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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1B1E1 it is the complementary color #4E4E1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1B1E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1B1E1 shade: #B6B1DC, #C7C3EF, #D8D5FF, #E9E7FF and #FAF9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1B1E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1B1E1 shade: #B1B1E1, #A09FCE, #8F8DBB, #7E7BA8 and #6D6995

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1B1E1 shade: #B1B1E1, #BEB1E1, #CBB1E1, #D8B1E1 and #E1B1DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1B1E1 shade: #B1B1E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1B1E1 shade matches the following richer shades: #B1B1E1, #A9A9E9, #A0A0F2 and #9797FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1B1E1 shade: #B1B1E1, #BABAD8, #C3C3CF, #CBCBC7 and #D4D4BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1B1E1 shade: #B1CBE1, #B1BEE1, #B1B1E1, #BEB1E1 and #CBB1E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1B1E1 shade: #7676C9, #9494D5, #B1B1E1, #CFCFEC and #EDEDF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1B1E1 shade: #B1B1E1, #E1B1D7 and #C4E1B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1B1E1 shade: #B1B1E1, #E1B1B1 and #B1E1B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1B1E1 shade: #B1B1E1, #E1B1D7, #E1E1B1 and #B1E1BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1B1E1 shade: #B1B1E1, #E1B1C9, #E1E1B1 and #B1E1C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 21 / 0 / 12

HEX #B1B1E1

RGB 177 177 225

HSL 240, 0.44%, 0.79%

LAB 73.69, 10.02, -24.05

 

Complementary color

CMYK 0 / 0 / 62 / 69

HEX #4E4E1E

RGB 78 78 30

HSL 60, 0.44%, 0.21%

LAB 32.17, -7.45, 27.86

 

CMYK 17 / 20 / 0 / 14

HEX #B6B1DC

RGB 182 177 220

HSL 246.98, 0.38%, 0.78%

LAB 73.91, 10.46, -20.97

 

CMYK 17 / 18 / 0 / 6

HEX #C7C3EF

RGB 199 195 239

HSL 245.45, 0.58%, 0.85%

LAB 80.41, 10.13, -21.24

 

CMYK 15 / 16 / 0 / 0

HEX #D8D5FF

RGB 216 213 255

HSL 244.29, 1%, 0.92%

LAB 86.71, 9.19, -20.08

 

CMYK 9 / 9 / 0 / 0

HEX #E9E7FF

RGB 233 231 255

HSL 245, 1%, 0.95%

LAB 92.44, 5.12, -11.35

 

CMYK 2 / 2 / 0 / 0

HEX #FAF9FF

RGB 250 249 255

HSL 250, 1%, 0.99%

LAB 98.15, 1.4, -2.76

 

CMYK 21 / 21 / 0 / 12

HEX #B1B1E1

RGB 177 177 225

HSL 240, 0.44%, 0.79%

LAB 73.69, 10.02, -24.05

 

CMYK 22 / 23 / 0 / 19

HEX #A09FCE

RGB 160 159 206

HSL 241.28, 0.32%, 0.72%

LAB 67.07, 10.39, -23.85

 

CMYK 24 / 25 / 0 / 27

HEX #8F8DBB

RGB 143 141 187

HSL 242.61, 0.25%, 0.64%

LAB 60.32, 10.8, -23.68

 

CMYK 25 / 27 / 0 / 34

HEX #7E7BA8

RGB 126 123 168

HSL 244, 0.21%, 0.57%

LAB 53.42, 11.26, -23.54

 

CMYK 27 / 30 / 0 / 42

HEX #6D6995

RGB 109 105 149

HSL 245.45, 0.17%, 0.5%

LAB 46.34, 11.79, -23.44

 

CMYK 21 / 21 / 0 / 12

HEX #B1B1E1

RGB 177 177 225

HSL 240, 0.44%, 0.79%

LAB 73.69, 10.02, -24.05

 

CMYK 16 / 21 / 0 / 12

HEX #BEB1E1

RGB 190 177 225

HSL 256.25, 0.44%, 0.79%

LAB 74.72, 14.08, -22.4

 

CMYK 10 / 21 / 0 / 12

HEX #CBB1E1

RGB 203 177 225

HSL 272.5, 0.44%, 0.79%

LAB 75.81, 18.24, -20.63

 

CMYK 4 / 21 / 0 / 12

HEX #D8B1E1

RGB 216 177 225

HSL 288.75, 0.44%, 0.79%

LAB 76.97, 22.47, -18.77

 

CMYK 0 / 21 / 2 / 12

HEX #E1B1DD

RGB 225 177 221

HSL 305, 0.44%, 0.79%

LAB 77.68, 24.7, -15.44

 

CMYK 21 / 21 / 0 / 12

HEX #B1B1E1

RGB 177 177 225

HSL 240, 0.44%, 0.79%

LAB 73.69, 10.02, -24.05

 

CMYK 21 / 21 / 0 / 12

HEX #B1B1E1

RGB 177 177 225

HSL 240, 0.44%, 0.79%

LAB 73.69, 10.02, -24.05

 

CMYK 27 / 27 / 0 / 9

HEX #A9A9E9

RGB 169 169 233

HSL 240, 0.59%, 0.79%

LAB 71.35, 13.95, -32.06

 

CMYK 34 / 34 / 0 / 5

HEX #A0A0F2

RGB 160 160 242

HSL 240, 0.76%, 0.79%

LAB 68.77, 18.73, -41.03

 

CMYK 40 / 40 / 0 / 2

HEX #9797FB

RGB 151 151 251

HSL 240, 0.93%, 0.79%

LAB 66.27, 23.91, -49.92

 

CMYK 21 / 21 / 0 / 12

HEX #B1B1E1

RGB 177 177 225

HSL 240, 0.44%, 0.79%

LAB 73.69, 10.02, -24.05

 

CMYK 14 / 14 / 0 / 15

HEX #BABAD8

RGB 186 186 216

HSL 240, 0.28%, 0.79%

LAB 76.38, 5.97, -15.02

 

CMYK 6 / 6 / 0 / 19

HEX #C3C3CF

RGB 195 195 207

HSL 240, 0.11%, 0.79%

LAB 79.12, 2.27, -6

 

CMYK 0 / 0 / 2 / 20

HEX #CBCBC7

RGB 203 203 199

HSL 60, 0.04%, 0.79%

LAB 81.58, -0.72, 1.98

 

CMYK 0 / 0 / 10 / 17

HEX #D4D4BE

RGB 212 212 190

HSL 60, 0.2%, 0.79%

LAB 84.38, -3.79, 10.89

 

CMYK 21 / 10 / 0 / 12

HEX #B1CBE1

RGB 177 203 225

HSL 207.5, 0.44%, 0.79%

LAB 80.46, -4.02, -13.81

 

CMYK 21 / 16 / 0 / 12

HEX #B1BEE1

RGB 177 190 225

HSL 223.75, 0.44%, 0.79%

LAB 77.05, 2.93, -18.95

 

CMYK 21 / 21 / 0 / 12

HEX #B1B1E1

RGB 177 177 225

HSL 240, 0.44%, 0.79%

LAB 73.69, 10.02, -24.05

 

CMYK 16 / 21 / 0 / 12

HEX #BEB1E1

RGB 190 177 225

HSL 256.25, 0.44%, 0.79%

LAB 74.72, 14.08, -22.4

 

CMYK 10 / 21 / 0 / 12

HEX #CBB1E1

RGB 203 177 225

HSL 272.5, 0.44%, 0.79%

LAB 75.81, 18.24, -20.63

 

CMYK 41 / 41 / 0 / 21

HEX #7676C9

RGB 118 118 201

HSL 240, 0.43%, 0.63%

LAB 52.98, 20.86, -43.22

 

CMYK 31 / 31 / 0 / 16

HEX #9494D5

RGB 148 148 213

HSL 240, 0.44%, 0.71%

LAB 63.57, 14.75, -33.21

 

CMYK 21 / 21 / 0 / 12

HEX #B1B1E1

RGB 177 177 225

HSL 240, 0.44%, 0.79%

LAB 73.69, 10.02, -24.05

 

CMYK 12 / 12 / 0 / 7

HEX #CFCFEC

RGB 207 207 236

HSL 240, 0.43%, 0.87%

LAB 83.94, 5.61, -14.25

 

CMYK 4 / 4 / 0 / 3

HEX #EDEDF8

RGB 237 237 248

HSL 240, 0.44%, 0.95%

LAB 94.03, 2, -5.31

 

CMYK 21 / 21 / 0 / 12

HEX #B1B1E1

RGB 177 177 225

HSL 240, 0.44%, 0.79%

LAB 73.69, 10.02, -24.05

 

CMYK 0 / 21 / 4 / 12

HEX #E1B1D7

RGB 225 177 215

HSL 312.5, 0.44%, 0.79%

LAB 77.49, 23.62, -12.47

 

CMYK 13 / 0 / 21 / 12

HEX #C4E1B1

RGB 196 225 177

HSL 96.25, 0.44%, 0.79%

LAB 86.39, -18.13, 20.37

 

CMYK 21 / 21 / 0 / 12

HEX #B1B1E1

RGB 177 177 225

HSL 240, 0.44%, 0.79%

LAB 73.69, 10.02, -24.05

 

CMYK 0 / 21 / 21 / 12

HEX #E1B1B1

RGB 225 177 177

HSL 0, 0.44%, 0.79%

LAB 76.45, 17.42, 6.68

 

CMYK 21 / 0 / 21 / 12

HEX #B1E1B1

RGB 177 225 177

HSL 120, 0.44%, 0.79%

LAB 85.19, -24.62, 18.52

 

CMYK 21 / 21 / 0 / 12

HEX #B1B1E1

RGB 177 177 225

HSL 240, 0.44%, 0.79%

LAB 73.69, 10.02, -24.05

 

CMYK 0 / 21 / 4 / 12

HEX #E1B1D7

RGB 225 177 215

HSL 312.5, 0.44%, 0.79%

LAB 77.49, 23.62, -12.47

 

CMYK 0 / 0 / 21 / 12

HEX #E1E1B1

RGB 225 225 177

HSL 60, 0.44%, 0.79%

LAB 88.46, -7.7, 23.56

 

CMYK 21 / 0 / 17 / 12

HEX #B1E1BB

RGB 177 225 187

HSL 132.5, 0.44%, 0.79%

LAB 85.4, -22.87, 13.58

 

CMYK 21 / 21 / 0 / 12

HEX #B1B1E1

RGB 177 177 225

HSL 240, 0.44%, 0.79%

LAB 73.69, 10.02, -24.05

 

CMYK 0 / 21 / 11 / 12

HEX #E1B1C9

RGB 225 177 201

HSL 330, 0.44%, 0.79%

LAB 77.08, 21.21, -5.47

 

CMYK 0 / 0 / 21 / 12

HEX #E1E1B1

RGB 225 225 177

HSL 60, 0.44%, 0.79%

LAB 88.46, -7.7, 23.56

 

CMYK 21 / 0 / 11 / 12

HEX #B1E1C9

RGB 177 225 201

HSL 150, 0.44%, 0.79%

LAB 85.71, -20.25, 6.67

 

Description

Color code: HEX #B1B1E1 | qconv.com Color code: HEX #B1B1E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 177 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 177 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 21 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 21% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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