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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B20FBE it is the complementary color #4DF041. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B20FBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B20FBE shade: #B70FB9, #C821CC, #D933DF, #EA45F2 and #FB57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B20FBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B20FBE shade: #B20FBE, #A100AB, #900098, #7F0085 and #6E0072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B20FBE shade: #B00FBC, #BC0F99, #BC0F6B, #BC0F3C and #BC0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B20FBE shade: #B00FBC, #820FBC, #530FBC, #240FBC and #0F0FBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B20FBE shade matches the following richer shades: #B00FBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B20FBE shade: #B00FBC, #A21FAC, #94309B, #86408B and #77517A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B20FBE shade: #510FBC, #800FBC, #AE0FBC, #BC0F9C and #BC0F6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B20FBE shade: #690970, #8D0C96, #B00FBC, #D412E2 and #E130EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B20FBE shade: #B20FBE, #BC230F and #0FBC68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B20FBE shade: #B20FBE, #BCAE0F and #0FBCAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B20FBE shade: #B20FBE, #BC230F, #1DBC0F and #0FA8BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B20FBE shade: #B20FBE, #BC570F, #1DBC0F and #0F74BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 92 / 0 / 25

HEX #B20FBE

RGB 178 15 190

HSL 295.89, 0.85%, 0.4%

LAB 43.54, 75.35, -51.5

 

Complementary color

CMYK 68 / 0 / 73 / 6

HEX #4DF041

RGB 77 240 65

HSL 115.89, 0.85%, 0.6%

LAB 84.11, -72.54, 68.05

 

CMYK 1 / 92 / 0 / 27

HEX #B70FB9

RGB 183 15 185

HSL 299.29, 0.85%, 0.39%

LAB 44.11, 75.41, -47.61

 

CMYK 2 / 84 / 0 / 20

HEX #C821CC

RGB 200 33 204

HSL 298.6, 0.72%, 0.46%

LAB 49.16, 78.4, -50.42

 

CMYK 3 / 77 / 0 / 13

HEX #D933DF

RGB 217 51 223

HSL 297.91, 0.73%, 0.54%

LAB 54.5, 80.32, -52.59

 

CMYK 3 / 71 / 0 / 5

HEX #EA45F2

RGB 234 69 242

HSL 297.23, 0.87%, 0.61%

LAB 60.03, 81.44, -54.28

 

CMYK 2 / 66 / 0 / 0

HEX #FB57FF

RGB 251 87 255

HSL 298.57, 1%, 0.67%

LAB 65.39, 81.02, -52.8

 

CMYK 6 / 92 / 0 / 25

HEX #B20FBE

RGB 178 15 190

HSL 295.89, 0.85%, 0.4%

LAB 43.54, 75.35, -51.5

 

CMYK 6 / 100 / 0 / 33

HEX #A100AB

RGB 161 0 171

HSL 296.49, 1%, 0.34%

LAB 38.76, 71.21, -48.11

 

CMYK 5 / 100 / 0 / 40

HEX #900098

RGB 144 0 152

HSL 296.84, 1%, 0.3%

LAB 34.39, 65.45, -43.82

 

CMYK 5 / 100 / 0 / 48

HEX #7F0085

RGB 127 0 133

HSL 297.29, 1%, 0.26%

LAB 29.93, 59.57, -39.42

 

CMYK 4 / 100 / 0 / 55

HEX #6E0072

RGB 110 0 114

HSL 297.89, 1%, 0.22%

LAB 25.35, 53.54, -34.89

 

CMYK 6 / 92 / 0 / 26

HEX #B00FBC

RGB 176 15 188

HSL 295.84, 0.85%, 0.4%

LAB 43.07, 74.7, -51.11

 

CMYK 0 / 92 / 19 / 26

HEX #BC0F99

RGB 188 15 153

HSL 312.14, 0.85%, 0.4%

LAB 43.26, 71.86, -29.83

 

CMYK 0 / 92 / 43 / 26

HEX #BC0F6B

RGB 188 15 107

HSL 328.09, 0.85%, 0.4%

LAB 41.37, 66.84, -4.39

 

CMYK 0 / 92 / 68 / 26

HEX #BC0F3C

RGB 188 15 60

HSL 344.39, 0.85%, 0.4%

LAB 40.18, 63.56, 23.73

 

CMYK 0 / 92 / 92 / 26

HEX #BC0F0F

RGB 188 15 15

HSL 0, 0.85%, 0.4%

LAB 39.69, 62.19, 48.28

 

CMYK 6 / 92 / 0 / 26

HEX #B00FBC

RGB 176 15 188

HSL 295.84, 0.85%, 0.4%

LAB 43.07, 74.7, -51.11

 

CMYK 31 / 92 / 0 / 26

HEX #820FBC

RGB 130 15 188

HSL 279.88, 0.85%, 0.4%

LAB 35.44, 67.82, -63.83

 

CMYK 56 / 92 / 0 / 26

HEX #530FBC

RGB 83 15 188

HSL 263.58, 0.85%, 0.4%

LAB 28.93, 62.72, -74.77

 

CMYK 81 / 92 / 0 / 26

HEX #240FBC

RGB 36 15 188

HSL 247.28, 0.85%, 0.4%

LAB 24.79, 60.04, -81.77

 

CMYK 92 / 92 / 0 / 26

HEX #0F0FBC

RGB 15 15 188

HSL 240, 0.85%, 0.4%

LAB 23.91, 59.55, -83.25

 

CMYK 6 / 92 / 0 / 26

HEX #B00FBC

RGB 176 15 188

HSL 295.84, 0.85%, 0.4%

LAB 43.07, 74.7, -51.11

 

CMYK 6 / 92 / 0 / 26

HEX #B00FBC

RGB 176 15 188

HSL 295.84, 0.85%, 0.4%

LAB 43.07, 74.7, -51.11

 

CMYK 6 / 82 / 0 / 33

HEX #A21FAC

RGB 162 31 172

HSL 295.74, 0.69%, 0.4%

LAB 40.64, 66.71, -45.67

 

CMYK 5 / 69 / 0 / 39

HEX #94309B

RGB 148 48 155

HSL 296.07, 0.53%, 0.4%

LAB 39.2, 55.37, -37.91

 

CMYK 4 / 54 / 0 / 45

HEX #86408B

RGB 134 64 139

HSL 296, 0.37%, 0.4%

LAB 38.9, 41.31, -28.81

 

CMYK 2 / 34 / 0 / 52

HEX #77517A

RGB 119 81 122

HSL 295.61, 0.2%, 0.4%

LAB 39.94, 23.35, -16.94

 

CMYK 57 / 92 / 0 / 26

HEX #510FBC

RGB 81 15 188

HSL 262.89, 0.85%, 0.4%

LAB 28.7, 62.55, -75.16

 

CMYK 32 / 92 / 0 / 26

HEX #800FBC

RGB 128 15 188

HSL 279.19, 0.85%, 0.4%

LAB 35.13, 67.56, -64.35

 

CMYK 7 / 92 / 0 / 26

HEX #AE0FBC

RGB 174 15 188

HSL 295.14, 0.85%, 0.4%

LAB 42.72, 74.37, -51.68

 

CMYK 0 / 92 / 17 / 26

HEX #BC0F9C

RGB 188 15 156

HSL 311.1, 0.85%, 0.4%

LAB 43.41, 72.25, -31.41

 

CMYK 0 / 92 / 41 / 26

HEX #BC0F6E

RGB 188 15 110

HSL 327.05, 0.85%, 0.4%

LAB 41.47, 67.11, -6.12

 

CMYK 6 / 92 / 0 / 56

HEX #690970

RGB 105 9 112

HSL 295.92, 0.85%, 0.24%

LAB 24.85, 50.51, -34.45

 

CMYK 6 / 92 / 0 / 41

HEX #8D0C96

RGB 141 12 150

HSL 296.09, 0.85%, 0.32%

LAB 34.25, 63.02, -42.85

 

CMYK 6 / 92 / 0 / 26

HEX #B00FBC

RGB 176 15 188

HSL 295.84, 0.85%, 0.4%

LAB 43.07, 74.7, -51.11

 

CMYK 6 / 92 / 0 / 11

HEX #D412E2

RGB 212 18 226

HSL 295.96, 0.85%, 0.48%

LAB 51.75, 86.07, -58.74

 

CMYK 5 / 80 / 0 / 7

HEX #E130EE

RGB 225 48 238

HSL 295.89, 0.85%, 0.56%

LAB 56.38, 84.91, -57.96

 

CMYK 6 / 92 / 0 / 25

HEX #B20FBE

RGB 178 15 190

HSL 295.89, 0.85%, 0.4%

LAB 43.54, 75.35, -51.5

 

CMYK 0 / 81 / 92 / 26

HEX #BC230F

RGB 188 35 15

HSL 6.94, 0.85%, 0.4%

LAB 41.1, 58.18, 49.21

 

CMYK 92 / 0 / 45 / 26

HEX #0FBC68

RGB 15 188 104

HSL 150.87, 0.85%, 0.4%

LAB 67.33, -58.45, 31.59

 

CMYK 6 / 92 / 0 / 25

HEX #B20FBE

RGB 178 15 190

HSL 295.89, 0.85%, 0.4%

LAB 43.54, 75.35, -51.5

 

CMYK 0 / 7 / 92 / 26

HEX #BCAE0F

RGB 188 174 15

HSL 55.14, 0.85%, 0.4%

LAB 70.17, -9.81, 70.53

 

CMYK 92 / 0 / 7 / 26

HEX #0FBCAE

RGB 15 188 174

HSL 175.14, 0.85%, 0.4%

LAB 68.84, -41.87, -4.05

 

CMYK 6 / 92 / 0 / 25

HEX #B20FBE

RGB 178 15 190

HSL 295.89, 0.85%, 0.4%

LAB 43.54, 75.35, -51.5

 

CMYK 0 / 81 / 92 / 26

HEX #BC230F

RGB 188 35 15

HSL 6.94, 0.85%, 0.4%

LAB 41.1, 58.18, 49.21

 

CMYK 85 / 0 / 92 / 26

HEX #1DBC0F

RGB 29 188 15

HSL 115.14, 0.85%, 0.4%

LAB 66.72, -66.39, 64.57

 

CMYK 92 / 11 / 0 / 26

HEX #0FA8BC

RGB 15 168 188

HSL 186.94, 0.85%, 0.4%

LAB 63.13, -28.24, -20.38

 

CMYK 6 / 92 / 0 / 25

HEX #B20FBE

RGB 178 15 190

HSL 295.89, 0.85%, 0.4%

LAB 43.54, 75.35, -51.5

 

CMYK 0 / 54 / 92 / 26

HEX #BC570F

RGB 188 87 15

HSL 24.97, 0.85%, 0.4%

LAB 48.94, 37.15, 54.66

 

CMYK 85 / 0 / 92 / 26

HEX #1DBC0F

RGB 29 188 15

HSL 115.14, 0.85%, 0.4%

LAB 66.72, -66.39, 64.57

 

CMYK 92 / 38 / 0 / 26

HEX #0F74BC

RGB 15 116 188

HSL 204.97, 0.85%, 0.4%

LAB 47.27, 0.59, -45.11

 

Description

Color code: HEX #B20FBE | qconv.com Color code: HEX #B20FBE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 15 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 15 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 92 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 92% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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