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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1E670 it is the complementary color #4E198F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1E670. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1E670 shade: #B6E66B, #C7F87E, #D8FF91, #E9FFA4 and #FAFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1E670. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1E670 shade: #B1E670, #A0D45D, #8FC24A, #7EB037 and #6D9E24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1E670 shade: #B0E56F, #D0E56F, #E5DB6F, #E5BB6F and #E59B6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1E670 shade: #B0E56F, #91E56F, #71E56F, #6FE58E and #6FE5AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1E670 shade matches the following richer shades: #B0E56F and #B2F362

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1E670 shade: #B0E56F, #AFD87D, #AECA8B, #ACBC98 and #ABAFA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1E670 shade: #E5D96F, #D2E56F, #B2E56F, #93E56F and #73E56F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1E670 shade: #8AD929, #9DDF4C, #B0E56F, #C4EB93 and #D7F2B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1E670 shade: #B1E670, #6FE5BA and #E56FE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1E670 shade: #B1E670, #6FB2E5 and #E56FB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1E670 shade: #B1E670, #6FE5BA, #A26FE5 and #E56F9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1E670 shade: #B1E670, #6FE5DD, #A26FE5 and #E56F77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 51 / 10

HEX #B1E670

RGB 177 230 112

HSL 86.95, 0.7%, 0.67%

LAB 85.56, -35.88, 51.53

 

Complementary color

CMYK 45 / 83 / 0 / 44

HEX #4E198F

RGB 78 25 143

HSL 266.95, 0.7%, 0.33%

LAB 24.63, 47.99, -54.61

 

CMYK 21 / 0 / 53 / 10

HEX #B6E66B

RGB 182 230 107

HSL 83.41, 0.71%, 0.66%

LAB 85.81, -34.54, 54.2

 

CMYK 20 / 0 / 49 / 3

HEX #C7F87E

RGB 199 248 126

HSL 84.1, 0.9%, 0.73%

LAB 92.04, -34.65, 53.13

 

CMYK 15 / 0 / 43 / 0

HEX #D8FF91

RGB 216 255 145

HSL 81.27, 1%, 0.78%

LAB 95.23, -29.65, 48.35

 

CMYK 9 / 0 / 36 / 0

HEX #E9FFA4

RGB 233 255 164

HSL 74.51, 1%, 0.82%

LAB 96.63, -21.24, 41.15

 

CMYK 2 / 0 / 28 / 0

HEX #FAFFB7

RGB 250 255 183

HSL 64.17, 1%, 0.86%

LAB 98.14, -12.66, 33.95

 

CMYK 23 / 0 / 51 / 10

HEX #B1E670

RGB 177 230 112

HSL 86.95, 0.7%, 0.67%

LAB 85.56, -35.88, 51.53

 

CMYK 25 / 0 / 56 / 17

HEX #A0D45D

RGB 160 212 93

HSL 86.22, 0.58%, 0.6%

LAB 79.24, -35.78, 52.59

 

CMYK 26 / 0 / 62 / 24

HEX #8FC24A

RGB 143 194 74

HSL 85.5, 0.5%, 0.53%

LAB 72.84, -35.61, 53.51

 

CMYK 28 / 0 / 69 / 31

HEX #7EB037

RGB 126 176 55

HSL 84.79, 0.52%, 0.45%

LAB 66.34, -35.32, 54.17

 

CMYK 31 / 0 / 77 / 38

HEX #6D9E24

RGB 109 158 36

HSL 84.1, 0.63%, 0.38%

LAB 59.74, -34.86, 54.27

 

CMYK 23 / 0 / 52 / 10

HEX #B0E56F

RGB 176 229 111

HSL 86.95, 0.69%, 0.67%

LAB 85.21, -35.89, 51.56

 

CMYK 9 / 0 / 52 / 10

HEX #D0E56F

RGB 208 229 111

HSL 70.68, 0.69%, 0.67%

LAB 87.29, -23.81, 54.54

 

CMYK 0 / 4 / 52 / 10

HEX #E5DB6F

RGB 229 219 111

HSL 54.92, 0.69%, 0.67%

LAB 86.24, -10.55, 53.7

 

CMYK 0 / 18 / 52 / 10

HEX #E5BB6F

RGB 229 187 111

HSL 38.64, 0.69%, 0.67%

LAB 78.08, 5.91, 43.88

 

CMYK 0 / 32 / 52 / 10

HEX #E59B6F

RGB 229 155 111

HSL 22.37, 0.69%, 0.67%

LAB 70.35, 22.92, 34.2

 

CMYK 23 / 0 / 52 / 10

HEX #B0E56F

RGB 176 229 111

HSL 86.95, 0.69%, 0.67%

LAB 85.21, -35.89, 51.56

 

CMYK 37 / 0 / 52 / 10

HEX #91E56F

RGB 145 229 111

HSL 102.71, 0.69%, 0.67%

LAB 83.55, -46.56, 49.18

 

CMYK 51 / 0 / 52 / 10

HEX #71E56F

RGB 113 229 111

HSL 118.98, 0.69%, 0.67%

LAB 82.22, -55.98, 47.25

 

CMYK 52 / 0 / 38 / 10

HEX #6FE58E

RGB 111 229 142

HSL 135.76, 0.69%, 0.67%

LAB 82.58, -51.91, 32.49

 

CMYK 52 / 0 / 24 / 10

HEX #6FE5AE

RGB 111 229 174

HSL 152.03, 0.69%, 0.67%

LAB 83.16, -45.95, 16.8

 

CMYK 23 / 0 / 52 / 10

HEX #B0E56F

RGB 176 229 111

HSL 86.95, 0.69%, 0.67%

LAB 85.21, -35.89, 51.56

 

CMYK 27 / 0 / 60 / 5

HEX #B2F362

RGB 178 243 98

HSL 86.9, 0.86%, 0.67%

LAB 89.13, -42.62, 61.89

 

CMYK 23 / 0 / 52 / 10

HEX #B0E56F

RGB 176 229 111

HSL 86.95, 0.69%, 0.67%

LAB 85.21, -35.89, 51.56

 

CMYK 19 / 0 / 42 / 15

HEX #AFD87D

RGB 175 216 125

HSL 87.03, 0.54%, 0.67%

LAB 81.68, -28.64, 40.47

 

CMYK 14 / 0 / 31 / 21

HEX #AECA8B

RGB 174 202 139

HSL 86.67, 0.37%, 0.67%

LAB 77.94, -20.36, 28.44

 

CMYK 9 / 0 / 19 / 26

HEX #ACBC98

RGB 172 188 152

HSL 86.67, 0.21%, 0.67%

LAB 74.19, -12, 16.4

 

CMYK 2 / 0 / 5 / 31

HEX #ABAFA6

RGB 171 175 166

HSL 86.67, 0.05%, 0.67%

LAB 70.92, -3.09, 4.11

 

CMYK 0 / 5 / 52 / 10

HEX #E5D96F

RGB 229 217 111

HSL 53.9, 0.69%, 0.67%

LAB 85.72, -9.55, 53.09

 

CMYK 8 / 0 / 52 / 10

HEX #D2E56F

RGB 210 229 111

HSL 69.66, 0.69%, 0.67%

LAB 87.43, -23.03, 54.74

 

CMYK 22 / 0 / 52 / 10

HEX #B2E56F

RGB 178 229 111

HSL 85.93, 0.69%, 0.67%

LAB 85.33, -35.16, 51.73

 

CMYK 36 / 0 / 52 / 10

HEX #93E56F

RGB 147 229 111

HSL 101.69, 0.69%, 0.67%

LAB 83.65, -45.91, 49.32

 

CMYK 50 / 0 / 52 / 10

HEX #73E56F

RGB 115 229 111

HSL 117.97, 0.69%, 0.67%

LAB 82.29, -55.45, 47.35

 

CMYK 36 / 0 / 81 / 15

HEX #8AD929

RGB 138 217 41

HSL 86.93, 0.7%, 0.51%

LAB 79.15, -49.39, 71.27

 

CMYK 30 / 0 / 66 / 13

HEX #9DDF4C

RGB 157 223 76

HSL 86.94, 0.7%, 0.59%

LAB 82.09, -43.19, 62.89

 

CMYK 23 / 0 / 52 / 10

HEX #B0E56F

RGB 176 229 111

HSL 86.95, 0.69%, 0.67%

LAB 85.21, -35.89, 51.56

 

CMYK 17 / 0 / 37 / 8

HEX #C4EB93

RGB 196 235 147

HSL 86.59, 0.69%, 0.75%

LAB 88.57, -27.27, 38.62

 

CMYK 11 / 0 / 25 / 5

HEX #D7F2B6

RGB 215 242 182

HSL 87, 0.7%, 0.83%

LAB 92.28, -19.04, 26.1

 

CMYK 23 / 0 / 51 / 10

HEX #B1E670

RGB 177 230 112

HSL 86.95, 0.7%, 0.67%

LAB 85.56, -35.88, 51.53

 

CMYK 52 / 0 / 19 / 10

HEX #6FE5BA

RGB 111 229 186

HSL 158.14, 0.69%, 0.67%

LAB 83.42, -43.41, 10.88

 

CMYK 0 / 52 / 2 / 10

HEX #E56FE1

RGB 229 111 225

HSL 302.03, 0.69%, 0.67%

LAB 64.53, 60.73, -37.76

 

CMYK 23 / 0 / 51 / 10

HEX #B1E670

RGB 177 230 112

HSL 86.95, 0.7%, 0.67%

LAB 85.56, -35.88, 51.53

 

CMYK 52 / 22 / 0 / 10

HEX #6FB2E5

RGB 111 178 229

HSL 205.93, 0.69%, 0.67%

LAB 70.09, -7.25, -32.11

 

CMYK 0 / 52 / 22 / 10

HEX #E56FB2

RGB 229 111 178

HSL 325.93, 0.69%, 0.67%

LAB 62.71, 53.39, -14.06

 

CMYK 23 / 0 / 51 / 10

HEX #B1E670

RGB 177 230 112

HSL 86.95, 0.7%, 0.67%

LAB 85.56, -35.88, 51.53

 

CMYK 52 / 0 / 19 / 10

HEX #6FE5BA

RGB 111 229 186

HSL 158.14, 0.69%, 0.67%

LAB 83.42, -43.41, 10.88

 

CMYK 29 / 52 / 0 / 10

HEX #A26FE5

RGB 162 111 229

HSL 265.93, 0.69%, 0.67%

LAB 56.79, 43.7, -52.74

 

CMYK 0 / 52 / 32 / 10

HEX #E56F9B

RGB 229 111 155

HSL 337.63, 0.69%, 0.67%

LAB 61.99, 50.36, -1.96

 

CMYK 23 / 0 / 51 / 10

HEX #B1E670

RGB 177 230 112

HSL 86.95, 0.7%, 0.67%

LAB 85.56, -35.88, 51.53

 

CMYK 52 / 0 / 3 / 10

HEX #6FE5DD

RGB 111 229 221

HSL 175.93, 0.69%, 0.67%

LAB 84.3, -35.18, -6.31

 

CMYK 29 / 52 / 0 / 10

HEX #A26FE5

RGB 162 111 229

HSL 265.93, 0.69%, 0.67%

LAB 56.79, 43.7, -52.74

 

CMYK 0 / 52 / 48 / 10

HEX #E56F77

RGB 229 111 119

HSL 355.93, 0.69%, 0.67%

LAB 61.1, 46.48, 17.48

 

Description

Color code: HEX #B1E670 | qconv.com Color code: HEX #B1E670 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 230 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 230 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 51 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 51% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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