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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B20D6D it is the complementary color #4DF292. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B20D6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B20D6D shade: #B70D68, #C81F7B, #D9318E, #EA43A1 and #FB55B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B20D6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B20D6D shade: #B20D6D, #A1005A, #900047, #7F0034 and #6E0021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B20D6D shade: #AF0D6B, #AF0D3F, #AF0D14 and #AF0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B20D6D shade: #AF0D6B, #AF0D97, #9B0DAF, #700DAF and #440DAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B20D6D shade matches the following richer shades: #AF0D6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B20D6D shade: #AF0D6B, #A01C69, #902B66, #813B64 and #724A61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B20D6D shade: #9C0DAF, #AF0D97, #AF0D6B, #AF0D40 and #AF0D15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B20D6D shade: #62073C, #890A54, #AF0D6B, #D51083 and #EE2098

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B20D6D shade: #B20D6D, #AF710D and #0DACAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B20D6D shade: #B20D6D, #6BAF0D and #0D6BAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B20D6D shade: #B20D6D, #AF710D, #0DAF50 and #0D4BAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B20D6D shade: #B20D6D, #AFA10D, #0DAF50 and #0D1AAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 39 / 30

HEX #B20D6D

RGB 178 13 109

HSL 325.09, 0.86%, 0.37%

LAB 39.34, 65.01, -8.89

 

Complementary color

CMYK 68 / 0 / 40 / 5

HEX #4DF292

RGB 77 242 146

HSL 145.09, 0.86%, 0.63%

LAB 85.58, -63.16, 34.27

 

CMYK 0 / 93 / 43 / 28

HEX #B70D68

RGB 183 13 104

HSL 327.88, 0.87%, 0.38%

LAB 40.17, 65.67, -4.39

 

CMYK 0 / 85 / 39 / 22

HEX #C81F7B

RGB 200 31 123

HSL 327.34, 0.73%, 0.45%

LAB 45.21, 68.42, -8.36

 

CMYK 0 / 77 / 35 / 15

HEX #D9318E

RGB 217 49 142

HSL 326.79, 0.69%, 0.52%

LAB 50.57, 70.05, -11.51

 

CMYK 0 / 71 / 31 / 8

HEX #EA43A1

RGB 234 67 161

HSL 326.23, 0.8%, 0.59%

LAB 56.17, 70.89, -14.04

 

CMYK 0 / 66 / 28 / 2

HEX #FB55B4

RGB 251 85 180

HSL 325.66, 0.95%, 0.66%

LAB 61.91, 71.18, -16.09

 

CMYK 0 / 93 / 39 / 30

HEX #B20D6D

RGB 178 13 109

HSL 325.09, 0.86%, 0.37%

LAB 39.34, 65.01, -8.89

 

CMYK 0 / 100 / 44 / 37

HEX #A1005A

RGB 161 0 90

HSL 326.46, 1%, 0.32%

LAB 34.63, 60.93, -4.15

 

CMYK 0 / 100 / 51 / 44

HEX #900047

RGB 144 0 71

HSL 330.42, 1%, 0.28%

LAB 30.36, 55.37, 1.66

 

CMYK 0 / 100 / 59 / 50

HEX #7F0034

RGB 127 0 52

HSL 335.43, 1%, 0.25%

LAB 26.04, 49.79, 7.86

 

CMYK 0 / 100 / 70 / 57

HEX #6E0021

RGB 110 0 33

HSL 342, 1%, 0.22%

LAB 21.67, 44.22, 14.51

 

CMYK 0 / 93 / 39 / 31

HEX #AF0D6B

RGB 175 13 107

HSL 325.19, 0.86%, 0.37%

LAB 38.66, 64.13, -8.7

 

CMYK 0 / 93 / 64 / 31

HEX #AF0D3F

RGB 175 13 63

HSL 341.48, 0.86%, 0.37%

LAB 37.41, 60.7, 17.71

 

CMYK 0 / 93 / 89 / 31

HEX #AF0D14

RGB 175 13 20

HSL 357.41, 0.86%, 0.37%

LAB 36.84, 59.1, 42.74

 

CMYK 0 / 93 / 93 / 31

HEX #AF0D0D

RGB 175 13 13

HSL 0, 0.86%, 0.37%

LAB 36.8, 58.99, 45.82

 

CMYK 0 / 93 / 39 / 31

HEX #AF0D6B

RGB 175 13 107

HSL 325.19, 0.86%, 0.37%

LAB 38.66, 64.13, -8.7

 

CMYK 0 / 93 / 14 / 31

HEX #AF0D97

RGB 175 13 151

HSL 308.89, 0.86%, 0.37%

LAB 40.63, 69.31, -32.92

 

CMYK 11 / 93 / 0 / 31

HEX #9B0DAF

RGB 155 13 175

HSL 292.59, 0.86%, 0.37%

LAB 38.47, 69.41, -51.02

 

CMYK 36 / 93 / 0 / 31

HEX #700DAF

RGB 112 13 175

HSL 276.67, 0.86%, 0.37%

LAB 31.41, 63.2, -62.81

 

CMYK 61 / 93 / 0 / 31

HEX #440DAF

RGB 68 13 175

HSL 260.37, 0.86%, 0.37%

LAB 25.6, 58.81, -72.59

 

CMYK 0 / 93 / 39 / 31

HEX #AF0D6B

RGB 175 13 107

HSL 325.19, 0.86%, 0.37%

LAB 38.66, 64.13, -8.7

 

CMYK 0 / 93 / 39 / 31

HEX #AF0D6B

RGB 175 13 107

HSL 325.19, 0.86%, 0.37%

LAB 38.66, 64.13, -8.7

 

CMYK 0 / 83 / 34 / 37

HEX #A01C69

RGB 160 28 105

HSL 325, 0.7%, 0.37%

LAB 36.6, 57.52, -10.84

 

CMYK 0 / 70 / 29 / 44

HEX #902B66

RGB 144 43 102

HSL 324.95, 0.54%, 0.37%

LAB 35.23, 47.94, -11.28

 

CMYK 0 / 54 / 22 / 49

HEX #813B64

RGB 129 59 100

HSL 324.86, 0.37%, 0.37%

LAB 35.43, 35.39, -9.96

 

CMYK 0 / 35 / 15 / 55

HEX #724A61

RGB 114 74 97

HSL 325.5, 0.21%, 0.37%

LAB 36.63, 20.79, -6.47

 

CMYK 11 / 93 / 0 / 31

HEX #9C0DAF

RGB 156 13 175

HSL 292.96, 0.86%, 0.37%

LAB 38.64, 69.57, -50.73

 

CMYK 0 / 93 / 14 / 31

HEX #AF0D97

RGB 175 13 151

HSL 308.89, 0.86%, 0.37%

LAB 40.63, 69.31, -32.92

 

CMYK 0 / 93 / 39 / 31

HEX #AF0D6B

RGB 175 13 107

HSL 325.19, 0.86%, 0.37%

LAB 38.66, 64.13, -8.7

 

CMYK 0 / 93 / 63 / 31

HEX #AF0D40

RGB 175 13 64

HSL 341.11, 0.86%, 0.37%

LAB 37.43, 60.76, 17.09

 

CMYK 0 / 93 / 88 / 31

HEX #AF0D15

RGB 175 13 21

HSL 357.04, 0.86%, 0.37%

LAB 36.85, 59.12, 42.25

 

CMYK 0 / 93 / 39 / 62

HEX #62073C

RGB 98 7 60

HSL 325.05, 0.87%, 0.21%

LAB 20.34, 41.65, -6.78

 

CMYK 0 / 93 / 39 / 46

HEX #890A54

RGB 137 10 84

HSL 325.04, 0.86%, 0.29%

LAB 29.85, 53.37, -7.89

 

CMYK 0 / 93 / 39 / 31

HEX #AF0D6B

RGB 175 13 107

HSL 325.19, 0.86%, 0.37%

LAB 38.66, 64.13, -8.7

 

CMYK 0 / 92 / 38 / 16

HEX #D51083

RGB 213 16 131

HSL 324.97, 0.86%, 0.45%

LAB 47.18, 74.51, -10.04

 

CMYK 0 / 87 / 36 / 7

HEX #EE2098

RGB 238 32 152

HSL 325.05, 0.86%, 0.53%

LAB 53.47, 79.72, -12.74

 

CMYK 0 / 93 / 39 / 30

HEX #B20D6D

RGB 178 13 109

HSL 325.09, 0.86%, 0.37%

LAB 39.34, 65.01, -8.89

 

CMYK 0 / 35 / 93 / 31

HEX #AF710D

RGB 175 113 13

HSL 37.04, 0.86%, 0.37%

LAB 52.9, 17.54, 57.21

 

CMYK 93 / 2 / 0 / 31

HEX #0DACAF

RGB 13 172 175

HSL 181.11, 0.86%, 0.37%

LAB 63.91, -34.4, -11.95

 

CMYK 0 / 93 / 39 / 30

HEX #B20D6D

RGB 178 13 109

HSL 325.09, 0.86%, 0.37%

LAB 39.34, 65.01, -8.89

 

CMYK 39 / 0 / 93 / 31

HEX #6BAF0D

RGB 107 175 13

HSL 85.19, 0.86%, 0.37%

LAB 64.82, -43.85, 64.19

 

CMYK 93 / 39 / 0 / 31

HEX #0D6BAF

RGB 13 107 175

HSL 205.19, 0.86%, 0.37%

LAB 43.79, 0.95, -43.08

 

CMYK 0 / 93 / 39 / 30

HEX #B20D6D

RGB 178 13 109

HSL 325.09, 0.86%, 0.37%

LAB 39.34, 65.01, -8.89

 

CMYK 0 / 35 / 93 / 31

HEX #AF710D

RGB 175 113 13

HSL 37.04, 0.86%, 0.37%

LAB 52.9, 17.54, 57.21

 

CMYK 93 / 0 / 54 / 31

HEX #0DAF50

RGB 13 175 80

HSL 144.81, 0.86%, 0.37%

LAB 62.78, -58.17, 38

 

CMYK 93 / 57 / 0 / 31

HEX #0D4BAF

RGB 13 75 175

HSL 217.04, 0.86%, 0.37%

LAB 34.42, 21.96, -58.18

 

CMYK 0 / 93 / 39 / 30

HEX #B20D6D

RGB 178 13 109

HSL 325.09, 0.86%, 0.37%

LAB 39.34, 65.01, -8.89

 

CMYK 0 / 8 / 93 / 31

HEX #AFA10D

RGB 175 161 13

HSL 54.81, 0.86%, 0.37%

LAB 65.46, -8.83, 66.71

 

CMYK 93 / 0 / 54 / 31

HEX #0DAF50

RGB 13 175 80

HSL 144.81, 0.86%, 0.37%

LAB 62.78, -58.17, 38

 

CMYK 93 / 85 / 0 / 31

HEX #0D1AAF

RGB 13 26 175

HSL 235.19, 0.86%, 0.37%

LAB 23.4, 51.75, -76.34

 

Description

Color code: HEX #B20D6D | qconv.com Color code: HEX #B20D6D | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 13 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 13 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 39 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 39% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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