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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B22EB8 it is the complementary color #4DD147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B22EB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B22EB8 shade: #B72EB3, #C840C6, #D952D9, #EA64EC and #FB76FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B22EB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B22EB8 shade: #B22EB8, #A11CA5, #900A92, #7F007F and #6E006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B22EB8 shade: #B12DB7, #B72D98, #B72D73, #B72D4E and #B72D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B22EB8 shade: #B12DB7, #8C2DB7, #672DB7, #422DB7 and #2D2DB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B22EB8 shade matches the following richer shades: #B12DB7, #C21BCA and #D308DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B22EB8 shade: #B12DB7, #A040A5, #8F5392, #7E657F and #6D786D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B22EB8 shade: #672DB7, #8B2DB7, #B02DB7, #B72D99 and #B72D75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B22EB8 shade: #711D75, #912596, #B12DB7, #C83FCF and #D260D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B22EB8 shade: #B22EB8, #B7422D and #2DB779

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B22EB8 shade: #B22EB8, #B7B02D and #2DB7B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B22EB8 shade: #B22EB8, #B7422D, #34B72D and #2DA2B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B22EB8 shade: #B22EB8, #B76B2D, #34B72D and #2D79B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 75 / 0 / 28

HEX #B22EB8

RGB 178 46 184

HSL 297.39, 0.6%, 0.45%

LAB 45.47, 67.7, -44.89

 

Complementary color

CMYK 63 / 0 / 66 / 18

HEX #4DD147

RGB 77 209 71

HSL 117.39, 0.6%, 0.55%

LAB 74.59, -61.81, 55.9

 

CMYK 0 / 75 / 2 / 28

HEX #B72EB3

RGB 183 46 179

HSL 301.75, 0.6%, 0.45%

LAB 46.01, 67.93, -41.05

 

CMYK 0 / 68 / 1 / 22

HEX #C840C6

RGB 200 64 198

HSL 300.88, 0.55%, 0.52%

LAB 51.86, 68.73, -42.66

 

CMYK 0 / 62 / 0 / 15

HEX #D952D9

RGB 217 82 217

HSL 300, 0.64%, 0.59%

LAB 57.84, 68.96, -43.89

 

CMYK 1 / 58 / 0 / 7

HEX #EA64EC

RGB 234 100 236

HSL 299.12, 0.78%, 0.66%

LAB 63.89, 68.83, -44.84

 

CMYK 2 / 54 / 0 / 0

HEX #FB76FF

RGB 251 118 255

HSL 298.25, 1%, 0.73%

LAB 69.96, 68.46, -45.6

 

CMYK 3 / 75 / 0 / 28

HEX #B22EB8

RGB 178 46 184

HSL 297.39, 0.6%, 0.45%

LAB 45.47, 67.7, -44.89

 

CMYK 2 / 83 / 0 / 35

HEX #A11CA5

RGB 161 28 165

HSL 298.25, 0.71%, 0.38%

LAB 39.79, 66.08, -42.86

 

CMYK 1 / 93 / 0 / 43

HEX #900A92

RGB 144 10 146

HSL 299.12, 0.87%, 0.31%

LAB 34.44, 63.18, -40.06

 

CMYK 0 / 100 / 0 / 50

HEX #7F007F

RGB 127 0 127

HSL 300, 1%, 0.25%

LAB 29.52, 58.61, -36.29

 

CMYK 0 / 100 / 2 / 57

HEX #6E006C

RGB 110 0 108

HSL 301.09, 1%, 0.22%

LAB 24.94, 52.56, -31.67

 

CMYK 3 / 75 / 0 / 28

HEX #B12DB7

RGB 177 45 183

HSL 297.39, 0.61%, 0.45%

LAB 45.14, 67.63, -44.84

 

CMYK 0 / 75 / 17 / 28

HEX #B72D98

RGB 183 45 152

HSL 313.48, 0.61%, 0.45%

LAB 44.53, 64.21, -27.3

 

CMYK 0 / 75 / 37 / 28

HEX #B72D73

RGB 183 45 115

HSL 329.57, 0.61%, 0.45%

LAB 43.04, 59.63, -7

 

CMYK 0 / 75 / 57 / 28

HEX #B72D4E

RGB 183 45 78

HSL 345.65, 0.61%, 0.45%

LAB 41.99, 56.3, 14.61

 

CMYK 0 / 75 / 75 / 28

HEX #B72D2D

RGB 183 45 45

HSL 0, 0.61%, 0.45%

LAB 41.43, 54.45, 34.11

 

CMYK 3 / 75 / 0 / 28

HEX #B12DB7

RGB 177 45 183

HSL 297.39, 0.61%, 0.45%

LAB 45.14, 67.63, -44.84

 

CMYK 23 / 75 / 0 / 28

HEX #8C2DB7

RGB 140 45 183

HSL 281.3, 0.61%, 0.45%

LAB 39.36, 60.25, -54.43

 

CMYK 44 / 75 / 0 / 28

HEX #672DB7

RGB 103 45 183

HSL 265.22, 0.61%, 0.45%

LAB 34.35, 53.64, -62.8

 

CMYK 64 / 75 / 0 / 28

HEX #422DB7

RGB 66 45 183

HSL 249.13, 0.61%, 0.45%

LAB 30.53, 48.39, -69.22

 

CMYK 75 / 75 / 0 / 28

HEX #2D2DB7

RGB 45 45 183

HSL 240, 0.61%, 0.45%

LAB 29.04, 46.29, -71.73

 

CMYK 3 / 75 / 0 / 28

HEX #B12DB7

RGB 177 45 183

HSL 297.39, 0.61%, 0.45%

LAB 45.14, 67.63, -44.84

 

CMYK 4 / 87 / 0 / 21

HEX #C21BCA

RGB 194 27 202

HSL 297.26, 0.76%, 0.45%

LAB 47.65, 78.15, -51.75

 

CMYK 4 / 96 / 0 / 14

HEX #D308DC

RGB 211 8 220

HSL 297.45, 0.93%, 0.45%

LAB 50.91, 85.89, -56.69

 

CMYK 3 / 75 / 0 / 28

HEX #B12DB7

RGB 177 45 183

HSL 297.39, 0.61%, 0.45%

LAB 45.14, 67.63, -44.84

 

CMYK 3 / 61 / 0 / 35

HEX #A040A5

RGB 160 64 165

HSL 297.03, 0.44%, 0.45%

LAB 44.03, 53.39, -36.14

 

CMYK 2 / 43 / 0 / 43

HEX #8F5392

RGB 143 83 146

HSL 297.14, 0.28%, 0.45%

LAB 44.38, 35.2, -24.41

 

CMYK 1 / 20 / 0 / 50

HEX #7E657F

RGB 126 101 127

HSL 297.69, 0.11%, 0.45%

LAB 46.01, 14.92, -10.67

 

CMYK 9 / 0 / 9 / 53

HEX #6D786D

RGB 109 120 109

HSL 120, 0.05%, 0.45%

LAB 49.24, -6.37, 4.64

 

CMYK 44 / 75 / 0 / 28

HEX #672DB7

RGB 103 45 183

HSL 265.22, 0.61%, 0.45%

LAB 34.35, 53.64, -62.8

 

CMYK 24 / 75 / 0 / 28

HEX #8B2DB7

RGB 139 45 183

HSL 280.87, 0.61%, 0.45%

LAB 39.22, 60.06, -54.68

 

CMYK 4 / 75 / 0 / 28

HEX #B02DB7

RGB 176 45 183

HSL 296.96, 0.61%, 0.45%

LAB 44.98, 67.42, -45.11

 

CMYK 0 / 75 / 16 / 28

HEX #B72D99

RGB 183 45 153

HSL 313.04, 0.61%, 0.45%

LAB 44.58, 64.35, -27.83

 

CMYK 0 / 75 / 36 / 28

HEX #B72D75

RGB 183 45 117

HSL 328.7, 0.61%, 0.45%

LAB 43.11, 59.84, -8.13

 

CMYK 3 / 75 / 0 / 54

HEX #711D75

RGB 113 29 117

HSL 297.27, 0.6%, 0.29%

LAB 28.57, 47.48, -31.63

 

CMYK 3 / 75 / 0 / 41

HEX #912596

RGB 145 37 150

HSL 297.35, 0.6%, 0.37%

LAB 37.01, 57.79, -38.39

 

CMYK 3 / 75 / 0 / 28

HEX #B12DB7

RGB 177 45 183

HSL 297.39, 0.61%, 0.45%

LAB 45.14, 67.63, -44.84

 

CMYK 3 / 70 / 0 / 19

HEX #C83FCF

RGB 200 63 207

HSL 297.08, 0.6%, 0.53%

LAB 52.22, 70.57, -47.27

 

CMYK 2 / 55 / 0 / 16

HEX #D260D7

RGB 210 96 215

HSL 297.48, 0.6%, 0.61%

LAB 58.95, 60.86, -41.08

 

CMYK 3 / 75 / 0 / 28

HEX #B22EB8

RGB 178 46 184

HSL 297.39, 0.6%, 0.45%

LAB 45.47, 67.7, -44.89

 

CMYK 0 / 64 / 75 / 28

HEX #B7422D

RGB 183 66 45

HSL 9.13, 0.61%, 0.45%

LAB 44.45, 46.2, 37.42

 

CMYK 75 / 0 / 34 / 28

HEX #2DB779

RGB 45 183 121

HSL 153.04, 0.61%, 0.45%

LAB 66.37, -50.55, 21.43

 

CMYK 3 / 75 / 0 / 28

HEX #B22EB8

RGB 178 46 184

HSL 297.39, 0.6%, 0.45%

LAB 45.47, 67.7, -44.89

 

CMYK 0 / 4 / 75 / 28

HEX #B7B02D

RGB 183 176 45

HSL 56.96, 0.61%, 0.45%

LAB 70.39, -12.2, 63.19

 

CMYK 75 / 0 / 4 / 28

HEX #2DB7B0

RGB 45 183 176

HSL 176.96, 0.61%, 0.45%

LAB 67.69, -36.79, -6.81

 

CMYK 3 / 75 / 0 / 28

HEX #B22EB8

RGB 178 46 184

HSL 297.39, 0.6%, 0.45%

LAB 45.47, 67.7, -44.89

 

CMYK 0 / 64 / 75 / 28

HEX #B7422D

RGB 183 66 45

HSL 9.13, 0.61%, 0.45%

LAB 44.45, 46.2, 37.42

 

CMYK 72 / 0 / 75 / 28

HEX #34B72D

RGB 52 183 45

HSL 116.96, 0.61%, 0.45%

LAB 65.58, -60.2, 56.18

 

CMYK 75 / 11 / 0 / 28

HEX #2DA2B7

RGB 45 162 183

HSL 189.13, 0.61%, 0.45%

LAB 61.5, -24.5, -20.03

 

CMYK 3 / 75 / 0 / 28

HEX #B22EB8

RGB 178 46 184

HSL 297.39, 0.6%, 0.45%

LAB 45.47, 67.7, -44.89

 

CMYK 0 / 42 / 75 / 28

HEX #B76B2D

RGB 183 107 45

HSL 26.96, 0.61%, 0.45%

LAB 52.7, 25.35, 46.07

 

CMYK 72 / 0 / 75 / 28

HEX #34B72D

RGB 52 183 45

HSL 116.96, 0.61%, 0.45%

LAB 65.58, -60.2, 56.18

 

CMYK 75 / 34 / 0 / 28

HEX #2D79B7

RGB 45 121 183

HSL 206.96, 0.61%, 0.45%

LAB 49.07, -1.74, -39.32

 

Description

Color code: HEX #B22EB8 | qconv.com Color code: HEX #B22EB8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 46 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 46 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 75 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 75% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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