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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1BDB1 it is the complementary color #4E424E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1BDB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1BDB1 shade: #B6BDAC, #C7CFBF, #D8E1D2, #E9F3E5 and #FAFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1BDB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1BDB1 shade: #B1BDB1, #A0AB9E, #8F998B, #7E8778 and #6D7565

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1BDB1 shade: #B1BDB1, #B4BDB1, #B8BDB1, #BBBDB1 and #BDBCB1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1BDB1 shade: #B1BDB1, #B1BDB4, #B1BDB8, #B1BDBB and #B1BCBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1BDB1 shade matches the following richer shades: #B1BDB1, #A6C8A6, #9AD49A, #8FDF8F and #83EB83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1BDB1 shade: #B1BDB1, #BDB1BD, #C8A6C8, #D49AD4 and #E08FE0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1BDB1 shade: #B7BDB1, #B4BDB1, #B1BDB1, #B1BDB4 and #B1BDB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1BDB1 shade: #859785, #9BAA9B, #B1BDB1, #C8D0C8 and #DEE3DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1BDB1 shade: #B1BDB1, #B1BBBD and #BDB1B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1BDB1 shade: #B1BDB1, #B1B1BD and #BDB1B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1BDB1 shade: #B1BDB1, #B1BBBD, #BDB1BD and #BDB4B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1BDB1 shade: #B1BDB1, #B1B7BD, #BDB1BD and #BDB7B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 6 / 26

HEX #B1BDB1

RGB 177 189 177

HSL 120, 0.08%, 0.72%

LAB 75.4, -6.4, 4.63

 

Complementary color

CMYK 0 / 15 / 0 / 69

HEX #4E424E

RGB 78 66 78

HSL 300, 0.08%, 0.28%

LAB 29.58, 7.64, -5.31

 

CMYK 4 / 0 / 9 / 26

HEX #B6BDAC

RGB 182 189 172

HSL 84.71, 0.11%, 0.71%

LAB 75.65, -5.53, 7.75

 

CMYK 4 / 0 / 8 / 19

HEX #C7CFBF

RGB 199 207 191

HSL 90, 0.14%, 0.78%

LAB 82.13, -5.62, 7

 

CMYK 4 / 0 / 7 / 12

HEX #D8E1D2

RGB 216 225 210

HSL 96, 0.2%, 0.85%

LAB 88.5, -5.7, 6.28

 

CMYK 4 / 0 / 6 / 5

HEX #E9F3E5

RGB 233 243 229

HSL 102.86, 0.37%, 0.93%

LAB 94.77, -5.78, 5.59

 

CMYK 2 / 0 / 3 / 0

HEX #FAFFF8

RGB 250 255 248

HSL 102.86, 1%, 0.99%

LAB 99.46, -2.86, 2.75

 

CMYK 6 / 0 / 6 / 26

HEX #B1BDB1

RGB 177 189 177

HSL 120, 0.08%, 0.72%

LAB 75.4, -6.4, 4.63

 

CMYK 6 / 0 / 8 / 33

HEX #A0AB9E

RGB 160 171 158

HSL 110.77, 0.07%, 0.65%

LAB 68.8, -6.35, 5.36

 

CMYK 7 / 0 / 9 / 40

HEX #8F998B

RGB 143 153 139

HSL 102.86, 0.06%, 0.57%

LAB 62.07, -6.3, 6.12

 

CMYK 7 / 0 / 11 / 47

HEX #7E8778

RGB 126 135 120

HSL 96, 0.06%, 0.5%

LAB 55.2, -6.25, 6.94

 

CMYK 7 / 0 / 14 / 54

HEX #6D7565

RGB 109 117 101

HSL 90, 0.07%, 0.43%

LAB 48.15, -6.21, 7.81

 

CMYK 6 / 0 / 6 / 26

HEX #B1BDB1

RGB 177 189 177

HSL 120, 0.08%, 0.72%

LAB 75.4, -6.4, 4.63

 

CMYK 5 / 0 / 6 / 26

HEX #B4BDB1

RGB 180 189 177

HSL 105, 0.08%, 0.72%

LAB 75.62, -5.35, 4.98

 

CMYK 3 / 0 / 6 / 26

HEX #B8BDB1

RGB 184 189 177

HSL 85, 0.08%, 0.72%

LAB 75.92, -3.93, 5.45

 

CMYK 1 / 0 / 6 / 26

HEX #BBBDB1

RGB 187 189 177

HSL 70, 0.08%, 0.72%

LAB 76.15, -2.87, 5.81

 

CMYK 0 / 1 / 6 / 26

HEX #BDBCB1

RGB 189 188 177

HSL 55, 0.08%, 0.72%

LAB 76.04, -1.62, 5.68

 

CMYK 6 / 0 / 6 / 26

HEX #B1BDB1

RGB 177 189 177

HSL 120, 0.08%, 0.72%

LAB 75.4, -6.4, 4.63

 

CMYK 6 / 0 / 5 / 26

HEX #B1BDB4

RGB 177 189 180

HSL 135, 0.08%, 0.72%

LAB 75.47, -5.84, 3.11

 

CMYK 6 / 0 / 3 / 26

HEX #B1BDB8

RGB 177 189 184

HSL 155, 0.08%, 0.72%

LAB 75.58, -5.09, 1.09

 

CMYK 6 / 0 / 1 / 26

HEX #B1BDBB

RGB 177 189 187

HSL 170, 0.08%, 0.72%

LAB 75.66, -4.51, -0.43

 

CMYK 6 / 1 / 0 / 26

HEX #B1BCBD

RGB 177 188 189

HSL 185, 0.08%, 0.72%

LAB 75.44, -3.59, -1.82

 

CMYK 6 / 0 / 6 / 26

HEX #B1BDB1

RGB 177 189 177

HSL 120, 0.08%, 0.72%

LAB 75.4, -6.4, 4.63

 

CMYK 17 / 0 / 17 / 22

HEX #A6C8A6

RGB 166 200 166

HSL 120, 0.24%, 0.72%

LAB 77.38, -17.89, 13.29

 

CMYK 27 / 0 / 27 / 17

HEX #9AD49A

RGB 154 212 154

HSL 120, 0.4%, 0.72%

LAB 79.78, -29.89, 22.87

 

CMYK 36 / 0 / 36 / 13

HEX #8FDF8F

RGB 143 223 143

HSL 120, 0.56%, 0.72%

LAB 82.16, -40.25, 31.68

 

CMYK 44 / 0 / 44 / 8

HEX #83EB83

RGB 131 235 131

HSL 120, 0.72%, 0.72%

LAB 84.94, -50.74, 41.17

 

CMYK 6 / 0 / 6 / 26

HEX #B1BDB1

RGB 177 189 177

HSL 120, 0.08%, 0.72%

LAB 75.4, -6.4, 4.63

 

CMYK 0 / 6 / 0 / 26

HEX #BDB1BD

RGB 189 177 189

HSL 300, 0.08%, 0.72%

LAB 73.5, 6.46, -4.57

 

CMYK 0 / 17 / 0 / 22

HEX #C8A6C8

RGB 200 166 200

HSL 300, 0.24%, 0.72%

LAB 72.04, 18.35, -12.68

 

CMYK 0 / 27 / 0 / 17

HEX #D49AD4

RGB 212 154 212

HSL 300, 0.4%, 0.72%

LAB 70.78, 31.18, -21.09

 

CMYK 0 / 36 / 0 / 12

HEX #E08FE0

RGB 224 143 224

HSL 300, 0.57%, 0.72%

LAB 70.09, 43.09, -28.64

 

CMYK 3 / 0 / 6 / 26

HEX #B7BDB1

RGB 183 189 177

HSL 90, 0.08%, 0.72%

LAB 75.85, -4.29, 5.33

 

CMYK 5 / 0 / 6 / 26

HEX #B4BDB1

RGB 180 189 177

HSL 105, 0.08%, 0.72%

LAB 75.62, -5.35, 4.98

 

CMYK 6 / 0 / 6 / 26

HEX #B1BDB1

RGB 177 189 177

HSL 120, 0.08%, 0.72%

LAB 75.4, -6.4, 4.63

 

CMYK 6 / 0 / 5 / 26

HEX #B1BDB4

RGB 177 189 180

HSL 135, 0.08%, 0.72%

LAB 75.47, -5.84, 3.11

 

CMYK 6 / 0 / 3 / 26

HEX #B1BDB7

RGB 177 189 183

HSL 150, 0.08%, 0.72%

LAB 75.55, -5.28, 1.59

 

CMYK 12 / 0 / 12 / 41

HEX #859785

RGB 133 151 133

HSL 120, 0.08%, 0.56%

LAB 60.62, -10, 7.33

 

CMYK 9 / 0 / 9 / 33

HEX #9BAA9B

RGB 155 170 155

HSL 120, 0.08%, 0.64%

LAB 68.08, -8.16, 5.94

 

CMYK 6 / 0 / 6 / 26

HEX #B1BDB1

RGB 177 189 177

HSL 120, 0.08%, 0.72%

LAB 75.4, -6.4, 4.63

 

CMYK 4 / 0 / 4 / 18

HEX #C8D0C8

RGB 200 208 200

HSL 120, 0.08%, 0.8%

LAB 82.68, -4.19, 3.01

 

CMYK 2 / 0 / 2 / 11

HEX #DEE3DE

RGB 222 227 222

HSL 120, 0.08%, 0.88%

LAB 89.74, -2.57, 1.84

 

CMYK 6 / 0 / 6 / 26

HEX #B1BDB1

RGB 177 189 177

HSL 120, 0.08%, 0.72%

LAB 75.4, -6.4, 4.63

 

CMYK 6 / 1 / 0 / 26

HEX #B1BBBD

RGB 177 187 189

HSL 190, 0.08%, 0.72%

LAB 75.18, -3.06, -2.21

 

CMYK 0 / 6 / 4 / 26

HEX #BDB1B6

RGB 189 177 182

HSL 335, 0.08%, 0.72%

LAB 73.31, 5.17, -1.02

 

CMYK 6 / 0 / 6 / 26

HEX #B1BDB1

RGB 177 189 177

HSL 120, 0.08%, 0.72%

LAB 75.4, -6.4, 4.63

 

CMYK 6 / 6 / 0 / 26

HEX #B1B1BD

RGB 177 177 189

HSL 240, 0.08%, 0.72%

LAB 72.54, 2.32, -6.1

 

CMYK 0 / 6 / 6 / 26

HEX #BDB1B1

RGB 189 177 177

HSL 0, 0.08%, 0.72%

LAB 73.18, 4.28, 1.53

 

CMYK 6 / 0 / 6 / 26

HEX #B1BDB1

RGB 177 189 177

HSL 120, 0.08%, 0.72%

LAB 75.4, -6.4, 4.63

 

CMYK 6 / 1 / 0 / 26

HEX #B1BBBD

RGB 177 187 189

HSL 190, 0.08%, 0.72%

LAB 75.18, -3.06, -2.21

 

CMYK 0 / 6 / 0 / 26

HEX #BDB1BD

RGB 189 177 189

HSL 300, 0.08%, 0.72%

LAB 73.5, 6.46, -4.57

 

CMYK 0 / 5 / 6 / 26

HEX #BDB4B1

RGB 189 180 177

HSL 15, 0.08%, 0.72%

LAB 73.96, 2.66, 2.66

 

CMYK 6 / 0 / 6 / 26

HEX #B1BDB1

RGB 177 189 177

HSL 120, 0.08%, 0.72%

LAB 75.4, -6.4, 4.63

 

CMYK 6 / 3 / 0 / 26

HEX #B1B7BD

RGB 177 183 189

HSL 210, 0.08%, 0.72%

LAB 74.12, -0.92, -3.77

 

CMYK 0 / 6 / 0 / 26

HEX #BDB1BD

RGB 189 177 189

HSL 300, 0.08%, 0.72%

LAB 73.5, 6.46, -4.57

 

CMYK 0 / 3 / 6 / 26

HEX #BDB7B1

RGB 189 183 177

HSL 30, 0.08%, 0.72%

LAB 74.74, 1.05, 3.79

 

Description

Color code: HEX #B1BDB1 | qconv.com Color code: HEX #B1BDB1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 189 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 189 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 6 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 6% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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