMYK 33 / 11 / 0 / 54

HEX #4E6875

RGB 78 104 117

HSL 200, 0.2%, 0.38%

LAB 42.47, -6.14, -10.38

 

CMYK 0 / 17 / 27 / 29

HEX #B69785

RGB 182 151 133

HSL 22.04, 0.25%, 0.62%

LAB 64.78, 8.79, 13.8

 

CMYK 0 / 15 / 24 / 22

HEX #C7A998

RGB 199 169 152

HSL 21.7, 0.3%, 0.69%

LAB 71.41, 8.29, 12.82

 

CMYK 0 / 13 / 21 / 15

HEX #D8BBAB

RGB 216 187 171

HSL 21.33, 0.37%, 0.76%

LAB 77.92, 7.84, 11.91

 

CMYK 0 / 12 / 18 / 9

HEX #E9CDBE

RGB 233 205 190

HSL 20.93, 0.49%, 0.83%

LAB 84.33, 7.44, 11.05

 

CMYK 0 / 11 / 16 / 2

HEX #FADFD1

RGB 250 223 209

HSL 20.49, 0.8%, 0.9%

LAB 90.64, 7.08, 10.24

 

CMYK 0 / 15 / 22 / 31

HEX #B1978A

RGB 177 151 138

HSL 20, 0.2%, 0.62%

LAB 64.42, 7.57, 10.42

 

CMYK 0 / 17 / 26 / 37

HEX #A08577

RGB 160 133 119

HSL 20.49, 0.18%, 0.55%

LAB 57.64, 8.07, 11.39

 

CMYK 0 / 20 / 30 / 44

HEX #8F7364

RGB 143 115 100

HSL 20.93, 0.18%, 0.48%

LAB 50.71, 8.64, 12.45

 

CMYK 0 / 23 / 36 / 51

HEX #7E6151

RGB 126 97 81

HSL 21.33, 0.22%, 0.41%

LAB 43.62, 9.33, 13.63

 

CMYK 0 / 28 / 43 / 57

HEX #6D4F3E

RGB 109 79 62

HSL 21.7, 0.27%, 0.34%

LAB 36.35, 10.18, 14.98

 

CMYK 0 / 15 / 22 / 31

HEX #B1978A

RGB 177 151 138

HSL 20, 0.2%, 0.62%

LAB 64.42, 7.57, 10.42

 

CMYK 0 / 20 / 22 / 31

HEX #B18D8A

RGB 177 141 138

HSL 4.62, 0.2%, 0.62%

LAB 61.85, 13.14, 6.77

 

CMYK 0 / 22 / 22 / 31

HEX #B18A8A

RGB 177 138 138

HSL 0, 0.2%, 0.62%

LAB 61.1, 14.82, 5.69

 

CMYK 0 / 15 / 22 / 31

HEX #B1978A

RGB 177 151 138

HSL 20, 0.2%, 0.62%

LAB 64.42, 7.57, 10.42

 

CMYK 0 / 8 / 22 / 31

HEX #B1A28A

RGB 177 162 138

HSL 36.92, 0.2%, 0.62%

LAB 67.29, 1.52, 14.47

 

CMYK 0 / 3 / 22 / 31

HEX #B1AC8A

RGB 177 172 138

HSL 52.31, 0.2%, 0.62%

LAB 69.96, -3.87, 18.17

 

CMYK 3 / 0 / 22 / 31

HEX #ABB18A

RGB 171 177 138

HSL 69.23, 0.2%, 0.62%

LAB 70.83, -8.83, 19.3

 

CMYK 9 / 0 / 22 / 31

HEX #A1B18A

RGB 161 177 138

HSL 84.62, 0.2%, 0.62%

LAB 70.08, -12.61, 18.14

 

CMYK 0 / 15 / 22 / 31

HEX #B1978A

RGB 177 151 138

HSL 20, 0.2%, 0.62%

LAB 64.42, 7.57, 10.42

 

CMYK 0 / 24 / 36 / 24

HEX #C1927B

RGB 193 146 123

HSL 19.71, 0.36%, 0.62%

LAB 64.42, 14.6, 19.07

 

CMYK 0 / 32 / 49 / 18

HEX #D08D6B

RGB 208 141 107

HSL 20.2, 0.52%, 0.62%

LAB 64.58, 21.63, 28.42

 

CMYK 0 / 40 / 59 / 12

HEX #E0875B

RGB 224 135 91

HSL 19.85, 0.68%, 0.62%

LAB 64.91, 29.95, 37.9

 

CMYK 0 / 46 / 68 / 6

HEX #F0824C

RGB 240 130 76

HSL 19.76, 0.85%, 0.62%

LAB 65.76, 37.93, 47.22

 

CMYK 0 / 15 / 22 / 31

HEX #B1978A

RGB 177 151 138

HSL 20, 0.2%, 0.62%

LAB 64.42, 7.57, 10.42

 

CMYK 0 / 3 / 4 / 37

HEX #A19C9A

RGB 161 156 154

HSL 17.14, 0.04%, 0.62%

LAB 64.71, 1.44, 1.68

 

CMYK 14 / 5 / 0 / 33

HEX #92A2AA

RGB 146 162 170

HSL 200, 0.12%, 0.62%

LAB 65.63, -3.93, -6.06

 

CMYK 30 / 10 / 0 / 27

HEX #82A7B9

RGB 130 167 185

HSL 199.64, 0.28%, 0.62%

LAB 66.43, -8.27, -13.35

 

CMYK 43 / 14 / 0 / 21

HEX #72ACC9

RGB 114 172 201

HSL 200, 0.45%, 0.62%

LAB 67.5, -11.24, -20.69

 

CMYK 0 / 22 / 18 / 31

HEX #B18A92

RGB 177 138 146

HSL 347.69, 0.2%, 0.62%

LAB 61.31, 16.09, 1.43

 

CMYK 0 / 20 / 22 / 31

HEX #B18D8A

RGB 177 141 138

HSL 4.62, 0.2%, 0.62%

LAB 61.85, 13.14, 6.77

 

CMYK 0 / 15 / 22 / 31

HEX #B1978A

RGB 177 151 138

HSL 20, 0.2%, 0.62%

LAB 64.42, 7.57, 10.42

 

CMYK 0 / 9 / 22 / 31

HEX #B1A18A

RGB 177 161 138

HSL 35.38, 0.2%, 0.62%

LAB 67.03, 2.07, 14.1

 

CMYK 0 / 3 / 22 / 31

HEX #B1AC8A

RGB 177 172 138

HSL 52.31, 0.2%, 0.62%

LAB 69.96, -3.87, 18.17

 

CMYK 0 / 22 / 34 / 45

HEX #8C6D5D

RGB 140 109 93

HSL 20.43, 0.2%, 0.46%

LAB 48.64, 9.89, 13.64

 

CMYK 0 / 19 / 29 / 37

HEX #A08171

RGB 160 129 113

HSL 20.43, 0.2%, 0.54%

LAB 56.45, 9.46, 13.17

 

CMYK 0 / 15 / 22 / 31

HEX #B1978A

RGB 177 151 138

HSL 20, 0.2%, 0.62%

LAB 64.42, 7.57, 10.42

 

CMYK 0 / 10 / 16 / 24

HEX #C1ADA3

RGB 193 173 163

HSL 20, 0.19%, 0.7%

LAB 72.14, 5.54, 7.75

 

CMYK 0 / 7 / 10 / 18

HEX #D2C3BC

RGB 210 195 188

HSL 19.09, 0.2%, 0.78%

LAB 79.82, 4.07, 5.4

 

CMYK 0 / 15 / 22 / 31

HEX #B1978A

RGB 177 151 138

HSL 20, 0.2%, 0.62%

LAB 64.42, 7.57, 10.42

 

CMYK 12 / 0 / 22 / 31

HEX #9CB18A

RGB 156 177 138

HSL 92.31, 0.2%, 0.62%

LAB 69.72, -14.46, 17.59

 

CMYK 22 / 20 / 0 / 31

HEX #8A8DB1

RGB 138 141 177

HSL 235.38, 0.2%, 0.62%

LAB 59.55, 6.81, -19.22

 

CMYK 0 / 15 / 22 / 31

HEX #B1978A

RGB 177 151 138

HSL 20, 0.2%, 0.62%

LAB 64.42, 7.57, 10.42

 

CMYK 22 / 0 / 15 / 31

HEX #8AB197

RGB 138 177 151

HSL 140, 0.2%, 0.62%

LAB 68.81, -18.49, 9.03

 

CMYK 15 / 22 / 0 / 31

HEX #978AB1

RGB 151 138 177

HSL 260, 0.2%, 0.62%

LAB 59.83, 12.79, -18.7

 

CMYK 0 / 15 / 22 / 31

HEX #B1978A

RGB 177 151 138

HSL 20, 0.2%, 0.62%

LAB 64.42, 7.57, 10.42

 

CMYK 12 / 0 / 22 / 31

HEX #9CB18A

RGB 156 177 138

HSL 92.31, 0.2%, 0.62%

LAB 69.72, -14.46, 17.59

 

CMYK 22 / 7 / 0 / 31

HEX #8AA4B1

RGB 138 164 177

HSL 200, 0.2%, 0.62%

LAB 65.85, -6.08, -9.72

 

CMYK 10 / 22 / 0 / 31

HEX #9F8AB1

RGB 159 138 177

HSL 272.31, 0.2%, 0.62%

LAB 60.54, 15.47, -17.55

 

CMYK 0 / 15 / 22 / 31

HEX #B1978A

RGB 177 151 138

HSL 20, 0.2%, 0.62%

LAB 64.42, 7.57, 10.42

 

CMYK 18 / 0 / 22 / 31

HEX #91B18A

RGB 145 177 138

HSL 109.23, 0.2%, 0.62%

LAB 68.97, -18.45, 16.43

 

CMYK 22 / 7 / 0 / 31

HEX #8AA4B1

RGB 138 164 177

HSL 200, 0.2%, 0.62%

LAB 65.85, -6.08, -9.72

 

CMYK 3 / 22 / 0 / 31

HEX #AB8AB1

RGB 171 138 177

HSL 290.77, 0.2%, 0.62%

LAB 61.66, 19.55, -15.74

 

Description

Color code: HEX #B1978A | qconv.com Color code: HEX #B1978A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 151 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 151 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 22 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 22% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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