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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B20AA7 it is the complementary color #4DF558. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B20AA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B20AA7 shade: #B70AA2, #C81CB5, #D92EC8, #EA40DB and #FB52EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B20AA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B20AA7 shade: #B20AA7, #A10094, #900081, #7F006E and #6E005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B20AA7 shade: #B20AA7, #B20A7A, #B20A4C, #B20A1F and #B20A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B20AA7 shade: #B20AA7, #900AB2, #620AB2, #350AB2 and #0A0AB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B20AA7 shade matches the following richer shades: #B20AA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B20AA7 shade: #B20AA7, #A3199A, #93288C, #84387F and #754772

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B20AA7 shade: #610AB2, #8D0AB2, #B20AA9, #B20A7D and #B20A50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B20AA7 shade: #64055E, #8B0882, #B20AA7, #D90CCB and #F11DE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B20AA7 shade: #B20AA7, #B2340A and #0AB277

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B20AA7 shade: #B20AA7, #A9B20A and #0AA9B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B20AA7 shade: #B20AA7, #B2340A, #0AB212 and #0A88B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B20AA7 shade: #B20AA7, #B2660A, #0AB212 and #0A55B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 6 / 30

HEX #B20AA7

RGB 178 10 167

HSL 303.93, 0.89%, 0.37%

LAB 41.96, 72.43, -40.42

 

Complementary color

CMYK 69 / 0 / 64 / 4

HEX #4DF558

RGB 77 245 88

HSL 123.93, 0.89%, 0.63%

LAB 85.8, -72.16, 61.26

 

CMYK 0 / 95 / 11 / 28

HEX #B70AA2

RGB 183 10 162

HSL 307.28, 0.9%, 0.38%

LAB 42.6, 72.64, -36.35

 

CMYK 0 / 86 / 10 / 22

HEX #C81CB5

RGB 200 28 181

HSL 306.63, 0.75%, 0.45%

LAB 47.55, 75.97, -39.59

 

CMYK 0 / 79 / 8 / 15

HEX #D92EC8

RGB 217 46 200

HSL 305.96, 0.69%, 0.52%

LAB 52.81, 78.14, -42.13

 

CMYK 0 / 73 / 6 / 8

HEX #EA40DB

RGB 234 64 219

HSL 305.29, 0.8%, 0.58%

LAB 58.3, 79.45, -44.13

 

CMYK 0 / 67 / 5 / 2

HEX #FB52EE

RGB 251 82 238

HSL 304.62, 0.95%, 0.65%

LAB 63.93, 80.14, -45.72

 

CMYK 0 / 94 / 6 / 30

HEX #B20AA7

RGB 178 10 167

HSL 303.93, 0.89%, 0.37%

LAB 41.96, 72.43, -40.42

 

CMYK 0 / 100 / 8 / 37

HEX #A10094

RGB 161 0 148

HSL 304.84, 1%, 0.32%

LAB 37.33, 67.75, -36.49

 

CMYK 0 / 100 / 10 / 44

HEX #900081

RGB 144 0 129

HSL 306.25, 1%, 0.28%

LAB 32.95, 61.97, -31.89

 

CMYK 0 / 100 / 13 / 50

HEX #7F006E

RGB 127 0 110

HSL 308.03, 1%, 0.25%

LAB 28.48, 56.06, -27.13

 

CMYK 0 / 100 / 17 / 57

HEX #6E005B

RGB 110 0 91

HSL 310.36, 1%, 0.22%

LAB 23.9, 50, -22.17

 

CMYK 0 / 94 / 6 / 30

HEX #B20AA7

RGB 178 10 167

HSL 303.93, 0.89%, 0.37%

LAB 41.96, 72.43, -40.42

 

CMYK 0 / 94 / 31 / 30

HEX #B20A7A

RGB 178 10 122

HSL 320, 0.89%, 0.37%

LAB 39.73, 66.71, -16.45

 

CMYK 0 / 94 / 57 / 30

HEX #B20A4C

RGB 178 10 76

HSL 336.43, 0.89%, 0.37%

LAB 38.21, 62.62, 10.52

 

CMYK 0 / 94 / 83 / 30

HEX #B20A1F

RGB 178 10 31

HSL 352.5, 0.89%, 0.37%

LAB 37.45, 60.52, 37.69

 

CMYK 0 / 94 / 94 / 30

HEX #B20A0A

RGB 178 10 10

HSL 0, 0.89%, 0.37%

LAB 37.31, 60.12, 47.6

 

CMYK 0 / 94 / 6 / 30

HEX #B20AA7

RGB 178 10 167

HSL 303.93, 0.89%, 0.37%

LAB 41.96, 72.43, -40.42

 

CMYK 19 / 94 / 0 / 30

HEX #900AB2

RGB 144 10 178

HSL 287.86, 0.89%, 0.37%

LAB 36.67, 68.61, -55.8

 

CMYK 45 / 94 / 0 / 30

HEX #620AB2

RGB 98 10 178

HSL 271.43, 0.89%, 0.37%

LAB 29.48, 62.76, -67.85

 

CMYK 70 / 94 / 0 / 30

HEX #350AB2

RGB 53 10 178

HSL 255.36, 0.89%, 0.37%

LAB 24.28, 59.31, -76.62

 

CMYK 94 / 94 / 0 / 30

HEX #0A0AB2

RGB 10 10 178

HSL 240, 0.89%, 0.37%

LAB 21.93, 58.07, -80.61

 

CMYK 0 / 94 / 6 / 30

HEX #B20AA7

RGB 178 10 167

HSL 303.93, 0.89%, 0.37%

LAB 41.96, 72.43, -40.42

 

CMYK 0 / 94 / 6 / 30

HEX #B20AA7

RGB 178 10 167

HSL 303.93, 0.89%, 0.37%

LAB 41.96, 72.43, -40.42

 

CMYK 0 / 85 / 6 / 36

HEX #A3199A

RGB 163 25 154

HSL 303.91, 0.73%, 0.37%

LAB 39.27, 65.41, -37.04

 

CMYK 0 / 73 / 5 / 42

HEX #93288C

RGB 147 40 140

HSL 303.93, 0.57%, 0.37%

LAB 37.14, 55.53, -32.05

 

CMYK 0 / 58 / 4 / 48

HEX #84387F

RGB 132 56 127

HSL 303.95, 0.4%, 0.37%

LAB 36.49, 42.5, -25.21

 

CMYK 0 / 39 / 3 / 54

HEX #754772

RGB 117 71 114

HSL 303.91, 0.24%, 0.37%

LAB 36.94, 26.95, -16.61

 

CMYK 46 / 94 / 0 / 30

HEX #610AB2

RGB 97 10 178

HSL 271.07, 0.89%, 0.37%

LAB 29.34, 62.66, -68.08

 

CMYK 21 / 94 / 0 / 30

HEX #8D0AB2

RGB 141 10 178

HSL 286.79, 0.89%, 0.37%

LAB 36.16, 68.16, -56.64

 

CMYK 0 / 94 / 5 / 30

HEX #B20AA9

RGB 178 10 169

HSL 303.21, 0.89%, 0.37%

LAB 42.07, 72.72, -41.43

 

CMYK 0 / 94 / 30 / 30

HEX #B20A7D

RGB 178 10 125

HSL 318.93, 0.89%, 0.37%

LAB 39.85, 67.04, -18.12

 

CMYK 0 / 94 / 55 / 30

HEX #B20A50

RGB 178 10 80

HSL 335, 0.89%, 0.37%

LAB 38.31, 62.9, 8.09

 

CMYK 0 / 95 / 6 / 61

HEX #64055E

RGB 100 5 94

HSL 303.79, 0.9%, 0.21%

LAB 22.39, 47.33, -26.68

 

CMYK 0 / 94 / 6 / 45

HEX #8B0882

RGB 139 8 130

HSL 304.12, 0.89%, 0.29%

LAB 32.42, 60.05, -33.42

 

CMYK 0 / 94 / 6 / 30

HEX #B20AA7

RGB 178 10 167

HSL 303.93, 0.89%, 0.37%

LAB 41.96, 72.43, -40.42

 

CMYK 0 / 94 / 6 / 15

HEX #D90CCB

RGB 217 12 203

HSL 304.1, 0.9%, 0.45%

LAB 51.07, 84.13, -46.63

 

CMYK 0 / 88 / 6 / 5

HEX #F11DE3

RGB 241 29 227

HSL 303.96, 0.88%, 0.53%

LAB 57.2, 89.68, -50.31

 

CMYK 0 / 94 / 6 / 30

HEX #B20AA7

RGB 178 10 167

HSL 303.93, 0.89%, 0.37%

LAB 41.96, 72.43, -40.42

 

CMYK 0 / 71 / 94 / 30

HEX #B2340A

RGB 178 52 10

HSL 15, 0.89%, 0.37%

LAB 41.13, 49.39, 49.95

 

CMYK 94 / 0 / 33 / 30

HEX #0AB277

RGB 10 178 119

HSL 158.93, 0.89%, 0.37%

LAB 64.35, -52.08, 19.69

 

CMYK 0 / 94 / 6 / 30

HEX #B20AA7

RGB 178 10 167

HSL 303.93, 0.89%, 0.37%

LAB 41.96, 72.43, -40.42

 

CMYK 5 / 0 / 94 / 30

HEX #A9B20A

RGB 169 178 10

HSL 63.21, 0.89%, 0.37%

LAB 69.68, -20.26, 70.12

 

CMYK 94 / 5 / 0 / 30

HEX #0AA9B2

RGB 10 169 178

HSL 183.21, 0.89%, 0.37%

LAB 63.06, -32.15, -14.9

 

CMYK 0 / 94 / 6 / 30

HEX #B20AA7

RGB 178 10 167

HSL 303.93, 0.89%, 0.37%

LAB 41.96, 72.43, -40.42

 

CMYK 0 / 71 / 94 / 30

HEX #B2340A

RGB 178 52 10

HSL 15, 0.89%, 0.37%

LAB 41.13, 49.39, 49.95

 

CMYK 94 / 0 / 90 / 30

HEX #0AB212

RGB 10 178 18

HSL 122.86, 0.89%, 0.37%

LAB 63.3, -64.85, 61.1

 

CMYK 94 / 24 / 0 / 30

HEX #0A88B2

RGB 10 136 178

HSL 195, 0.89%, 0.37%

LAB 52.83, -15.14, -30.59

 

CMYK 0 / 94 / 6 / 30

HEX #B20AA7

RGB 178 10 167

HSL 303.93, 0.89%, 0.37%

LAB 41.96, 72.43, -40.42

 

CMYK 0 / 43 / 94 / 30

HEX #B2660A

RGB 178 102 10

HSL 32.86, 0.89%, 0.37%

LAB 50.68, 24.93, 56.41

 

CMYK 94 / 0 / 90 / 30

HEX #0AB212

RGB 10 178 18

HSL 122.86, 0.89%, 0.37%

LAB 63.3, -64.85, 61.1

 

CMYK 94 / 52 / 0 / 30

HEX #0A55B2

RGB 10 85 178

HSL 213.21, 0.89%, 0.37%

LAB 37.44, 16.32, -55.06

 

Description

Color code: HEX #B20AA7 | qconv.com Color code: HEX #B20AA7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 10 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 10 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 6 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 6% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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