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Color name
HEX #B1A415

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1A415 it is the complementary color #4E5BEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1A415. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1A415 shade: #B6A410, #C7B623, #D8C836, #E9DA49 and #FAEC5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1A415. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1A415 shade: #B1A415, #A09202, #8F8000, #7E6E00 and #6D5C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1A415 shade: #B2A414, #B27A14, #B25014, #B22514 and #B21414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1A415 shade: #B2A414, #94B214, #6AB214, #3FB214 and #15B214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1A415 shade matches the following richer shades: #B2A414 and #C2B204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1A415 shade: #B2A414, #A19724, #918A35, #817C45 and #716F55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1A415 shade: #B25114, #B27B14, #B2A414, #95B214 and #6BB214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1A415 shade: #68600C, #8D8210, #B2A414, #D6C719 and #E6D732

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1A415 shade: #B1A415, #14B227 and #6614B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1A415 shade: #B1A415, #14B2A4 and #A414B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1A415 shade: #B1A415, #14B227, #1421B2 and #B2149F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1A415 shade: #B1A415, #14B256, #1421B2 and #B21470

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 88 / 31

HEX #B1A415

RGB 177 164 21

HSL 55, 0.79%, 0.39%

LAB 66.48, -9.36, 66.16

 

Complementary color

CMYK 67 / 61 / 0 / 8

HEX #4E5BEA

RGB 78 91 234

HSL 235, 0.79%, 0.61%

LAB 45.69, 39.84, -73.8

 

CMYK 0 / 10 / 91 / 29

HEX #B6A410

RGB 182 164 16

HSL 53.49, 0.84%, 0.39%

LAB 66.93, -7.23, 67.63

 

CMYK 0 / 9 / 82 / 22

HEX #C7B623

RGB 199 182 35

HSL 53.78, 0.7%, 0.46%

LAB 73.36, -8.67, 69.36

 

CMYK 0 / 7 / 75 / 15

HEX #D8C836

RGB 216 200 54

HSL 54.07, 0.68%, 0.53%

LAB 79.71, -9.9, 69.89

 

CMYK 0 / 6 / 69 / 9

HEX #E9DA49

RGB 233 218 73

HSL 54.38, 0.78%, 0.6%

LAB 85.98, -10.94, 69.71

 

CMYK 0 / 6 / 63 / 2

HEX #FAEC5C

RGB 250 236 92

HSL 54.68, 0.94%, 0.67%

LAB 92.17, -11.83, 69.11

 

CMYK 0 / 7 / 88 / 31

HEX #B1A415

RGB 177 164 21

HSL 55, 0.79%, 0.39%

LAB 66.48, -9.36, 66.16

 

CMYK 0 / 9 / 99 / 37

HEX #A09202

RGB 160 146 2

HSL 54.68, 0.98%, 0.32%

LAB 59.92, -7.8, 63.52

 

CMYK 0 / 10 / 100 / 44

HEX #8F8000

RGB 143 128 0

HSL 53.71, 1%, 0.28%

LAB 53.25, -5.91, 58.31

 

CMYK 0 / 13 / 100 / 51

HEX #7E6E00

RGB 126 110 0

HSL 52.38, 1%, 0.25%

LAB 46.43, -3.9, 52.66

 

CMYK 0 / 16 / 100 / 57

HEX #6D5C00

RGB 109 92 0

HSL 50.64, 1%, 0.21%

LAB 39.42, -1.79, 46.87

 

CMYK 0 / 8 / 89 / 30

HEX #B2A414

RGB 178 164 20

HSL 54.68, 0.8%, 0.39%

LAB 66.57, -8.94, 66.47

 

CMYK 0 / 31 / 89 / 30

HEX #B27A14

RGB 178 122 20

HSL 38.73, 0.8%, 0.39%

LAB 55.52, 13.99, 57.7

 

CMYK 0 / 55 / 89 / 30

HEX #B25014

RGB 178 80 20

HSL 22.78, 0.8%, 0.39%

LAB 45.98, 36.82, 50.16

 

CMYK 0 / 79 / 89 / 30

HEX #B22514

RGB 178 37 20

HSL 6.46, 0.8%, 0.39%

LAB 39.31, 54.72, 44.94

 

CMYK 0 / 89 / 89 / 30

HEX #B21414

RGB 178 20 20

HSL 0, 0.8%, 0.39%

LAB 37.87, 58.79, 43.82

 

CMYK 0 / 8 / 89 / 30

HEX #B2A414

RGB 178 164 20

HSL 54.68, 0.8%, 0.39%

LAB 66.57, -8.94, 66.47

 

CMYK 17 / 0 / 89 / 30

HEX #94B214

RGB 148 178 20

HSL 71.39, 0.8%, 0.39%

LAB 68.16, -29.03, 66.76

 

CMYK 40 / 0 / 89 / 30

HEX #6AB214

RGB 106 178 20

HSL 87.34, 0.8%, 0.39%

LAB 65.71, -45.26, 63.74

 

CMYK 65 / 0 / 89 / 30

HEX #3FB214

RGB 63 178 20

HSL 103.67, 0.8%, 0.39%

LAB 64.12, -57.7, 61.74

 

CMYK 88 / 0 / 89 / 30

HEX #15B214

RGB 21 178 20

HSL 119.62, 0.8%, 0.39%

LAB 63.38, -64.07, 60.82

 

CMYK 0 / 8 / 89 / 30

HEX #B2A414

RGB 178 164 20

HSL 54.68, 0.8%, 0.39%

LAB 66.57, -8.94, 66.47

 

CMYK 0 / 8 / 98 / 24

HEX #C2B204

RGB 194 178 4

HSL 54.95, 0.96%, 0.39%

LAB 71.77, -9.37, 73.31

 

CMYK 0 / 8 / 89 / 30

HEX #B2A414

RGB 178 164 20

HSL 54.68, 0.8%, 0.39%

LAB 66.57, -8.94, 66.47

 

CMYK 0 / 6 / 78 / 37

HEX #A19724

RGB 161 151 36

HSL 55.2, 0.63%, 0.39%

LAB 61.51, -9.19, 57.31

 

CMYK 0 / 5 / 63 / 43

HEX #918A35

RGB 145 138 53

HSL 55.43, 0.46%, 0.39%

LAB 56.54, -8.45, 45.1

 

CMYK 0 / 4 / 47 / 49

HEX #817C45

RGB 129 124 69

HSL 55, 0.3%, 0.39%

LAB 51.28, -6.45, 30.58

 

CMYK 0 / 2 / 25 / 56

HEX #716F55

RGB 113 111 85

HSL 55.71, 0.14%, 0.39%

LAB 46.36, -3.89, 14.8

 

CMYK 0 / 54 / 89 / 30

HEX #B25114

RGB 178 81 20

HSL 23.16, 0.8%, 0.39%

LAB 46.18, 36.31, 50.32

 

CMYK 0 / 31 / 89 / 30

HEX #B27B14

RGB 178 123 20

HSL 39.11, 0.8%, 0.39%

LAB 55.77, 13.43, 57.89

 

CMYK 0 / 8 / 89 / 30

HEX #B2A414

RGB 178 164 20

HSL 54.68, 0.8%, 0.39%

LAB 66.57, -8.94, 66.47

 

CMYK 16 / 0 / 89 / 30

HEX #95B214

RGB 149 178 20

HSL 71.01, 0.8%, 0.39%

LAB 68.23, -28.62, 66.85

 

CMYK 40 / 0 / 89 / 30

HEX #6BB214

RGB 107 178 20

HSL 86.96, 0.8%, 0.39%

LAB 65.76, -44.92, 63.8

 

CMYK 0 / 8 / 88 / 59

HEX #68600C

RGB 104 96 12

HSL 54.78, 0.79%, 0.23%

LAB 40.14, -6.27, 43.93

 

CMYK 0 / 8 / 89 / 45

HEX #8D8210

RGB 141 130 16

HSL 54.72, 0.8%, 0.31%

LAB 53.67, -7.64, 55.53

 

CMYK 0 / 8 / 89 / 30

HEX #B2A414

RGB 178 164 20

HSL 54.68, 0.8%, 0.39%

LAB 66.57, -8.94, 66.47

 

CMYK 0 / 7 / 88 / 16

HEX #D6C719

RGB 214 199 25

HSL 55.24, 0.79%, 0.47%

LAB 79.16, -11.11, 76.86

 

CMYK 0 / 7 / 78 / 10

HEX #E6D732

RGB 230 215 50

HSL 55, 0.78%, 0.55%

LAB 84.82, -11.67, 76.21

 

CMYK 0 / 7 / 88 / 31

HEX #B1A415

RGB 177 164 21

HSL 55, 0.79%, 0.39%

LAB 66.48, -9.36, 66.16

 

CMYK 89 / 0 / 78 / 30

HEX #14B227

RGB 20 178 39

HSL 127.22, 0.8%, 0.39%

LAB 63.46, -63.13, 55.93

 

CMYK 43 / 89 / 0 / 30

HEX #6614B2

RGB 102 20 178

HSL 271.14, 0.8%, 0.39%

LAB 30.73, 61.13, -65.77

 

CMYK 0 / 7 / 88 / 31

HEX #B1A415

RGB 177 164 21

HSL 55, 0.79%, 0.39%

LAB 66.48, -9.36, 66.16

 

CMYK 89 / 0 / 8 / 30

HEX #14B2A4

RGB 20 178 164

HSL 174.68, 0.8%, 0.39%

LAB 65.49, -40.08, -3.46

 

CMYK 8 / 89 / 0 / 30

HEX #A414B2

RGB 164 20 178

HSL 294.68, 0.8%, 0.39%

LAB 40.58, 70.35, -49.31

 

CMYK 0 / 7 / 88 / 31

HEX #B1A415

RGB 177 164 21

HSL 55, 0.79%, 0.39%

LAB 66.48, -9.36, 66.16

 

CMYK 89 / 0 / 78 / 30

HEX #14B227

RGB 20 178 39

HSL 127.22, 0.8%, 0.39%

LAB 63.46, -63.13, 55.93

 

CMYK 89 / 81 / 0 / 30

HEX #1421B2

RGB 20 33 178

HSL 235.06, 0.8%, 0.39%

LAB 25.11, 49.59, -75.3

 

CMYK 0 / 89 / 11 / 30

HEX #B2149F

RGB 178 20 159

HSL 307.22, 0.8%, 0.39%

LAB 41.95, 70.01, -35.63

 

CMYK 0 / 7 / 88 / 31

HEX #B1A415

RGB 177 164 21

HSL 55, 0.79%, 0.39%

LAB 66.48, -9.36, 66.16

 

CMYK 89 / 0 / 52 / 30

HEX #14B256

RGB 20 178 86

HSL 145.06, 0.8%, 0.39%

LAB 63.89, -57.8, 36.39

 

CMYK 89 / 81 / 0 / 30

HEX #1421B2

RGB 20 33 178

HSL 235.06, 0.8%, 0.39%

LAB 25.11, 49.59, -75.3

 

CMYK 0 / 89 / 37 / 30

HEX #B21470

RGB 178 20 112

HSL 325.06, 0.8%, 0.39%

LAB 39.81, 64.27, -10.07

 

Description

Color code: HEX #B1A415 | qconv.com Color code: HEX #B1A415 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 164 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 164 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 88 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 88% 31% C M Y K

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Provide designers and agencies with accurate color values.

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