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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1A436 it is the complementary color #4E5BC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1A436. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1A436 shade: #B6A431, #C7B644, #D8C857, #E9DA6A and #FAEC7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1A436. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1A436 shade: #B1A436, #A09223, #8F8010, #7E6E00 and #6D5C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1A436 shade: #AFA235, #AF8135, #AF6135, #AF4035 and #AF3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1A436 shade: #AFA235, #9BAF35, #7AAF35, #5AAF35 and #39AF35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1A436 shade matches the following richer shades: #AFA235, #C2B123 and #D4C010

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1A436 shade: #AFA235, #9D9448, #8A855B, #77766D and #656880

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1A436 shade: #AF6035, #AF8035, #AFA135, #9DAF35 and #7CAF35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1A436 shade: #706822, #90852C, #AFA235, #C6B947 and #D0C567

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1A436 shade: #B1A436, #35AF40 and #7035AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1A436 shade: #B1A436, #35AFA1 and #A135AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1A436 shade: #B1A436, #35AF40, #3544AF and #AF35A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1A436 shade: #B1A436, #35AF64, #3544AF and #AF3580

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 69 / 31

HEX #B1A436

RGB 177 164 54

HSL 53.66, 0.53%, 0.45%

LAB 66.65, -8.13, 56.09

 

Complementary color

CMYK 61 / 55 / 0 / 21

HEX #4E5BC9

RGB 78 91 201

HSL 233.66, 0.53%, 0.55%

LAB 43.24, 28.7, -58.97

 

CMYK 0 / 10 / 73 / 29

HEX #B6A431

RGB 182 164 49

HSL 51.88, 0.58%, 0.45%

LAB 67.06, -6.19, 58.59

 

CMYK 0 / 9 / 66 / 22

HEX #C7B644

RGB 199 182 68

HSL 52.21, 0.54%, 0.52%

LAB 73.56, -7.23, 58.06

 

CMYK 0 / 7 / 60 / 15

HEX #D8C857

RGB 216 200 87

HSL 52.56, 0.62%, 0.59%

LAB 79.95, -8.1, 57.17

 

CMYK 0 / 6 / 55 / 9

HEX #E9DA6A

RGB 233 218 106

HSL 52.91, 0.74%, 0.66%

LAB 86.26, -8.83, 56.12

 

CMYK 0 / 6 / 50 / 2

HEX #FAEC7D

RGB 250 236 125

HSL 53.28, 0.93%, 0.74%

LAB 92.48, -9.46, 55

 

CMYK 0 / 7 / 69 / 31

HEX #B1A436

RGB 177 164 54

HSL 53.66, 0.53%, 0.45%

LAB 66.65, -8.13, 56.09

 

CMYK 0 / 9 / 78 / 37

HEX #A09223

RGB 160 146 35

HSL 53.28, 0.64%, 0.38%

LAB 60.03, -7, 56.25

 

CMYK 0 / 10 / 89 / 44

HEX #8F8010

RGB 143 128 16

HSL 52.91, 0.8%, 0.31%

LAB 53.29, -5.6, 55.3

 

CMYK 0 / 13 / 100 / 51

HEX #7E6E00

RGB 126 110 0

HSL 52.38, 1%, 0.25%

LAB 46.43, -3.9, 52.66

 

CMYK 0 / 16 / 100 / 57

HEX #6D5C00

RGB 109 92 0

HSL 50.64, 1%, 0.21%

LAB 39.42, -1.79, 46.87

 

CMYK 0 / 7 / 70 / 31

HEX #AFA235

RGB 175 162 53

HSL 53.61, 0.54%, 0.45%

LAB 65.91, -8.01, 55.69

 

CMYK 0 / 26 / 70 / 31

HEX #AF8135

RGB 175 129 53

HSL 37.38, 0.54%, 0.45%

LAB 57.15, 10.01, 46.65

 

CMYK 0 / 45 / 70 / 31

HEX #AF6135

RGB 175 97 53

HSL 21.64, 0.54%, 0.45%

LAB 49.4, 27.85, 38.22

 

CMYK 0 / 63 / 70 / 31

HEX #AF4035

RGB 175 64 53

HSL 5.41, 0.54%, 0.45%

LAB 42.82, 44.63, 30.65

 

CMYK 0 / 70 / 70 / 31

HEX #AF3535

RGB 175 53 53

HSL 0, 0.54%, 0.45%

LAB 41.08, 49.32, 28.58

 

CMYK 0 / 7 / 70 / 31

HEX #AFA235

RGB 175 162 53

HSL 53.61, 0.54%, 0.45%

LAB 65.91, -8.01, 55.69

 

CMYK 11 / 0 / 70 / 31

HEX #9BAF35

RGB 155 175 53

HSL 69.84, 0.54%, 0.45%

LAB 67.94, -23.3, 57.19

 

CMYK 30 / 0 / 70 / 31

HEX #7AAF35

RGB 122 175 53

HSL 86.07, 0.54%, 0.45%

LAB 65.79, -36.52, 54.32

 

CMYK 49 / 0 / 70 / 31

HEX #5AAF35

RGB 90 175 53

HSL 101.8, 0.54%, 0.45%

LAB 64.23, -47.51, 52.22

 

CMYK 67 / 0 / 70 / 31

HEX #39AF35

RGB 57 175 53

HSL 118.03, 0.54%, 0.45%

LAB 63.17, -55.92, 50.77

 

CMYK 0 / 7 / 70 / 31

HEX #AFA235

RGB 175 162 53

HSL 53.61, 0.54%, 0.45%

LAB 65.91, -8.01, 55.69

 

CMYK 0 / 9 / 82 / 24

HEX #C2B123

RGB 194 177 35

HSL 53.58, 0.69%, 0.45%

LAB 71.58, -8.27, 67.65

 

CMYK 0 / 9 / 92 / 17

HEX #D4C010

RGB 212 192 16

HSL 53.88, 0.86%, 0.45%

LAB 77.12, -8.55, 76.63

 

CMYK 0 / 7 / 70 / 31

HEX #AFA235

RGB 175 162 53

HSL 53.61, 0.54%, 0.45%

LAB 65.91, -8.01, 55.69

 

CMYK 0 / 6 / 54 / 38

HEX #9D9448

RGB 157 148 72

HSL 53.65, 0.37%, 0.45%

LAB 60.62, -7.08, 40.85

 

CMYK 0 / 4 / 34 / 46

HEX #8A855B

RGB 138 133 91

HSL 53.62, 0.21%, 0.45%

LAB 55, -4.95, 23.36

 

CMYK 0 / 1 / 8 / 53

HEX #77766D

RGB 119 118 109

HSL 54, 0.04%, 0.45%

LAB 49.48, -1.36, 5.09

 

CMYK 21 / 19 / 0 / 50

HEX #656880

RGB 101 104 128

HSL 233.33, 0.12%, 0.45%

LAB 44.56, 4.38, -13.69

 

CMYK 0 / 45 / 70 / 31

HEX #AF6035

RGB 175 96 53

HSL 21.15, 0.54%, 0.45%

LAB 49.18, 28.4, 37.97

 

CMYK 0 / 27 / 70 / 31

HEX #AF8035

RGB 175 128 53

HSL 36.89, 0.54%, 0.45%

LAB 56.89, 10.57, 46.38

 

CMYK 0 / 8 / 70 / 31

HEX #AFA135

RGB 175 161 53

HSL 53.11, 0.54%, 0.45%

LAB 65.64, -7.48, 55.42

 

CMYK 10 / 0 / 70 / 31

HEX #9DAF35

RGB 157 175 53

HSL 68.85, 0.54%, 0.45%

LAB 68.08, -22.46, 57.39

 

CMYK 29 / 0 / 70 / 31

HEX #7CAF35

RGB 124 175 53

HSL 85.08, 0.54%, 0.45%

LAB 65.91, -35.77, 54.47

 

CMYK 0 / 7 / 70 / 56

HEX #706822

RGB 112 104 34

HSL 53.85, 0.53%, 0.29%

LAB 43.45, -5.97, 39.01

 

CMYK 0 / 8 / 69 / 44

HEX #90852C

RGB 144 133 44

HSL 53.4, 0.53%, 0.37%

LAB 54.95, -6.75, 47.4

 

CMYK 0 / 7 / 70 / 31

HEX #AFA235

RGB 175 162 53

HSL 53.61, 0.54%, 0.45%

LAB 65.91, -8.01, 55.69

 

CMYK 0 / 7 / 64 / 22

HEX #C6B947

RGB 198 185 71

HSL 53.86, 0.53%, 0.53%

LAB 74.29, -9.03, 57.54

 

CMYK 0 / 5 / 50 / 18

HEX #D0C567

RGB 208 197 103

HSL 53.71, 0.53%, 0.61%

LAB 78.65, -8.62, 48.07

 

CMYK 0 / 7 / 69 / 31

HEX #B1A436

RGB 177 164 54

HSL 53.66, 0.53%, 0.45%

LAB 66.65, -8.13, 56.09

 

CMYK 70 / 0 / 63 / 31

HEX #35AF40

RGB 53 175 64

HSL 125.41, 0.54%, 0.45%

LAB 63.17, -55.58, 46.1

 

CMYK 36 / 70 / 0 / 31

HEX #7035AF

RGB 112 53 175

HSL 269.02, 0.54%, 0.45%

LAB 36.15, 49.52, -55.08

 

CMYK 0 / 7 / 69 / 31

HEX #B1A436

RGB 177 164 54

HSL 53.66, 0.53%, 0.45%

LAB 66.65, -8.13, 56.09

 

CMYK 70 / 0 / 8 / 31

HEX #35AFA1

RGB 53 175 161

HSL 173.11, 0.54%, 0.45%

LAB 64.95, -36.32, -2.53

 

CMYK 8 / 70 / 0 / 31

HEX #A135AF

RGB 161 53 175

HSL 293.11, 0.54%, 0.45%

LAB 43.09, 60.05, -43.55

 

CMYK 0 / 7 / 69 / 31

HEX #B1A436

RGB 177 164 54

HSL 53.66, 0.53%, 0.45%

LAB 66.65, -8.13, 56.09

 

CMYK 70 / 0 / 63 / 31

HEX #35AF40

RGB 53 175 64

HSL 125.41, 0.54%, 0.45%

LAB 63.17, -55.58, 46.1

 

CMYK 70 / 61 / 0 / 31

HEX #3544AF

RGB 53 68 175

HSL 232.62, 0.54%, 0.45%

LAB 33.95, 30.34, -58.89

 

CMYK 0 / 70 / 6 / 31

HEX #AF35A5

RGB 175 53 165

HSL 304.92, 0.54%, 0.45%

LAB 44.77, 61.57, -34.81

 

CMYK 0 / 7 / 69 / 31

HEX #B1A436

RGB 177 164 54

HSL 53.66, 0.53%, 0.45%

LAB 66.65, -8.13, 56.09

 

CMYK 70 / 0 / 43 / 31

HEX #35AF64

RGB 53 175 100

HSL 143.11, 0.54%, 0.45%

LAB 63.62, -50.33, 28.97

 

CMYK 70 / 61 / 0 / 31

HEX #3544AF

RGB 53 68 175

HSL 232.62, 0.54%, 0.45%

LAB 33.95, 30.34, -58.89

 

CMYK 0 / 70 / 27 / 31

HEX #AF3580

RGB 175 53 128

HSL 323.11, 0.54%, 0.45%

LAB 43.09, 56.19, -15.07

 

Description

Color code: HEX #B1A436 | qconv.com Color code: HEX #B1A436 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 164 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 164 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 69 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 69% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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