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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2285D it is the complementary color #4DD7A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2285D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2285D shade: #B72858, #C83A6B, #D94C7E, #EA5E91 and #FB70A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2285D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2285D shade: #B2285D, #A1164A, #900437, #7F0024 and #6E0011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2285D shade: #B2285D, #B22838 and #B22828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2285D shade: #B2285D, #B22882, #B228A8, #9828B2 and #7228B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2285D shade matches the following richer shades: #B2285D, #C41659 and #D60555

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2285D shade: #B2285D, #A03A61, #8F4C65, #7D5D69 and #6B6F6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2285D shade: #B228A9, #B22884, #B2285F, #B2283A and #B23A28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2285D shade: #6F193A, #91204C, #B2285D, #D03370 and #D85587

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2285D shade: #B2285D, #B29728 and #2897B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2285D shade: #B2285D, #5FB228 and #285FB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2285D shade: #B2285D, #B29728, #28B27B and #2844B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2285D shade: #B2285D, #A4B228, #28B27B and #3628B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 48 / 30

HEX #B2285D

RGB 178 40 93

HSL 336.96, 0.63%, 0.43%

LAB 40.85, 57.67, 3.44

 

Complementary color

CMYK 64 / 0 / 25 / 16

HEX #4DD7A2

RGB 77 215 162

HSL 156.96, 0.63%, 0.57%

LAB 77.75, -49.56, 15.37

 

CMYK 0 / 78 / 52 / 28

HEX #B72858

RGB 183 40 88

HSL 339.86, 0.64%, 0.44%

LAB 41.67, 58.63, 7.89

 

CMYK 0 / 71 / 47 / 22

HEX #C83A6B

RGB 200 58 107

HSL 339.3, 0.56%, 0.51%

LAB 47.45, 59.14, 4.76

 

CMYK 0 / 65 / 42 / 15

HEX #D94C7E

RGB 217 76 126

HSL 338.72, 0.65%, 0.57%

LAB 53.41, 59.07, 2.26

 

CMYK 0 / 60 / 38 / 8

HEX #EA5E91

RGB 234 94 145

HSL 338.14, 0.77%, 0.64%

LAB 59.47, 58.66, 0.22

 

CMYK 0 / 55 / 35 / 2

HEX #FB70A4

RGB 251 112 164

HSL 337.55, 0.95%, 0.71%

LAB 65.58, 58.05, -1.48

 

CMYK 0 / 78 / 48 / 30

HEX #B2285D

RGB 178 40 93

HSL 336.96, 0.63%, 0.43%

LAB 40.85, 57.67, 3.44

 

CMYK 0 / 86 / 54 / 37

HEX #A1164A

RGB 161 22 74

HSL 337.55, 0.76%, 0.36%

LAB 35.29, 56.25, 7.21

 

CMYK 0 / 97 / 62 / 44

HEX #900437

RGB 144 4 55

HSL 338.14, 0.95%, 0.29%

LAB 30.14, 53.59, 12.06

 

CMYK 0 / 100 / 72 / 50

HEX #7F0024

RGB 127 0 36

HSL 342.99, 1%, 0.25%

LAB 25.68, 48.83, 18.35

 

CMYK 0 / 100 / 85 / 57

HEX #6E0011

RGB 110 0 17

HSL 350.73, 1%, 0.22%

LAB 21.41, 43.53, 25

 

CMYK 0 / 78 / 48 / 30

HEX #B2285D

RGB 178 40 93

HSL 336.96, 0.63%, 0.43%

LAB 40.85, 57.67, 3.44

 

CMYK 0 / 78 / 69 / 30

HEX #B22838

RGB 178 40 56

HSL 353.04, 0.63%, 0.43%

LAB 40.03, 55.06, 25.6

 

CMYK 0 / 78 / 78 / 30

HEX #B22828

RGB 178 40 40

HSL 0, 0.63%, 0.43%

LAB 39.81, 54.35, 34.96

 

CMYK 0 / 78 / 48 / 30

HEX #B2285D

RGB 178 40 93

HSL 336.96, 0.63%, 0.43%

LAB 40.85, 57.67, 3.44

 

CMYK 0 / 78 / 27 / 30

HEX #B22882

RGB 178 40 130

HSL 320.87, 0.63%, 0.43%

LAB 42.15, 61.62, -17.69

 

CMYK 0 / 78 / 6 / 30

HEX #B228A8

RGB 178 40 168

HSL 304.35, 0.63%, 0.43%

LAB 43.96, 66.91, -37.84

 

CMYK 15 / 78 / 0 / 30

HEX #9828B2

RGB 152 40 178

HSL 288.7, 0.63%, 0.43%

LAB 40.26, 63.31, -49.94

 

CMYK 36 / 78 / 0 / 30

HEX #7228B2

RGB 114 40 178

HSL 272.17, 0.63%, 0.43%

LAB 34.62, 56.35, -59.34

 

CMYK 0 / 78 / 48 / 30

HEX #B2285D

RGB 178 40 93

HSL 336.96, 0.63%, 0.43%

LAB 40.85, 57.67, 3.44

 

CMYK 0 / 89 / 55 / 23

HEX #C41659

RGB 196 22 89

HSL 336.9, 0.8%, 0.43%

LAB 42.81, 66.25, 9.23

 

CMYK 0 / 98 / 60 / 16

HEX #D60555

RGB 214 5 85

HSL 337.03, 0.95%, 0.43%

LAB 45.72, 72.22, 16.32

 

CMYK 0 / 78 / 48 / 30

HEX #B2285D

RGB 178 40 93

HSL 336.96, 0.63%, 0.43%

LAB 40.85, 57.67, 3.44

 

CMYK 0 / 64 / 39 / 37

HEX #A03A61

RGB 160 58 97

HSL 337.06, 0.47%, 0.43%

LAB 40.18, 45.85, -0.45

 

CMYK 0 / 47 / 29 / 44

HEX #8F4C65

RGB 143 76 101

HSL 337.61, 0.31%, 0.43%

LAB 41.13, 31.31, -1.86

 

CMYK 0 / 26 / 16 / 51

HEX #7D5D69

RGB 125 93 105

HSL 337.5, 0.15%, 0.43%

LAB 43.08, 15.09, -1.73

 

CMYK 4 / 0 / 1 / 56

HEX #6B6F6E

RGB 107 111 110

HSL 165, 0.02%, 0.43%

LAB 46.47, -1.73, 0.02

 

CMYK 0 / 78 / 5 / 30

HEX #B228A9

RGB 178 40 169

HSL 303.91, 0.63%, 0.43%

LAB 44.01, 67.06, -38.35

 

CMYK 0 / 78 / 26 / 30

HEX #B22884

RGB 178 40 132

HSL 320, 0.63%, 0.43%

LAB 42.23, 61.87, -18.79

 

CMYK 0 / 78 / 47 / 30

HEX #B2285F

RGB 178 40 95

HSL 336.09, 0.63%, 0.43%

LAB 40.91, 57.85, 2.26

 

CMYK 0 / 78 / 67 / 30

HEX #B2283A

RGB 178 40 58

HSL 352.17, 0.63%, 0.43%

LAB 40.06, 55.17, 24.4

 

CMYK 0 / 67 / 78 / 30

HEX #B23A28

RGB 178 58 40

HSL 7.83, 0.63%, 0.43%

LAB 42.22, 47.7, 37.52

 

CMYK 0 / 77 / 48 / 56

HEX #6F193A

RGB 111 25 58

HSL 336.98, 0.63%, 0.27%

LAB 24.89, 39.79, 1.64

 

CMYK 0 / 78 / 48 / 43

HEX #91204C

RGB 145 32 76

HSL 336.64, 0.64%, 0.35%

LAB 33.08, 49.31, 2.32

 

CMYK 0 / 78 / 48 / 30

HEX #B2285D

RGB 178 40 93

HSL 336.96, 0.63%, 0.43%

LAB 40.85, 57.67, 3.44

 

CMYK 0 / 75 / 46 / 18

HEX #D03370

RGB 208 51 112

HSL 336.69, 0.63%, 0.51%

LAB 48.19, 64.19, 2.96

 

CMYK 0 / 61 / 38 / 15

HEX #D85587

RGB 216 85 135

HSL 337.1, 0.63%, 0.59%

LAB 54.91, 55.91, -0.91

 

CMYK 0 / 78 / 48 / 30

HEX #B2285D

RGB 178 40 93

HSL 336.96, 0.63%, 0.43%

LAB 40.85, 57.67, 3.44

 

CMYK 0 / 15 / 78 / 30

HEX #B29728

RGB 178 151 40

HSL 48.26, 0.63%, 0.43%

LAB 63.14, -1.4, 58.02

 

CMYK 78 / 15 / 0 / 30

HEX #2897B2

RGB 40 151 178

HSL 191.74, 0.63%, 0.43%

LAB 57.85, -21.02, -22.8

 

CMYK 0 / 78 / 48 / 30

HEX #B2285D

RGB 178 40 93

HSL 336.96, 0.63%, 0.43%

LAB 40.85, 57.67, 3.44

 

CMYK 47 / 0 / 78 / 30

HEX #5FB228

RGB 95 178 40

HSL 96.09, 0.63%, 0.43%

LAB 65.3, -48.05, 58.03

 

CMYK 78 / 47 / 0 / 30

HEX #285FB2

RGB 40 95 178

HSL 216.09, 0.63%, 0.43%

LAB 40.98, 12.05, -49.32

 

CMYK 0 / 78 / 48 / 30

HEX #B2285D

RGB 178 40 93

HSL 336.96, 0.63%, 0.43%

LAB 40.85, 57.67, 3.44

 

CMYK 0 / 15 / 78 / 30

HEX #B29728

RGB 178 151 40

HSL 48.26, 0.63%, 0.43%

LAB 63.14, -1.4, 58.02

 

CMYK 78 / 0 / 31 / 30

HEX #28B27B

RGB 40 178 123

HSL 156.09, 0.63%, 0.43%

LAB 64.74, -48.8, 18.1

 

CMYK 78 / 62 / 0 / 30

HEX #2844B2

RGB 40 68 178

HSL 227.83, 0.63%, 0.43%

LAB 33.56, 29.87, -61.34

 

CMYK 0 / 78 / 48 / 30

HEX #B2285D

RGB 178 40 93

HSL 336.96, 0.63%, 0.43%

LAB 40.85, 57.67, 3.44

 

CMYK 8 / 0 / 78 / 30

HEX #A4B228

RGB 164 178 40

HSL 66.09, 0.63%, 0.43%

LAB 69.39, -21.63, 63.31

 

CMYK 78 / 0 / 31 / 30

HEX #28B27B

RGB 40 178 123

HSL 156.09, 0.63%, 0.43%

LAB 64.74, -48.8, 18.1

 

CMYK 70 / 78 / 0 / 30

HEX #3628B2

RGB 54 40 178

HSL 246.09, 0.63%, 0.43%

LAB 28.16, 48.17, -70.19

 

Description

Color code: HEX #B2285D | qconv.com Color code: HEX #B2285D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 40 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 40 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 48 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 48% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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