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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1991A it is the complementary color #4E66E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1991A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1991A shade: #B69915, #C7AB28, #D8BD3B, #E9CF4E and #FAE161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1991A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1991A shade: #B1991A, #A08707, #8F7500, #7E6300 and #6D5100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1991A shade: #B1991A, #B1701A, #B1481A, #B11F1A and #B11A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1991A shade: #B1991A, #A0B11A, #78B11A, #4FB11A and #26B11A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1991A shade matches the following richer shades: #B1991A and #C1A40A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1991A shade: #B1991A, #A08E2B, #90823B, #7F774C and #6F6C5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1991A shade: #B1471A, #B1701A, #B1981A, #A2B11A and #7AB11A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1991A shade: #695B0F, #8D7A15, #B1991A, #D5B81F and #E1C73C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1991A shade: #B1991A, #1AB11F and #5B1AB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1991A shade: #B1991A, #1AB198 and #981AB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1991A shade: #B1991A, #1AB11F, #1A33B1 and #B11AAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1991A shade: #B1991A, #1AB14C, #1A33B1 and #B11A7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 85 / 31

HEX #B1991A

RGB 177 153 26

HSL 50.46, 0.74%, 0.4%

LAB 63.51, -3.39, 62.59

 

Complementary color

CMYK 66 / 55 / 0 / 10

HEX #4E66E5

RGB 78 102 229

HSL 230.46, 0.74%, 0.6%

LAB 47.98, 31.38, -67.26

 

CMYK 0 / 16 / 88 / 29

HEX #B69915

RGB 182 153 21

HSL 49.19, 0.79%, 0.4%

LAB 63.98, -1.26, 64.36

 

CMYK 0 / 14 / 80 / 22

HEX #C7AB28

RGB 199 171 40

HSL 49.43, 0.67%, 0.47%

LAB 70.47, -2.77, 65.41

 

CMYK 0 / 13 / 73 / 15

HEX #D8BD3B

RGB 216 189 59

HSL 49.68, 0.67%, 0.54%

LAB 76.87, -4.04, 65.44

 

CMYK 0 / 11 / 67 / 9

HEX #E9CF4E

RGB 233 207 78

HSL 49.94, 0.78%, 0.61%

LAB 83.18, -5.13, 64.91

 

CMYK 0 / 10 / 61 / 2

HEX #FAE161

RGB 250 225 97

HSL 50.2, 0.94%, 0.68%

LAB 89.41, -6.06, 64.06

 

CMYK 0 / 14 / 85 / 31

HEX #B1991A

RGB 177 153 26

HSL 50.46, 0.74%, 0.4%

LAB 63.51, -3.39, 62.59

 

CMYK 0 / 16 / 96 / 37

HEX #A08707

RGB 160 135 7

HSL 50.2, 0.92%, 0.33%

LAB 56.9, -1.73, 60.51

 

CMYK 0 / 18 / 100 / 44

HEX #8F7500

RGB 143 117 0

HSL 49.09, 1%, 0.28%

LAB 50.17, 0.25, 56.12

 

CMYK 0 / 21 / 100 / 51

HEX #7E6300

RGB 126 99 0

HSL 47.14, 1%, 0.25%

LAB 43.3, 2.45, 50.46

 

CMYK 0 / 26 / 100 / 57

HEX #6D5100

RGB 109 81 0

HSL 44.59, 1%, 0.21%

LAB 36.24, 4.79, 44.65

 

CMYK 0 / 14 / 85 / 31

HEX #B1991A

RGB 177 153 26

HSL 50.46, 0.74%, 0.4%

LAB 63.51, -3.39, 62.59

 

CMYK 0 / 37 / 85 / 31

HEX #B1701A

RGB 177 112 26

HSL 34.17, 0.74%, 0.4%

LAB 52.96, 19.28, 53.76

 

CMYK 0 / 59 / 85 / 31

HEX #B1481A

RGB 177 72 26

HSL 18.28, 0.74%, 0.4%

LAB 44.31, 40.54, 46.38

 

CMYK 0 / 82 / 85 / 31

HEX #B11F1A

RGB 177 31 26

HSL 1.99, 0.74%, 0.4%

LAB 38.55, 56.22, 41.34

 

CMYK 0 / 85 / 85 / 31

HEX #B11A1A

RGB 177 26 26

HSL 0, 0.74%, 0.4%

LAB 38.13, 57.43, 40.97

 

CMYK 0 / 14 / 85 / 31

HEX #B1991A

RGB 177 153 26

HSL 50.46, 0.74%, 0.4%

LAB 63.51, -3.39, 62.59

 

CMYK 10 / 0 / 85 / 31

HEX #A0B11A

RGB 160 177 26

HSL 66.75, 0.74%, 0.4%

LAB 68.75, -23.32, 66.37

 

CMYK 32 / 0 / 85 / 31

HEX #78B11A

RGB 120 177 26

HSL 82.65, 0.74%, 0.4%

LAB 66.15, -39.57, 63.12

 

CMYK 55 / 0 / 85 / 31

HEX #4FB11A

RGB 79 177 26

HSL 98.94, 0.74%, 0.4%

LAB 64.31, -53.12, 60.81

 

CMYK 79 / 0 / 85 / 31

HEX #26B11A

RGB 38 177 26

HSL 115.23, 0.74%, 0.4%

LAB 63.29, -61.66, 59.51

 

CMYK 0 / 14 / 85 / 31

HEX #B1991A

RGB 177 153 26

HSL 50.46, 0.74%, 0.4%

LAB 63.51, -3.39, 62.59

 

CMYK 0 / 15 / 95 / 24

HEX #C1A40A

RGB 193 164 10

HSL 50.49, 0.9%, 0.4%

LAB 67.95, -2.39, 69.74

 

CMYK 0 / 14 / 85 / 31

HEX #B1991A

RGB 177 153 26

HSL 50.46, 0.74%, 0.4%

LAB 63.51, -3.39, 62.59

 

CMYK 0 / 11 / 73 / 37

HEX #A08E2B

RGB 160 142 43

HSL 50.77, 0.58%, 0.4%

LAB 58.97, -4.47, 52.32

 

CMYK 0 / 10 / 59 / 44

HEX #90823B

RGB 144 130 59

HSL 50.12, 0.42%, 0.4%

LAB 54.25, -4.05, 39.66

 

CMYK 0 / 6 / 40 / 50

HEX #7F774C

RGB 127 119 76

HSL 50.59, 0.25%, 0.4%

LAB 49.77, -3.71, 24.76

 

CMYK 0 / 3 / 17 / 56

HEX #6F6C5C

RGB 111 108 92

HSL 50.53, 0.09%, 0.4%

LAB 45.47, -1.83, 9.38

 

CMYK 0 / 60 / 85 / 31

HEX #B1471A

RGB 177 71 26

HSL 17.88, 0.74%, 0.4%

LAB 44.13, 41.02, 46.22

 

CMYK 0 / 37 / 85 / 31

HEX #B1701A

RGB 177 112 26

HSL 34.17, 0.74%, 0.4%

LAB 52.96, 19.28, 53.76

 

CMYK 0 / 14 / 85 / 31

HEX #B1981A

RGB 177 152 26

HSL 50.07, 0.74%, 0.4%

LAB 63.24, -2.85, 62.37

 

CMYK 8 / 0 / 85 / 31

HEX #A2B11A

RGB 162 177 26

HSL 65.96, 0.74%, 0.4%

LAB 68.9, -22.47, 66.56

 

CMYK 31 / 0 / 85 / 31

HEX #7AB11A

RGB 122 177 26

HSL 81.85, 0.74%, 0.4%

LAB 66.26, -38.81, 63.26

 

CMYK 0 / 13 / 86 / 59

HEX #695B0F

RGB 105 91 15

HSL 50.67, 0.75%, 0.24%

LAB 38.76, -2.75, 41.88

 

CMYK 0 / 13 / 85 / 45

HEX #8D7A15

RGB 141 122 21

HSL 50.5, 0.74%, 0.32%

LAB 51.42, -3.06, 52.37

 

CMYK 0 / 14 / 85 / 31

HEX #B1991A

RGB 177 153 26

HSL 50.46, 0.74%, 0.4%

LAB 63.51, -3.39, 62.59

 

CMYK 0 / 14 / 85 / 16

HEX #D5B81F

RGB 213 184 31

HSL 50.44, 0.75%, 0.48%

LAB 75.16, -3.71, 72.36

 

CMYK 0 / 12 / 73 / 12

HEX #E1C73C

RGB 225 199 60

HSL 50.55, 0.73%, 0.56%

LAB 80.28, -5.31, 68.65

 

CMYK 0 / 14 / 85 / 31

HEX #B1991A

RGB 177 153 26

HSL 50.46, 0.74%, 0.4%

LAB 63.51, -3.39, 62.59

 

CMYK 85 / 0 / 82 / 31

HEX #1AB11F

RGB 26 177 31

HSL 121.99, 0.74%, 0.4%

LAB 63.15, -62.81, 58.04

 

CMYK 49 / 85 / 0 / 31

HEX #5B1AB1

RGB 91 26 177

HSL 265.83, 0.74%, 0.4%

LAB 29.76, 57.85, -66.83

 

CMYK 0 / 14 / 85 / 31

HEX #B1991A

RGB 177 153 26

HSL 50.46, 0.74%, 0.4%

LAB 63.51, -3.39, 62.59

 

CMYK 85 / 0 / 14 / 31

HEX #1AB198

RGB 26 177 152

HSL 170.07, 0.74%, 0.4%

LAB 64.91, -42.6, 2.35

 

CMYK 14 / 85 / 0 / 31

HEX #981AB1

RGB 152 26 177

HSL 290.07, 0.74%, 0.4%

LAB 38.88, 66.94, -51.57

 

CMYK 0 / 14 / 85 / 31

HEX #B1991A

RGB 177 153 26

HSL 50.46, 0.74%, 0.4%

LAB 63.51, -3.39, 62.59

 

CMYK 85 / 0 / 82 / 31

HEX #1AB11F

RGB 26 177 31

HSL 121.99, 0.74%, 0.4%

LAB 63.15, -62.81, 58.04

 

CMYK 85 / 71 / 0 / 31

HEX #1A33B1

RGB 26 51 177

HSL 230.07, 0.74%, 0.4%

LAB 28.8, 39.3, -68.58

 

CMYK 0 / 85 / 3 / 31

HEX #B11AAC

RGB 177 26 172

HSL 301.99, 0.74%, 0.4%

LAB 42.86, 70.65, -41.98

 

CMYK 0 / 14 / 85 / 31

HEX #B1991A

RGB 177 153 26

HSL 50.46, 0.74%, 0.4%

LAB 63.51, -3.39, 62.59

 

CMYK 85 / 0 / 57 / 31

HEX #1AB14C

RGB 26 177 76

HSL 139.87, 0.74%, 0.4%

LAB 63.5, -58.46, 40.83

 

CMYK 85 / 71 / 0 / 31

HEX #1A33B1

RGB 26 51 177

HSL 230.07, 0.74%, 0.4%

LAB 28.8, 39.3, -68.58

 

CMYK 0 / 85 / 28 / 31

HEX #B11A7F

RGB 177 26 127

HSL 319.87, 0.74%, 0.4%

LAB 40.6, 64.55, -18.23

 

Description

Color code: HEX #B1991A | qconv.com Color code: HEX #B1991A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 153 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 153 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 85 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 85% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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