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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B25458 it is the complementary color #4DABA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B25458. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B25458 shade: #B75453, #C86666, #D97879, #EA8A8C and #FB9C9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B25458. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B25458 shade: #B25458, #A14245, #903032, #7F1E1F and #6E0C0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B25458 shade: #B15256 and #B15252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B25458 shade: #B15256, #B15270, #B15289, #B152A3 and #A652B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B25458 shade matches the following richer shades: #B15256, #C53E44, #D92A31 and #EE151F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B25458 shade: #B15256, #9D6669, #897B7B, #748F8E and #60A3A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B25458 shade: #B15289, #B15270, #B15257, #B16752 and #B18052

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B25458 shade: #7A3739, #974347, #B15256, #BE6F72 and #CB8B8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B25458 shade: #B25458, #A3B152 and #527DB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B25458 shade: #B25458, #57B152 and #5257B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B25458 shade: #B25458, #A3B152, #52B1AC and #6052B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B25458 shade: #B25458, #86B152, #52B1AC and #7D52B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 51 / 30

HEX #B25458

RGB 178 84 88

HSL 357.45, 0.38%, 0.51%

LAB 47.64, 38.59, 16.03

 

Complementary color

CMYK 55 / 0 / 2 / 33

HEX #4DABA7

RGB 77 171 167

HSL 177.45, 0.38%, 0.49%

LAB 64.56, -28.6, -6.38

 

CMYK 0 / 54 / 55 / 28

HEX #B75453

RGB 183 84 83

HSL 0.6, 0.41%, 0.52%

LAB 48.3, 40.01, 20.05

 

CMYK 0 / 49 / 49 / 22

HEX #C86666

RGB 200 102 102

HSL 0, 0.47%, 0.59%

LAB 54.8, 38.87, 18.04

 

CMYK 0 / 45 / 44 / 15

HEX #D97879

RGB 217 120 121

HSL 359.38, 0.56%, 0.66%

LAB 61.28, 37.76, 16.32

 

CMYK 0 / 41 / 40 / 8

HEX #EA8A8C

RGB 234 138 140

HSL 358.75, 0.7%, 0.73%

LAB 67.7, 36.73, 14.83

 

CMYK 0 / 38 / 37 / 2

HEX #FB9C9F

RGB 251 156 159

HSL 358.11, 0.92%, 0.8%

LAB 74.05, 35.76, 13.5

 

CMYK 0 / 53 / 51 / 30

HEX #B25458

RGB 178 84 88

HSL 357.45, 0.38%, 0.51%

LAB 47.64, 38.59, 16.03

 

CMYK 0 / 59 / 57 / 37

HEX #A14245

RGB 161 66 69

HSL 358.11, 0.42%, 0.45%

LAB 41.06, 39.68, 18.29

 

CMYK 0 / 67 / 65 / 44

HEX #903032

RGB 144 48 50

HSL 358.75, 0.5%, 0.38%

LAB 34.55, 40.63, 21.1

 

CMYK 0 / 76 / 76 / 50

HEX #7F1E1F

RGB 127 30 31

HSL 359.38, 0.62%, 0.31%

LAB 28.22, 41.15, 24.67

 

CMYK 0 / 89 / 89 / 57

HEX #6E0C0C

RGB 110 12 12

HSL 0, 0.8%, 0.24%

LAB 22.32, 40.64, 28.55

 

CMYK 0 / 54 / 51 / 31

HEX #B15256

RGB 177 82 86

HSL 357.47, 0.38%, 0.51%

LAB 47.04, 39.06, 16.41

 

CMYK 0 / 54 / 54 / 31

HEX #B15252

RGB 177 82 82

HSL 0, 0.38%, 0.51%

LAB 46.96, 38.7, 18.7

 

CMYK 0 / 54 / 51 / 31

HEX #B15256

RGB 177 82 86

HSL 357.47, 0.38%, 0.51%

LAB 47.04, 39.06, 16.41

 

CMYK 0 / 54 / 37 / 31

HEX #B15270

RGB 177 82 112

HSL 341.05, 0.38%, 0.51%

LAB 47.69, 41.83, 1.58

 

CMYK 0 / 54 / 23 / 31

HEX #B15289

RGB 177 82 137

HSL 325.26, 0.38%, 0.51%

LAB 48.5, 45.17, -12.29

 

CMYK 0 / 54 / 8 / 31

HEX #B152A3

RGB 177 82 163

HSL 308.84, 0.38%, 0.51%

LAB 49.53, 49.29, -26.17

 

CMYK 6 / 54 / 0 / 31

HEX #A652B1

RGB 166 82 177

HSL 293.05, 0.38%, 0.51%

LAB 48.66, 48.69, -35.86

 

CMYK 0 / 54 / 51 / 31

HEX #B15256

RGB 177 82 86

HSL 357.47, 0.38%, 0.51%

LAB 47.04, 39.06, 16.41

 

CMYK 0 / 69 / 65 / 23

HEX #C53E44

RGB 197 62 68

HSL 357.33, 0.54%, 0.51%

LAB 46.62, 53.78, 27.29

 

CMYK 0 / 81 / 77 / 15

HEX #D92A31

RGB 217 42 49

HSL 357.6, 0.7%, 0.51%

LAB 47.79, 65.47, 40.66

 

CMYK 0 / 91 / 87 / 7

HEX #EE151F

RGB 238 21 31

HSL 357.24, 0.86%, 0.51%

LAB 50.47, 74.51, 53.91

 

CMYK 0 / 54 / 51 / 31

HEX #B15256

RGB 177 82 86

HSL 357.47, 0.38%, 0.51%

LAB 47.04, 39.06, 16.41

 

CMYK 0 / 35 / 33 / 38

HEX #9D6669

RGB 157 102 105

HSL 356.73, 0.22%, 0.51%

LAB 49.12, 22.57, 7.48

 

CMYK 0 / 10 / 10 / 46

HEX #897B7B

RGB 137 123 123

HSL 0, 0.06%, 0.51%

LAB 52.86, 5.36, 1.95

 

CMYK 19 / 0 / 1 / 44

HEX #748F8E

RGB 116 143 142

HSL 177.78, 0.11%, 0.51%

LAB 57.38, -9.72, -2.64

 

CMYK 41 / 0 / 2 / 36

HEX #60A3A0

RGB 96 163 160

HSL 177.31, 0.27%, 0.51%

LAB 62.69, -22, -5.14

 

CMYK 0 / 54 / 23 / 31

HEX #B15289

RGB 177 82 137

HSL 325.26, 0.38%, 0.51%

LAB 48.5, 45.17, -12.29

 

CMYK 0 / 54 / 37 / 31

HEX #B15270

RGB 177 82 112

HSL 341.05, 0.38%, 0.51%

LAB 47.69, 41.83, 1.58

 

CMYK 0 / 54 / 51 / 31

HEX #B15257

RGB 177 82 87

HSL 356.84, 0.38%, 0.51%

LAB 47.07, 39.15, 15.83

 

CMYK 0 / 42 / 54 / 31

HEX #B16752

RGB 177 103 82

HSL 13.26, 0.38%, 0.51%

LAB 51.45, 27.51, 24.62

 

CMYK 0 / 28 / 54 / 31

HEX #B18052

RGB 177 128 82

HSL 29.05, 0.38%, 0.51%

LAB 57.46, 13.56, 32.27

 

CMYK 0 / 55 / 53 / 52

HEX #7A3739

RGB 122 55 57

HSL 358.21, 0.38%, 0.35%

LAB 32.18, 29.39, 12.81

 

CMYK 0 / 56 / 53 / 41

HEX #974347

RGB 151 67 71

HSL 357.14, 0.39%, 0.43%

LAB 39.66, 35.62, 14.89

 

CMYK 0 / 54 / 51 / 31

HEX #B15256

RGB 177 82 86

HSL 357.47, 0.38%, 0.51%

LAB 47.04, 39.06, 16.41

 

CMYK 0 / 42 / 40 / 25

HEX #BE6F72

RGB 190 111 114

HSL 357.72, 0.38%, 0.59%

LAB 55.62, 31.58, 11.94

 

CMYK 0 / 32 / 30 / 20

HEX #CB8B8E

RGB 203 139 142

HSL 357.19, 0.38%, 0.67%

LAB 64.25, 24.81, 8.31

 

CMYK 0 / 53 / 51 / 30

HEX #B25458

RGB 178 84 88

HSL 357.45, 0.38%, 0.51%

LAB 47.64, 38.59, 16.03

 

CMYK 8 / 0 / 54 / 31

HEX #A3B152

RGB 163 177 82

HSL 68.84, 0.38%, 0.51%

LAB 69.36, -18.81, 46.3

 

CMYK 54 / 29 / 0 / 31

HEX #527DB1

RGB 82 125 177

HSL 212.84, 0.38%, 0.51%

LAB 51.42, 0.45, -32.06

 

CMYK 0 / 53 / 51 / 30

HEX #B25458

RGB 178 84 88

HSL 357.45, 0.38%, 0.51%

LAB 47.64, 38.59, 16.03

 

CMYK 51 / 0 / 54 / 31

HEX #57B152

RGB 87 177 82

HSL 116.84, 0.38%, 0.51%

LAB 65.03, -46.14, 40.11

 

CMYK 54 / 51 / 0 / 31

HEX #5257B1

RGB 82 87 177

HSL 236.84, 0.38%, 0.51%

LAB 40.87, 24, -48.78

 

CMYK 0 / 53 / 51 / 30

HEX #B25458

RGB 178 84 88

HSL 357.45, 0.38%, 0.51%

LAB 47.64, 38.59, 16.03

 

CMYK 8 / 0 / 54 / 31

HEX #A3B152

RGB 163 177 82

HSL 68.84, 0.38%, 0.51%

LAB 69.36, -18.81, 46.3

 

CMYK 54 / 0 / 3 / 31

HEX #52B1AC

RGB 82 177 172

HSL 176.84, 0.38%, 0.51%

LAB 66.69, -29.15, -5.99

 

CMYK 46 / 54 / 0 / 31

HEX #6052B1

RGB 96 82 177

HSL 248.84, 0.38%, 0.51%

LAB 40.73, 30.27, -48.95

 

CMYK 0 / 53 / 51 / 30

HEX #B25458

RGB 178 84 88

HSL 357.45, 0.38%, 0.51%

LAB 47.64, 38.59, 16.03

 

CMYK 24 / 0 / 54 / 31

HEX #86B152

RGB 134 177 82

HSL 87.16, 0.38%, 0.51%

LAB 67.37, -30.35, 43.47

 

CMYK 54 / 0 / 3 / 31

HEX #52B1AC

RGB 82 177 172

HSL 176.84, 0.38%, 0.51%

LAB 66.69, -29.15, -5.99

 

CMYK 29 / 54 / 0 / 31

HEX #7D52B1

RGB 125 82 177

HSL 267.16, 0.38%, 0.51%

LAB 43.61, 37.51, -44.18

 

Description

Color code: HEX #B25458 | qconv.com Color code: HEX #B25458 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 84 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 84 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 51 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 51% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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