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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B22C81 it is the complementary color #4DD37E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B22C81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B22C81 shade: #B72C7C, #C83E8F, #D950A2, #EA62B5 and #FB74C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B22C81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B22C81 shade: #B22C81, #A11A6E, #90085B, #7F0048 and #6E0035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B22C81 shade: #B32C82, #B32C5D, #B32C39 and #B32C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B22C81 shade: #B32C82, #B32CA6, #9C2CB3, #772CB3 and #532CB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B22C81 shade matches the following richer shades: #B32C82, #C51A87 and #D7088C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B22C81 shade: #B32C82, #A13F7D, #8F5178, #7D6373 and #6A756E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B22C81 shade: #9A2CB3, #B32CA8, #B32C84, #B32C60 and #B32C3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B22C81 shade: #711C52, #92246A, #B32C82, #CE3B98 and #D65CA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B22C81 shade: #B22C81, #B3762C and #2CB3AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B22C81 shade: #B22C81, #84B32C and #2C84B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B22C81 shade: #B22C81, #B3762C, #2CB35C and #2C69B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B22C81 shade: #B22C81, #B39F2C, #2CB35C and #2C41B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 28 / 30

HEX #B22C81

RGB 178 44 129

HSL 321.94, 0.6%, 0.44%

LAB 42.54, 60.26, -16.48

 

Complementary color

CMYK 64 / 0 / 40 / 17

HEX #4DD37E

RGB 77 211 126

HSL 141.94, 0.6%, 0.56%

LAB 75.87, -55.09, 31.61

 

CMYK 0 / 76 / 32 / 28

HEX #B72C7C

RGB 183 44 124

HSL 325.47, 0.61%, 0.45%

LAB 43.25, 60.95, -12.24

 

CMYK 0 / 69 / 29 / 22

HEX #C83E8F

RGB 200 62 143

HSL 324.78, 0.56%, 0.51%

LAB 49.14, 61.54, -14.57

 

CMYK 0 / 63 / 25 / 15

HEX #D950A2

RGB 217 80 162

HSL 324.09, 0.64%, 0.58%

LAB 55.17, 61.58, -16.4

 

CMYK 0 / 58 / 23 / 8

HEX #EA62B5

RGB 234 98 181

HSL 323.38, 0.76%, 0.65%

LAB 61.28, 61.29, -17.88

 

CMYK 0 / 54 / 20 / 2

HEX #FB74C8

RGB 251 116 200

HSL 322.67, 0.94%, 0.72%

LAB 67.4, 60.8, -19.11

 

CMYK 0 / 75 / 28 / 30

HEX #B22C81

RGB 178 44 129

HSL 321.94, 0.6%, 0.44%

LAB 42.54, 60.26, -16.48

 

CMYK 0 / 84 / 32 / 37

HEX #A11A6E

RGB 161 26 110

HSL 322.67, 0.72%, 0.37%

LAB 36.82, 58.82, -13.65

 

CMYK 0 / 94 / 37 / 44

HEX #90085B

RGB 144 8 91

HSL 323.38, 0.89%, 0.3%

LAB 31.48, 56.06, -9.88

 

CMYK 0 / 100 / 43 / 50

HEX #7F0048

RGB 127 0 72

HSL 325.98, 1%, 0.25%

LAB 26.68, 51.47, -4.86

 

CMYK 0 / 100 / 52 / 57

HEX #6E0035

RGB 110 0 53

HSL 331.09, 1%, 0.22%

LAB 22.2, 45.64, 1.18

 

CMYK 0 / 75 / 27 / 30

HEX #B32C82

RGB 179 44 130

HSL 321.78, 0.61%, 0.44%

LAB 42.76, 60.64, -16.74

 

CMYK 0 / 75 / 48 / 30

HEX #B32C5D

RGB 179 44 93

HSL 338.22, 0.61%, 0.44%

LAB 41.49, 56.68, 4.38

 

CMYK 0 / 75 / 68 / 30

HEX #B32C39

RGB 179 44 57

HSL 354.22, 0.61%, 0.44%

LAB 40.7, 54.12, 25.86

 

CMYK 0 / 75 / 75 / 30

HEX #B32C2C

RGB 179 44 44

HSL 0, 0.61%, 0.44%

LAB 40.52, 53.51, 33.47

 

CMYK 0 / 75 / 27 / 30

HEX #B32C82

RGB 179 44 130

HSL 321.78, 0.61%, 0.44%

LAB 42.76, 60.64, -16.74

 

CMYK 0 / 75 / 7 / 30

HEX #B32CA6

RGB 179 44 166

HSL 305.78, 0.61%, 0.44%

LAB 44.43, 65.65, -35.89

 

CMYK 13 / 75 / 0 / 30

HEX #9C2CB3

RGB 156 44 179

HSL 289.78, 0.61%, 0.44%

LAB 41.41, 62.97, -48.64

 

CMYK 34 / 75 / 0 / 30

HEX #772CB3

RGB 119 44 179

HSL 273.33, 0.61%, 0.44%

LAB 35.94, 55.85, -57.75

 

CMYK 54 / 75 / 0 / 30

HEX #532CB3

RGB 83 44 179

HSL 257.33, 0.61%, 0.44%

LAB 31.57, 49.95, -65.08

 

CMYK 0 / 75 / 27 / 30

HEX #B32C82

RGB 179 44 130

HSL 321.78, 0.61%, 0.44%

LAB 42.76, 60.64, -16.74

 

CMYK 0 / 87 / 31 / 23

HEX #C51A87

RGB 197 26 135

HSL 321.75, 0.77%, 0.44%

LAB 44.74, 69.95, -16.47

 

CMYK 0 / 96 / 35 / 16

HEX #D7088C

RGB 215 8 140

HSL 321.74, 0.93%, 0.44%

LAB 47.64, 76.55, -14.78

 

CMYK 0 / 75 / 27 / 30

HEX #B32C82

RGB 179 44 130

HSL 321.78, 0.61%, 0.44%

LAB 42.76, 60.64, -16.74

 

CMYK 0 / 61 / 22 / 37

HEX #A13F7D

RGB 161 63 125

HSL 322.04, 0.44%, 0.44%

LAB 42.17, 47.52, -14.84

 

CMYK 0 / 43 / 16 / 44

HEX #8F5178

RGB 143 81 120

HSL 322.26, 0.28%, 0.44%

LAB 42.88, 31.5, -10.95

 

CMYK 0 / 21 / 8 / 51

HEX #7D6373

RGB 125 99 115

HSL 323.08, 0.12%, 0.44%

LAB 44.97, 13.35, -5

 

CMYK 9 / 0 / 6 / 54

HEX #6A756E

RGB 106 117 110

HSL 141.82, 0.05%, 0.44%

LAB 48.15, -5.59, 2.45

 

CMYK 14 / 75 / 0 / 30

HEX #9A2CB3

RGB 154 44 179

HSL 288.89, 0.61%, 0.44%

LAB 41.1, 62.56, -49.16

 

CMYK 0 / 75 / 6 / 30

HEX #B32CA8

RGB 179 44 168

HSL 304.89, 0.61%, 0.44%

LAB 44.54, 65.95, -36.92

 

CMYK 0 / 75 / 26 / 30

HEX #B32C84

RGB 179 44 132

HSL 320.89, 0.61%, 0.44%

LAB 42.84, 60.89, -17.84

 

CMYK 0 / 75 / 46 / 30

HEX #B32C60

RGB 179 44 96

HSL 336.89, 0.61%, 0.44%

LAB 41.58, 56.95, 2.62

 

CMYK 0 / 75 / 66 / 30

HEX #B32C3C

RGB 179 44 60

HSL 352.89, 0.61%, 0.44%

LAB 40.75, 54.28, 24.08

 

CMYK 0 / 75 / 27 / 56

HEX #711C52

RGB 113 28 82

HSL 321.88, 0.6%, 0.28%

LAB 26.59, 42.16, -11.96

 

CMYK 0 / 75 / 27 / 43

HEX #92246A

RGB 146 36 106

HSL 321.82, 0.6%, 0.36%

LAB 34.83, 51.63, -14.41

 

CMYK 0 / 75 / 27 / 30

HEX #B32C82

RGB 179 44 130

HSL 321.78, 0.61%, 0.44%

LAB 42.76, 60.64, -16.74

 

CMYK 0 / 71 / 26 / 19

HEX #CE3B98

RGB 206 59 152

HSL 322.04, 0.6%, 0.52%

LAB 50.12, 65.31, -18.36

 

CMYK 0 / 57 / 21 / 16

HEX #D65CA9

RGB 214 92 169

HSL 322.13, 0.6%, 0.6%

LAB 56.89, 56.45, -17.9

 

CMYK 0 / 75 / 28 / 30

HEX #B22C81

RGB 178 44 129

HSL 321.94, 0.6%, 0.44%

LAB 42.54, 60.26, -16.48

 

CMYK 0 / 34 / 75 / 30

HEX #B3762C

RGB 179 118 44

HSL 32.89, 0.61%, 0.44%

LAB 54.79, 17.47, 48.46

 

CMYK 75 / 0 / 4 / 30

HEX #2CB3AC

RGB 44 179 172

HSL 176.89, 0.61%, 0.44%

LAB 66.33, -36.21, -6.62

 

CMYK 0 / 75 / 28 / 30

HEX #B22C81

RGB 178 44 129

HSL 321.94, 0.6%, 0.44%

LAB 42.54, 60.26, -16.48

 

CMYK 26 / 0 / 75 / 30

HEX #84B32C

RGB 132 179 44

HSL 80.89, 0.61%, 0.44%

LAB 67.52, -35.06, 59.5

 

CMYK 75 / 26 / 0 / 30

HEX #2C84B3

RGB 44 132 179

HSL 200.89, 0.61%, 0.44%

LAB 52.17, -9.77, -32.16

 

CMYK 0 / 75 / 28 / 30

HEX #B22C81

RGB 178 44 129

HSL 321.94, 0.6%, 0.44%

LAB 42.54, 60.26, -16.48

 

CMYK 0 / 34 / 75 / 30

HEX #B3762C

RGB 179 118 44

HSL 32.89, 0.61%, 0.44%

LAB 54.79, 17.47, 48.46

 

CMYK 75 / 0 / 49 / 30

HEX #2CB35C

RGB 44 179 92

HSL 141.33, 0.61%, 0.44%

LAB 64.6, -54.61, 34.33

 

CMYK 75 / 41 / 0 / 30

HEX #2C69B3

RGB 44 105 179

HSL 212.89, 0.61%, 0.44%

LAB 44.08, 6.51, -44.92

 

CMYK 0 / 75 / 28 / 30

HEX #B22C81

RGB 178 44 129

HSL 321.94, 0.6%, 0.44%

LAB 42.54, 60.26, -16.48

 

CMYK 0 / 11 / 75 / 30

HEX #B39F2C

RGB 179 159 44

HSL 51.11, 0.61%, 0.44%

LAB 65.41, -5.08, 58.75

 

CMYK 75 / 0 / 49 / 30

HEX #2CB35C

RGB 44 179 92

HSL 141.33, 0.61%, 0.44%

LAB 64.6, -54.61, 34.33

 

CMYK 75 / 64 / 0 / 30

HEX #2C41B3

RGB 44 65 179

HSL 230.67, 0.61%, 0.44%

LAB 33.07, 32.63, -62.72

 

Description

Color code: HEX #B22C81 | qconv.com Color code: HEX #B22C81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 44 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 44 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 28 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 28% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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