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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1B223 it is the complementary color #4E4DDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1B223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1B223 shade: #B6B21E, #C7C431, #D8D644, #E9E857 and #FAFA6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1B223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1B223 shade: #B1B223, #A0A010, #8F8E00, #7E7C00 and #6D6A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1B223 shade: #B1B223, #B28D23, #B26623, #B23F23 and #B22323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1B223 shade: #B1B223, #8BB223, #64B223, #3DB223 and #23B22F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1B223 shade matches the following richer shades: #B1B223, #C2C412 and #D4D500

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1B223 shade: #B1B223, #A0A134, #8F9046, #7E7E57 and #6D6D68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1B223 shade: #B26623, #B28C23, #B2B223, #8CB223 and #66B223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1B223 shade: #6D6D15, #8F901C, #B1B223, #D3D52A and #DADB4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1B223 shade: #B1B223, #23B240 and #7923B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1B223 shade: #B1B223, #23B2B2 and #B223B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1B223 shade: #B1B223, #23B240, #2323B2 and #B22396

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1B223 shade: #B1B223, #23B26B, #2323B2 and #B2236B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 80 / 30

HEX #B1B223

RGB 177 178 35

HSL 60.42, 0.67%, 0.42%

LAB 70.39, -16.21, 66.06

 

Complementary color

CMYK 65 / 65 / 0 / 14

HEX #4E4DDC

RGB 78 77 220

HSL 240.42, 0.67%, 0.58%

LAB 41.37, 43.61, -72.93

 

CMYK 0 / 2 / 84 / 29

HEX #B6B21E

RGB 182 178 30

HSL 58.42, 0.72%, 0.42%

LAB 70.79, -14.19, 67.86

 

CMYK 0 / 2 / 75 / 22

HEX #C7C431

RGB 199 196 49

HSL 58.8, 0.6%, 0.49%

LAB 77.19, -15.33, 68.66

 

CMYK 0 / 1 / 69 / 15

HEX #D8D644

RGB 216 214 68

HSL 59.19, 0.65%, 0.56%

LAB 83.5, -16.28, 68.64

 

CMYK 0 / 0 / 63 / 9

HEX #E9E857

RGB 233 232 87

HSL 59.59, 0.77%, 0.63%

LAB 89.73, -17.08, 68.13

 

CMYK 0 / 0 / 58 / 2

HEX #FAFA6A

RGB 250 250 106

HSL 60, 0.94%, 0.7%

LAB 95.89, -17.76, 67.35

 

CMYK 1 / 0 / 80 / 30

HEX #B1B223

RGB 177 178 35

HSL 60.42, 0.67%, 0.42%

LAB 70.39, -16.21, 66.06

 

CMYK 0 / 0 / 90 / 37

HEX #A0A010

RGB 160 160 16

HSL 60, 0.82%, 0.35%

LAB 63.88, -14.97, 64.42

 

CMYK 0 / 1 / 100 / 44

HEX #8F8E00

RGB 143 142 0

HSL 59.58, 1%, 0.28%

LAB 57.26, -13.48, 61.21

 

CMYK 0 / 2 / 100 / 51

HEX #7E7C00

RGB 126 124 0

HSL 59.05, 1%, 0.25%

LAB 50.51, -11.7, 55.61

 

CMYK 0 / 3 / 100 / 57

HEX #6D6A00

RGB 109 106 0

HSL 58.35, 1%, 0.21%

LAB 43.59, -9.85, 49.86

 

CMYK 1 / 0 / 80 / 30

HEX #B1B223

RGB 177 178 35

HSL 60.42, 0.67%, 0.42%

LAB 70.39, -16.21, 66.06

 

CMYK 0 / 21 / 80 / 30

HEX #B28D23

RGB 178 141 35

HSL 44.48, 0.67%, 0.42%

LAB 60.46, 3.87, 57.31

 

CMYK 0 / 43 / 80 / 30

HEX #B26623

RGB 178 102 35

HSL 28.11, 0.67%, 0.42%

LAB 50.79, 25.55, 48.45

 

CMYK 0 / 65 / 80 / 30

HEX #B23F23

RGB 178 63 35

HSL 11.75, 0.67%, 0.42%

LAB 42.98, 45.36, 40.95

 

CMYK 0 / 80 / 80 / 30

HEX #B22323

RGB 178 35 35

HSL 0, 0.67%, 0.42%

LAB 39.22, 55.68, 37.2

 

CMYK 1 / 0 / 80 / 30

HEX #B1B223

RGB 177 178 35

HSL 60.42, 0.67%, 0.42%

LAB 70.39, -16.21, 66.06

 

CMYK 22 / 0 / 80 / 30

HEX #8BB223

RGB 139 178 35

HSL 76.36, 0.67%, 0.42%

LAB 67.61, -32.25, 62.53

 

CMYK 44 / 0 / 80 / 30

HEX #64B223

RGB 100 178 35

HSL 92.73, 0.67%, 0.42%

LAB 65.49, -46.71, 59.81

 

CMYK 66 / 0 / 80 / 30

HEX #3DB223

RGB 61 178 35

HSL 109.09, 0.67%, 0.42%

LAB 64.12, -57.44, 58.05

 

CMYK 80 / 0 / 74 / 30

HEX #23B22F

RGB 35 178 47

HSL 125.03, 0.67%, 0.42%

LAB 63.67, -61.02, 53.46

 

CMYK 1 / 0 / 80 / 30

HEX #B1B223

RGB 177 178 35

HSL 60.42, 0.67%, 0.42%

LAB 70.39, -16.21, 66.06

 

CMYK 1 / 0 / 91 / 23

HEX #C2C412

RGB 194 196 18

HSL 60.67, 0.83%, 0.42%

LAB 76.67, -18.33, 75.34

 

CMYK 0 / 0 / 100 / 16

HEX #D4D500

RGB 212 213 0

HSL 60.28, 1%, 0.42%

LAB 82.69, -19.24, 82.39

 

CMYK 1 / 0 / 80 / 30

HEX #B1B223

RGB 177 178 35

HSL 60.42, 0.67%, 0.42%

LAB 70.39, -16.21, 66.06

 

CMYK 1 / 0 / 68 / 37

HEX #A0A134

RGB 160 161 52

HSL 60.55, 0.51%, 0.42%

LAB 64.33, -14.11, 54.08

 

CMYK 1 / 0 / 51 / 44

HEX #8F9046

RGB 143 144 70

HSL 60.81, 0.35%, 0.42%

LAB 58.25, -11.18, 38.77

 

CMYK 0 / 0 / 31 / 51

HEX #7E7E57

RGB 126 126 87

HSL 60, 0.18%, 0.42%

LAB 51.89, -6.64, 21.3

 

CMYK 0 / 0 / 5 / 57

HEX #6D6D68

RGB 109 109 104

HSL 60, 0.02%, 0.42%

LAB 45.89, -1, 2.78

 

CMYK 0 / 43 / 80 / 30

HEX #B26623

RGB 178 102 35

HSL 28.11, 0.67%, 0.42%

LAB 50.79, 25.55, 48.45

 

CMYK 0 / 21 / 80 / 30

HEX #B28C23

RGB 178 140 35

HSL 44.06, 0.67%, 0.42%

LAB 60.2, 4.42, 57.07

 

CMYK 0 / 0 / 80 / 30

HEX #B2B223

RGB 178 178 35

HSL 60, 0.67%, 0.42%

LAB 70.47, -15.78, 66.16

 

CMYK 21 / 0 / 80 / 30

HEX #8CB223

RGB 140 178 35

HSL 75.94, 0.67%, 0.42%

LAB 67.68, -31.84, 62.62

 

CMYK 43 / 0 / 80 / 30

HEX #66B223

RGB 102 178 35

HSL 91.89, 0.67%, 0.42%

LAB 65.58, -46.04, 59.93

 

CMYK 0 / 0 / 81 / 57

HEX #6D6D15

RGB 109 109 21

HSL 60, 0.68%, 0.25%

LAB 44.58, -10.91, 45.2

 

CMYK 1 / 0 / 81 / 44

HEX #8F901C

RGB 143 144 28

HSL 60.52, 0.67%, 0.34%

LAB 57.91, -13.89, 56.02

 

CMYK 1 / 0 / 80 / 30

HEX #B1B223

RGB 177 178 35

HSL 60.42, 0.67%, 0.42%

LAB 70.39, -16.21, 66.06

 

CMYK 1 / 0 / 80 / 16

HEX #D3D52A

RGB 211 213 42

HSL 60.7, 0.67%, 0.5%

LAB 82.7, -18.94, 75.94

 

CMYK 0 / 0 / 65 / 14

HEX #DADB4C

RGB 218 219 76

HSL 60.42, 0.67%, 0.58%

LAB 85.04, -17.49, 67.23

 

CMYK 1 / 0 / 80 / 30

HEX #B1B223

RGB 177 178 35

HSL 60.42, 0.67%, 0.42%

LAB 70.39, -16.21, 66.06

 

CMYK 80 / 0 / 64 / 30

HEX #23B240

RGB 35 178 64

HSL 132.17, 0.67%, 0.42%

LAB 63.81, -59.35, 46.73

 

CMYK 32 / 80 / 0 / 30

HEX #7923B2

RGB 121 35 178

HSL 276.08, 0.67%, 0.42%

LAB 34.97, 59.37, -58.73

 

CMYK 1 / 0 / 80 / 30

HEX #B1B223

RGB 177 178 35

HSL 60.42, 0.67%, 0.42%

LAB 70.39, -16.21, 66.06

 

CMYK 80 / 0 / 0 / 30

HEX #23B2B2

RGB 35 178 178

HSL 180, 0.67%, 0.42%

LAB 66.07, -34.89, -10.35

 

CMYK 0 / 80 / 0 / 30

HEX #B223B2

RGB 178 35 178

HSL 300, 0.67%, 0.42%

LAB 44.06, 69.78, -43.61

 

CMYK 1 / 0 / 80 / 30

HEX #B1B223

RGB 177 178 35

HSL 60.42, 0.67%, 0.42%

LAB 70.39, -16.21, 66.06

 

CMYK 80 / 0 / 64 / 30

HEX #23B240

RGB 35 178 64

HSL 132.17, 0.67%, 0.42%

LAB 63.81, -59.35, 46.73

 

CMYK 80 / 80 / 0 / 30

HEX #2323B2

RGB 35 35 178

HSL 240, 0.67%, 0.42%

LAB 26.08, 49.27, -73.67

 

CMYK 0 / 80 / 16 / 30

HEX #B22396

RGB 178 35 150

HSL 311.75, 0.67%, 0.42%

LAB 42.57, 65.63, -29.24

 

CMYK 1 / 0 / 80 / 30

HEX #B1B223

RGB 177 178 35

HSL 60.42, 0.67%, 0.42%

LAB 70.39, -16.21, 66.06

 

CMYK 80 / 0 / 40 / 30

HEX #23B26B

RGB 35 178 107

HSL 150.21, 0.67%, 0.42%

LAB 64.37, -52.71, 26.2

 

CMYK 80 / 80 / 0 / 30

HEX #2323B2

RGB 35 35 178

HSL 240, 0.67%, 0.42%

LAB 26.08, 49.27, -73.67

 

CMYK 0 / 80 / 40 / 30

HEX #B2236B

RGB 178 35 107

HSL 329.79, 0.67%, 0.42%

LAB 40.78, 60.45, -5.47

 

Description

Color code: HEX #B1B223 | qconv.com Color code: HEX #B1B223 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 178 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 178 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 80 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 80% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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