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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1DD63 it is the complementary color #4E229C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1DD63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1DD63 shade: #B6DD5E, #C7EF71, #D8FF84, #E9FF97 and #FAFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1DD63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1DD63 shade: #B1DD63, #A0CB50, #8FB93D, #7EA72A and #6D9517

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1DD63 shade: #B1DD64, #D2DD64, #DDC764, #DDA664 and #DD8664

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1DD63 shade: #B1DD64, #90DD64, #70DD64, #64DD78 and #64DD99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1DD63 shade matches the following richer shades: #B1DD64, #B5EC55 and #B9FB45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1DD63 shade: #B1DD64, #ADCD73, #A8BE82, #A4AF92 and #A09FA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1DD63 shade: #DDC664, #D2DD64, #B2DD64, #92DD64 and #72DD64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1DD63 shade: #8CC32A, #A0D542, #B1DD64, #C2E486 and #D3EBA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1DD63 shade: #B1DD63, #64DDA6 and #D664DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1DD63 shade: #B1DD63, #64B2DD and #DD64B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1DD63 shade: #B1DD63, #64DDA6, #8E64DD and #DD649A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1DD63 shade: #B1DD63, #64DDCA, #8E64DD and #DD6476

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 55 / 13

HEX #B1DD63

RGB 177 221 99

HSL 81.64, 0.64%, 0.63%

LAB 82.89, -33.02, 54.35

 

Complementary color

CMYK 50 / 78 / 0 / 39

HEX #4E229C

RGB 78 34 156

HSL 261.64, 0.64%, 0.37%

LAB 27.2, 47.58, -58.41

 

CMYK 18 / 0 / 57 / 13

HEX #B6DD5E

RGB 182 221 94

HSL 78.43, 0.65%, 0.62%

LAB 83.16, -31.56, 56.97

 

CMYK 17 / 0 / 53 / 6

HEX #C7EF71

RGB 199 239 113

HSL 79.05, 0.8%, 0.69%

LAB 89.42, -31.78, 55.98

 

CMYK 15 / 0 / 48 / 0

HEX #D8FF84

RGB 216 255 132

HSL 79.02, 1%, 0.76%

LAB 95.07, -31.03, 54.27

 

CMYK 9 / 0 / 41 / 0

HEX #E9FF97

RGB 233 255 151

HSL 72.69, 1%, 0.8%

LAB 96.44, -22.73, 47.24

 

CMYK 2 / 0 / 33 / 0

HEX #FAFFAA

RGB 250 255 170

HSL 63.53, 1%, 0.83%

LAB 97.93, -14.25, 40.13

 

CMYK 20 / 0 / 55 / 13

HEX #B1DD63

RGB 177 221 99

HSL 81.64, 0.64%, 0.63%

LAB 82.89, -33.02, 54.35

 

CMYK 21 / 0 / 61 / 20

HEX #A0CB50

RGB 160 203 80

HSL 80.98, 0.54%, 0.55%

LAB 76.54, -32.79, 55.29

 

CMYK 23 / 0 / 67 / 27

HEX #8FB93D

RGB 143 185 61

HSL 80.32, 0.5%, 0.48%

LAB 70.09, -32.47, 55.99

 

CMYK 25 / 0 / 75 / 35

HEX #7EA72A

RGB 126 167 42

HSL 79.68, 0.6%, 0.41%

LAB 63.54, -31.99, 56.23

 

CMYK 27 / 0 / 85 / 42

HEX #6D9517

RGB 109 149 23

HSL 79.05, 0.73%, 0.34%

LAB 56.89, -31.31, 55.55

 

CMYK 20 / 0 / 55 / 13

HEX #B1DD64

RGB 177 221 100

HSL 81.82, 0.64%, 0.63%

LAB 82.9, -32.92, 53.91

 

CMYK 5 / 0 / 55 / 13

HEX #D2DD64

RGB 210 221 100

HSL 65.45, 0.64%, 0.63%

LAB 85.17, -20.08, 57.11

 

CMYK 0 / 10 / 55 / 13

HEX #DDC764

RGB 221 199 100

HSL 49.09, 0.64%, 0.63%

LAB 80.26, -4.55, 51.68

 

CMYK 0 / 25 / 55 / 13

HEX #DDA664

RGB 221 166 100

HSL 32.73, 0.64%, 0.63%

LAB 71.94, 12.83, 41.74

 

CMYK 0 / 39 / 55 / 13

HEX #DD8664

RGB 221 134 100

HSL 16.86, 0.64%, 0.63%

LAB 64.44, 29.98, 32.38

 

CMYK 20 / 0 / 55 / 13

HEX #B1DD64

RGB 177 221 100

HSL 81.82, 0.64%, 0.63%

LAB 82.9, -32.92, 53.91

 

CMYK 35 / 0 / 55 / 13

HEX #90DD64

RGB 144 221 100

HSL 98.18, 0.64%, 0.63%

LAB 81.05, -44.7, 51.28

 

CMYK 49 / 0 / 55 / 13

HEX #70DD64

RGB 112 221 100

HSL 114.05, 0.64%, 0.63%

LAB 79.66, -54.49, 49.29

 

CMYK 55 / 0 / 46 / 13

HEX #64DD78

RGB 100 221 120

HSL 129.92, 0.64%, 0.63%

LAB 79.49, -54.91, 39.42

 

CMYK 55 / 0 / 31 / 13

HEX #64DD99

RGB 100 221 153

HSL 146.28, 0.64%, 0.63%

LAB 80.02, -49.27, 23.35

 

CMYK 20 / 0 / 55 / 13

HEX #B1DD64

RGB 177 221 100

HSL 81.82, 0.64%, 0.63%

LAB 82.9, -32.92, 53.91

 

CMYK 23 / 0 / 64 / 7

HEX #B5EC55

RGB 181 236 85

HSL 81.85, 0.8%, 0.63%

LAB 87.23, -39.47, 65.2

 

CMYK 26 / 0 / 73 / 2

HEX #B9FB45

RGB 185 251 69

HSL 81.76, 0.96%, 0.63%

LAB 91.57, -45.54, 75.51

 

CMYK 20 / 0 / 55 / 13

HEX #B1DD64

RGB 177 221 100

HSL 81.82, 0.64%, 0.63%

LAB 82.9, -32.92, 53.91

 

CMYK 16 / 0 / 44 / 20

HEX #ADCD73

RGB 173 205 115

HSL 81.33, 0.47%, 0.63%

LAB 78.34, -25.3, 41.2

 

CMYK 12 / 0 / 32 / 25

HEX #A8BE82

RGB 168 190 130

HSL 82, 0.32%, 0.63%

LAB 74.04, -17.85, 27.89

 

CMYK 6 / 0 / 17 / 31

HEX #A4AF92

RGB 164 175 146

HSL 82.76, 0.15%, 0.63%

LAB 69.91, -9.13, 13.59

 

CMYK 1 / 1 / 0 / 37

HEX #A09FA1

RGB 160 159 161

HSL 270, 0.01%, 0.63%

LAB 65.63, 0.75, -0.92

 

CMYK 0 / 10 / 55 / 13

HEX #DDC664

RGB 221 198 100

HSL 48.6, 0.64%, 0.63%

LAB 80, -4.03, 51.37

 

CMYK 5 / 0 / 55 / 13

HEX #D2DD64

RGB 210 221 100

HSL 65.45, 0.64%, 0.63%

LAB 85.17, -20.08, 57.11

 

CMYK 19 / 0 / 55 / 13

HEX #B2DD64

RGB 178 221 100

HSL 81.32, 0.64%, 0.63%

LAB 82.97, -32.55, 54

 

CMYK 34 / 0 / 55 / 13

HEX #92DD64

RGB 146 221 100

HSL 97.19, 0.64%, 0.63%

LAB 81.15, -44.02, 51.42

 

CMYK 48 / 0 / 55 / 13

HEX #72DD64

RGB 114 221 100

HSL 113.06, 0.64%, 0.63%

LAB 79.73, -53.93, 49.4

 

CMYK 28 / 0 / 78 / 24

HEX #8CC32A

RGB 140 195 42

HSL 81.57, 0.65%, 0.46%

LAB 72.74, -39.27, 65.2

 

CMYK 25 / 0 / 69 / 16

HEX #A0D542

RGB 160 213 66

HSL 81.63, 0.64%, 0.55%

LAB 79.3, -38.37, 63.88

 

CMYK 20 / 0 / 55 / 13

HEX #B1DD64

RGB 177 221 100

HSL 81.82, 0.64%, 0.63%

LAB 82.9, -32.92, 53.91

 

CMYK 15 / 0 / 41 / 11

HEX #C2E486

RGB 194 228 134

HSL 81.7, 0.64%, 0.71%

LAB 86.34, -26.27, 42.18

 

CMYK 10 / 0 / 29 / 8

HEX #D3EBA7

RGB 211 235 167

HSL 81.18, 0.63%, 0.79%

LAB 89.89, -19.19, 30.46

 

CMYK 20 / 0 / 55 / 13

HEX #B1DD63

RGB 177 221 99

HSL 81.64, 0.64%, 0.63%

LAB 82.89, -33.02, 54.35

 

CMYK 55 / 0 / 25 / 13

HEX #64DDA6

RGB 100 221 166

HSL 152.73, 0.64%, 0.63%

LAB 80.28, -46.67, 16.9

 

CMYK 3 / 55 / 0 / 13

HEX #D664DD

RGB 214 100 221

HSL 296.53, 0.64%, 0.63%

LAB 60.45, 61.13, -42.06

 

CMYK 20 / 0 / 55 / 13

HEX #B1DD63

RGB 177 221 99

HSL 81.64, 0.64%, 0.63%

LAB 82.89, -33.02, 54.35

 

CMYK 55 / 19 / 0 / 13

HEX #64B2DD

RGB 100 178 221

HSL 201.32, 0.64%, 0.63%

LAB 69.31, -11.97, -28.98

 

CMYK 0 / 55 / 19 / 13

HEX #DD64B2

RGB 221 100 178

HSL 321.32, 0.64%, 0.63%

LAB 59.62, 56.14, -18.85

 

CMYK 20 / 0 / 55 / 13

HEX #B1DD63

RGB 177 221 99

HSL 81.64, 0.64%, 0.63%

LAB 82.89, -33.02, 54.35

 

CMYK 55 / 0 / 25 / 13

HEX #64DDA6

RGB 100 221 166

HSL 152.73, 0.64%, 0.63%

LAB 80.28, -46.67, 16.9

 

CMYK 36 / 55 / 0 / 13

HEX #8E64DD

RGB 142 100 221

HSL 260.83, 0.64%, 0.63%

LAB 51.93, 42.87, -56.12

 

CMYK 0 / 55 / 30 / 13

HEX #DD649A

RGB 221 100 154

HSL 333.22, 0.64%, 0.63%

LAB 58.81, 52.9, -6.21

 

CMYK 20 / 0 / 55 / 13

HEX #B1DD63

RGB 177 221 99

HSL 81.64, 0.64%, 0.63%

LAB 82.89, -33.02, 54.35

 

CMYK 55 / 0 / 9 / 13

HEX #64DDCA

RGB 100 221 202

HSL 170.58, 0.64%, 0.63%

LAB 81.12, -38.47, -0.96

 

CMYK 36 / 55 / 0 / 13

HEX #8E64DD

RGB 142 100 221

HSL 260.83, 0.64%, 0.63%

LAB 51.93, 42.87, -56.12

 

CMYK 0 / 55 / 47 / 13

HEX #DD6476

RGB 221 100 118

HSL 351.07, 0.64%, 0.63%

LAB 57.84, 48.91, 13.37

 

Description

Color code: HEX #B1DD63 | qconv.com Color code: HEX #B1DD63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 221 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 221 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 55 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 55% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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