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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1C151 it is the complementary color #4E3EAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1C151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1C151 shade: #B6C14C, #C7D35F, #D8E572, #E9F785 and #FAFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1C151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1C151 shade: #B1C151, #A0AF3E, #8F9D2B, #7E8B18 and #6D7905

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1C151 shade: #B1C052, #C0B252, #C09552, #C07752 and #C05952

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1C151 shade: #B1C052, #93C052, #75C052, #57C052 and #52C06A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1C151 shade matches the following richer shades: #B1C052, #BED33F, #CCE62C and #D9F919

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1C151 shade: #B1C052, #A3AD65, #959A78, #88878B and #7A749E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1C151 shade: #C09452, #C0B252, #B2C052, #94C052 and #77C052

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1C151 shade: #808D33, #9CAC3E, #B1C052, #BECB70 and #CCD68F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1C151 shade: #B1C151, #52C077 and #A352C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1C151 shade: #B1C151, #52B2C0 and #C052B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1C151 shade: #B1C151, #52C077, #6152C0 and #C0529C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1C151 shade: #B1C151, #52C098, #6152C0 and #C0527A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 58 / 24

HEX #B1C151

RGB 177 193 81

HSL 68.57, 0.47%, 0.54%

LAB 74.88, -21.16, 53.33

 

Complementary color

CMYK 55 / 64 / 0 / 32

HEX #4E3EAE

RGB 78 62 174

HSL 248.57, 0.47%, 0.46%

LAB 34.23, 37.78, -57.76

 

CMYK 6 / 0 / 61 / 24

HEX #B6C14C

RGB 182 193 76

HSL 65.64, 0.49%, 0.53%

LAB 75.21, -19.48, 56

 

CMYK 6 / 0 / 55 / 17

HEX #C7D35F

RGB 199 211 95

HSL 66.21, 0.57%, 0.6%

LAB 81.6, -19.99, 55.07

 

CMYK 6 / 0 / 50 / 10

HEX #D8E572

RGB 216 229 114

HSL 66.78, 0.69%, 0.67%

LAB 87.9, -20.41, 54.01

 

CMYK 6 / 0 / 46 / 3

HEX #E9F785

RGB 233 247 133

HSL 67.37, 0.88%, 0.75%

LAB 94.11, -20.75, 52.91

 

CMYK 2 / 0 / 40 / 0

HEX #FAFF98

RGB 250 255 152

HSL 62.91, 1%, 0.8%

LAB 97.68, -16.23, 48.57

 

CMYK 8 / 0 / 58 / 24

HEX #B1C151

RGB 177 193 81

HSL 68.57, 0.47%, 0.54%

LAB 74.88, -21.16, 53.33

 

CMYK 9 / 0 / 65 / 31

HEX #A0AF3E

RGB 160 175 62

HSL 67.96, 0.48%, 0.46%

LAB 68.37, -20.63, 54.15

 

CMYK 9 / 0 / 73 / 38

HEX #8F9D2B

RGB 143 157 43

HSL 67.37, 0.57%, 0.39%

LAB 61.76, -19.95, 54.55

 

CMYK 9 / 0 / 83 / 45

HEX #7E8B18

RGB 126 139 24

HSL 66.78, 0.71%, 0.32%

LAB 55.04, -19.06, 54.12

 

CMYK 10 / 0 / 96 / 53

HEX #6D7905

RGB 109 121 5

HSL 66.21, 0.92%, 0.25%

LAB 48.18, -17.9, 52.2

 

CMYK 8 / 0 / 57 / 25

HEX #B1C052

RGB 177 192 82

HSL 68.18, 0.47%, 0.54%

LAB 74.61, -20.58, 52.58

 

CMYK 0 / 7 / 57 / 25

HEX #C0B252

RGB 192 178 82

HSL 52.36, 0.47%, 0.54%

LAB 72, -7.18, 49.96

 

CMYK 0 / 22 / 57 / 25

HEX #C09552

RGB 192 149 82

HSL 36.55, 0.47%, 0.54%

LAB 64.41, 8.36, 41.13

 

CMYK 0 / 38 / 57 / 25

HEX #C07752

RGB 192 119 82

HSL 20.18, 0.47%, 0.54%

LAB 57.08, 24.88, 32.2

 

CMYK 0 / 54 / 57 / 25

HEX #C05952

RGB 192 89 82

HSL 3.82, 0.47%, 0.54%

LAB 50.64, 40.76, 23.98

 

CMYK 8 / 0 / 57 / 25

HEX #B1C052

RGB 177 192 82

HSL 68.18, 0.47%, 0.54%

LAB 74.61, -20.58, 52.58

 

CMYK 23 / 0 / 57 / 25

HEX #93C052

RGB 147 192 82

HSL 84.55, 0.47%, 0.54%

LAB 72.57, -32.47, 49.72

 

CMYK 39 / 0 / 57 / 25

HEX #75C052

RGB 117 192 82

HSL 100.91, 0.47%, 0.54%

LAB 70.93, -43.18, 47.41

 

CMYK 55 / 0 / 57 / 25

HEX #57C052

RGB 87 192 82

HSL 117.27, 0.47%, 0.54%

LAB 69.71, -52.07, 45.67

 

CMYK 57 / 0 / 45 / 25

HEX #52C06A

RGB 82 192 106

HSL 133.09, 0.47%, 0.54%

LAB 69.85, -49.97, 34.05

 

CMYK 8 / 0 / 57 / 25

HEX #B1C052

RGB 177 192 82

HSL 68.18, 0.47%, 0.54%

LAB 74.61, -20.58, 52.58

 

CMYK 10 / 0 / 70 / 17

HEX #BED33F

RGB 190 211 63

HSL 68.51, 0.63%, 0.54%

LAB 80.68, -25.8, 67

 

CMYK 11 / 0 / 81 / 10

HEX #CCE62C

RGB 204 230 44

HSL 68.39, 0.79%, 0.54%

LAB 86.81, -29.9, 78.79

 

CMYK 13 / 0 / 90 / 2

HEX #D9F919

RGB 217 249 25

HSL 68.57, 0.95%, 0.54%

LAB 92.83, -33.9, 87.77

 

CMYK 8 / 0 / 57 / 25

HEX #B1C052

RGB 177 192 82

HSL 68.18, 0.47%, 0.54%

LAB 74.61, -20.58, 52.58

 

CMYK 6 / 0 / 42 / 32

HEX #A3AD65

RGB 163 173 101

HSL 68.33, 0.31%, 0.54%

LAB 68.47, -14.83, 35.76

 

CMYK 3 / 0 / 22 / 40

HEX #959A78

RGB 149 154 120

HSL 68.82, 0.14%, 0.54%

LAB 62.39, -7.81, 17.29

 

CMYK 2 / 3 / 0 / 45

HEX #88878B

RGB 136 135 139

HSL 255, 0.02%, 0.54%

LAB 56.51, 1.17, -2.02

 

CMYK 23 / 27 / 0 / 38

HEX #7A749E

RGB 122 116 158

HSL 248.57, 0.18%, 0.54%

LAB 50.8, 11.64, -21.77

 

CMYK 0 / 23 / 57 / 25

HEX #C09452

RGB 192 148 82

HSL 36, 0.47%, 0.54%

LAB 64.16, 8.91, 40.83

 

CMYK 0 / 7 / 57 / 25

HEX #C0B252

RGB 192 178 82

HSL 52.36, 0.47%, 0.54%

LAB 72, -7.18, 49.96

 

CMYK 7 / 0 / 57 / 25

HEX #B2C052

RGB 178 192 82

HSL 67.64, 0.47%, 0.54%

LAB 74.68, -20.18, 52.68

 

CMYK 23 / 0 / 57 / 25

HEX #94C052

RGB 148 192 82

HSL 84, 0.47%, 0.54%

LAB 72.63, -32.08, 49.81

 

CMYK 38 / 0 / 57 / 25

HEX #77C052

RGB 119 192 82

HSL 99.82, 0.47%, 0.54%

LAB 71.03, -42.51, 47.55

 

CMYK 9 / 0 / 64 / 45

HEX #808D33

RGB 128 141 51

HSL 68.67, 0.47%, 0.38%

LAB 55.97, -17.72, 44.97

 

CMYK 9 / 0 / 64 / 33

HEX #9CAC3E

RGB 156 172 62

HSL 68.73, 0.47%, 0.46%

LAB 67.22, -20.81, 52.83

 

CMYK 8 / 0 / 57 / 25

HEX #B1C052

RGB 177 192 82

HSL 68.18, 0.47%, 0.54%

LAB 74.61, -20.58, 52.58

 

CMYK 6 / 0 / 45 / 20

HEX #BECB70

RGB 190 203 112

HSL 68.57, 0.47%, 0.62%

LAB 78.94, -18.05, 43.7

 

CMYK 5 / 0 / 33 / 16

HEX #CCD68F

RGB 204 214 143

HSL 68.45, 0.46%, 0.7%

LAB 83.4, -14.56, 33.99

 

CMYK 8 / 0 / 58 / 24

HEX #B1C151

RGB 177 193 81

HSL 68.57, 0.47%, 0.54%

LAB 74.88, -21.16, 53.33

 

CMYK 57 / 0 / 38 / 25

HEX #52C077

RGB 82 192 119

HSL 140.18, 0.47%, 0.54%

LAB 70.05, -47.77, 27.59

 

CMYK 15 / 57 / 0 / 25

HEX #A352C0

RGB 163 82 192

HSL 284.18, 0.47%, 0.54%

LAB 49.04, 50.9, -44.01

 

CMYK 8 / 0 / 58 / 24

HEX #B1C151

RGB 177 193 81

HSL 68.57, 0.47%, 0.54%

LAB 74.88, -21.16, 53.33

 

CMYK 57 / 7 / 0 / 25

HEX #52B2C0

RGB 82 178 192

HSL 187.64, 0.47%, 0.54%

LAB 67.61, -24.1, -15.68

 

CMYK 0 / 57 / 7 / 25

HEX #C052B2

RGB 192 82 178

HSL 307.64, 0.47%, 0.54%

LAB 52.35, 56.08, -30.4

 

CMYK 8 / 0 / 58 / 24

HEX #B1C151

RGB 177 193 81

HSL 68.57, 0.47%, 0.54%

LAB 74.88, -21.16, 53.33

 

CMYK 57 / 0 / 38 / 25

HEX #52C077

RGB 82 192 119

HSL 140.18, 0.47%, 0.54%

LAB 70.05, -47.77, 27.59

 

CMYK 49 / 57 / 0 / 25

HEX #6152C0

RGB 97 82 192

HSL 248.18, 0.47%, 0.54%

LAB 41.82, 35.03, -55.98

 

CMYK 0 / 57 / 19 / 25

HEX #C0529C

RGB 192 82 156

HSL 319.64, 0.47%, 0.54%

LAB 51.43, 52.63, -18.93

 

CMYK 8 / 0 / 58 / 24

HEX #B1C151

RGB 177 193 81

HSL 68.57, 0.47%, 0.54%

LAB 74.88, -21.16, 53.33

 

CMYK 57 / 0 / 21 / 25

HEX #52C098

RGB 82 192 152

HSL 158.18, 0.47%, 0.54%

LAB 70.71, -41.05, 10.82

 

CMYK 49 / 57 / 0 / 25

HEX #6152C0

RGB 97 82 192

HSL 248.18, 0.47%, 0.54%

LAB 41.82, 35.03, -55.98

 

CMYK 0 / 57 / 36 / 25

HEX #C0527A

RGB 192 82 122

HSL 338.18, 0.47%, 0.54%

LAB 50.27, 48.1, -0.41

 

Description

Color code: HEX #B1C151 | qconv.com Color code: HEX #B1C151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 193 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 193 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 58 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 58% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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