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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1BC80 it is the complementary color #4E437F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1BC80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1BC80 shade: #B6BC7B, #C7CE8E, #D8E0A1, #E9F2B4 and #FAFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1BC80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1BC80 shade: #B1BC80, #A0AA6D, #8F985A, #7E8647 and #6D7434

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1BC80 shade: #B1BC80, #BCB680, #BCA680, #BC9680 and #BC8680

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1BC80 shade: #B1BC80, #A0BC80, #90BC80, #80BC80 and #80BC8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1BC80 shade matches the following richer shades: #B1BC80, #BBCB70, #C4DB60, #CEEB51 and #D8FA41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1BC80 shade: #B1BC80, #A7AC8F, #9D9C9F, #938DAF and #897DBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1BC80 shade: #BCA780, #BCB780, #B1BC80, #A1BC80 and #91BC80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1BC80 shade: #8B9950, #A0AD65, #B1BC80, #C1CA9B and #D2D8B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1BC80 shade: #B1BC80, #80BC97 and #AF80BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1BC80 shade: #B1BC80, #80B1BC and #BC80B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1BC80 shade: #B1BC80, #80BC97, #8B80BC and #BC80A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1BC80 shade: #B1BC80, #80BCA9, #8B80BC and #BC8093

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 32 / 26

HEX #B1BC80

RGB 177 188 128

HSL 71, 0.31%, 0.62%

LAB 74.11, -13.67, 29.15

 

Complementary color

CMYK 39 / 47 / 0 / 50

HEX #4E437F

RGB 78 67 127

HSL 251, 0.31%, 0.38%

LAB 32.18, 20.04, -32.46

 

CMYK 3 / 0 / 35 / 26

HEX #B6BC7B

RGB 182 188 123

HSL 65.54, 0.33%, 0.61%

LAB 74.41, -12.36, 32.24

 

CMYK 3 / 0 / 31 / 19

HEX #C7CE8E

RGB 199 206 142

HSL 66.56, 0.4%, 0.68%

LAB 80.87, -12.56, 31.11

 

CMYK 4 / 0 / 28 / 12

HEX #D8E0A1

RGB 216 224 161

HSL 67.62, 0.5%, 0.75%

LAB 87.23, -12.73, 30.03

 

CMYK 4 / 0 / 26 / 5

HEX #E9F2B4

RGB 233 242 180

HSL 68.71, 0.7%, 0.83%

LAB 93.5, -12.87, 29

 

CMYK 2 / 0 / 22 / 0

HEX #FAFFC7

RGB 250 255 199

HSL 65.36, 1%, 0.89%

LAB 98.42, -10.53, 26.28

 

CMYK 6 / 0 / 32 / 26

HEX #B1BC80

RGB 177 188 128

HSL 71, 0.31%, 0.62%

LAB 74.11, -13.67, 29.15

 

CMYK 6 / 0 / 36 / 33

HEX #A0AA6D

RGB 160 170 109

HSL 69.84, 0.26%, 0.55%

LAB 67.52, -13.51, 30.3

 

CMYK 6 / 0 / 41 / 40

HEX #8F985A

RGB 143 152 90

HSL 68.71, 0.26%, 0.47%

LAB 60.81, -13.3, 31.51

 

CMYK 6 / 0 / 47 / 47

HEX #7E8647

RGB 126 134 71

HSL 67.62, 0.31%, 0.4%

LAB 53.96, -13.03, 32.76

 

CMYK 6 / 0 / 55 / 55

HEX #6D7434

RGB 109 116 52

HSL 66.56, 0.38%, 0.33%

LAB 46.96, -12.64, 34

 

CMYK 6 / 0 / 32 / 26

HEX #B1BC80

RGB 177 188 128

HSL 71, 0.31%, 0.62%

LAB 74.11, -13.67, 29.15

 

CMYK 0 / 3 / 32 / 26

HEX #BCB680

RGB 188 182 128

HSL 54, 0.31%, 0.62%

LAB 73.35, -6.24, 28.31

 

CMYK 0 / 12 / 32 / 26

HEX #BCA680

RGB 188 166 128

HSL 38, 0.31%, 0.62%

LAB 69.13, 2.29, 22.64

 

CMYK 0 / 20 / 32 / 26

HEX #BC9680

RGB 188 150 128

HSL 22, 0.31%, 0.62%

LAB 65.01, 11.03, 17.01

 

CMYK 0 / 29 / 32 / 26

HEX #BC8680

RGB 188 134 128

HSL 6, 0.31%, 0.62%

LAB 61.05, 19.9, 11.47

 

CMYK 6 / 0 / 32 / 26

HEX #B1BC80

RGB 177 188 128

HSL 71, 0.31%, 0.62%

LAB 74.11, -13.67, 29.15

 

CMYK 15 / 0 / 32 / 26

HEX #A0BC80

RGB 160 188 128

HSL 88, 0.31%, 0.62%

LAB 72.89, -20.13, 27.31

 

CMYK 23 / 0 / 32 / 26

HEX #90BC80

RGB 144 188 128

HSL 104, 0.31%, 0.62%

LAB 71.86, -25.95, 25.76

 

CMYK 32 / 0 / 32 / 26

HEX #80BC80

RGB 128 188 128

HSL 120, 0.31%, 0.62%

LAB 70.95, -31.42, 24.37

 

CMYK 32 / 0 / 24 / 26

HEX #80BC8F

RGB 128 188 143

HSL 135, 0.31%, 0.62%

LAB 71.24, -28.77, 16.73

 

CMYK 6 / 0 / 32 / 26

HEX #B1BC80

RGB 177 188 128

HSL 71, 0.31%, 0.62%

LAB 74.11, -13.67, 29.15

 

CMYK 8 / 0 / 45 / 20

HEX #BBCB70

RGB 187 203 112

HSL 70.55, 0.47%, 0.62%

LAB 78.72, -19.24, 43.38

 

CMYK 11 / 0 / 56 / 14

HEX #C4DB60

RGB 196 219 96

HSL 71.22, 0.63%, 0.62%

LAB 83.57, -25, 56.81

 

CMYK 12 / 0 / 66 / 8

HEX #CEEB51

RGB 206 235 81

HSL 71.3, 0.79%, 0.62%

LAB 88.51, -29.7, 68.6

 

CMYK 14 / 0 / 74 / 2

HEX #D8FA41

RGB 216 250 65

HSL 71.03, 0.95%, 0.62%

LAB 93.17, -33.55, 78.98

 

CMYK 6 / 0 / 32 / 26

HEX #B1BC80

RGB 177 188 128

HSL 71, 0.31%, 0.62%

LAB 74.11, -13.67, 29.15

 

CMYK 3 / 0 / 17 / 33

HEX #A7AC8F

RGB 167 172 143

HSL 70.34, 0.15%, 0.62%

LAB 69.26, -6.91, 14.34

 

CMYK 1 / 2 / 0 / 38

HEX #9D9C9F

RGB 157 156 159

HSL 260, 0.02%, 0.62%

LAB 64.52, 0.94, -1.44

 

CMYK 16 / 19 / 0 / 31

HEX #938DAF

RGB 147 141 175

HSL 250.59, 0.18%, 0.62%

LAB 60.2, 9.29, -17.02

 

CMYK 28 / 34 / 0 / 25

HEX #897DBE

RGB 137 125 190

HSL 251.08, 0.33%, 0.62%

LAB 55.79, 19.02, -32.43

 

CMYK 0 / 11 / 32 / 26

HEX #BCA780

RGB 188 167 128

HSL 39, 0.31%, 0.62%

LAB 69.39, 1.75, 22.99

 

CMYK 0 / 3 / 32 / 26

HEX #BCB780

RGB 188 183 128

HSL 55, 0.31%, 0.62%

LAB 73.62, -6.77, 28.66

 

CMYK 6 / 0 / 32 / 26

HEX #B1BC80

RGB 177 188 128

HSL 71, 0.31%, 0.62%

LAB 74.11, -13.67, 29.15

 

CMYK 14 / 0 / 32 / 26

HEX #A1BC80

RGB 161 188 128

HSL 87, 0.31%, 0.62%

LAB 72.96, -19.76, 27.42

 

CMYK 23 / 0 / 32 / 26

HEX #91BC80

RGB 145 188 128

HSL 103, 0.31%, 0.62%

LAB 71.92, -25.59, 25.85

 

CMYK 9 / 0 / 48 / 40

HEX #8B9950

RGB 139 153 80

HSL 71.51, 0.31%, 0.46%

LAB 60.65, -16.63, 36.48

 

CMYK 8 / 0 / 42 / 32

HEX #A0AD65

RGB 160 173 101

HSL 70.83, 0.31%, 0.54%

LAB 68.24, -16.04, 35.42

 

CMYK 6 / 0 / 32 / 26

HEX #B1BC80

RGB 177 188 128

HSL 71, 0.31%, 0.62%

LAB 74.11, -13.67, 29.15

 

CMYK 4 / 0 / 23 / 21

HEX #C1CA9B

RGB 193 202 155

HSL 71.49, 0.31%, 0.7%

LAB 79.58, -11, 22.49

 

CMYK 3 / 0 / 16 / 15

HEX #D2D8B6

RGB 210 216 182

HSL 70.59, 0.3%, 0.78%

LAB 85.09, -7.84, 16.1

 

CMYK 6 / 0 / 32 / 26

HEX #B1BC80

RGB 177 188 128

HSL 71, 0.31%, 0.62%

LAB 74.11, -13.67, 29.15

 

CMYK 32 / 0 / 20 / 26

HEX #80BC97

RGB 128 188 151

HSL 143, 0.31%, 0.62%

LAB 71.41, -27.24, 12.64

 

CMYK 7 / 32 / 0 / 26

HEX #AF80BC

RGB 175 128 188

HSL 287, 0.31%, 0.62%

LAB 60.05, 28.76, -24.4

 

CMYK 6 / 0 / 32 / 26

HEX #B1BC80

RGB 177 188 128

HSL 71, 0.31%, 0.62%

LAB 74.11, -13.67, 29.15

 

CMYK 32 / 6 / 0 / 26

HEX #80B1BC

RGB 128 177 188

HSL 191, 0.31%, 0.62%

LAB 69.23, -13.48, -10.83

 

CMYK 0 / 32 / 6 / 26

HEX #BC80B1

RGB 188 128 177

HSL 311, 0.31%, 0.62%

LAB 61.05, 30.97, -16.5

 

CMYK 6 / 0 / 32 / 26

HEX #B1BC80

RGB 177 188 128

HSL 71, 0.31%, 0.62%

LAB 74.11, -13.67, 29.15

 

CMYK 32 / 0 / 20 / 26

HEX #80BC97

RGB 128 188 151

HSL 143, 0.31%, 0.62%

LAB 71.41, -27.24, 12.64

 

CMYK 26 / 32 / 0 / 26

HEX #8B80BC

RGB 139 128 188

HSL 251, 0.31%, 0.62%

LAB 56.64, 17.36, -29.95

 

CMYK 0 / 32 / 12 / 26

HEX #BC80A5

RGB 188 128 165

HSL 323, 0.31%, 0.62%

LAB 60.65, 28.86, -10.26

 

CMYK 6 / 0 / 32 / 26

HEX #B1BC80

RGB 177 188 128

HSL 71, 0.31%, 0.62%

LAB 74.11, -13.67, 29.15

 

CMYK 32 / 0 / 10 / 26

HEX #80BCA9

RGB 128 188 169

HSL 161, 0.31%, 0.62%

LAB 71.84, -23.52, 3.45

 

CMYK 26 / 32 / 0 / 26

HEX #8B80BC

RGB 139 128 188

HSL 251, 0.31%, 0.62%

LAB 56.64, 17.36, -29.95

 

CMYK 0 / 32 / 22 / 26

HEX #BC8093

RGB 188 128 147

HSL 341, 0.31%, 0.62%

LAB 60.1, 25.95, -0.75

 

Description

Color code: HEX #B1BC80 | qconv.com Color code: HEX #B1BC80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 188 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 188 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 32 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 32% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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