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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B255B3 it is the complementary color #4DAA4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B255B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B255B3 shade: #B755AE, #C867C1, #D979D4, #EA8BE7 and #FB9DFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B255B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B255B3 shade: #B255B3, #A143A0, #90318D, #7F1F7A and #6E0D67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B255B3 shade: #B256B3, #B3569B, #B35681, #B35668 and #B35656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B255B3 shade: #B256B3, #9956B3, #7F56B3, #6656B3 and #5656B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B255B3 shade matches the following richer shades: #B256B3, #C542C6, #D82EDA and #EC1AEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B255B3 shade: #B256B3, #9E699F, #8B7D8B, #779177 and #64A563

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B255B3 shade: #7F56B3, #9856B3, #B156B3, #B3569B and #B35683

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B255B3 shade: #7D387E, #99459A, #B256B3, #BF72BF and #CC8FCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B255B3 shade: #B255B3, #B36756 and #56B38C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B255B3 shade: #B255B3, #B3B156 and #56B3B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B255B3 shade: #B255B3, #B36756, #57B356 and #56A2B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B255B3 shade: #B255B3, #B38356, #57B356 and #5686B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 53 / 0 / 30

HEX #B255B3

RGB 178 85 179

HSL 299.36, 0.38%, 0.52%

LAB 50.94, 50.93, -33.33

 

Complementary color

CMYK 55 / 0 / 55 / 33

HEX #4DAA4C

RGB 77 170 76

HSL 119.36, 0.38%, 0.48%

LAB 62.38, -46.83, 39.77

 

CMYK 0 / 54 / 5 / 28

HEX #B755AE

RGB 183 85 174

HSL 305.51, 0.4%, 0.53%

LAB 51.41, 51.46, -29.64

 

CMYK 0 / 49 / 4 / 22

HEX #C867C1

RGB 200 103 193

HSL 304.33, 0.47%, 0.59%

LAB 57.88, 50.87, -30.37

 

CMYK 0 / 44 / 2 / 15

HEX #D979D4

RGB 217 121 212

HSL 303.13, 0.56%, 0.66%

LAB 64.31, 50.18, -30.97

 

CMYK 0 / 41 / 1 / 8

HEX #EA8BE7

RGB 234 139 231

HSL 301.89, 0.69%, 0.73%

LAB 70.68, 49.46, -31.48

 

CMYK 0 / 37 / 0 / 2

HEX #FB9DFA

RGB 251 157 250

HSL 300.64, 0.92%, 0.8%

LAB 77, 48.74, -31.94

 

CMYK 1 / 53 / 0 / 30

HEX #B255B3

RGB 178 85 179

HSL 299.36, 0.38%, 0.52%

LAB 50.94, 50.93, -33.33

 

CMYK 0 / 58 / 1 / 37

HEX #A143A0

RGB 161 67 160

HSL 300.64, 0.41%, 0.45%

LAB 44.42, 51.38, -32.53

 

CMYK 0 / 66 / 2 / 44

HEX #90318D

RGB 144 49 141

HSL 301.89, 0.49%, 0.38%

LAB 37.93, 51.49, -31.45

 

CMYK 0 / 76 / 4 / 50

HEX #7F1F7A

RGB 127 31 122

HSL 303.13, 0.61%, 0.31%

LAB 31.57, 50.94, -29.88

 

CMYK 0 / 88 / 6 / 57

HEX #6E0D67

RGB 110 13 103

HSL 304.33, 0.79%, 0.24%

LAB 25.51, 49.17, -27.52

 

CMYK 1 / 52 / 0 / 30

HEX #B256B3

RGB 178 86 179

HSL 299.35, 0.38%, 0.52%

LAB 51.12, 50.44, -33.04

 

CMYK 0 / 52 / 13 / 30

HEX #B3569B

RGB 179 86 155

HSL 315.48, 0.38%, 0.52%

LAB 50.22, 46.59, -20.35

 

CMYK 0 / 52 / 28 / 30

HEX #B35681

RGB 179 86 129

HSL 332.26, 0.38%, 0.52%

LAB 49.28, 42.69, -6.29

 

CMYK 0 / 52 / 42 / 30

HEX #B35668

RGB 179 86 104

HSL 348.39, 0.38%, 0.52%

LAB 48.56, 39.58, 7.7

 

CMYK 0 / 52 / 52 / 30

HEX #B35656

RGB 179 86 86

HSL 0, 0.38%, 0.52%

LAB 48.15, 37.76, 17.95

 

CMYK 1 / 52 / 0 / 30

HEX #B256B3

RGB 178 86 179

HSL 299.35, 0.38%, 0.52%

LAB 51.12, 50.44, -33.04

 

CMYK 15 / 52 / 0 / 30

HEX #9956B3

RGB 153 86 179

HSL 283.23, 0.38%, 0.52%

LAB 47.86, 43.4, -38.4

 

CMYK 29 / 52 / 0 / 30

HEX #7F56B3

RGB 127 86 179

HSL 266.45, 0.38%, 0.52%

LAB 44.83, 36.26, -43.39

 

CMYK 43 / 52 / 0 / 30

HEX #6656B3

RGB 102 86 179

HSL 250.32, 0.38%, 0.52%

LAB 42.36, 29.85, -47.48

 

CMYK 52 / 52 / 0 / 30

HEX #5656B3

RGB 86 86 179

HSL 240, 0.38%, 0.52%

LAB 41.04, 26.15, -49.67

 

CMYK 1 / 52 / 0 / 30

HEX #B256B3

RGB 178 86 179

HSL 299.35, 0.38%, 0.52%

LAB 51.12, 50.44, -33.04

 

CMYK 1 / 67 / 0 / 22

HEX #C542C6

RGB 197 66 198

HSL 299.55, 0.54%, 0.52%

LAB 51.66, 67.31, -43.01

 

CMYK 1 / 79 / 0 / 15

HEX #D82EDA

RGB 216 46 218

HSL 299.3, 0.7%, 0.52%

LAB 53.62, 80.62, -51.17

 

CMYK 1 / 89 / 0 / 7

HEX #EC1AEE

RGB 236 26 238

HSL 299.43, 0.86%, 0.52%

LAB 56.83, 90.78, -57.14

 

CMYK 1 / 52 / 0 / 30

HEX #B256B3

RGB 178 86 179

HSL 299.35, 0.38%, 0.52%

LAB 51.12, 50.44, -33.04

 

CMYK 1 / 34 / 0 / 38

HEX #9E699F

RGB 158 105 159

HSL 298.89, 0.22%, 0.52%

LAB 51.7, 30.31, -20.67

 

CMYK 0 / 10 / 0 / 45

HEX #8B7D8B

RGB 139 125 139

HSL 300, 0.06%, 0.52%

LAB 54.05, 8.02, -5.62

 

CMYK 18 / 0 / 18 / 43

HEX #779177

RGB 119 145 119

HSL 120, 0.11%, 0.52%

LAB 57.56, -14.51, 10.8

 

CMYK 39 / 0 / 40 / 35

HEX #64A563

RGB 100 165 99

HSL 119.09, 0.27%, 0.52%

LAB 62.1, -34.55, 27.83

 

CMYK 29 / 52 / 0 / 30

HEX #7F56B3

RGB 127 86 179

HSL 266.45, 0.38%, 0.52%

LAB 44.83, 36.26, -43.39

 

CMYK 15 / 52 / 0 / 30

HEX #9856B3

RGB 152 86 179

HSL 282.58, 0.38%, 0.52%

LAB 47.73, 43.12, -38.61

 

CMYK 1 / 52 / 0 / 30

HEX #B156B3

RGB 177 86 179

HSL 298.71, 0.38%, 0.52%

LAB 50.99, 50.16, -33.26

 

CMYK 0 / 52 / 13 / 30

HEX #B3569B

RGB 179 86 155

HSL 315.48, 0.38%, 0.52%

LAB 50.22, 46.59, -20.35

 

CMYK 0 / 52 / 27 / 30

HEX #B35683

RGB 179 86 131

HSL 330.97, 0.38%, 0.52%

LAB 49.35, 42.97, -7.39

 

CMYK 1 / 56 / 0 / 51

HEX #7D387E

RGB 125 56 126

HSL 299.14, 0.38%, 0.36%

LAB 35.39, 40.25, -26.39

 

CMYK 1 / 55 / 0 / 40

HEX #99459A

RGB 153 69 154

HSL 299.29, 0.38%, 0.44%

LAB 43.3, 47.12, -30.78

 

CMYK 1 / 52 / 0 / 30

HEX #B256B3

RGB 178 86 179

HSL 299.35, 0.38%, 0.52%

LAB 51.12, 50.44, -33.04

 

CMYK 0 / 40 / 0 / 25

HEX #BF72BF

RGB 191 114 191

HSL 300, 0.38%, 0.6%

LAB 58.86, 42.12, -27.8

 

CMYK 0 / 30 / 0 / 20

HEX #CC8FCC

RGB 204 143 204

HSL 300, 0.37%, 0.68%

LAB 67.16, 33.05, -22.25

 

CMYK 1 / 53 / 0 / 30

HEX #B255B3

RGB 178 85 179

HSL 299.36, 0.38%, 0.52%

LAB 50.94, 50.93, -33.33

 

CMYK 0 / 42 / 52 / 30

HEX #B36756

RGB 179 103 86

HSL 10.97, 0.38%, 0.52%

LAB 51.79, 28.68, 22.8

 

CMYK 52 / 0 / 22 / 30

HEX #56B38C

RGB 86 179 140

HSL 154.84, 0.38%, 0.52%

LAB 66.61, -37.02, 11.59

 

CMYK 1 / 53 / 0 / 30

HEX #B255B3

RGB 178 85 179

HSL 299.36, 0.38%, 0.52%

LAB 50.94, 50.93, -33.33

 

CMYK 0 / 1 / 52 / 30

HEX #B3B156

RGB 179 177 86

HSL 58.71, 0.38%, 0.52%

LAB 70.66, -11.81, 46.23

 

CMYK 52 / 0 / 1 / 30

HEX #56B3B1

RGB 86 179 177

HSL 178.71, 0.38%, 0.52%

LAB 67.57, -27.95, -7.43

 

CMYK 1 / 53 / 0 / 30

HEX #B255B3

RGB 178 85 179

HSL 299.36, 0.38%, 0.52%

LAB 50.94, 50.93, -33.33

 

CMYK 0 / 42 / 52 / 30

HEX #B36756

RGB 179 103 86

HSL 10.97, 0.38%, 0.52%

LAB 51.79, 28.68, 22.8

 

CMYK 51 / 0 / 52 / 30

HEX #57B356

RGB 87 179 86

HSL 119.35, 0.38%, 0.52%

LAB 65.7, -46.42, 38.96

 

CMYK 52 / 9 / 0 / 30

HEX #56A2B3

RGB 86 162 179

HSL 190.97, 0.38%, 0.52%

LAB 62.57, -18.75, -16.04

 

CMYK 1 / 53 / 0 / 30

HEX #B255B3

RGB 178 85 179

HSL 299.36, 0.38%, 0.52%

LAB 50.94, 50.93, -33.33

 

CMYK 0 / 27 / 52 / 30

HEX #B38356

RGB 179 131 86

HSL 29.03, 0.38%, 0.52%

LAB 58.5, 13.11, 31.45

 

CMYK 51 / 0 / 52 / 30

HEX #57B356

RGB 87 179 86

HSL 119.35, 0.38%, 0.52%

LAB 65.7, -46.42, 38.96

 

CMYK 52 / 25 / 0 / 30

HEX #5686B3

RGB 86 134 179

HSL 209.03, 0.38%, 0.52%

LAB 54.33, -3.28, -28.68

 

Description

Color code: HEX #B255B3 | qconv.com Color code: HEX #B255B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 85 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 85 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 53 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 53% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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