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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B256E5 it is the complementary color #4DA91A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B256E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B256E5 shade: #B756E0, #C868F3, #D97AFF, #EA8CFF and #FB9EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B256E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B256E5 shade: #B256E5, #A144D2, #9032BF, #7F20AC and #6E0E99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B256E5 shade: #B257E4, #D857E4, #E457CA, #E457A4 and #E4577E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B256E5 shade: #B257E4, #8C57E4, #6657E4 and #5757E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B256E5 shade matches the following richer shades: #B257E4 and #B647F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B256E5 shade: #B257E4, #AD67D5, #A976C5, #A486B5 and #A096A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B256E5 shade: #6557E4, #8B57E4, #B057E4, #D657E4 and #E457CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B256E5 shade: #8D1FCA, #A233DF, #B257E4, #C27BEA and #D39EEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B256E5 shade: #B256E5, #E4576E and #57E478

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B256E5 shade: #B256E5, #E4B057 and #57E4B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B256E5 shade: #B256E5, #E4576E, #8BE457 and #57E4CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B256E5 shade: #B256E5, #E46A57, #8BE457 and #57D1E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 62 / 0 / 10

HEX #B256E5

RGB 178 86 229

HSL 278.6, 0.73%, 0.62%

LAB 53.79, 60.38, -57.43

 

Complementary color

CMYK 54 / 0 / 85 / 34

HEX #4DA91A

RGB 77 169 26

HSL 98.6, 0.73%, 0.38%

LAB 61.68, -50.73, 58.44

 

CMYK 18 / 62 / 0 / 12

HEX #B756E0

RGB 183 86 224

HSL 282.17, 0.69%, 0.61%

LAB 54.14, 60.48, -54.02

 

CMYK 18 / 57 / 0 / 5

HEX #C868F3

RGB 200 104 243

HSL 281.44, 0.85%, 0.68%

LAB 60.47, 59.92, -54.42

 

CMYK 15 / 52 / 0 / 0

HEX #D97AFF

RGB 217 122 255

HSL 282.86, 1%, 0.74%

LAB 66.44, 57.83, -51.43

 

CMYK 8 / 45 / 0 / 0

HEX #EA8CFF

RGB 234 140 255

HSL 289.04, 1%, 0.77%

LAB 71.87, 53.38, -42.75

 

CMYK 2 / 38 / 0 / 0

HEX #FB9EFF

RGB 251 158 255

HSL 297.53, 1%, 0.81%

LAB 77.39, 49.12, -34.03

 

CMYK 22 / 62 / 0 / 10

HEX #B256E5

RGB 178 86 229

HSL 278.6, 0.73%, 0.62%

LAB 53.79, 60.38, -57.43

 

CMYK 23 / 68 / 0 / 18

HEX #A144D2

RGB 161 68 210

HSL 279.3, 0.61%, 0.55%

LAB 47.45, 60.77, -56.94

 

CMYK 25 / 74 / 0 / 25

HEX #9032BF

RGB 144 50 191

HSL 280, 0.59%, 0.47%

LAB 41.17, 60.78, -56.18

 

CMYK 26 / 81 / 0 / 33

HEX #7F20AC

RGB 127 32 172

HSL 280.71, 0.69%, 0.4%

LAB 35.05, 60.09, -54.98

 

CMYK 28 / 91 / 0 / 40

HEX #6E0E99

RGB 110 14 153

HSL 281.44, 0.83%, 0.33%

LAB 29.23, 58.19, -53.06

 

CMYK 22 / 62 / 0 / 11

HEX #B257E4

RGB 178 87 228

HSL 278.72, 0.72%, 0.62%

LAB 53.9, 59.69, -56.69

 

CMYK 5 / 62 / 0 / 11

HEX #D857E4

RGB 216 87 228

HSL 294.89, 0.72%, 0.62%

LAB 58.99, 68.56, -48.28

 

CMYK 0 / 62 / 11 / 11

HEX #E457CA

RGB 228 87 202

HSL 311.06, 0.72%, 0.62%

LAB 59.5, 67.3, -32.67

 

CMYK 0 / 62 / 28 / 11

HEX #E457A4

RGB 228 87 164

HSL 327.23, 0.72%, 0.62%

LAB 58.03, 62.06, -13.08

 

CMYK 0 / 62 / 45 / 11

HEX #E4577E

RGB 228 87 126

HSL 343.4, 0.72%, 0.62%

LAB 56.9, 57.87, 7.5

 

CMYK 22 / 62 / 0 / 11

HEX #B257E4

RGB 178 87 228

HSL 278.72, 0.72%, 0.62%

LAB 53.9, 59.69, -56.69

 

CMYK 39 / 62 / 0 / 11

HEX #8C57E4

RGB 140 87 228

HSL 262.55, 0.72%, 0.62%

LAB 49.49, 51.31, -64.02

 

CMYK 55 / 62 / 0 / 11

HEX #6657E4

RGB 102 87 228

HSL 246.38, 0.72%, 0.62%

LAB 45.96, 44, -69.9

 

CMYK 62 / 62 / 0 / 11

HEX #5757E4

RGB 87 87 228

HSL 240, 0.72%, 0.62%

LAB 44.86, 41.56, -71.74

 

CMYK 22 / 62 / 0 / 11

HEX #B257E4

RGB 178 87 228

HSL 278.72, 0.72%, 0.62%

LAB 53.9, 59.69, -56.69

 

CMYK 25 / 71 / 0 / 4

HEX #B647F4

RGB 182 71 244

HSL 278.5, 0.89%, 0.62%

LAB 52.93, 70.82, -67.2

 

CMYK 22 / 62 / 0 / 11

HEX #B257E4

RGB 178 87 228

HSL 278.72, 0.72%, 0.62%

LAB 53.9, 59.69, -56.69

 

CMYK 19 / 52 / 0 / 16

HEX #AD67D5

RGB 173 103 213

HSL 278.18, 0.57%, 0.62%

LAB 55.47, 47.2, -45.75

 

CMYK 14 / 40 / 0 / 23

HEX #A976C5

RGB 169 118 197

HSL 278.73, 0.41%, 0.62%

LAB 57.49, 34.39, -33.54

 

CMYK 9 / 26 / 0 / 29

HEX #A486B5

RGB 164 134 181

HSL 278.3, 0.24%, 0.62%

LAB 60.14, 20.28, -20.39

 

CMYK 4 / 10 / 0 / 35

HEX #A096A6

RGB 160 150 166

HSL 277.5, 0.08%, 0.62%

LAB 63.38, 6.73, -7.05

 

CMYK 56 / 62 / 0 / 11

HEX #6557E4

RGB 101 87 228

HSL 245.96, 0.72%, 0.62%

LAB 45.89, 43.83, -70.03

 

CMYK 39 / 62 / 0 / 11

HEX #8B57E4

RGB 139 87 228

HSL 262.13, 0.72%, 0.62%

LAB 49.38, 51.1, -64.2

 

CMYK 23 / 62 / 0 / 11

HEX #B057E4

RGB 176 87 228

HSL 277.87, 0.72%, 0.62%

LAB 53.65, 59.24, -57.1

 

CMYK 6 / 62 / 0 / 11

HEX #D657E4

RGB 214 87 228

HSL 294.04, 0.72%, 0.62%

LAB 58.71, 68.09, -48.74

 

CMYK 0 / 62 / 10 / 11

HEX #E457CD

RGB 228 87 205

HSL 309.79, 0.72%, 0.62%

LAB 59.63, 67.76, -34.17

 

CMYK 30 / 85 / 0 / 21

HEX #8D1FCA

RGB 141 31 202

HSL 278.6, 0.73%, 0.46%

LAB 39.42, 68.73, -65.46

 

CMYK 27 / 77 / 0 / 13

HEX #A233DF

RGB 162 51 223

HSL 278.72, 0.73%, 0.54%

LAB 46.15, 70.29, -66.47

 

CMYK 22 / 62 / 0 / 11

HEX #B257E4

RGB 178 87 228

HSL 278.72, 0.72%, 0.62%

LAB 53.9, 59.69, -56.69

 

CMYK 17 / 47 / 0 / 8

HEX #C27BEA

RGB 194 123 234

HSL 278.38, 0.73%, 0.7%

LAB 62.99, 46.85, -45.48

 

CMYK 12 / 34 / 0 / 6

HEX #D39EEF

RGB 211 158 239

HSL 279.26, 0.72%, 0.78%

LAB 72.58, 33.99, -33.12

 

CMYK 22 / 62 / 0 / 10

HEX #B256E5

RGB 178 86 229

HSL 278.6, 0.73%, 0.62%

LAB 53.79, 60.38, -57.43

 

CMYK 0 / 62 / 52 / 11

HEX #E4576E

RGB 228 87 110

HSL 350.21, 0.72%, 0.62%

LAB 56.52, 56.45, 16.39

 

CMYK 62 / 0 / 47 / 11

HEX #57E478

RGB 87 228 120

HSL 134.04, 0.72%, 0.62%

LAB 81.22, -60.45, 41.53

 

CMYK 22 / 62 / 0 / 10

HEX #B256E5

RGB 178 86 229

HSL 278.6, 0.73%, 0.62%

LAB 53.79, 60.38, -57.43

 

CMYK 0 / 23 / 62 / 11

HEX #E4B057

RGB 228 176 87

HSL 37.87, 0.72%, 0.62%

LAB 74.97, 9.45, 51.9

 

CMYK 62 / 0 / 23 / 11

HEX #57E4B0

RGB 87 228 176

HSL 157.87, 0.72%, 0.62%

LAB 82.19, -50.07, 14.28

 

CMYK 22 / 62 / 0 / 10

HEX #B256E5

RGB 178 86 229

HSL 278.6, 0.73%, 0.62%

LAB 53.79, 60.38, -57.43

 

CMYK 0 / 62 / 52 / 11

HEX #E4576E

RGB 228 87 110

HSL 350.21, 0.72%, 0.62%

LAB 56.52, 56.45, 16.39

 

CMYK 39 / 0 / 62 / 11

HEX #8BE457

RGB 139 228 87

HSL 97.87, 0.72%, 0.62%

LAB 82.73, -50.54, 58.85

 

CMYK 62 / 0 / 10 / 11

HEX #57E4CD

RGB 87 228 205

HSL 170.21, 0.72%, 0.62%

LAB 82.87, -43.25, -0.03

 

CMYK 22 / 62 / 0 / 10

HEX #B256E5

RGB 178 86 229

HSL 278.6, 0.73%, 0.62%

LAB 53.79, 60.38, -57.43

 

CMYK 0 / 54 / 62 / 11

HEX #E46A57

RGB 228 106 87

HSL 8.09, 0.72%, 0.62%

LAB 59.43, 46.02, 33.43

 

CMYK 39 / 0 / 62 / 11

HEX #8BE457

RGB 139 228 87

HSL 97.87, 0.72%, 0.62%

LAB 82.73, -50.54, 58.85

 

CMYK 62 / 8 / 0 / 11

HEX #57D1E4

RGB 87 209 228

HSL 188.09, 0.72%, 0.62%

LAB 78.01, -28.24, -19.53

 

Description

Color code: HEX #B256E5 | qconv.com Color code: HEX #B256E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 86 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 86 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 62 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 62% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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