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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B22C23 it is the complementary color #4DD3DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B22C23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B22C23 shade: #B72C1E, #C83E31, #D95044, #EA6257 and #FB746A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B22C23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B22C23 shade: #B22C23, #A11A10, #900800, #7F0000 and #6E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B22C23 shade: #B22C23 and #B22323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B22C23 shade: #B22C23, #B25323, #B27923, #B2A023 and #9EB223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B22C23 shade matches the following richer shades: #B22C23, #C41D12 and #D50E00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B22C23 shade: #B22C23, #A13B34, #904A46, #7E5957 and #6D6868

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B22C23 shade: #B22368, #B22342, #B22A23, #B25023 and #B27723

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B22C23 shade: #6D1B15, #90231C, #B22C23, #D5352A and #DB554C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B22C23 shade: #B22C23, #8EB223 and #2355B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B22C23 shade: #B22C23, #23B22A and #2A23B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B22C23 shade: #B22C23, #8EB223, #23ABB2 and #4723B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B22C23 shade: #B22C23, #63B223, #23ABB2 and #7223B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 80 / 30

HEX #B22C23

RGB 178 44 35

HSL 3.78, 0.67%, 0.42%

LAB 40.23, 52.87, 38.21

 

Complementary color

CMYK 65 / 4 / 0 / 14

HEX #4DD3DC

RGB 77 211 220

HSL 183.78, 0.67%, 0.58%

LAB 78.07, -33.07, -15.17

 

CMYK 0 / 76 / 84 / 28

HEX #B72C1E

RGB 183 44 30

HSL 5.49, 0.72%, 0.42%

LAB 41.16, 54.28, 42.1

 

CMYK 0 / 69 / 76 / 22

HEX #C83E31

RGB 200 62 49

HSL 5.17, 0.61%, 0.49%

LAB 46.9, 53.84, 38.76

 

CMYK 0 / 63 / 69 / 15

HEX #D95044

RGB 217 80 68

HSL 4.83, 0.66%, 0.56%

LAB 52.85, 52.98, 35.67

 

CMYK 0 / 58 / 63 / 8

HEX #EA6257

RGB 234 98 87

HSL 4.49, 0.78%, 0.63%

LAB 58.9, 51.93, 32.97

 

CMYK 0 / 54 / 58 / 2

HEX #FB746A

RGB 251 116 106

HSL 4.14, 0.95%, 0.7%

LAB 64.99, 50.79, 30.61

 

CMYK 0 / 75 / 80 / 30

HEX #B22C23

RGB 178 44 35

HSL 3.78, 0.67%, 0.42%

LAB 40.23, 52.87, 38.21

 

CMYK 0 / 84 / 90 / 37

HEX #A11A10

RGB 161 26 16

HSL 4.14, 0.82%, 0.35%

LAB 34.71, 52.59, 41.68

 

CMYK 0 / 94 / 100 / 44

HEX #900800

RGB 144 8 0

HSL 3.33, 1%, 0.28%

LAB 29.67, 51.08, 43.04

 

CMYK 0 / 100 / 100 / 50

HEX #7F0000

RGB 127 0 0

HSL 0, 1%, 0.25%

LAB 25.3, 47.78, 37.76

 

CMYK 0 / 100 / 100 / 57

HEX #6E0000

RGB 110 0 0

HSL 0, 1%, 0.22%

LAB 21.26, 43.12, 32.36

 

CMYK 0 / 75 / 80 / 30

HEX #B22C23

RGB 178 44 35

HSL 3.78, 0.67%, 0.42%

LAB 40.23, 52.87, 38.21

 

CMYK 0 / 80 / 80 / 30

HEX #B22323

RGB 178 35 35

HSL 0, 0.67%, 0.42%

LAB 39.22, 55.68, 37.2

 

CMYK 0 / 75 / 80 / 30

HEX #B22C23

RGB 178 44 35

HSL 3.78, 0.67%, 0.42%

LAB 40.23, 52.87, 38.21

 

CMYK 0 / 53 / 80 / 30

HEX #B25323

RGB 178 83 35

HSL 20.14, 0.67%, 0.42%

LAB 46.68, 35.71, 44.54

 

CMYK 0 / 32 / 80 / 30

HEX #B27923

RGB 178 121 35

HSL 36.08, 0.67%, 0.42%

LAB 55.34, 14.98, 52.66

 

CMYK 0 / 10 / 80 / 30

HEX #B2A023

RGB 178 160 35

HSL 52.45, 0.67%, 0.42%

LAB 65.54, -6.41, 61.83

 

CMYK 11 / 0 / 80 / 30

HEX #9EB223

RGB 158 178 35

HSL 68.39, 0.67%, 0.42%

LAB 68.92, -24.37, 64.19

 

CMYK 0 / 75 / 80 / 30

HEX #B22C23

RGB 178 44 35

HSL 3.78, 0.67%, 0.42%

LAB 40.23, 52.87, 38.21

 

CMYK 0 / 85 / 91 / 23

HEX #C41D12

RGB 196 29 18

HSL 3.71, 0.83%, 0.42%

LAB 42.24, 61.94, 49.6

 

CMYK 0 / 93 / 100 / 16

HEX #D50E00

RGB 213 14 0

HSL 3.94, 1%, 0.42%

LAB 44.89, 68.65, 58.84

 

CMYK 0 / 75 / 80 / 30

HEX #B22C23

RGB 178 44 35

HSL 3.78, 0.67%, 0.42%

LAB 40.23, 52.87, 38.21

 

CMYK 0 / 63 / 68 / 37

HEX #A13B34

RGB 161 59 52

HSL 3.85, 0.51%, 0.42%

LAB 39.5, 41.83, 26.68

HEX #A13B34

CMYK 0 / 49 / 51 / 44

HEX #904A46

RGB 144 74 70

HSL 3.24, 0.35%, 0.42%

LAB 40.03, 29.03, 15.82

HEX #904A46

CMYK 0 / 29 / 31 / 51

HEX #7E5957

RGB 126 89 87

HSL 3.08, 0.18%, 0.42%

LAB 41.64, 14.96, 7.22

HEX #7E5957

CMYK 0 / 5 / 5 / 57

HEX #6D6868

RGB 109 104 104

HSL 0, 0.02%, 0.42%

LAB 44.45, 1.96, 0.69

HEX #6D6868

CMYK 0 / 80 / 42 / 30

HEX #B22368

RGB 178 35 104

HSL 331.05, 0.67%, 0.42%

LAB 40.68, 60.15, -3.74

 

CMYK 0 / 80 / 63 / 30

HEX #B22342

RGB 178 35 66

HSL 346.99, 0.67%, 0.42%

LAB 39.68, 57.11, 18.9

 

CMYK 0 / 76 / 80 / 30

HEX #B22A23

RGB 178 42 35

HSL 2.94, 0.67%, 0.42%

LAB 39.99, 53.54, 37.97

 

CMYK 0 / 55 / 80 / 30

HEX #B25023

RGB 178 80 35

HSL 18.88, 0.67%, 0.42%

LAB 46.07, 37.24, 43.96

 

CMYK 0 / 33 / 80 / 30

HEX #B27723

RGB 178 119 35

HSL 35.24, 0.67%, 0.42%

LAB 54.84, 16.1, 52.21

 

CMYK 0 / 75 / 81 / 57

HEX #6D1B15

RGB 109 27 21

HSL 4.09, 0.68%, 0.25%

LAB 23.96, 35.65, 25.17

 

CMYK 0 / 76 / 81 / 44

HEX #90231C

RGB 144 35 28

HSL 3.62, 0.67%, 0.34%

LAB 32.29, 44.84, 31.92

 

CMYK 0 / 75 / 80 / 30

HEX #B22C23

RGB 178 44 35

HSL 3.78, 0.67%, 0.42%

LAB 40.23, 52.87, 38.21

 

CMYK 0 / 75 / 80 / 16

HEX #D5352A

RGB 213 53 42

HSL 3.86, 0.67%, 0.5%

LAB 48.08, 60.9, 44.51

 

CMYK 0 / 61 / 65 / 14

HEX #DB554C

RGB 219 85 76

HSL 3.78, 0.67%, 0.58%

LAB 54.11, 51.92, 32.74

 

CMYK 0 / 75 / 80 / 30

HEX #B22C23

RGB 178 44 35

HSL 3.78, 0.67%, 0.42%

LAB 40.23, 52.87, 38.21

 

CMYK 20 / 0 / 80 / 30

HEX #8EB223

RGB 142 178 35

HSL 75.1, 0.67%, 0.42%

LAB 67.81, -31.03, 62.78

 

CMYK 80 / 52 / 0 / 30

HEX #2355B2

RGB 35 85 178

HSL 219.02, 0.67%, 0.42%

LAB 37.97, 18.07, -54.18

 

CMYK 0 / 75 / 80 / 30

HEX #B22C23

RGB 178 44 35

HSL 3.78, 0.67%, 0.42%

LAB 40.23, 52.87, 38.21

 

CMYK 80 / 0 / 76 / 30

HEX #23B22A

RGB 35 178 42

HSL 122.94, 0.67%, 0.42%

LAB 63.64, -61.4, 55.19

 

CMYK 76 / 80 / 0 / 30

HEX #2A23B2

RGB 42 35 178

HSL 242.94, 0.67%, 0.42%

LAB 26.47, 49.71, -73

 

CMYK 0 / 75 / 80 / 30

HEX #B22C23

RGB 178 44 35

HSL 3.78, 0.67%, 0.42%

LAB 40.23, 52.87, 38.21

 

CMYK 20 / 0 / 80 / 30

HEX #8EB223

RGB 142 178 35

HSL 75.1, 0.67%, 0.42%

LAB 67.81, -31.03, 62.78

 

CMYK 80 / 4 / 0 / 30

HEX #23ABB2

RGB 35 171 178

HSL 182.94, 0.67%, 0.42%

LAB 63.92, -31.57, -13.58

 

CMYK 60 / 80 / 0 / 30

HEX #4723B2

RGB 71 35 178

HSL 255.1, 0.67%, 0.42%

LAB 28.79, 52.34, -69.1

 

CMYK 0 / 75 / 80 / 30

HEX #B22C23

RGB 178 44 35

HSL 3.78, 0.67%, 0.42%

LAB 40.23, 52.87, 38.21

 

CMYK 44 / 0 / 80 / 30

HEX #63B223

RGB 99 178 35

HSL 93.15, 0.67%, 0.42%

LAB 65.45, -47.03, 59.76

 

CMYK 80 / 4 / 0 / 30

HEX #23ABB2

RGB 35 171 178

HSL 182.94, 0.67%, 0.42%

LAB 63.92, -31.57, -13.58

 

CMYK 36 / 80 / 0 / 30

HEX #7223B2

RGB 114 35 178

HSL 273.15, 0.67%, 0.42%

LAB 33.97, 58.23, -60.4

 

Description

Color code: HEX #B22C23 | qconv.com Color code: HEX #B22C23 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 44 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 44 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 80 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 80% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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