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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1B652 it is the complementary color #4E49AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1B652. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1B652 shade: #B6B64D, #C7C860, #D8DA73, #E9EC86 and #FAFE99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1B652. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1B652 shade: #B1B652, #A0A43F, #8F922C, #7E8019 and #6D6E06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1B652 shade: #B1B652, #B6A052, #B68552, #B66A52 and #B65252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1B652 shade: #B1B652, #96B652, #7BB652, #60B652 and #52B65F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1B652 shade matches the following richer shades: #B1B652, #C3CA3E, #D5DE2A and #E7F217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1B652 shade: #B1B652, #9FA266, #8E8F7A, #7C7B8D and #6A67A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1B652 shade: #B68652, #B6A152, #B1B652, #97B652 and #7CB652

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1B652 shade: #7D8035, #999D42, #B1B652, #BEC26F and #CBCF8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1B652 shade: #B1B652, #52B66B and #9352B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1B652 shade: #B1B652, #52B1B6 and #B652B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1B652 shade: #B1B652, #52B66B, #5752B6 and #B6529D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1B652 shade: #B1B652, #52B689, #5752B6 and #B6527F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 55 / 29

HEX #B1B652

RGB 177 182 82

HSL 63, 0.41%, 0.52%

LAB 71.83, -15.55, 49.44

 

Complementary color

CMYK 55 / 58 / 0 / 32

HEX #4E49AD

RGB 78 73 173

HSL 243, 0.41%, 0.48%

LAB 36.75, 30.7, -53.08

 

CMYK 0 / 0 / 58 / 29

HEX #B6B64D

RGB 182 182 77

HSL 60, 0.42%, 0.51%

LAB 72.19, -13.85, 52.24

 

CMYK 0 / 0 / 52 / 22

HEX #C7C860

RGB 199 200 96

HSL 60.58, 0.49%, 0.58%

LAB 78.63, -14.44, 51.19

 

CMYK 1 / 0 / 47 / 15

HEX #D8DA73

RGB 216 218 115

HSL 61.17, 0.58%, 0.65%

LAB 84.99, -14.91, 50.07

 

CMYK 1 / 0 / 43 / 7

HEX #E9EC86

RGB 233 236 134

HSL 61.76, 0.73%, 0.73%

LAB 91.25, -15.31, 48.92

 

CMYK 2 / 0 / 40 / 0

HEX #FAFE99

RGB 250 254 153

HSL 62.38, 0.98%, 0.8%

LAB 97.43, -15.64, 47.78

 

CMYK 3 / 0 / 55 / 29

HEX #B1B652

RGB 177 182 82

HSL 63, 0.41%, 0.52%

LAB 71.83, -15.55, 49.44

 

CMYK 2 / 0 / 62 / 36

HEX #A0A43F

RGB 160 164 63

HSL 62.38, 0.44%, 0.45%

LAB 65.27, -14.96, 50.4

 

CMYK 2 / 0 / 70 / 43

HEX #8F922C

RGB 143 146 44

HSL 61.76, 0.54%, 0.37%

LAB 58.58, -14.2, 51.03

 

CMYK 2 / 0 / 80 / 50

HEX #7E8019

RGB 126 128 25

HSL 61.17, 0.67%, 0.3%

LAB 51.77, -13.21, 50.93

 

CMYK 1 / 0 / 95 / 57

HEX #6D6E06

RGB 109 110 6

HSL 60.58, 0.9%, 0.23%

LAB 44.82, -11.93, 49.37

 

CMYK 3 / 0 / 55 / 29

HEX #B1B652

RGB 177 182 82

HSL 63, 0.41%, 0.52%

LAB 71.83, -15.55, 49.44

 

CMYK 0 / 12 / 55 / 29

HEX #B6A052

RGB 182 160 82

HSL 46.8, 0.41%, 0.52%

LAB 66.29, -1.9, 43.11

 

CMYK 0 / 27 / 55 / 29

HEX #B68552

RGB 182 133 82

HSL 30.6, 0.41%, 0.52%

LAB 59.28, 12.91, 34.66

 

CMYK 0 / 42 / 55 / 29

HEX #B66A52

RGB 182 106 82

HSL 14.4, 0.41%, 0.52%

LAB 52.8, 27.9, 26.5

 

CMYK 0 / 55 / 55 / 29

HEX #B65252

RGB 182 82 82

HSL 0, 0.41%, 0.52%

LAB 47.74, 40.56, 19.87

 

CMYK 3 / 0 / 55 / 29

HEX #B1B652

RGB 177 182 82

HSL 63, 0.41%, 0.52%

LAB 71.83, -15.55, 49.44

 

CMYK 18 / 0 / 55 / 29

HEX #96B652

RGB 150 182 82

HSL 79.2, 0.41%, 0.52%

LAB 69.86, -26.54, 46.65

 

CMYK 32 / 0 / 55 / 29

HEX #7BB652

RGB 123 182 82

HSL 95.4, 0.41%, 0.52%

LAB 68.22, -36.72, 44.32

 

CMYK 47 / 0 / 55 / 29

HEX #60B652

RGB 96 182 82

HSL 111.6, 0.41%, 0.52%

LAB 66.94, -45.58, 42.48

 

CMYK 55 / 0 / 48 / 29

HEX #52B65F

RGB 82 182 95

HSL 127.8, 0.41%, 0.52%

LAB 66.58, -47.68, 35.5

 

CMYK 3 / 0 / 55 / 29

HEX #B1B652

RGB 177 182 82

HSL 63, 0.41%, 0.52%

LAB 71.83, -15.55, 49.44

 

CMYK 3 / 0 / 69 / 21

HEX #C3CA3E

RGB 195 202 62

HSL 63, 0.57%, 0.52%

LAB 78.57, -19.41, 65.41

 

CMYK 4 / 0 / 81 / 13

HEX #D5DE2A

RGB 213 222 42

HSL 63, 0.73%, 0.52%

LAB 85.28, -22.48, 78.22

 

CMYK 5 / 0 / 90 / 5

HEX #E7F217

RGB 231 242 23

HSL 63.01, 0.89%, 0.52%

LAB 91.93, -25.03, 87.76

 

CMYK 3 / 0 / 55 / 29

HEX #B1B652

RGB 177 182 82

HSL 63, 0.41%, 0.52%

LAB 71.83, -15.55, 49.44

 

CMYK 2 / 0 / 37 / 36

HEX #9FA266

RGB 159 162 102

HSL 63, 0.24%, 0.52%

LAB 65.1, -10.58, 30.87

 

CMYK 1 / 0 / 15 / 44

HEX #8E8F7A

RGB 142 143 122

HSL 62.86, 0.09%, 0.52%

LAB 58.79, -4.2, 11.07

 

CMYK 12 / 13 / 0 / 45

HEX #7C7B8D

RGB 124 123 141

HSL 243.33, 0.07%, 0.52%

LAB 52.26, 4.18, -9.6

 

CMYK 34 / 36 / 0 / 37

HEX #6A67A1

RGB 106 103 161

HSL 243.1, 0.24%, 0.52%

LAB 46.09, 15.32, -30.94

 

CMYK 0 / 26 / 55 / 29

HEX #B68652

RGB 182 134 82

HSL 31.2, 0.41%, 0.52%

LAB 59.53, 12.36, 34.97

 

CMYK 0 / 12 / 55 / 29

HEX #B6A152

RGB 182 161 82

HSL 47.4, 0.41%, 0.52%

LAB 66.55, -2.44, 43.42

 

CMYK 3 / 0 / 55 / 29

HEX #B1B652

RGB 177 182 82

HSL 63, 0.41%, 0.52%

LAB 71.83, -15.55, 49.44

 

CMYK 17 / 0 / 55 / 29

HEX #97B652

RGB 151 182 82

HSL 78.6, 0.41%, 0.52%

LAB 69.93, -26.15, 46.74

 

CMYK 32 / 0 / 55 / 29

HEX #7CB652

RGB 124 182 82

HSL 94.8, 0.41%, 0.52%

LAB 68.28, -36.37, 44.4

 

CMYK 2 / 0 / 59 / 50

HEX #7D8035

RGB 125 128 53

HSL 62.4, 0.41%, 0.35%

LAB 51.9, -11.96, 39.5

 

CMYK 3 / 0 / 58 / 38

HEX #999D42

RGB 153 157 66

HSL 62.64, 0.41%, 0.44%

LAB 62.74, -14.1, 46.1

 

CMYK 3 / 0 / 55 / 29

HEX #B1B652

RGB 177 182 82

HSL 63, 0.41%, 0.52%

LAB 71.83, -15.55, 49.44

 

CMYK 2 / 0 / 43 / 24

HEX #BEC26F

RGB 190 194 111

HSL 62.89, 0.4%, 0.6%

LAB 76.48, -13.62, 41.15

 

CMYK 2 / 0 / 32 / 19

HEX #CBCF8C

RGB 203 207 140

HSL 63.58, 0.41%, 0.68%

LAB 81.41, -11.79, 32.91

 

CMYK 3 / 0 / 55 / 29

HEX #B1B652

RGB 177 182 82

HSL 63, 0.41%, 0.52%

LAB 71.83, -15.55, 49.44

 

CMYK 55 / 0 / 41 / 29

HEX #52B66B

RGB 82 182 107

HSL 135, 0.41%, 0.52%

LAB 66.76, -45.76, 29.54

 

CMYK 19 / 55 / 0 / 29

HEX #9352B6

RGB 147 82 182

HSL 279, 0.41%, 0.52%

LAB 46.47, 44.54, -42.41

 

CMYK 3 / 0 / 55 / 29

HEX #B1B652

RGB 177 182 82

HSL 63, 0.41%, 0.52%

LAB 71.83, -15.55, 49.44

 

CMYK 55 / 3 / 0 / 29

HEX #52B1B6

RGB 82 177 182

HSL 183, 0.41%, 0.52%

LAB 66.99, -26.42, -11.08

 

CMYK 0 / 55 / 3 / 29

HEX #B652B1

RGB 182 82 177

HSL 303, 0.41%, 0.52%

LAB 50.87, 53.14, -32.24

 

CMYK 3 / 0 / 55 / 29

HEX #B1B652

RGB 177 182 82

HSL 63, 0.41%, 0.52%

LAB 71.83, -15.55, 49.44

 

CMYK 55 / 0 / 41 / 29

HEX #52B66B

RGB 82 182 107

HSL 135, 0.41%, 0.52%

LAB 66.76, -45.76, 29.54

 

CMYK 52 / 55 / 0 / 29

HEX #5752B6

RGB 87 82 182

HSL 243, 0.41%, 0.52%

LAB 40.31, 29.82, -52.61

 

CMYK 0 / 55 / 14 / 29

HEX #B6529D

RGB 182 82 157

HSL 315, 0.41%, 0.52%

LAB 49.99, 49.79, -21.84

 

CMYK 3 / 0 / 55 / 29

HEX #B1B652

RGB 177 182 82

HSL 63, 0.41%, 0.52%

LAB 71.83, -15.55, 49.44

 

CMYK 55 / 0 / 25 / 29

HEX #52B689

RGB 82 182 137

HSL 153, 0.41%, 0.52%

LAB 67.32, -39.96, 14.21

 

CMYK 52 / 55 / 0 / 29

HEX #5752B6

RGB 87 82 182

HSL 243, 0.41%, 0.52%

LAB 40.31, 29.82, -52.61

 

CMYK 0 / 55 / 30 / 29

HEX #B6527F

RGB 182 82 127

HSL 333, 0.41%, 0.52%

LAB 48.9, 45.42, -5.61

 

Description

Color code: HEX #B1B652 | qconv.com Color code: HEX #B1B652 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 182 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 182 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 55 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 55% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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