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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2563D it is the complementary color #4DA9C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2563D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2563D shade: #B75638, #C8684B, #D97A5E, #EA8C71 and #FB9E84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2563D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2563D shade: #B2563D, #A1442A, #903217, #7F2004 and #6E0E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2563D shade: #B2563D and #B23D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2563D shade: #B2563D, #B2753D, #B2953D, #AFB23D and #90B23D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2563D shade matches the following richer shades: #B2563D, #C54B29, #D94016 and #EC3402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2563D shade: #B2563D, #9F6150, #8B6C63, #787777 and #65828A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2563D shade: #B23D64, #B23D44, #B2543D, #B2733D and #B2933D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2563D shade: #753828, #934732, #B2563D, #C46C54 and #CF8673

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2563D shade: #B2563D, #83B23D and #3D54B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2563D shade: #B2563D, #3DB254 and #543DB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2563D shade: #B2563D, #83B23D, #3D9BB2 and #6C3DB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2563D shade: #B2563D, #60B23D, #3D9BB2 and #8F3DB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 66 / 30

HEX #B2563D

RGB 178 86 61

HSL 12.82, 0.49%, 0.47%

LAB 47.57, 35.44, 31.82

 

Complementary color

CMYK 60 / 13 / 0 / 24

HEX #4DA9C2

RGB 77 169 194

HSL 192.82, 0.49%, 0.53%

LAB 64.84, -19.83, -21

 

CMYK 0 / 53 / 69 / 28

HEX #B75638

RGB 183 86 56

HSL 14.17, 0.53%, 0.47%

LAB 48.27, 37.1, 35.64

 

CMYK 0 / 48 / 63 / 22

HEX #C8684B

RGB 200 104 75

HSL 13.92, 0.53%, 0.54%

LAB 54.75, 35.63, 33.42

 

CMYK 0 / 44 / 57 / 15

HEX #D97A5E

RGB 217 122 94

HSL 13.66, 0.62%, 0.61%

LAB 61.2, 34.26, 31.45

 

CMYK 0 / 40 / 52 / 8

HEX #EA8C71

RGB 234 140 113

HSL 13.39, 0.74%, 0.68%

LAB 67.61, 33.02, 29.69

 

CMYK 0 / 37 / 47 / 2

HEX #FB9E84

RGB 251 158 132

HSL 13.11, 0.94%, 0.75%

LAB 73.95, 31.88, 28.1

 

CMYK 0 / 52 / 66 / 30

HEX #B2563D

RGB 178 86 61

HSL 12.82, 0.49%, 0.47%

LAB 47.57, 35.44, 31.82

 

CMYK 0 / 58 / 74 / 37

HEX #A1442A

RGB 161 68 42

HSL 13.11, 0.59%, 0.4%

LAB 41.02, 36.93, 34.26

 

CMYK 0 / 65 / 84 / 44

HEX #903217

RGB 144 50 23

HSL 13.39, 0.72%, 0.33%

LAB 34.54, 38.41, 36.84

 

CMYK 0 / 75 / 97 / 50

HEX #7F2004

RGB 127 32 4

HSL 13.66, 0.94%, 0.26%

LAB 28.26, 39.56, 38.75

 

CMYK 0 / 87 / 100 / 57

HEX #6E0E00

RGB 110 14 0

HSL 7.64, 1%, 0.22%

LAB 22.41, 39.84, 33.58

 

CMYK 0 / 52 / 66 / 30

HEX #B2563D

RGB 178 86 61

HSL 12.82, 0.49%, 0.47%

LAB 47.57, 35.44, 31.82

 

CMYK 0 / 66 / 66 / 30

HEX #B23D3D

RGB 178 61 61

HSL 0, 0.49%, 0.47%

LAB 42.97, 47.46, 26.2

 

CMYK 0 / 52 / 66 / 30

HEX #B2563D

RGB 178 86 61

HSL 12.82, 0.49%, 0.47%

LAB 47.57, 35.44, 31.82

 

CMYK 0 / 34 / 66 / 30

HEX #B2753D

RGB 178 117 61

HSL 28.72, 0.49%, 0.47%

LAB 54.58, 18.53, 40.01

 

CMYK 0 / 16 / 66 / 30

HEX #B2953D

RGB 178 149 61

HSL 45.13, 0.49%, 0.47%

LAB 62.76, 0.77, 49.07

 

CMYK 2 / 0 / 66 / 30

HEX #AFB23D

RGB 175 178 61

HSL 61.54, 0.49%, 0.47%

LAB 70.38, -15.86, 57.01

 

CMYK 19 / 0 / 66 / 30

HEX #90B23D

RGB 144 178 61

HSL 77.44, 0.49%, 0.47%

LAB 68.1, -28.76, 53.93

 

CMYK 0 / 52 / 66 / 30

HEX #B2563D

RGB 178 86 61

HSL 12.82, 0.49%, 0.47%

LAB 47.57, 35.44, 31.82

 

CMYK 0 / 62 / 79 / 23

HEX #C54B29

RGB 197 75 41

HSL 13.08, 0.66%, 0.47%

LAB 48.34, 47.01, 44.31

 

CMYK 0 / 71 / 90 / 15

HEX #D94016

RGB 217 64 22

HSL 12.92, 0.82%, 0.47%

LAB 50.07, 57.88, 55.5

 

CMYK 0 / 78 / 99 / 7

HEX #EC3402

RGB 236 52 2

HSL 12.82, 0.98%, 0.47%

LAB 52.17, 67.37, 64.01

 

CMYK 0 / 52 / 66 / 30

HEX #B2563D

RGB 178 86 61

HSL 12.82, 0.49%, 0.47%

LAB 47.57, 35.44, 31.82

 

CMYK 0 / 39 / 50 / 38

HEX #9F6150

RGB 159 97 80

HSL 12.91, 0.33%, 0.47%

LAB 47.62, 23.26, 20.31

 

CMYK 0 / 22 / 29 / 45

HEX #8B6C63

RGB 139 108 99

HSL 13.5, 0.17%, 0.47%

LAB 48.4, 10.91, 9.75

 

CMYK 0 / 1 / 1 / 53

HEX #787777

RGB 120 119 119

HSL 0, 0%, 0.47%

LAB 50.12, 0.38, 0.13

 

CMYK 27 / 6 / 0 / 46

HEX #65828A

RGB 101 130 138

HSL 192.97, 0.15%, 0.47%

LAB 52.47, -8.34, -7.7

 

CMYK 0 / 66 / 44 / 30

HEX #B23D64

RGB 178 61 100

HSL 340, 0.49%, 0.47%

LAB 43.83, 50.62, 3.36

 

CMYK 0 / 66 / 62 / 30

HEX #B23D44

RGB 178 61 68

HSL 356.41, 0.49%, 0.47%

LAB 43.09, 47.91, 22.11

 

CMYK 0 / 53 / 66 / 30

HEX #B2543D

RGB 178 84 61

HSL 11.79, 0.49%, 0.47%

LAB 47.16, 36.47, 31.33

 

CMYK 0 / 35 / 66 / 30

HEX #B2733D

RGB 178 115 61

HSL 27.69, 0.49%, 0.47%

LAB 54.09, 19.65, 39.46

 

CMYK 0 / 17 / 66 / 30

HEX #B2933D

RGB 178 147 61

HSL 44.1, 0.49%, 0.47%

LAB 62.23, 1.86, 48.49

 

CMYK 0 / 52 / 66 / 54

HEX #753828

RGB 117 56 40

HSL 12.47, 0.49%, 0.31%

LAB 31.26, 25.3, 22.23

 

CMYK 0 / 52 / 66 / 42

HEX #934732

RGB 147 71 50

HSL 12.99, 0.49%, 0.39%

LAB 39.48, 30.23, 27.3

 

CMYK 0 / 52 / 66 / 30

HEX #B2563D

RGB 178 86 61

HSL 12.82, 0.49%, 0.47%

LAB 47.57, 35.44, 31.82

 

CMYK 0 / 45 / 57 / 23

HEX #C46C54

RGB 196 108 84

HSL 12.86, 0.49%, 0.55%

LAB 55.18, 32.61, 28.79

 

CMYK 0 / 35 / 44 / 19

HEX #CF8673

RGB 207 134 115

HSL 12.39, 0.49%, 0.63%

LAB 62.97, 25.84, 21.83

 

CMYK 0 / 52 / 66 / 30

HEX #B2563D

RGB 178 86 61

HSL 12.82, 0.49%, 0.47%

LAB 47.57, 35.44, 31.82

 

CMYK 26 / 0 / 66 / 30

HEX #83B23D

RGB 131 178 61

HSL 84.1, 0.49%, 0.47%

LAB 67.28, -33.88, 52.81

 

CMYK 66 / 53 / 0 / 30

HEX #3D54B2

RGB 61 84 178

HSL 228.21, 0.49%, 0.47%

LAB 38.81, 22.24, -52.76

 

CMYK 0 / 52 / 66 / 30

HEX #B2563D

RGB 178 86 61

HSL 12.82, 0.49%, 0.47%

LAB 47.57, 35.44, 31.82

 

CMYK 66 / 0 / 53 / 30

HEX #3DB254

RGB 61 178 84

HSL 131.79, 0.49%, 0.47%

LAB 64.54, -52.55, 38.35

 

CMYK 53 / 66 / 0 / 30

HEX #543DB2

RGB 84 61 178

HSL 251.79, 0.49%, 0.47%

LAB 34.88, 40.68, -59.07

 

CMYK 0 / 52 / 66 / 30

HEX #B2563D

RGB 178 86 61

HSL 12.82, 0.49%, 0.47%

LAB 47.57, 35.44, 31.82

 

CMYK 26 / 0 / 66 / 30

HEX #83B23D

RGB 131 178 61

HSL 84.1, 0.49%, 0.47%

LAB 67.28, -33.88, 52.81

 

CMYK 66 / 13 / 0 / 30

HEX #3D9BB2

RGB 61 155 178

HSL 191.79, 0.49%, 0.47%

LAB 59.57, -20.23, -20.12

 

CMYK 39 / 66 / 0 / 30

HEX #6C3DB2

RGB 108 61 178

HSL 264.1, 0.49%, 0.47%

LAB 37.37, 45.39, -54.9

 

CMYK 0 / 52 / 66 / 30

HEX #B2563D

RGB 178 86 61

HSL 12.82, 0.49%, 0.47%

LAB 47.57, 35.44, 31.82

 

CMYK 46 / 0 / 66 / 30

HEX #60B23D

RGB 96 178 61

HSL 102.05, 0.49%, 0.47%

LAB 65.49, -46.18, 50.35

 

CMYK 66 / 13 / 0 / 30

HEX #3D9BB2

RGB 61 155 178

HSL 191.79, 0.49%, 0.47%

LAB 59.57, -20.23, -20.12

 

CMYK 20 / 66 / 0 / 30

HEX #8F3DB2

RGB 143 61 178

HSL 282.05, 0.49%, 0.47%

LAB 41.83, 53.15, -47.48

 

Description

Color code: HEX #B2563D | qconv.com Color code: HEX #B2563D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 86 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 86 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 66 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 66% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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