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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1DD68 it is the complementary color #4E2297. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1DD68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1DD68 shade: #B6DD63, #C7EF76, #D8FF89, #E9FF9C and #FAFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1DD68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1DD68 shade: #B1DD68, #A0CB55, #8FB942, #7EA72F and #6D951C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1DD68 shade: #B1DD69, #D0DD69, #DDCA69, #DDAA69 and #DD8B69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1DD68 shade: #B1DD69, #92DD69, #73DD69, #69DD7E and #69DD9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1DD68 shade matches the following richer shades: #B1DD69, #B5EB5A and #B8FA4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1DD68 shade: #B1DD69, #ADCE78, #AABF87, #A6B095 and #A2A1A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1DD68 shade: #DDC969, #D1DD69, #B2DD69, #93DD69 and #74DD69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1DD68 shade: #8CC62D, #A0D547, #B1DD69, #C2E48A and #D4ECAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1DD68 shade: #B1DD68, #69DDAA and #D969DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1DD68 shade: #B1DD68, #69B2DD and #DD69B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1DD68 shade: #B1DD68, #69DDAA, #9369DD and #DD699B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1DD68 shade: #B1DD68, #69DDCD, #9369DD and #DD6978

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 53 / 13

HEX #B1DD68

RGB 177 221 104

HSL 82.56, 0.63%, 0.64%

LAB 82.95, -32.54, 52.13

 

Complementary color

CMYK 48 / 77 / 0 / 41

HEX #4E2297

RGB 78 34 151

HSL 262.56, 0.63%, 0.36%

LAB 26.73, 46.22, -56.11

 

CMYK 18 / 0 / 55 / 13

HEX #B6DD63

RGB 182 221 99

HSL 79.18, 0.64%, 0.63%

LAB 83.21, -31.12, 54.8

 

CMYK 17 / 0 / 51 / 6

HEX #C7EF76

RGB 199 239 118

HSL 79.83, 0.79%, 0.7%

LAB 89.48, -31.31, 53.76

 

CMYK 15 / 0 / 46 / 0

HEX #D8FF89

RGB 216 255 137

HSL 79.83, 1%, 0.77%

LAB 95.13, -30.52, 52.01

 

CMYK 9 / 0 / 39 / 0

HEX #E9FF9C

RGB 233 255 156

HSL 73.33, 1%, 0.81%

LAB 96.51, -22.17, 44.91

 

CMYK 2 / 0 / 31 / 0

HEX #FAFFAF

RGB 250 255 175

HSL 63.75, 1%, 0.84%

LAB 98.01, -13.65, 37.76

 

CMYK 20 / 0 / 53 / 13

HEX #B1DD68

RGB 177 221 104

HSL 82.56, 0.63%, 0.64%

LAB 82.95, -32.54, 52.13

 

CMYK 21 / 0 / 58 / 20

HEX #A0CB55

RGB 160 203 85

HSL 81.86, 0.53%, 0.56%

LAB 76.58, -32.37, 53.15

 

CMYK 23 / 0 / 64 / 27

HEX #8FB942

RGB 143 185 66

HSL 81.18, 0.47%, 0.49%

LAB 70.13, -32.1, 53.98

 

CMYK 25 / 0 / 72 / 35

HEX #7EA72F

RGB 126 167 47

HSL 80.5, 0.56%, 0.42%

LAB 63.57, -31.7, 54.45

 

CMYK 27 / 0 / 81 / 42

HEX #6D951C

RGB 109 149 28

HSL 79.83, 0.68%, 0.35%

LAB 56.91, -31.1, 54.17

 

CMYK 20 / 0 / 52 / 13

HEX #B1DD69

RGB 177 221 105

HSL 82.76, 0.63%, 0.64%

LAB 82.96, -32.45, 51.68

 

CMYK 6 / 0 / 52 / 13

HEX #D0DD69

RGB 208 221 105

HSL 66.72, 0.63%, 0.64%

LAB 85.07, -20.46, 54.69

 

CMYK 0 / 9 / 52 / 13

HEX #DDCA69

RGB 221 202 105

HSL 50.17, 0.63%, 0.64%

LAB 81.09, -5.68, 50.28

 

CMYK 0 / 23 / 52 / 13

HEX #DDAA69

RGB 221 170 105

HSL 33.62, 0.63%, 0.64%

LAB 72.98, 11.11, 40.47

 

CMYK 0 / 37 / 52 / 13

HEX #DD8B69

RGB 221 139 105

HSL 17.59, 0.63%, 0.64%

LAB 65.64, 27.74, 31.19

 

CMYK 20 / 0 / 52 / 13

HEX #B1DD69

RGB 177 221 105

HSL 82.76, 0.63%, 0.64%

LAB 82.96, -32.45, 51.68

 

CMYK 34 / 0 / 52 / 13

HEX #92DD69

RGB 146 221 105

HSL 98.79, 0.63%, 0.64%

LAB 81.21, -43.48, 49.18

 

CMYK 48 / 0 / 52 / 13

HEX #73DD69

RGB 115 221 105

HSL 114.83, 0.63%, 0.64%

LAB 79.83, -53.05, 47.2

 

CMYK 52 / 0 / 43 / 13

HEX #69DD7E

RGB 105 221 126

HSL 130.86, 0.63%, 0.64%

LAB 79.74, -52.77, 36.8

 

CMYK 52 / 0 / 29 / 13

HEX #69DD9D

RGB 105 221 157

HSL 146.9, 0.63%, 0.64%

LAB 80.26, -47.34, 21.62

 

CMYK 20 / 0 / 52 / 13

HEX #B1DD69

RGB 177 221 105

HSL 82.76, 0.63%, 0.64%

LAB 82.96, -32.45, 51.68

 

CMYK 23 / 0 / 62 / 8

HEX #B5EB5A

RGB 181 235 90

HSL 82.34, 0.78%, 0.64%

LAB 86.99, -38.65, 62.91

 

CMYK 26 / 0 / 70 / 2

HEX #B8FA4B

RGB 184 250 75

HSL 82.63, 0.95%, 0.64%

LAB 91.27, -45.13, 73.16

 

CMYK 20 / 0 / 52 / 13

HEX #B1DD69

RGB 177 221 105

HSL 82.76, 0.63%, 0.64%

LAB 82.96, -32.45, 51.68

 

CMYK 16 / 0 / 42 / 19

HEX #ADCE78

RGB 173 206 120

HSL 83.02, 0.47%, 0.64%

LAB 78.68, -25.2, 39.14

 

CMYK 11 / 0 / 29 / 25

HEX #AABF87

RGB 170 191 135

HSL 82.5, 0.3%, 0.64%

LAB 74.54, -16.9, 25.95

 

CMYK 6 / 0 / 15 / 31

HEX #A6B095

RGB 166 176 149

HSL 82.22, 0.15%, 0.64%

LAB 70.4, -8.42, 12.65

 

CMYK 1 / 2 / 0 / 36

HEX #A2A1A4

RGB 162 161 164

HSL 260, 0.02%, 0.64%

LAB 66.41, 0.94, -1.44

 

CMYK 0 / 9 / 52 / 13

HEX #DDC969

RGB 221 201 105

HSL 49.66, 0.63%, 0.64%

LAB 80.83, -5.17, 49.97

 

CMYK 5 / 0 / 52 / 13

HEX #D1DD69

RGB 209 221 105

HSL 66.21, 0.63%, 0.64%

LAB 85.14, -20.06, 54.8

 

CMYK 19 / 0 / 52 / 13

HEX #B2DD69

RGB 178 221 105

HSL 82.24, 0.63%, 0.64%

LAB 83.02, -32.07, 51.77

 

CMYK 33 / 0 / 52 / 13

HEX #93DD69

RGB 147 221 105

HSL 98.28, 0.63%, 0.64%

LAB 81.26, -43.15, 49.25

 

CMYK 48 / 0 / 52 / 13

HEX #74DD69

RGB 116 221 105

HSL 114.31, 0.63%, 0.64%

LAB 79.87, -52.77, 47.25

 

CMYK 29 / 0 / 77 / 22

HEX #8CC62D

RGB 140 198 45

HSL 82.75, 0.63%, 0.48%

LAB 73.64, -40.45, 65.14

 

CMYK 25 / 0 / 67 / 16

HEX #A0D547

RGB 160 213 71

HSL 82.39, 0.63%, 0.56%

LAB 79.34, -38.04, 62.01

 

CMYK 20 / 0 / 52 / 13

HEX #B1DD69

RGB 177 221 105

HSL 82.76, 0.63%, 0.64%

LAB 82.96, -32.45, 51.68

 

CMYK 15 / 0 / 39 / 11

HEX #C2E48A

RGB 194 228 138

HSL 82.67, 0.63%, 0.72%

LAB 86.4, -25.79, 40.28

 

CMYK 10 / 0 / 27 / 7

HEX #D4ECAC

RGB 212 236 172

HSL 82.5, 0.63%, 0.8%

LAB 90.31, -18.62, 28.49

 

CMYK 20 / 0 / 53 / 13

HEX #B1DD68

RGB 177 221 104

HSL 82.56, 0.63%, 0.64%

LAB 82.95, -32.54, 52.13

 

CMYK 52 / 0 / 23 / 13

HEX #69DDAA

RGB 105 221 170

HSL 153.62, 0.63%, 0.64%

LAB 80.53, -44.71, 15.17

 

CMYK 2 / 52 / 0 / 13

HEX #D969DD

RGB 217 105 221

HSL 297.93, 0.63%, 0.64%

LAB 61.72, 59.6, -40.04

 

CMYK 20 / 0 / 53 / 13

HEX #B1DD68

RGB 177 221 104

HSL 82.56, 0.63%, 0.64%

LAB 82.95, -32.54, 52.13

 

CMYK 52 / 19 / 0 / 13

HEX #69B2DD

RGB 105 178 221

HSL 202.24, 0.63%, 0.64%

LAB 69.52, -10.91, -28.64

 

CMYK 0 / 52 / 19 / 13

HEX #DD69B2

RGB 221 105 178

HSL 322.24, 0.63%, 0.64%

LAB 60.51, 53.79, -17.5

 

CMYK 20 / 0 / 53 / 13

HEX #B1DD68

RGB 177 221 104

HSL 82.56, 0.63%, 0.64%

LAB 82.95, -32.54, 52.13

 

CMYK 52 / 0 / 23 / 13

HEX #69DDAA

RGB 105 221 170

HSL 153.62, 0.63%, 0.64%

LAB 80.53, -44.71, 15.17

 

CMYK 33 / 52 / 0 / 13

HEX #9369DD

RGB 147 105 221

HSL 261.72, 0.63%, 0.64%

LAB 53.52, 41.28, -53.55

 

CMYK 0 / 52 / 30 / 13

HEX #DD699B

RGB 221 105 155

HSL 334.14, 0.63%, 0.64%

LAB 59.75, 50.65, -5.4

 

CMYK 20 / 0 / 53 / 13

HEX #B1DD68

RGB 177 221 104

HSL 82.56, 0.63%, 0.64%

LAB 82.95, -32.54, 52.13

 

CMYK 52 / 0 / 7 / 13

HEX #69DDCD

RGB 105 221 205

HSL 171.72, 0.63%, 0.64%

LAB 81.36, -36.71, -2.18

 

CMYK 33 / 52 / 0 / 13

HEX #9369DD

RGB 147 105 221

HSL 261.72, 0.63%, 0.64%

LAB 53.52, 41.28, -53.55

 

CMYK 0 / 52 / 46 / 13

HEX #DD6978

RGB 221 105 120

HSL 352.24, 0.63%, 0.64%

LAB 58.82, 46.69, 13.57

 

Description

Color code: HEX #B1DD68 | qconv.com Color code: HEX #B1DD68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 221 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 221 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 53 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 53% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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