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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1B0A9 it is the complementary color #4E4F56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1B0A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1B0A9 shade: #B6B0A4, #C7C2B7, #D8D4CA, #E9E6DD and #FAF8F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1B0A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1B0A9 shade: #B1B0A9, #A09E96, #8F8C83, #7E7A70 and #6D685D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1B0A9 shade: #B1B0A9, #B1AEA9, #B1ACA9, #B1A9A9 and #B1A9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1B0A9 shade: #B1B0A9, #B0B1A9, #AEB1A9, #ABB1A9 and #A9B1A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1B0A9 shade matches the following richer shades: #B1B0A9, #BEBA9C, #CBC48E, #D9CE81 and #E6D874

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1B0A9 shade: #B1B0A9, #A4A6B6, #979CC3, #8992D0 and #7C88DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1B0A9 shade: #B1ACA9, #B1AEA9, #B1B0A9, #B0B1A9 and #AEB1A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1B0A9 shade: #8A887D, #9D9C93, #B1B0A9, #C5C4BE and #D8D8D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1B0A9 shade: #B1B0A9, #A9B1A9 and #ADA9B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1B0A9 shade: #B1B0A9, #A9B1B0 and #B0A9B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1B0A9 shade: #B1B0A9, #A9B1A9, #A9AAB1 and #B1A9B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1B0A9 shade: #B1B0A9, #A9B1AC, #A9AAB1 and #B1A9AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 5 / 31

HEX #B1B0A9

RGB 177 176 169

HSL 52.5, 0.05%, 0.68%

LAB 71.73, -0.93, 3.7

 

Complementary color

CMYK 9 / 8 / 0 / 66

HEX #4E4F56

RGB 78 79 86

HSL 232.5, 0.05%, 0.32%

LAB 33.74, 1.18, -4.25

 

CMYK 0 / 3 / 10 / 29

HEX #B6B0A4

RGB 182 176 164

HSL 40, 0.11%, 0.68%

LAB 72.01, 0.01, 6.89

 

CMYK 0 / 3 / 8 / 22

HEX #C7C2B7

RGB 199 194 183

HSL 41.25, 0.13%, 0.75%

LAB 78.55, -0.19, 6.14

 

CMYK 0 / 2 / 6 / 15

HEX #D8D4CA

RGB 216 212 202

HSL 42.86, 0.15%, 0.82%

LAB 84.97, -0.37, 5.42

 

CMYK 0 / 1 / 5 / 9

HEX #E9E6DD

RGB 233 230 221

HSL 45, 0.21%, 0.89%

LAB 91.3, -0.55, 4.73

 

CMYK 0 / 1 / 4 / 2

HEX #FAF8F0

RGB 250 248 240

HSL 48, 0.5%, 0.96%

LAB 97.53, -0.71, 4.06

 

CMYK 0 / 1 / 5 / 31

HEX #B1B0A9

RGB 177 176 169

HSL 52.5, 0.05%, 0.68%

LAB 71.73, -0.93, 3.7

 

CMYK 0 / 1 / 6 / 37

HEX #A09E96

RGB 160 158 150

HSL 48, 0.05%, 0.61%

LAB 65.07, -0.75, 4.42

 

CMYK 0 / 2 / 8 / 44

HEX #8F8C83

RGB 143 140 131

HSL 45, 0.05%, 0.54%

LAB 58.26, -0.57, 5.19

 

CMYK 0 / 3 / 11 / 51

HEX #7E7A70

RGB 126 122 112

HSL 42.86, 0.06%, 0.47%

LAB 51.3, -0.36, 6.01

 

CMYK 0 / 5 / 15 / 57

HEX #6D685D

RGB 109 104 93

HSL 41.25, 0.08%, 0.4%

LAB 44.15, -0.12, 6.9

 

CMYK 0 / 1 / 5 / 31

HEX #B1B0A9

RGB 177 176 169

HSL 52.5, 0.05%, 0.68%

LAB 71.73, -0.93, 3.7

 

CMYK 0 / 2 / 5 / 31

HEX #B1AEA9

RGB 177 174 169

HSL 37.5, 0.05%, 0.68%

LAB 71.2, 0.15, 2.93

 

CMYK 0 / 3 / 5 / 31

HEX #B1ACA9

RGB 177 172 169

HSL 22.5, 0.05%, 0.68%

LAB 70.68, 1.24, 2.16

 

CMYK 0 / 5 / 5 / 31

HEX #B1A9A9

RGB 177 169 169

HSL 0, 0.05%, 0.68%

LAB 69.89, 2.87, 1.02

 

CMYK 0 / 5 / 5 / 31

HEX #B1A9A9

RGB 177 169 169

HSL 0, 0.05%, 0.68%

LAB 69.89, 2.87, 1.02

 

CMYK 0 / 1 / 5 / 31

HEX #B1B0A9

RGB 177 176 169

HSL 52.5, 0.05%, 0.68%

LAB 71.73, -0.93, 3.7

 

CMYK 1 / 0 / 5 / 31

HEX #B0B1A9

RGB 176 177 169

HSL 67.5, 0.05%, 0.68%

LAB 71.92, -1.82, 3.96

 

CMYK 2 / 0 / 5 / 31

HEX #AEB1A9

RGB 174 177 169

HSL 82.5, 0.05%, 0.68%

LAB 71.76, -2.54, 3.71

 

CMYK 3 / 0 / 5 / 31

HEX #ABB1A9

RGB 171 177 169

HSL 105, 0.05%, 0.68%

LAB 71.53, -3.61, 3.35

 

CMYK 5 / 0 / 5 / 31

HEX #A9B1A9

RGB 169 177 169

HSL 120, 0.05%, 0.68%

LAB 71.38, -4.32, 3.11

 

CMYK 0 / 1 / 5 / 31

HEX #B1B0A9

RGB 177 176 169

HSL 52.5, 0.05%, 0.68%

LAB 71.73, -0.93, 3.7

 

CMYK 0 / 2 / 18 / 25

HEX #BEBA9C

RGB 190 186 156

HSL 52.94, 0.21%, 0.68%

LAB 75.12, -3.64, 15.74

 

CMYK 0 / 3 / 30 / 20

HEX #CBC48E

RGB 203 196 142

HSL 53.11, 0.37%, 0.68%

LAB 78.54, -5.89, 28.05

 

CMYK 0 / 5 / 41 / 15

HEX #D9CE81

RGB 217 206 129

HSL 52.5, 0.54%, 0.68%

LAB 82.1, -7.07, 39.63

 

CMYK 0 / 6 / 50 / 10

HEX #E6D874

RGB 230 216 116

HSL 52.63, 0.7%, 0.68%

LAB 85.6, -8.21, 50.6

 

CMYK 0 / 1 / 5 / 31

HEX #B1B0A9

RGB 177 176 169

HSL 52.5, 0.05%, 0.68%

LAB 71.73, -0.93, 3.7

 

CMYK 10 / 9 / 0 / 29

HEX #A4A6B6

RGB 164 166 182

HSL 233.33, 0.11%, 0.68%

LAB 68.42, 2.49, -8.47

 

CMYK 23 / 20 / 0 / 24

HEX #979CC3

RGB 151 156 195

HSL 233.18, 0.27%, 0.68%

LAB 65.2, 6.68, -20.66

 

CMYK 34 / 30 / 0 / 18

HEX #8992D0

RGB 137 146 208

HSL 232.39, 0.43%, 0.68%

LAB 62.02, 11.46, -32.89

 

CMYK 44 / 39 / 0 / 13

HEX #7C88DE

RGB 124 136 222

HSL 232.65, 0.6%, 0.68%

LAB 59.13, 17.74, -45.32

 

CMYK 0 / 3 / 5 / 31

HEX #B1ACA9

RGB 177 172 169

HSL 22.5, 0.05%, 0.68%

LAB 70.68, 1.24, 2.16

 

CMYK 0 / 2 / 5 / 31

HEX #B1AEA9

RGB 177 174 169

HSL 37.5, 0.05%, 0.68%

LAB 71.2, 0.15, 2.93

 

CMYK 0 / 1 / 5 / 31

HEX #B1B0A9

RGB 177 176 169

HSL 52.5, 0.05%, 0.68%

LAB 71.73, -0.93, 3.7

 

CMYK 1 / 0 / 5 / 31

HEX #B0B1A9

RGB 176 177 169

HSL 67.5, 0.05%, 0.68%

LAB 71.92, -1.82, 3.96

 

CMYK 2 / 0 / 5 / 31

HEX #AEB1A9

RGB 174 177 169

HSL 82.5, 0.05%, 0.68%

LAB 71.76, -2.54, 3.71

 

CMYK 0 / 1 / 9 / 46

HEX #8A887D

RGB 138 136 125

HSL 50.77, 0.05%, 0.52%

LAB 56.58, -1.31, 6.16

 

CMYK 0 / 1 / 6 / 38

HEX #9D9C93

RGB 157 156 147

HSL 54, 0.05%, 0.6%

LAB 64.2, -1.31, 4.83

 

CMYK 0 / 1 / 5 / 31

HEX #B1B0A9

RGB 177 176 169

HSL 52.5, 0.05%, 0.68%

LAB 71.73, -0.93, 3.7

 

CMYK 0 / 1 / 4 / 23

HEX #C5C4BE

RGB 197 196 190

HSL 51.43, 0.06%, 0.76%

LAB 79.08, -0.73, 3.12

 

CMYK 0 / 0 / 2 / 15

HEX #D8D8D4

RGB 216 216 212

HSL 60, 0.05%, 0.84%

LAB 86.24, -0.71, 1.96

 

CMYK 0 / 1 / 5 / 31

HEX #B1B0A9

RGB 177 176 169

HSL 52.5, 0.05%, 0.68%

LAB 71.73, -0.93, 3.7

 

CMYK 5 / 0 / 5 / 31

HEX #A9B1A9

RGB 169 177 169

HSL 120, 0.05%, 0.68%

LAB 71.38, -4.32, 3.11

 

CMYK 2 / 5 / 0 / 31

HEX #ADA9B1

RGB 173 169 177

HSL 270, 0.05%, 0.68%

LAB 69.78, 2.94, -3.61

 

CMYK 0 / 1 / 5 / 31

HEX #B1B0A9

RGB 177 176 169

HSL 52.5, 0.05%, 0.68%

LAB 71.73, -0.93, 3.7

 

CMYK 5 / 0 / 1 / 31

HEX #A9B1B0

RGB 169 177 176

HSL 172.5, 0.05%, 0.68%

LAB 71.56, -2.99, -0.47

 

CMYK 1 / 5 / 0 / 31

HEX #B0A9B1

RGB 176 169 177

HSL 292.5, 0.05%, 0.68%

LAB 70.02, 4, -3.22

 

CMYK 0 / 1 / 5 / 31

HEX #B1B0A9

RGB 177 176 169

HSL 52.5, 0.05%, 0.68%

LAB 71.73, -0.93, 3.7

 

CMYK 5 / 0 / 5 / 31

HEX #A9B1A9

RGB 169 177 169

HSL 120, 0.05%, 0.68%

LAB 71.38, -4.32, 3.11

 

CMYK 5 / 4 / 0 / 31

HEX #A9AAB1

RGB 169 170 177

HSL 232.5, 0.05%, 0.68%

LAB 69.72, 1, -3.72

 

CMYK 0 / 5 / 1 / 31

HEX #B1A9B0

RGB 177 169 176

HSL 307.5, 0.05%, 0.68%

LAB 70.08, 4.16, -2.58

 

CMYK 0 / 1 / 5 / 31

HEX #B1B0A9

RGB 177 176 169

HSL 52.5, 0.05%, 0.68%

LAB 71.73, -0.93, 3.7

 

CMYK 5 / 0 / 3 / 31

HEX #A9B1AC

RGB 169 177 172

HSL 142.5, 0.05%, 0.68%

LAB 71.46, -3.75, 1.57

 

CMYK 5 / 4 / 0 / 31

HEX #A9AAB1

RGB 169 170 177

HSL 232.5, 0.05%, 0.68%

LAB 69.72, 1, -3.72

 

CMYK 0 / 5 / 2 / 31

HEX #B1A9AE

RGB 177 169 174

HSL 322.5, 0.05%, 0.68%

LAB 70.02, 3.79, -1.55

 

Description

Color code: HEX #B1B0A9 | qconv.com Color code: HEX #B1B0A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 176 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 176 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 5 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 5% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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