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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1CD26 it is the complementary color #4E32D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1CD26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1CD26 shade: #B6CD21, #C7DF34, #D8F147, #E9FF5A and #FAFF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1CD26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1CD26 shade: #B1CD26, #A0BB13, #8FA900, #7E9700 and #6D8500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1CD26 shade: #B2CE25, #CEBD25, #CE9025, #CE6225 and #CE3425

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1CD26 shade: #B2CE25, #84CE25, #57CE25, #29CE25 and #25CE4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1CD26 shade matches the following richer shades: #B2CE25 and #BFE212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1CD26 shade: #B2CE25, #A5BB39, #98A74D, #8B9361 and #7D7F75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1CD26 shade: #CE9025, #CEBD25, #B2CE25, #85CE25 and #58CE25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1CD26 shade: #768919, #94AB1F, #B2CE25, #C2DC41 and #CDE264

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1CD26 shade: #B1CD26, #25CE63 and #A725CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1CD26 shade: #B1CD26, #25B2CE and #CE25B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1CD26 shade: #B1CD26, #25CE63, #4225CE and #CE2590

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1CD26 shade: #B1CD26, #25CE96, #4225CE and #CE255E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 81 / 20

HEX #B1CD26

RGB 177 205 38

HSL 70.06, 0.69%, 0.48%

LAB 77.96, -29.35, 71.87

 

Complementary color

CMYK 64 / 77 / 0 / 15

HEX #4E32D9

RGB 78 50 217

HSL 250.06, 0.69%, 0.52%

LAB 35.81, 57.32, -80.34

 

CMYK 11 / 0 / 84 / 20

HEX #B6CD21

RGB 182 205 33

HSL 68.02, 0.72%, 0.47%

LAB 78.3, -27.44, 73.49

 

CMYK 11 / 0 / 77 / 13

HEX #C7DF34

RGB 199 223 52

HSL 68.42, 0.73%, 0.54%

LAB 84.57, -28.36, 74.5

 

CMYK 10 / 0 / 71 / 5

HEX #D8F147

RGB 216 241 71

HSL 68.82, 0.86%, 0.61%

LAB 90.76, -29.11, 74.72

 

CMYK 9 / 0 / 65 / 0

HEX #E9FF5A

RGB 233 255 90

HSL 68, 1%, 0.68%

LAB 95.82, -27.88, 73.32

 

CMYK 2 / 0 / 57 / 0

HEX #FAFF6D

RGB 250 255 109

HSL 62.05, 1%, 0.71%

LAB 97.21, -19.95, 67.55

 

CMYK 14 / 0 / 81 / 20

HEX #B1CD26

RGB 177 205 38

HSL 70.06, 0.69%, 0.48%

LAB 77.96, -29.35, 71.87

 

CMYK 14 / 0 / 90 / 27

HEX #A0BB13

RGB 160 187 19

HSL 69.64, 0.82%, 0.4%

LAB 71.6, -28.35, 70.07

 

CMYK 15 / 0 / 100 / 34

HEX #8FA900

RGB 143 169 0

HSL 69.23, 1%, 0.33%

LAB 65.13, -27.17, 67.05

 

CMYK 17 / 0 / 100 / 41

HEX #7E9700

RGB 126 151 0

HSL 69.93, 1%, 0.3%

LAB 58.57, -25.68, 61.58

 

CMYK 18 / 0 / 100 / 48

HEX #6D8500

RGB 109 133 0

HSL 70.83, 1%, 0.26%

LAB 51.87, -24.18, 56

 

CMYK 14 / 0 / 82 / 19

HEX #B2CE25

RGB 178 206 37

HSL 69.94, 0.7%, 0.48%

LAB 78.31, -29.44, 72.44

 

CMYK 0 / 8 / 82 / 19

HEX #CEBD25

RGB 206 189 37

HSL 53.96, 0.7%, 0.48%

LAB 75.85, -9.18, 71.2

 

CMYK 0 / 30 / 82 / 19

HEX #CE9025

RGB 206 144 37

HSL 37.99, 0.7%, 0.48%

LAB 64.32, 14.74, 61.24

 

CMYK 0 / 52 / 82 / 19

HEX #CE6225

RGB 206 98 37

HSL 21.66, 0.7%, 0.48%

LAB 54.02, 39.22, 52.06

 

CMYK 0 / 75 / 82 / 19

HEX #CE3425

RGB 206 52 37

HSL 5.33, 0.7%, 0.48%

LAB 46.59, 58.95, 45.19

 

CMYK 14 / 0 / 82 / 19

HEX #B2CE25

RGB 178 206 37

HSL 69.94, 0.7%, 0.48%

LAB 78.31, -29.44, 72.44

 

CMYK 36 / 0 / 82 / 19

HEX #84CE25

RGB 132 206 37

HSL 86.27, 0.7%, 0.48%

LAB 75.56, -47.12, 68.97

 

CMYK 58 / 0 / 82 / 19

HEX #57CE25

RGB 87 206 37

HSL 102.25, 0.7%, 0.48%

LAB 73.74, -60.85, 66.65

 

CMYK 80 / 0 / 82 / 19

HEX #29CE25

RGB 41 206 37

HSL 118.58, 0.7%, 0.48%

LAB 72.73, -69.42, 65.35

 

CMYK 82 / 0 / 62 / 19

HEX #25CE4F

RGB 37 206 79

HSL 134.91, 0.7%, 0.48%

LAB 72.96, -66.34, 50.49

 

CMYK 14 / 0 / 82 / 19

HEX #B2CE25

RGB 178 206 37

HSL 69.94, 0.7%, 0.48%

LAB 78.31, -29.44, 72.44

 

CMYK 15 / 0 / 92 / 11

HEX #BFE212

RGB 191 226 18

HSL 70.1, 0.85%, 0.48%

LAB 84.75, -33.91, 81.56

 

CMYK 14 / 0 / 82 / 19

HEX #B2CE25

RGB 178 206 37

HSL 69.94, 0.7%, 0.48%

LAB 78.31, -29.44, 72.44

 

CMYK 12 / 0 / 70 / 27

HEX #A5BB39

RGB 165 187 57

HSL 70.15, 0.53%, 0.48%

LAB 72.12, -24.79, 60.1

 

CMYK 9 / 0 / 54 / 35

HEX #98A74D

RGB 152 167 77

HSL 70, 0.37%, 0.48%

LAB 65.63, -18.74, 44.15

 

CMYK 5 / 0 / 34 / 42

HEX #8B9361

RGB 139 147 97

HSL 69.6, 0.2%, 0.48%

LAB 59.18, -11.39, 25.55

 

CMYK 2 / 0 / 8 / 50

HEX #7D7F75

RGB 125 127 117

HSL 72, 0.04%, 0.48%

LAB 52.76, -2.69, 5.17

 

CMYK 0 / 30 / 82 / 19

HEX #CE9025

RGB 206 144 37

HSL 37.99, 0.7%, 0.48%

LAB 64.32, 14.74, 61.24

 

CMYK 0 / 8 / 82 / 19

HEX #CEBD25

RGB 206 189 37

HSL 53.96, 0.7%, 0.48%

LAB 75.85, -9.18, 71.2

 

CMYK 14 / 0 / 82 / 19

HEX #B2CE25

RGB 178 206 37

HSL 69.94, 0.7%, 0.48%

LAB 78.31, -29.44, 72.44

 

CMYK 35 / 0 / 82 / 19

HEX #85CE25

RGB 133 206 37

HSL 85.92, 0.7%, 0.48%

LAB 75.61, -46.77, 69.04

 

CMYK 57 / 0 / 82 / 19

HEX #58CE25

RGB 88 206 37

HSL 101.89, 0.7%, 0.48%

LAB 73.77, -60.6, 66.69

 

CMYK 14 / 0 / 82 / 46

HEX #768919

RGB 118 137 25

HSL 70.18, 0.69%, 0.32%

LAB 53.83, -21.54, 52.52

 

CMYK 13 / 0 / 82 / 33

HEX #94AB1F

RGB 148 171 31

HSL 69.86, 0.69%, 0.4%

LAB 66.15, -25.33, 62.57

 

CMYK 14 / 0 / 82 / 19

HEX #B2CE25

RGB 178 206 37

HSL 69.94, 0.7%, 0.48%

LAB 78.31, -29.44, 72.44

 

CMYK 12 / 0 / 70 / 14

HEX #C2DC41

RGB 194 220 65

HSL 70.06, 0.69%, 0.56%

LAB 83.46, -28.36, 69.13

 

CMYK 9 / 0 / 56 / 11

HEX #CDE264

RGB 205 226 100

HSL 70, 0.68%, 0.64%

LAB 86.15, -24.48, 58.13

 

CMYK 14 / 0 / 81 / 20

HEX #B1CD26

RGB 177 205 38

HSL 70.06, 0.69%, 0.48%

LAB 77.96, -29.35, 71.87

 

CMYK 82 / 0 / 52 / 19

HEX #25CE63

RGB 37 206 99

HSL 142.01, 0.7%, 0.48%

LAB 73.18, -63.66, 41.5

 

CMYK 19 / 82 / 0 / 19

HEX #A725CE

RGB 167 37 206

HSL 286.15, 0.7%, 0.48%

LAB 44.23, 72.06, -59.8

 

CMYK 14 / 0 / 81 / 20

HEX #B1CD26

RGB 177 205 38

HSL 70.06, 0.69%, 0.48%

LAB 77.96, -29.35, 71.87

 

CMYK 82 / 14 / 0 / 19

HEX #25B2CE

RGB 37 178 206

HSL 189.94, 0.7%, 0.48%

LAB 67.04, -25.95, -24.36

 

CMYK 0 / 82 / 14 / 19

HEX #CE25B2

RGB 206 37 178

HSL 309.94, 0.7%, 0.48%

LAB 49.08, 74.94, -35.35

 

CMYK 14 / 0 / 81 / 20

HEX #B1CD26

RGB 177 205 38

HSL 70.06, 0.69%, 0.48%

LAB 77.96, -29.35, 71.87

 

CMYK 82 / 0 / 52 / 19

HEX #25CE63

RGB 37 206 99

HSL 142.01, 0.7%, 0.48%

LAB 73.18, -63.66, 41.5

 

CMYK 68 / 82 / 0 / 19

HEX #4225CE

RGB 66 37 206

HSL 250.3, 0.7%, 0.48%

LAB 31.66, 58.92, -80.86

 

CMYK 0 / 82 / 30 / 19

HEX #CE2590

RGB 206 37 144

HSL 322.01, 0.7%, 0.48%

LAB 47.57, 70.71, -17.46

 

CMYK 14 / 0 / 81 / 20

HEX #B1CD26

RGB 177 205 38

HSL 70.06, 0.69%, 0.48%

LAB 77.96, -29.35, 71.87

 

CMYK 82 / 0 / 27 / 19

HEX #25CE96

RGB 37 206 150

HSL 160.12, 0.7%, 0.48%

LAB 74.02, -53.99, 16.43

 

CMYK 68 / 82 / 0 / 19

HEX #4225CE

RGB 66 37 206

HSL 250.3, 0.7%, 0.48%

LAB 31.66, 58.92, -80.86

 

CMYK 0 / 82 / 54 / 19

HEX #CE255E

RGB 206 37 94

HSL 339.76, 0.7%, 0.48%

LAB 45.98, 66.08, 10.84

 

Description

Color code: HEX #B1CD26 | qconv.com Color code: HEX #B1CD26 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 205 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 205 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 81 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 81% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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