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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1AFF3 it is the complementary color #4E500C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1AFF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1AFF3 shade: #B6AFEE, #C7C1FF, #D8D3FF, #E9E5FF and #FAF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1AFF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1AFF3 shade: #B1AFF3, #A09DE0, #8F8BCD, #7E79BA and #6D67A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1AFF3 shade: #B1AFF3, #C3AFF3, #D5AFF3, #E8AFF3 and #F3AFEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1AFF3 shade: #B1AFF3 and #AFAFF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1AFF3 shade matches the following richer shades: #B1AFF3 and #AAA7FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1AFF3 shade: #B1AFF3, #B8B6EB, #BFBDE4, #C6C5DC and #CDCCD5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1AFF3 shade: #AFD2F3, #AFC0F3, #B0AFF3, #C2AFF3 and #D4AFF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1AFF3 shade: #6B67E8, #8E8BED, #B1AFF3, #D4D3F8 and #F7F6FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1AFF3 shade: #B1AFF3, #F3AFE4 and #C9F3AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1AFF3 shade: #B1AFF3, #F3B0AF and #AFF3B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1AFF3 shade: #B1AFF3, #F3AFE4, #F1F3AF and #AFF3BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1AFF3 shade: #B1AFF3, #F3AFCF, #F1F3AF and #AFF3D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 28 / 0 / 5

HEX #B1AFF3

RGB 177 175 243

HSL 241.76, 0.74%, 0.82%

LAB 73.85, 15.35, -33.57

 

Complementary color

CMYK 2 / 0 / 85 / 69

HEX #4E500C

RGB 78 80 12

HSL 61.76, 0.74%, 0.18%

LAB 32.66, -9.83, 36.47

 

CMYK 24 / 26 / 0 / 7

HEX #B6AFEE

RGB 182 175 238

HSL 246.67, 0.65%, 0.81%

LAB 74.05, 15.64, -30.53

 

CMYK 22 / 24 / 0 / 0

HEX #C7C1FF

RGB 199 193 255

HSL 245.81, 1%, 0.88%

LAB 80.46, 14.74, -29.71

 

CMYK 15 / 17 / 0 / 0

HEX #D8D3FF

RGB 216 211 255

HSL 246.82, 1%, 0.91%

LAB 86.21, 10.25, -20.83

 

CMYK 9 / 10 / 0 / 0

HEX #E9E5FF

RGB 233 229 255

HSL 249.23, 1%, 0.95%

LAB 91.95, 6.16, -12.08

 

CMYK 2 / 3 / 0 / 0

HEX #FAF7FF

RGB 250 247 255

HSL 262.5, 1%, 0.98%

LAB 97.66, 2.41, -3.48

 

CMYK 27 / 28 / 0 / 5

HEX #B1AFF3

RGB 177 175 243

HSL 241.76, 0.74%, 0.82%

LAB 73.85, 15.35, -33.57

 

CMYK 29 / 30 / 0 / 12

HEX #A09DE0

RGB 160 157 224

HSL 242.69, 0.52%, 0.75%

LAB 67.25, 15.87, -33.52

 

CMYK 30 / 32 / 0 / 20

HEX #8F8BCD

RGB 143 139 205

HSL 243.64, 0.4%, 0.67%

LAB 60.53, 16.45, -33.5

 

CMYK 32 / 35 / 0 / 27

HEX #7E79BA

RGB 126 121 186

HSL 244.62, 0.32%, 0.6%

LAB 53.66, 17.1, -33.53

 

CMYK 35 / 38 / 0 / 35

HEX #6D67A7

RGB 109 103 167

HSL 245.63, 0.27%, 0.53%

LAB 46.63, 17.86, -33.61

 

CMYK 27 / 28 / 0 / 5

HEX #B1AFF3

RGB 177 175 243

HSL 241.76, 0.74%, 0.82%

LAB 73.85, 15.35, -33.57

 

CMYK 20 / 28 / 0 / 5

HEX #C3AFF3

RGB 195 175 243

HSL 257.65, 0.74%, 0.82%

LAB 75.28, 20.68, -31.25

 

CMYK 12 / 28 / 0 / 5

HEX #D5AFF3

RGB 213 175 243

HSL 273.53, 0.74%, 0.82%

LAB 76.85, 26.2, -28.71

 

CMYK 5 / 28 / 0 / 5

HEX #E8AFF3

RGB 232 175 243

HSL 290.29, 0.74%, 0.82%

LAB 78.63, 32.15, -25.83

 

CMYK 0 / 28 / 3 / 5

HEX #F3AFEB

RGB 243 175 235

HSL 307.06, 0.74%, 0.82%

LAB 79.45, 34.2, -20.16

 

CMYK 27 / 28 / 0 / 5

HEX #B1AFF3

RGB 177 175 243

HSL 241.76, 0.74%, 0.82%

LAB 73.85, 15.35, -33.57

 

CMYK 28 / 28 / 0 / 5

HEX #AFAFF3

RGB 175 175 243

HSL 240, 0.74%, 0.82%

LAB 73.7, 14.77, -33.82

 

CMYK 27 / 28 / 0 / 5

HEX #B1AFF3

RGB 177 175 243

HSL 241.76, 0.74%, 0.82%

LAB 73.85, 15.35, -33.57

 

CMYK 32 / 33 / 0 / 2

HEX #AAA7FA

RGB 170 167 250

HSL 242.17, 0.89%, 0.82%

LAB 71.61, 19.56, -40.89

 

CMYK 27 / 28 / 0 / 5

HEX #B1AFF3

RGB 177 175 243

HSL 241.76, 0.74%, 0.82%

LAB 73.85, 15.35, -33.57

 

CMYK 22 / 23 / 0 / 8

HEX #B8B6EB

RGB 184 182 235

HSL 242.26, 0.57%, 0.82%

LAB 75.85, 11.69, -26.13

 

CMYK 16 / 17 / 0 / 11

HEX #BFBDE4

RGB 191 189 228

HSL 243.08, 0.42%, 0.82%

LAB 77.92, 8.49, -19.15

 

CMYK 10 / 10 / 0 / 14

HEX #C6C5DC

RGB 198 197 220

HSL 242.61, 0.25%, 0.82%

LAB 80.24, 4.78, -11.3

 

CMYK 4 / 4 / 0 / 16

HEX #CDCCD5

RGB 205 204 213

HSL 246.67, 0.1%, 0.82%

LAB 82.36, 2.02, -4.35

 

CMYK 28 / 14 / 0 / 5

HEX #AFD2F3

RGB 175 210 243

HSL 209.12, 0.74%, 0.82%

LAB 82.74, -4.2, -19.99

 

CMYK 28 / 21 / 0 / 5

HEX #AFC0F3

RGB 175 192 243

HSL 225, 0.74%, 0.82%

LAB 78.04, 5.43, -27.14

 

CMYK 28 / 28 / 0 / 5

HEX #B0AFF3

RGB 176 175 243

HSL 240.88, 0.74%, 0.82%

LAB 73.78, 15.06, -33.69

 

CMYK 20 / 28 / 0 / 5

HEX #C2AFF3

RGB 194 175 243

HSL 256.76, 0.74%, 0.82%

LAB 75.2, 20.38, -31.38

 

CMYK 13 / 28 / 0 / 5

HEX #D4AFF3

RGB 212 175 243

HSL 272.65, 0.74%, 0.82%

LAB 76.76, 25.89, -28.86

 

CMYK 54 / 56 / 0 / 9

HEX #6B67E8

RGB 107 103 232

HSL 241.86, 0.74%, 0.66%

LAB 50.28, 36.71, -65.14

 

CMYK 40 / 41 / 0 / 7

HEX #8E8BED

RGB 142 139 237

HSL 241.84, 0.73%, 0.74%

LAB 61.94, 24.73, -49.12

 

CMYK 27 / 28 / 0 / 5

HEX #B1AFF3

RGB 177 175 243

HSL 241.76, 0.74%, 0.82%

LAB 73.85, 15.35, -33.57

 

CMYK 15 / 15 / 0 / 3

HEX #D4D3F8

RGB 212 211 248

HSL 241.62, 0.73%, 0.9%

LAB 85.69, 7.54, -17.95

 

CMYK 2 / 3 / 0 / 1

HEX #F7F6FD

RGB 247 246 253

HSL 248.57, 0.64%, 0.98%

LAB 97.14, 1.58, -3.24

 

CMYK 27 / 28 / 0 / 5

HEX #B1AFF3

RGB 177 175 243

HSL 241.76, 0.74%, 0.82%

LAB 73.85, 15.35, -33.57

 

CMYK 0 / 28 / 6 / 5

HEX #F3AFE4

RGB 243 175 228

HSL 313.24, 0.74%, 0.82%

LAB 79.22, 32.98, -16.73

 

CMYK 17 / 0 / 28 / 5

HEX #C9F3AF

RGB 201 243 175

HSL 97.06, 0.74%, 0.82%

LAB 91.51, -25.45, 28.48

 

CMYK 27 / 28 / 0 / 5

HEX #B1AFF3

RGB 177 175 243

HSL 241.76, 0.74%, 0.82%

LAB 73.85, 15.35, -33.57

 

CMYK 0 / 28 / 28 / 5

HEX #F3B0AF

RGB 243 176 175

HSL 0.88, 0.74%, 0.82%

LAB 77.99, 24.31, 10.21

 

CMYK 28 / 0 / 28 / 5

HEX #AFF3B0

RGB 175 243 176

HSL 120.88, 0.74%, 0.82%

LAB 90.02, -33.95, 25.69

 

CMYK 27 / 28 / 0 / 5

HEX #B1AFF3

RGB 177 175 243

HSL 241.76, 0.74%, 0.82%

LAB 73.85, 15.35, -33.57

 

CMYK 0 / 28 / 6 / 5

HEX #F3AFE4

RGB 243 175 228

HSL 313.24, 0.74%, 0.82%

LAB 79.22, 32.98, -16.73

 

CMYK 1 / 0 / 28 / 5

HEX #F1F3AF

RGB 241 243 175

HSL 61.76, 0.74%, 0.82%

LAB 94.27, -11.08, 32.66

 

CMYK 28 / 0 / 22 / 5

HEX #AFF3BD

RGB 175 243 189

HSL 132.35, 0.74%, 0.82%

LAB 90.27, -31.75, 19.37

 

CMYK 27 / 28 / 0 / 5

HEX #B1AFF3

RGB 177 175 243

HSL 241.76, 0.74%, 0.82%

LAB 73.85, 15.35, -33.57

 

CMYK 0 / 28 / 15 / 5

HEX #F3AFCF

RGB 243 175 207

HSL 331.76, 0.74%, 0.82%

LAB 78.59, 29.51, -6.3

 

CMYK 1 / 0 / 28 / 5

HEX #F1F3AF

RGB 241 243 175

HSL 61.76, 0.74%, 0.82%

LAB 94.27, -11.08, 32.66

 

CMYK 28 / 0 / 14 / 5

HEX #AFF3D2

RGB 175 243 210

HSL 150.88, 0.74%, 0.82%

LAB 90.72, -27.86, 9.14

 

Description

Color code: HEX #B1AFF3 | qconv.com Color code: HEX #B1AFF3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 175 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 175 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 28 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 28% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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