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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1DA71 it is the complementary color #4E258E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1DA71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1DA71 shade: #B6DA6C, #C7EC7F, #D8FE92, #E9FFA5 and #FAFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1DA71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1DA71 shade: #B1DA71, #A0C85E, #8FB64B, #7EA438 and #6D9225

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1DA71 shade: #B1DA71, #CDDA71, #DACA71, #DAAE71 and #DA9171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1DA71 shade: #B1DA71, #94DA71, #78DA71, #71DA86 and #71DAA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1DA71 shade matches the following richer shades: #B1DA71, #B4E862 and #B7F754

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1DA71 shade: #B1DA71, #AECB7F, #AABD8D, #A7AF9C and #A4A0AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1DA71 shade: #DACA71, #CEDA71, #B2DA71, #95DA71 and #79DA71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1DA71 shade: #8CC533, #9FD150, #B1DA71, #C3E291 and #D5EBB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1DA71 shade: #B1DA71, #71DAAE and #D871DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1DA71 shade: #B1DA71, #71B2DA and #DA71B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1DA71 shade: #B1DA71, #71DAAE, #9971DA and #DA719C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1DA71 shade: #B1DA71, #71DACE, #9971DA and #DA717D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 48 / 15

HEX #B1DA71

RGB 177 218 113

HSL 83.43, 0.59%, 0.65%

LAB 82.21, -30.22, 47.02

 

Complementary color

CMYK 45 / 74 / 0 / 44

HEX #4E258E

RGB 78 37 142

HSL 263.43, 0.59%, 0.35%

LAB 26.44, 42.3, -51.04

 

CMYK 17 / 0 / 50 / 15

HEX #B6DA6C

RGB 182 218 108

HSL 79.64, 0.6%, 0.64%

LAB 82.47, -28.86, 49.79

 

CMYK 16 / 0 / 46 / 7

HEX #C7EC7F

RGB 199 236 127

HSL 80.37, 0.74%, 0.71%

LAB 88.76, -28.99, 48.67

 

CMYK 15 / 0 / 43 / 0

HEX #D8FE92

RGB 216 254 146

HSL 81.11, 0.98%, 0.78%

LAB 94.97, -29.08, 47.55

 

CMYK 9 / 0 / 35 / 0

HEX #E9FFA5

RGB 233 255 165

HSL 74.67, 1%, 0.82%

LAB 96.64, -21.12, 40.68

 

CMYK 2 / 0 / 28 / 0

HEX #FAFFB8

RGB 250 255 184

HSL 64.23, 1%, 0.86%

LAB 98.16, -12.54, 33.47

 

CMYK 19 / 0 / 48 / 15

HEX #B1DA71

RGB 177 218 113

HSL 83.43, 0.59%, 0.65%

LAB 82.21, -30.22, 47.02

 

CMYK 20 / 0 / 53 / 22

HEX #A0C85E

RGB 160 200 94

HSL 82.64, 0.49%, 0.58%

LAB 75.82, -30.12, 48.13

 

CMYK 21 / 0 / 59 / 29

HEX #8FB64B

RGB 143 182 75

HSL 81.87, 0.42%, 0.5%

LAB 69.33, -29.94, 49.16

 

CMYK 23 / 0 / 66 / 36

HEX #7EA438

RGB 126 164 56

HSL 81.11, 0.49%, 0.43%

LAB 62.74, -29.65, 49.99

 

CMYK 25 / 0 / 75 / 43

HEX #6D9225

RGB 109 146 37

HSL 80.37, 0.6%, 0.36%

LAB 56.03, -29.21, 50.35

 

CMYK 19 / 0 / 48 / 15

HEX #B1DA71

RGB 177 218 113

HSL 83.43, 0.59%, 0.65%

LAB 82.21, -30.22, 47.02

 

CMYK 6 / 0 / 48 / 15

HEX #CDDA71

RGB 205 218 113

HSL 67.43, 0.59%, 0.65%

LAB 84.13, -19.46, 49.79

 

CMYK 0 / 7 / 48 / 15

HEX #DACA71

RGB 218 202 113

HSL 50.86, 0.59%, 0.65%

LAB 80.93, -6.21, 46.15

 

CMYK 0 / 20 / 48 / 15

HEX #DAAE71

RGB 218 174 113

HSL 34.86, 0.59%, 0.65%

LAB 73.78, 8.47, 37.27

 

CMYK 0 / 33 / 48 / 15

HEX #DA9171

RGB 218 145 113

HSL 18.29, 0.59%, 0.65%

LAB 66.79, 24.06, 28.25

 

CMYK 19 / 0 / 48 / 15

HEX #B1DA71

RGB 177 218 113

HSL 83.43, 0.59%, 0.65%

LAB 82.21, -30.22, 47.02

 

CMYK 32 / 0 / 48 / 15

HEX #94DA71

RGB 148 218 113

HSL 100, 0.59%, 0.65%

LAB 80.53, -40.57, 44.58

 

CMYK 45 / 0 / 48 / 15

HEX #78DA71

RGB 120 218 113

HSL 116, 0.59%, 0.65%

LAB 79.23, -49.39, 42.68

 

CMYK 48 / 0 / 39 / 15

HEX #71DA86

RGB 113 218 134

HSL 132, 0.59%, 0.65%

LAB 79.26, -48.21, 32.19

 

CMYK 48 / 0 / 26 / 15

HEX #71DAA2

RGB 113 218 162

HSL 148, 0.59%, 0.65%

LAB 79.76, -43.13, 18.35

 

CMYK 19 / 0 / 48 / 15

HEX #B1DA71

RGB 177 218 113

HSL 83.43, 0.59%, 0.65%

LAB 82.21, -30.22, 47.02

 

CMYK 22 / 0 / 58 / 9

HEX #B4E862

RGB 180 232 98

HSL 83.28, 0.74%, 0.65%

LAB 86.16, -37.01, 58.58

 

CMYK 26 / 0 / 66 / 3

HEX #B7F754

RGB 183 247 84

HSL 83.56, 0.91%, 0.65%

LAB 90.43, -43.63, 69

 

CMYK 19 / 0 / 48 / 15

HEX #B1DA71

RGB 177 218 113

HSL 83.43, 0.59%, 0.65%

LAB 82.21, -30.22, 47.02

 

CMYK 14 / 0 / 37 / 20

HEX #AECB7F

RGB 174 203 127

HSL 82.89, 0.42%, 0.65%

LAB 78.02, -22.48, 34.75

 

CMYK 10 / 0 / 25 / 26

HEX #AABD8D

RGB 170 189 141

HSL 83.75, 0.27%, 0.65%

LAB 74.1, -14.99, 22.16

 

CMYK 5 / 0 / 11 / 31

HEX #A7AF9C

RGB 167 175 156

HSL 85.26, 0.11%, 0.65%

LAB 70.37, -6.32, 8.78

 

CMYK 4 / 6 / 0 / 33

HEX #A4A0AA

RGB 164 160 170

HSL 264, 0.06%, 0.65%

LAB 66.47, 3.37, -4.67

 

CMYK 0 / 7 / 48 / 15

HEX #DACA71

RGB 218 202 113

HSL 50.86, 0.59%, 0.65%

LAB 80.93, -6.21, 46.15

 

CMYK 6 / 0 / 48 / 15

HEX #CEDA71

RGB 206 218 113

HSL 66.86, 0.59%, 0.65%

LAB 84.2, -19.06, 49.9

 

CMYK 18 / 0 / 48 / 15

HEX #B2DA71

RGB 178 218 113

HSL 82.86, 0.59%, 0.65%

LAB 82.27, -29.85, 47.11

 

CMYK 32 / 0 / 48 / 15

HEX #95DA71

RGB 149 218 113

HSL 99.43, 0.59%, 0.65%

LAB 80.59, -40.23, 44.66

 

CMYK 44 / 0 / 48 / 15

HEX #79DA71

RGB 121 218 113

HSL 115.43, 0.59%, 0.65%

LAB 79.27, -49.1, 42.74

 

CMYK 29 / 0 / 74 / 23

HEX #8CC533

RGB 140 197 51

HSL 83.42, 0.59%, 0.49%

LAB 73.38, -39.69, 62.95

 

CMYK 24 / 0 / 62 / 18

HEX #9FD150

RGB 159 209 80

HSL 83.26, 0.58%, 0.57%

LAB 78.2, -35.93, 57.11

 

CMYK 19 / 0 / 48 / 15

HEX #B1DA71

RGB 177 218 113

HSL 83.43, 0.59%, 0.65%

LAB 82.21, -30.22, 47.02

 

CMYK 14 / 0 / 36 / 11

HEX #C3E291

RGB 195 226 145

HSL 82.96, 0.58%, 0.73%

LAB 86.03, -23.58, 36.3

 

CMYK 9 / 0 / 24 / 8

HEX #D5EBB2

RGB 213 235 178

HSL 83.16, 0.59%, 0.81%

LAB 90.22, -16.91, 25.31

 

CMYK 19 / 0 / 48 / 15

HEX #B1DA71

RGB 177 218 113

HSL 83.43, 0.59%, 0.65%

LAB 82.21, -30.22, 47.02

 

CMYK 48 / 0 / 20 / 15

HEX #71DAAE

RGB 113 218 174

HSL 154.86, 0.59%, 0.65%

LAB 80.02, -40.67, 12.38

 

CMYK 1 / 48 / 0 / 15

HEX #D871DA

RGB 216 113 218

HSL 298.86, 0.59%, 0.65%

LAB 62.9, 54.95, -36.52

 

CMYK 19 / 0 / 48 / 15

HEX #B1DA71

RGB 177 218 113

HSL 83.43, 0.59%, 0.65%

LAB 82.21, -30.22, 47.02

 

CMYK 48 / 18 / 0 / 15

HEX #71B2DA

RGB 113 178 218

HSL 202.86, 0.59%, 0.65%

LAB 69.76, -9.98, -26.59

 

CMYK 0 / 48 / 18 / 15

HEX #DA71B2

RGB 218 113 178

HSL 322.86, 0.59%, 0.65%

LAB 61.59, 48.95, -15.89

 

CMYK 19 / 0 / 48 / 15

HEX #B1DA71

RGB 177 218 113

HSL 83.43, 0.59%, 0.65%

LAB 82.21, -30.22, 47.02

 

CMYK 48 / 0 / 20 / 15

HEX #71DAAE

RGB 113 218 174

HSL 154.86, 0.59%, 0.65%

LAB 80.02, -40.67, 12.38

 

CMYK 30 / 48 / 0 / 15

HEX #9971DA

RGB 153 113 218

HSL 262.86, 0.59%, 0.65%

LAB 55.73, 37.55, -48.3

 

CMYK 0 / 48 / 28 / 15

HEX #DA719C

RGB 218 113 156

HSL 335.43, 0.59%, 0.65%

LAB 60.88, 45.84, -4.34

 

CMYK 19 / 0 / 48 / 15

HEX #B1DA71

RGB 177 218 113

HSL 83.43, 0.59%, 0.65%

LAB 82.21, -30.22, 47.02

 

CMYK 48 / 0 / 6 / 15

HEX #71DACE

RGB 113 218 206

HSL 173.14, 0.59%, 0.65%

LAB 80.8, -33.34, -3.5

 

CMYK 30 / 48 / 0 / 15

HEX #9971DA

RGB 153 113 218

HSL 262.86, 0.59%, 0.65%

LAB 55.73, 37.55, -48.3

 

CMYK 0 / 48 / 43 / 15

HEX #DA717D

RGB 218 113 125

HSL 353.14, 0.59%, 0.65%

LAB 60.07, 42.15, 12.36

 

Description

Color code: HEX #B1DA71 | qconv.com Color code: HEX #B1DA71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 218 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 218 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 48 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 48% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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