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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B227D4 it is the complementary color #4DD82B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B227D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B227D4 shade: #B727CF, #C839E2, #D94BF5, #EA5DFF and #FB6FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B227D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B227D4 shade: #B227D4, #A115C1, #9003AE, #7F009B and #6E0088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B227D4 shade: #B126D3, #D326C6, #D32698, #D32669 and #D3263B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B227D4 shade: #B126D3, #8226D3, #5426D3 and #2626D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B227D4 shade matches the following richer shades: #B126D3 and #BD12E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B227D4 shade: #B126D3, #A53ABE, #984FAA, #8C6396 and #807782

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B227D4 shade: #5426D3, #8226D3, #B026D3, #D326C7 and #D32699

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B227D4 shade: #76198D, #9420B0, #B126D3, #BF46DD and #CB68E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B227D4 shade: #B227D4, #D32626 and #26D36B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B227D4 shade: #B227D4, #D3B026 and #26D3B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B227D4 shade: #B227D4, #D32626, #49D326 and #26D3D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B227D4 shade: #B227D4, #D35A26, #49D326 and #269FD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 82 / 0 / 17

HEX #B227D4

RGB 178 39 212

HSL 288.21, 0.69%, 0.49%

LAB 46.54, 74.5, -59.43

 

Complementary color

CMYK 64 / 0 / 80 / 15

HEX #4DD82B

RGB 77 216 43

HSL 108.21, 0.69%, 0.51%

LAB 76.6, -66.22, 67.57

 

CMYK 12 / 81 / 0 / 19

HEX #B727CF

RGB 183 39 207

HSL 291.43, 0.68%, 0.48%

LAB 47.01, 74.5, -55.76

 

CMYK 12 / 75 / 0 / 11

HEX #C839E2

RGB 200 57 226

HSL 290.77, 0.74%, 0.55%

LAB 52.62, 75.82, -57.45

 

CMYK 11 / 69 / 0 / 4

HEX #D94BF5

RGB 217 75 245

HSL 290.12, 0.89%, 0.63%

LAB 58.39, 76.44, -58.71

 

CMYK 8 / 64 / 0 / 0

HEX #EA5DFF

RGB 234 93 255

HSL 292.22, 1%, 0.68%

LAB 63.79, 74.99, -55.5

 

CMYK 2 / 56 / 0 / 0

HEX #FB6FFF

RGB 251 111 255

HSL 298.33, 1%, 0.72%

LAB 68.82, 71.53, -47.38

 

CMYK 16 / 82 / 0 / 17

HEX #B227D4

RGB 178 39 212

HSL 288.21, 0.69%, 0.49%

LAB 46.54, 74.5, -59.43

 

CMYK 17 / 89 / 0 / 24

HEX #A115C1

RGB 161 21 193

HSL 288.84, 0.8%, 0.42%

LAB 41.16, 72.23, -57.24

 

CMYK 17 / 98 / 0 / 32

HEX #9003AE

RGB 144 3 174

HSL 289.47, 0.97%, 0.35%

LAB 36.08, 68.76, -54.37

 

CMYK 18 / 100 / 0 / 39

HEX #7F009B

RGB 127 0 155

HSL 289.16, 1%, 0.3%

LAB 31.53, 63.33, -50.42

 

CMYK 19 / 100 / 0 / 47

HEX #6E0088

RGB 110 0 136

HSL 288.53, 1%, 0.27%

LAB 27, 57.4, -46.18

 

CMYK 16 / 82 / 0 / 17

HEX #B126D3

RGB 177 38 211

HSL 288.21, 0.69%, 0.49%

LAB 46.23, 74.4, -59.37

 

CMYK 0 / 82 / 6 / 17

HEX #D326C6

RGB 211 38 198

HSL 304.51, 0.69%, 0.49%

LAB 51.05, 78.52, -43.83

 

CMYK 0 / 82 / 28 / 17

HEX #D32698

RGB 211 38 152

HSL 320.46, 0.69%, 0.49%

LAB 48.89, 72.53, -20.17

 

CMYK 0 / 82 / 50 / 17

HEX #D32669

RGB 211 38 105

HSL 336.76, 0.69%, 0.49%

LAB 47.31, 67.96, 6.05

 

CMYK 0 / 82 / 72 / 17

HEX #D3263B

RGB 211 38 59

HSL 352.72, 0.69%, 0.49%

LAB 46.38, 65.18, 32.97

 

CMYK 16 / 82 / 0 / 17

HEX #B126D3

RGB 177 38 211

HSL 288.21, 0.69%, 0.49%

LAB 46.23, 74.4, -59.37

 

CMYK 38 / 82 / 0 / 17

HEX #8226D3

RGB 130 38 211

HSL 271.91, 0.69%, 0.49%

LAB 39.3, 67.02, -70.94

 

CMYK 60 / 82 / 0 / 17

HEX #5426D3

RGB 84 38 211

HSL 255.95, 0.69%, 0.49%

LAB 33.93, 61.48, -79.97

 

CMYK 82 / 82 / 0 / 17

HEX #2626D3

RGB 38 38 211

HSL 240, 0.69%, 0.49%

LAB 30.64, 58.21, -85.51

 

CMYK 16 / 82 / 0 / 17

HEX #B126D3

RGB 177 38 211

HSL 288.21, 0.69%, 0.49%

LAB 46.23, 74.4, -59.37

 

CMYK 18 / 92 / 0 / 9

HEX #BD12E7

RGB 189 18 231

HSL 288.17, 0.86%, 0.49%

LAB 48.29, 83.41, -67.35

 

CMYK 16 / 82 / 0 / 17

HEX #B126D3

RGB 177 38 211

HSL 288.21, 0.69%, 0.49%

LAB 46.23, 74.4, -59.37

 

CMYK 13 / 69 / 0 / 25

HEX #A53ABE

RGB 165 58 190

HSL 288.64, 0.53%, 0.49%

LAB 45.28, 61.78, -48.82

 

CMYK 11 / 54 / 0 / 33

HEX #984FAA

RGB 152 79 170

HSL 288.13, 0.37%, 0.49%

LAB 45.87, 44.92, -36.27

 

CMYK 7 / 34 / 0 / 41

HEX #8C6396

RGB 140 99 150

HSL 288.24, 0.2%, 0.49%

LAB 47.88, 25.87, -21.41

 

CMYK 2 / 8 / 0 / 49

HEX #807782

RGB 128 119 130

HSL 289.09, 0.04%, 0.49%

LAB 51.15, 5.62, -4.76

 

CMYK 60 / 82 / 0 / 17

HEX #5426D3

RGB 84 38 211

HSL 255.95, 0.69%, 0.49%

LAB 33.93, 61.48, -79.97

 

CMYK 38 / 82 / 0 / 17

HEX #8226D3

RGB 130 38 211

HSL 271.91, 0.69%, 0.49%

LAB 39.3, 67.02, -70.94

 

CMYK 17 / 82 / 0 / 17

HEX #B026D3

RGB 176 38 211

HSL 287.86, 0.69%, 0.49%

LAB 46.07, 74.23, -59.63

 

CMYK 0 / 82 / 6 / 17

HEX #D326C7

RGB 211 38 199

HSL 304.16, 0.69%, 0.49%

LAB 51.1, 78.67, -44.33

 

CMYK 0 / 82 / 27 / 17

HEX #D32699

RGB 211 38 153

HSL 320.12, 0.69%, 0.49%

LAB 48.93, 72.65, -20.7

 

CMYK 16 / 82 / 0 / 45

HEX #76198D

RGB 118 25 141

HSL 288.1, 0.7%, 0.33%

LAB 30.57, 54.4, -43.44

 

CMYK 16 / 82 / 0 / 31

HEX #9420B0

RGB 148 32 176

HSL 288.33, 0.69%, 0.41%

LAB 38.66, 64.56, -51.36

 

CMYK 16 / 82 / 0 / 17

HEX #B126D3

RGB 177 38 211

HSL 288.21, 0.69%, 0.49%

LAB 46.23, 74.4, -59.37

 

CMYK 14 / 68 / 0 / 13

HEX #BF46DD

RGB 191 70 221

HSL 288.08, 0.69%, 0.57%

LAB 52.59, 68.52, -54.73

 

CMYK 11 / 54 / 0 / 11

HEX #CB68E3

RGB 203 104 227

HSL 288.29, 0.69%, 0.65%

LAB 60.02, 57.49, -46.2

 

CMYK 16 / 82 / 0 / 17

HEX #B227D4

RGB 178 39 212

HSL 288.21, 0.69%, 0.49%

LAB 46.54, 74.5, -59.43

 

CMYK 0 / 82 / 82 / 17

HEX #D32626

RGB 211 38 38

HSL 0, 0.69%, 0.49%

LAB 46.14, 64.46, 44.6

 

CMYK 82 / 0 / 49 / 17

HEX #26D36B

RGB 38 211 107

HSL 143.93, 0.69%, 0.49%

LAB 74.86, -64, 39.7

 

CMYK 16 / 82 / 0 / 17

HEX #B227D4

RGB 178 39 212

HSL 288.21, 0.69%, 0.49%

LAB 46.54, 74.5, -59.43

 

CMYK 0 / 17 / 82 / 17

HEX #D3B026

RGB 211 176 38

HSL 47.86, 0.69%, 0.49%

LAB 72.92, -0.21, 68.59

 

CMYK 82 / 0 / 17 / 17

HEX #26D3B0

RGB 38 211 176

HSL 167.86, 0.69%, 0.49%

LAB 76.15, -49.63, 5.55

 

CMYK 16 / 82 / 0 / 17

HEX #B227D4

RGB 178 39 212

HSL 288.21, 0.69%, 0.49%

LAB 46.54, 74.5, -59.43

 

CMYK 0 / 82 / 82 / 17

HEX #D32626

RGB 211 38 38

HSL 0, 0.69%, 0.49%

LAB 46.14, 64.46, 44.6

 

CMYK 65 / 0 / 82 / 17

HEX #49D326

RGB 73 211 38

HSL 107.86, 0.69%, 0.49%

LAB 74.92, -65.68, 67.32

 

CMYK 82 / 0 / 0 / 17

HEX #26D3D3

RGB 38 211 211

HSL 180, 0.69%, 0.49%

LAB 77.1, -40.04, -11.86

 

CMYK 16 / 82 / 0 / 17

HEX #B227D4

RGB 178 39 212

HSL 288.21, 0.69%, 0.49%

LAB 46.54, 74.5, -59.43

 

CMYK 0 / 57 / 82 / 17

HEX #D35A26

RGB 211 90 38

HSL 18.03, 0.69%, 0.49%

LAB 53.28, 45.08, 51.24

 

CMYK 65 / 0 / 82 / 17

HEX #49D326

RGB 73 211 38

HSL 107.86, 0.69%, 0.49%

LAB 74.92, -65.68, 67.32

 

CMYK 82 / 25 / 0 / 17

HEX #269FD3

RGB 38 159 211

HSL 198.03, 0.69%, 0.49%

LAB 61.58, -14.22, -35.58

 

Description

Color code: HEX #B227D4 | qconv.com Color code: HEX #B227D4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 39 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 39 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 82 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 82% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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