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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B21F2C it is the complementary color #4DE0D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B21F2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B21F2C shade: #B71F27, #C8313A, #D9434D, #EA5560 and #FB6773

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B21F2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B21F2C shade: #B21F2C, #A10D19, #900006, #7F0000 and #6E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B21F2C shade: #B11F2C and #B11F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B21F2C shade: #B11F2C, #B11F53, #B11F7B, #B11FA2 and #991FB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B21F2C shade matches the following richer shades: #B11F2C and #C20E1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B21F2C shade: #B11F2C, #A0303A, #8F4148, #7E5256 and #6E6364

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B21F2C shade: #B11F7C, #B11F55, #B11F2E, #B1371F and #B15E1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B21F2C shade: #6B121A, #8E1923, #B11F2C, #D42535 and #DE4552

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B21F2C shade: #B21F2C, #A3B11F and #1F68B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B21F2C shade: #B21F2C, #2EB11F and #1F2EB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B21F2C shade: #B21F2C, #A3B11F, #1FB1A3 and #2E1FB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B21F2C shade: #B21F2C, #77B11F, #1FB1A3 and #591FB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 75 / 30

HEX #B21F2C

RGB 178 31 44

HSL 354.69, 0.7%, 0.41%

LAB 38.94, 57.08, 31.65

 

Complementary color

CMYK 66 / 0 / 6 / 12

HEX #4DE0D3

RGB 77 224 211

HSL 174.69, 0.7%, 0.59%

LAB 81.62, -41.52, -5.08

 

CMYK 0 / 83 / 79 / 28

HEX #B71F27

RGB 183 31 39

HSL 356.84, 0.71%, 0.42%

LAB 39.9, 58.32, 35.94

 

CMYK 0 / 76 / 71 / 22

HEX #C8313A

RGB 200 49 58

HSL 356.42, 0.61%, 0.49%

LAB 45.33, 58.88, 31.8

 

CMYK 0 / 69 / 65 / 15

HEX #D9434D

RGB 217 67 77

HSL 356, 0.66%, 0.56%

LAB 51.04, 58.74, 28.26

 

CMYK 0 / 64 / 59 / 8

HEX #EA5560

RGB 234 85 96

HSL 355.57, 0.78%, 0.63%

LAB 56.91, 58.19, 25.28

 

CMYK 0 / 59 / 54 / 2

HEX #FB6773

RGB 251 103 115

HSL 355.14, 0.95%, 0.69%

LAB 62.88, 57.4, 22.75

 

CMYK 0 / 83 / 75 / 30

HEX #B21F2C

RGB 178 31 44

HSL 354.69, 0.7%, 0.41%

LAB 38.94, 57.08, 31.65

 

CMYK 0 / 92 / 84 / 37

HEX #A10D19

RGB 161 13 25

HSL 355.14, 0.85%, 0.34%

LAB 33.85, 55.45, 36.35

 

CMYK 0 / 100 / 96 / 44

HEX #900006

RGB 144 0 6

HSL 357.5, 1%, 0.28%

LAB 29.27, 52.43, 40.28

 

CMYK 0 / 100 / 100 / 50

HEX #7F0000

RGB 127 0 0

HSL 0, 1%, 0.25%

LAB 25.3, 47.78, 37.76

 

CMYK 0 / 100 / 100 / 57

HEX #6E0000

RGB 110 0 0

HSL 0, 1%, 0.22%

LAB 21.26, 43.12, 32.36

 

CMYK 0 / 82 / 75 / 31

HEX #B11F2C

RGB 177 31 44

HSL 354.66, 0.7%, 0.41%

LAB 38.74, 56.79, 31.36

 

CMYK 0 / 82 / 82 / 31

HEX #B11F1F

RGB 177 31 31

HSL 0, 0.7%, 0.41%

LAB 38.6, 56.35, 38.73

 

CMYK 0 / 82 / 75 / 31

HEX #B11F2C

RGB 177 31 44

HSL 354.66, 0.7%, 0.41%

LAB 38.74, 56.79, 31.36

 

CMYK 0 / 82 / 53 / 31

HEX #B11F53

RGB 177 31 83

HSL 338.63, 0.7%, 0.41%

LAB 39.5, 59.08, 7.82

 

CMYK 0 / 82 / 31 / 31

HEX #B11F7B

RGB 177 31 123

HSL 322.19, 0.7%, 0.41%

LAB 40.83, 62.96, -15.4

 

CMYK 0 / 82 / 8 / 31

HEX #B11FA2

RGB 177 31 162

HSL 306.16, 0.7%, 0.41%

LAB 42.67, 68.1, -36.32

 

CMYK 14 / 82 / 0 / 31

HEX #991FB1

RGB 153 31 177

HSL 290.14, 0.7%, 0.41%

LAB 39.46, 65.91, -50.63

 

CMYK 0 / 82 / 75 / 31

HEX #B11F2C

RGB 177 31 44

HSL 354.66, 0.7%, 0.41%

LAB 38.74, 56.79, 31.36

 

CMYK 0 / 93 / 85 / 24

HEX #C20E1E

RGB 194 14 30

HSL 354.67, 0.87%, 0.41%

LAB 41.02, 64.16, 42.8

 

CMYK 0 / 82 / 75 / 31

HEX #B11F2C

RGB 177 31 44

HSL 354.66, 0.7%, 0.41%

LAB 38.74, 56.79, 31.36

 

CMYK 0 / 70 / 64 / 37

HEX #A0303A

RGB 160 48 58

HSL 354.64, 0.54%, 0.41%

LAB 37.65, 46.64, 20.63

 

CMYK 0 / 55 / 50 / 44

HEX #8F4148

RGB 143 65 72

HSL 354.62, 0.38%, 0.41%

LAB 38, 33.71, 11.78

 

CMYK 0 / 35 / 32 / 51

HEX #7E5256

RGB 126 82 86

HSL 354.55, 0.21%, 0.41%

LAB 39.82, 18.99, 5.25

 

CMYK 0 / 10 / 9 / 57

HEX #6E6364

RGB 110 99 100

HSL 354.55, 0.05%, 0.41%

LAB 43, 4.56, 1.02

 

CMYK 0 / 82 / 30 / 31

HEX #B11F7C

RGB 177 31 124

HSL 321.78, 0.7%, 0.41%

LAB 40.87, 63.08, -15.96

 

CMYK 0 / 82 / 52 / 31

HEX #B11F55

RGB 177 31 85

HSL 337.81, 0.7%, 0.41%

LAB 39.55, 59.24, 6.62

 

CMYK 0 / 82 / 74 / 31

HEX #B11F2E

RGB 177 31 46

HSL 353.84, 0.7%, 0.41%

LAB 38.77, 56.87, 30.18

 

CMYK 0 / 69 / 82 / 31

HEX #B1371F

RGB 177 55 31

HSL 9.86, 0.7%, 0.41%

LAB 41.5, 48.29, 41.5

 

CMYK 0 / 47 / 82 / 31

HEX #B15E1F

RGB 177 94 31

HSL 25.89, 0.7%, 0.41%

LAB 48.82, 29.35, 48.26

 

CMYK 0 / 83 / 76 / 58

HEX #6B121A

RGB 107 18 26

HSL 354.61, 0.71%, 0.25%

LAB 22.42, 38.51, 20.09

 

CMYK 0 / 82 / 75 / 44

HEX #8E1923

RGB 142 25 35

HSL 354.87, 0.7%, 0.33%

LAB 30.8, 47.75, 25.93

 

CMYK 0 / 82 / 75 / 31

HEX #B11F2C

RGB 177 31 44

HSL 354.66, 0.7%, 0.41%

LAB 38.74, 56.79, 31.36

 

CMYK 0 / 83 / 75 / 17

HEX #D42535

RGB 212 37 53

HSL 354.51, 0.7%, 0.49%

LAB 46.41, 65.46, 36.59

 

CMYK 0 / 69 / 63 / 13

HEX #DE4552

RGB 222 69 82

HSL 354.9, 0.7%, 0.57%

LAB 52.28, 59.84, 27.07

 

CMYK 0 / 83 / 75 / 30

HEX #B21F2C

RGB 178 31 44

HSL 354.69, 0.7%, 0.41%

LAB 38.94, 57.08, 31.65

 

CMYK 8 / 0 / 82 / 31

HEX #A3B11F

RGB 163 177 31

HSL 65.75, 0.7%, 0.41%

LAB 68.99, -21.89, 65.47

 

CMYK 82 / 41 / 0 / 31

HEX #1F68B1

RGB 31 104 177

HSL 210, 0.7%, 0.41%

LAB 43.31, 4.92, -45

 

CMYK 0 / 83 / 75 / 30

HEX #B21F2C

RGB 178 31 44

HSL 354.69, 0.7%, 0.41%

LAB 38.94, 57.08, 31.65

 

CMYK 74 / 0 / 82 / 31

HEX #2EB11F

RGB 46 177 31

HSL 113.84, 0.7%, 0.41%

LAB 63.45, -60.19, 58.43

 

CMYK 82 / 74 / 0 / 31

HEX #1F2EB1

RGB 31 46 177

HSL 233.84, 0.7%, 0.41%

LAB 27.9, 42.64, -70.06

 

CMYK 0 / 83 / 75 / 30

HEX #B21F2C

RGB 178 31 44

HSL 354.69, 0.7%, 0.41%

LAB 38.94, 57.08, 31.65

 

CMYK 8 / 0 / 82 / 31

HEX #A3B11F

RGB 163 177 31

HSL 65.75, 0.7%, 0.41%

LAB 68.99, -21.89, 65.47

 

CMYK 82 / 0 / 8 / 31

HEX #1FB1A3

RGB 31 177 163

HSL 174.25, 0.7%, 0.41%

LAB 65.26, -39.15, -3.23

 

CMYK 74 / 82 / 0 / 31

HEX #2E1FB1

RGB 46 31 177

HSL 246.16, 0.7%, 0.41%

LAB 25.97, 51.58, -73.24

 

CMYK 0 / 83 / 75 / 30

HEX #B21F2C

RGB 178 31 44

HSL 354.69, 0.7%, 0.41%

LAB 38.94, 57.08, 31.65

 

CMYK 33 / 0 / 82 / 31

HEX #77B11F

RGB 119 177 31

HSL 83.84, 0.7%, 0.41%

LAB 66.11, -39.76, 61.83

 

CMYK 82 / 0 / 8 / 31

HEX #1FB1A3

RGB 31 177 163

HSL 174.25, 0.7%, 0.41%

LAB 65.26, -39.15, -3.23

 

CMYK 50 / 82 / 0 / 31

HEX #591FB1

RGB 89 31 177

HSL 263.84, 0.7%, 0.41%

LAB 30.1, 55.86, -66.27

 

Description

Color code: HEX #B21F2C | qconv.com Color code: HEX #B21F2C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 31 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 31 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 75 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 75% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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