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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B198DA it is the complementary color #4E6725. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B198DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B198DA shade: #B698D5, #C7AAE8, #D8BCFB, #E9CEFF and #FAE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B198DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B198DA shade: #B198DA, #A086C7, #8F74B4, #7E62A1 and #6D508E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B198DA shade: #B299DA, #C399DA, #D599DA, #DA99CE and #DA99BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B198DA shade: #B299DA, #A099DA and #9999DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B198DA shade matches the following richer shades: #B299DA, #AF8EE5, #AC83F0 and #AA78FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B198DA shade: #B299DA, #B5A4CF, #B7B0C4, #BABBB9 and #BDC6AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B198DA shade: #99A4DA, #A099DA, #B199DA, #C299DA and #D499DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B198DA shade: #845DC4, #9B7BCF, #B299DA, #C9B8E5 and #E0D6F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B198DA shade: #B198DA, #DA99B5 and #9BDA99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B198DA shade: #B198DA, #DAB199 and #99DAB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B198DA shade: #B198DA, #DA99B5, #C2DA99 and #99DABE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B198DA shade: #B198DA, #DA99A2, #C2DA99 and #99DAD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 30 / 0 / 15

HEX #B198DA

RGB 177 152 218

HSL 262.73, 0.47%, 0.73%

LAB 67.18, 22.36, -30.21

 

Complementary color

CMYK 24 / 0 / 64 / 60

HEX #4E6725

RGB 78 103 37

HSL 82.73, 0.47%, 0.27%

LAB 40.33, -20.76, 33.4

 

CMYK 15 / 29 / 0 / 16

HEX #B698D5

RGB 182 152 213

HSL 269.51, 0.42%, 0.72%

LAB 67.43, 22.82, -27.02

 

CMYK 14 / 27 / 0 / 9

HEX #C7AAE8

RGB 199 170 232

HSL 268.06, 0.57%, 0.79%

LAB 74.01, 22.26, -27.21

 

CMYK 14 / 25 / 0 / 2

HEX #D8BCFB

RGB 216 188 251

HSL 266.67, 0.89%, 0.86%

LAB 80.48, 21.74, -27.42

 

CMYK 9 / 19 / 0 / 0

HEX #E9CEFF

RGB 233 206 255

HSL 273.06, 1%, 0.9%

LAB 86.35, 18.25, -20.49

 

CMYK 2 / 12 / 0 / 0

HEX #FAE0FF

RGB 250 224 255

HSL 290.32, 1%, 0.94%

LAB 92.07, 14.27, -11.76

 

CMYK 19 / 30 / 0 / 15

HEX #B198DA

RGB 177 152 218

HSL 262.73, 0.47%, 0.73%

LAB 67.18, 22.36, -30.21

 

CMYK 20 / 33 / 0 / 22

HEX #A086C7

RGB 160 134 199

HSL 264, 0.37%, 0.65%

LAB 60.47, 22.98, -30.1

 

CMYK 21 / 36 / 0 / 29

HEX #8F74B4

RGB 143 116 180

HSL 265.31, 0.3%, 0.58%

LAB 53.63, 23.67, -30.02

 

CMYK 22 / 39 / 0 / 37

HEX #7E62A1

RGB 126 98 161

HSL 266.67, 0.25%, 0.51%

LAB 46.64, 24.43, -29.96

 

CMYK 23 / 44 / 0 / 44

HEX #6D508E

RGB 109 80 142

HSL 268.06, 0.28%, 0.44%

LAB 39.48, 25.28, -29.93

 

CMYK 18 / 30 / 0 / 15

HEX #B299DA

RGB 178 153 218

HSL 263.08, 0.47%, 0.73%

LAB 67.51, 22.11, -29.69

 

CMYK 11 / 30 / 0 / 15

HEX #C399DA

RGB 195 153 218

HSL 278.77, 0.47%, 0.73%

LAB 69.07, 27.43, -27.15

 

CMYK 2 / 30 / 0 / 15

HEX #D599DA

RGB 213 153 218

HSL 295.38, 0.47%, 0.73%

LAB 70.86, 33.17, -24.25

 

CMYK 0 / 30 / 6 / 15

HEX #DA99CE

RGB 218 153 206

HSL 311.08, 0.47%, 0.73%

LAB 70.97, 32.61, -17.42

 

CMYK 0 / 30 / 14 / 15

HEX #DA99BC

RGB 218 153 188

HSL 327.69, 0.47%, 0.73%

LAB 70.4, 29.55, -8.31

 

CMYK 18 / 30 / 0 / 15

HEX #B299DA

RGB 178 153 218

HSL 263.08, 0.47%, 0.73%

LAB 67.51, 22.11, -29.69

 

CMYK 27 / 30 / 0 / 15

HEX #A099DA

RGB 160 153 218

HSL 246.46, 0.47%, 0.73%

LAB 66, 16.66, -32.15

 

CMYK 30 / 30 / 0 / 15

HEX #9999DA

RGB 153 153 218

HSL 240, 0.47%, 0.73%

LAB 65.45, 14.61, -33.04

 

CMYK 18 / 30 / 0 / 15

HEX #B299DA

RGB 178 153 218

HSL 263.08, 0.47%, 0.73%

LAB 67.51, 22.11, -29.69

 

CMYK 24 / 38 / 0 / 10

HEX #AF8EE5

RGB 175 142 229

HSL 262.76, 0.63%, 0.73%

LAB 65.06, 29.93, -39.61

 

CMYK 28 / 45 / 0 / 6

HEX #AC83F0

RGB 172 131 240

HSL 262.57, 0.78%, 0.73%

LAB 62.76, 37.89, -49.32

 

CMYK 32 / 52 / 0 / 2

HEX #AA78FB

RGB 170 120 251

HSL 262.9, 0.94%, 0.73%

LAB 60.73, 46.15, -58.62

 

CMYK 18 / 30 / 0 / 15

HEX #B299DA

RGB 178 153 218

HSL 263.08, 0.47%, 0.73%

LAB 67.51, 22.11, -29.69

 

CMYK 13 / 21 / 0 / 19

HEX #B5A4CF

RGB 181 164 207

HSL 263.72, 0.31%, 0.73%

LAB 70.09, 14.51, -19.64

 

CMYK 7 / 10 / 0 / 23

HEX #B7B0C4

RGB 183 176 196

HSL 261, 0.14%, 0.73%

LAB 72.96, 6.3, -9.26

 

CMYK 1 / 0 / 1 / 27

HEX #BABBB9

RGB 186 187 185

HSL 90, 0.01%, 0.73%

LAB 75.75, -0.72, 0.88

 

CMYK 5 / 0 / 13 / 22

HEX #BDC6AD

RGB 189 198 173

HSL 81.6, 0.18%, 0.73%

LAB 78.59, -7.56, 11.48

 

CMYK 30 / 25 / 0 / 15

HEX #99A4DA

RGB 153 164 218

HSL 229.85, 0.47%, 0.73%

LAB 68.3, 8.38, -28.63

 

CMYK 27 / 30 / 0 / 15

HEX #A099DA

RGB 160 153 218

HSL 246.46, 0.47%, 0.73%

LAB 66, 16.66, -32.15

 

CMYK 19 / 30 / 0 / 15

HEX #B199DA

RGB 177 153 218

HSL 262.15, 0.47%, 0.73%

LAB 67.42, 21.8, -29.84

 

CMYK 11 / 30 / 0 / 15

HEX #C299DA

RGB 194 153 218

HSL 277.85, 0.47%, 0.73%

LAB 68.98, 27.11, -27.31

 

CMYK 3 / 30 / 0 / 15

HEX #D499DA

RGB 212 153 218

HSL 294.46, 0.47%, 0.73%

LAB 70.76, 32.85, -24.42

 

CMYK 33 / 53 / 0 / 23

HEX #845DC4

RGB 132 93 196

HSL 262.72, 0.47%, 0.57%

LAB 47.9, 37.89, -48.34

 

CMYK 25 / 41 / 0 / 19

HEX #9B7BCF

RGB 155 123 207

HSL 262.86, 0.47%, 0.65%

LAB 57.69, 29.7, -38.98

 

CMYK 18 / 30 / 0 / 15

HEX #B299DA

RGB 178 153 218

HSL 263.08, 0.47%, 0.73%

LAB 67.51, 22.11, -29.69

 

CMYK 12 / 20 / 0 / 10

HEX #C9B8E5

RGB 201 184 229

HSL 262.67, 0.46%, 0.81%

LAB 77.49, 14.6, -20.26

 

CMYK 7 / 11 / 0 / 6

HEX #E0D6F0

RGB 224 214 240

HSL 263.08, 0.46%, 0.89%

LAB 87.11, 8.2, -11.49

 

CMYK 19 / 30 / 0 / 15

HEX #B198DA

RGB 177 152 218

HSL 262.73, 0.47%, 0.73%

LAB 67.18, 22.36, -30.21

 

CMYK 0 / 30 / 17 / 15

HEX #DA99B5

RGB 218 153 181

HSL 334.15, 0.47%, 0.73%

LAB 70.19, 28.43, -4.73

 

CMYK 29 / 0 / 30 / 15

HEX #9BDA99

RGB 155 218 153

HSL 118.15, 0.47%, 0.73%

LAB 81.52, -32.55, 25.77

 

CMYK 19 / 30 / 0 / 15

HEX #B198DA

RGB 177 152 218

HSL 262.73, 0.47%, 0.73%

LAB 67.18, 22.36, -30.21

 

CMYK 0 / 19 / 30 / 15

HEX #DAB199

RGB 218 177 153

HSL 22.15, 0.47%, 0.73%

LAB 75.23, 11.42, 17.89

 

CMYK 30 / 0 / 19 / 15

HEX #99DAB1

RGB 153 218 177

HSL 142.15, 0.47%, 0.73%

LAB 81.89, -28.95, 13.69

 

CMYK 19 / 30 / 0 / 15

HEX #B198DA

RGB 177 152 218

HSL 262.73, 0.47%, 0.73%

LAB 67.18, 22.36, -30.21

 

CMYK 0 / 30 / 17 / 15

HEX #DA99B5

RGB 218 153 181

HSL 334.15, 0.47%, 0.73%

LAB 70.19, 28.43, -4.73

 

CMYK 11 / 0 / 30 / 15

HEX #C2DA99

RGB 194 218 153

HSL 82.15, 0.47%, 0.73%

LAB 83.92, -18.97, 29.42

 

CMYK 30 / 0 / 13 / 15

HEX #99DABE

RGB 153 218 190

HSL 154.15, 0.47%, 0.73%

LAB 82.18, -26.4, 7.23

 

CMYK 19 / 30 / 0 / 15

HEX #B198DA

RGB 177 152 218

HSL 262.73, 0.47%, 0.73%

LAB 67.18, 22.36, -30.21

 

CMYK 0 / 30 / 26 / 15

HEX #DA99A2

RGB 218 153 162

HSL 351.69, 0.47%, 0.73%

LAB 69.68, 25.59, 5.09

 

CMYK 11 / 0 / 30 / 15

HEX #C2DA99

RGB 194 218 153

HSL 82.15, 0.47%, 0.73%

LAB 83.92, -18.97, 29.42

 

CMYK 30 / 0 / 4 / 15

HEX #99DAD1

RGB 153 218 209

HSL 171.69, 0.47%, 0.73%

LAB 82.66, -22.38, -2.17

 

Description

Color code: HEX #B198DA | qconv.com Color code: HEX #B198DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 152 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 152 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 30 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 30% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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