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Color name
HEX #B2201E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2201E it is the complementary color #4DDFE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2201E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2201E shade: #B72019, #C8322C, #D9443F, #EA5652 and #FB6865

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2201E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2201E shade: #B2201E, #A10E0B, #900000, #7F0000 and #6E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2201E shade: #B2201E and #B21E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2201E shade: #B2201E, #B2481E, #B2701E, #B2981E and #A5B21E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2201E shade matches the following richer shades: #B2201E and #C30F0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2201E shade: #B2201E, #A1302F, #904140, #805151 and #6F6261

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2201E shade: #B21E6D, #B21E45, #B21E1E, #B2451E and #B26D1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2201E shade: #6C1312, #8F1918, #B2201E, #D62624 and #DF4644

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2201E shade: #B2201E, #95B21E and #1E59B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2201E shade: #B2201E, #1EB21E and #1E1EB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2201E shade: #B2201E, #95B21E, #1EB2B2 and #3C1EB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2201E shade: #B2201E, #68B21E, #1EB2B2 and #681EB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 83 / 30

HEX #B2201E

RGB 178 32 30

HSL 0.81, 0.71%, 0.41%

LAB 38.88, 56.35, 39.62

 

Complementary color

CMYK 66 / 1 / 0 / 12

HEX #4DDFE1

RGB 77 223 225

HSL 180.81, 0.71%, 0.59%

LAB 81.72, -37.27, -12.36

 

CMYK 0 / 83 / 86 / 28

HEX #B72019

RGB 183 32 25

HSL 2.66, 0.76%, 0.41%

LAB 39.87, 57.68, 43.46

 

CMYK 0 / 75 / 78 / 22

HEX #C8322C

RGB 200 50 44

HSL 2.31, 0.64%, 0.48%

LAB 45.28, 57.99, 39.79

 

CMYK 0 / 69 / 71 / 15

HEX #D9443F

RGB 217 68 63

HSL 1.95, 0.67%, 0.55%

LAB 50.97, 57.63, 36.3

 

CMYK 0 / 63 / 65 / 8

HEX #EA5652

RGB 234 86 82

HSL 1.58, 0.78%, 0.62%

LAB 56.84, 56.9, 33.24

 

CMYK 0 / 59 / 60 / 2

HEX #FB6865

RGB 251 104 101

HSL 1.2, 0.95%, 0.69%

LAB 62.8, 55.96, 30.59

 

CMYK 0 / 82 / 83 / 30

HEX #B2201E

RGB 178 32 30

HSL 0.81, 0.71%, 0.41%

LAB 38.88, 56.35, 39.62

 

CMYK 0 / 91 / 93 / 37

HEX #A10E0B

RGB 161 14 11

HSL 1.2, 0.87%, 0.34%

LAB 33.81, 55.01, 43.19

 

CMYK 0 / 100 / 100 / 44

HEX #900000

RGB 144 0 0

HSL 0, 1%, 0.28%

LAB 29.23, 52.34, 42.7

 

CMYK 0 / 100 / 100 / 50

HEX #7F0000

RGB 127 0 0

HSL 0, 1%, 0.25%

LAB 25.3, 47.78, 37.76

 

CMYK 0 / 100 / 100 / 57

HEX #6E0000

RGB 110 0 0

HSL 0, 1%, 0.22%

LAB 21.26, 43.12, 32.36

 

CMYK 0 / 82 / 83 / 30

HEX #B2201E

RGB 178 32 30

HSL 0.81, 0.71%, 0.41%

LAB 38.88, 56.35, 39.62

 

CMYK 0 / 83 / 83 / 30

HEX #B21E1E

RGB 178 30 30

HSL 0, 0.71%, 0.41%

LAB 38.7, 56.87, 39.45

 

CMYK 0 / 82 / 83 / 30

HEX #B2201E

RGB 178 32 30

HSL 0.81, 0.71%, 0.41%

LAB 38.88, 56.35, 39.62

 

CMYK 0 / 60 / 83 / 30

HEX #B2481E

RGB 178 72 30

HSL 17.03, 0.71%, 0.41%

LAB 44.51, 41.03, 44.83

 

CMYK 0 / 37 / 83 / 30

HEX #B2701E

RGB 178 112 30

HSL 33.24, 0.71%, 0.41%

LAB 53.11, 19.84, 52.53

 

CMYK 0 / 15 / 83 / 30

HEX #B2981E

RGB 178 152 30

HSL 49.46, 0.71%, 0.41%

LAB 63.36, -2.29, 61.41

 

CMYK 7 / 0 / 83 / 30

HEX #A5B21E

RGB 165 178 30

HSL 65.27, 0.71%, 0.41%

LAB 69.42, -21.56, 66.15

 

CMYK 0 / 82 / 83 / 30

HEX #B2201E

RGB 178 32 30

HSL 0.81, 0.71%, 0.41%

LAB 38.88, 56.35, 39.62

 

CMYK 0 / 92 / 93 / 24

HEX #C30F0D

RGB 195 15 13

HSL 0.66, 0.88%, 0.41%

LAB 41.17, 64.01, 50.71

 

CMYK 0 / 82 / 83 / 30

HEX #B2201E

RGB 178 32 30

HSL 0.81, 0.71%, 0.41%

LAB 38.88, 56.35, 39.62

 

CMYK 0 / 70 / 71 / 37

HEX #A1302F

RGB 161 48 47

HSL 0.53, 0.55%, 0.41%

LAB 37.66, 46.34, 27.48

 

CMYK 0 / 55 / 56 / 44

HEX #904140

RGB 144 65 64

HSL 0.75, 0.38%, 0.41%

LAB 37.99, 33.34, 16.8

 

CMYK 0 / 37 / 37 / 50

HEX #805151

RGB 128 81 81

HSL 0, 0.22%, 0.41%

LAB 39.69, 19.71, 8.21

 

CMYK 0 / 12 / 13 / 56

HEX #6F6261

RGB 111 98 97

HSL 4.29, 0.07%, 0.41%

LAB 42.73, 5, 2.46

 

CMYK 0 / 83 / 39 / 30

HEX #B21E6D

RGB 178 30 109

HSL 327.97, 0.71%, 0.41%

LAB 40.41, 61.92, -7.29

 

CMYK 0 / 83 / 61 / 30

HEX #B21E45

RGB 178 30 69

HSL 344.19, 0.71%, 0.41%

LAB 39.28, 58.61, 16.47

 

CMYK 0 / 83 / 83 / 30

HEX #B21E1E

RGB 178 30 30

HSL 0, 0.71%, 0.41%

LAB 38.7, 56.87, 39.45

 

CMYK 0 / 61 / 83 / 30

HEX #B2451E

RGB 178 69 30

HSL 15.81, 0.71%, 0.41%

LAB 43.97, 42.46, 44.34

 

CMYK 0 / 39 / 83 / 30

HEX #B26D1E

RGB 178 109 30

HSL 32.03, 0.71%, 0.41%

LAB 52.39, 21.51, 51.9

 

CMYK 0 / 82 / 83 / 58

HEX #6C1312

RGB 108 19 18

HSL 0.67, 0.71%, 0.25%

LAB 22.65, 38.17, 25.57

 

CMYK 0 / 83 / 83 / 44

HEX #8F1918

RGB 143 25 24

HSL 0.5, 0.71%, 0.33%

LAB 30.88, 47.64, 32.73

 

CMYK 0 / 82 / 83 / 30

HEX #B2201E

RGB 178 32 30

HSL 0.81, 0.71%, 0.41%

LAB 38.88, 56.35, 39.62

 

CMYK 0 / 82 / 83 / 16

HEX #D62624

RGB 214 38 36

HSL 0.67, 0.71%, 0.49%

LAB 46.72, 65.25, 46.39

 

CMYK 0 / 69 / 70 / 13

HEX #DF4644

RGB 223 70 68

HSL 0.77, 0.71%, 0.57%

LAB 52.38, 59.02, 35.38

 

CMYK 0 / 82 / 83 / 30

HEX #B2201E

RGB 178 32 30

HSL 0.81, 0.71%, 0.41%

LAB 38.88, 56.35, 39.62

 

CMYK 16 / 0 / 83 / 30

HEX #95B21E

RGB 149 178 30

HSL 71.76, 0.71%, 0.41%

LAB 68.26, -28.33, 64.69

 

CMYK 83 / 50 / 0 / 30

HEX #1E59B2

RGB 30 89 178

HSL 216.08, 0.71%, 0.41%

LAB 38.96, 14.94, -52.58

 

CMYK 0 / 82 / 83 / 30

HEX #B2201E

RGB 178 32 30

HSL 0.81, 0.71%, 0.41%

LAB 38.88, 56.35, 39.62

 

CMYK 83 / 0 / 83 / 30

HEX #1EB21E

RGB 30 178 30

HSL 120, 0.71%, 0.41%

LAB 63.52, -62.75, 58.67

 

CMYK 83 / 83 / 0 / 30

HEX #1E1EB2

RGB 30 30 178

HSL 240, 0.71%, 0.41%

LAB 25.01, 51.43, -75.45

 

CMYK 0 / 82 / 83 / 30

HEX #B2201E

RGB 178 32 30

HSL 0.81, 0.71%, 0.41%

LAB 38.88, 56.35, 39.62

 

CMYK 16 / 0 / 83 / 30

HEX #95B21E

RGB 149 178 30

HSL 71.76, 0.71%, 0.41%

LAB 68.26, -28.33, 64.69

 

CMYK 83 / 0 / 0 / 30

HEX #1EB2B2

RGB 30 178 178

HSL 180, 0.71%, 0.41%

LAB 66.01, -35.3, -10.45

 

CMYK 66 / 83 / 0 / 30

HEX #3C1EB2

RGB 60 30 178

HSL 252.16, 0.71%, 0.41%

LAB 27.03, 53.41, -72.04

 

CMYK 0 / 82 / 83 / 30

HEX #B2201E

RGB 178 32 30

HSL 0.81, 0.71%, 0.41%

LAB 38.88, 56.35, 39.62

 

CMYK 42 / 0 / 83 / 30

HEX #68B21E

RGB 104 178 30

HSL 90, 0.71%, 0.41%

LAB 65.65, -45.59, 61.4

 

CMYK 83 / 0 / 0 / 30

HEX #1EB2B2

RGB 30 178 178

HSL 180, 0.71%, 0.41%

LAB 66.01, -35.3, -10.45

 

CMYK 42 / 83 / 0 / 30

HEX #681EB2

RGB 104 30 178

HSL 270, 0.71%, 0.41%

LAB 32, 58.46, -63.67

 

Description

Color code: HEX #B2201E | qconv.com Color code: HEX #B2201E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 32 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 32 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 83 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 83% 30% C M Y K

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