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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B25D38 it is the complementary color #4DA2C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B25D38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B25D38 shade: #B75D33, #C86F46, #D98159, #EA936C and #FBA57F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B25D38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B25D38 shade: #B25D38, #A14B25, #903912, #7F2700 and #6E1500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B25D38 shade: #B25D38, #B23C38 and #B23838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B25D38 shade: #B25D38, #B27E38, #B29F38, #A4B238 and #83B238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B25D38 shade matches the following richer shades: #B25D38, #C55525 and #D84E12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B25D38 shade: #B25D38, #9F644B, #8C6C5E, #797371 and #667B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B25D38 shade: #B23854, #B23C38, #B25C38, #B27D38 and #B29D38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B25D38 shade: #733C24, #924C2E, #B25D38, #C6714D and #D08A6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B25D38 shade: #B25D38, #75B238 and #3844B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B25D38 shade: #B25D38, #38B25C and #5C38B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B25D38 shade: #B25D38, #75B238, #388DB2 and #7538B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B25D38 shade: #B25D38, #50B238, #388DB2 and #9938B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 69 / 30

HEX #B25D38

RGB 178 93 56

HSL 18.2, 0.52%, 0.46%

LAB 48.98, 31.43, 36.26

 

Complementary color

CMYK 61 / 19 / 0 / 22

HEX #4DA2C7

RGB 77 162 199

HSL 198.2, 0.52%, 0.54%

LAB 62.96, -14.58, -26.67

 

CMYK 0 / 49 / 72 / 28

HEX #B75D33

RGB 183 93 51

HSL 19.09, 0.56%, 0.46%

LAB 49.66, 33.19, 39.88

 

CMYK 0 / 45 / 65 / 22

HEX #C86F46

RGB 200 111 70

HSL 18.92, 0.54%, 0.53%

LAB 56.18, 31.61, 37.87

 

CMYK 0 / 41 / 59 / 15

HEX #D98159

RGB 217 129 89

HSL 18.75, 0.63%, 0.6%

LAB 62.65, 30.18, 36

 

CMYK 0 / 37 / 54 / 8

HEX #EA936C

RGB 234 147 108

HSL 18.57, 0.75%, 0.67%

LAB 69.07, 28.91, 34.29

 

CMYK 0 / 34 / 49 / 2

HEX #FBA57F

RGB 251 165 127

HSL 18.39, 0.94%, 0.74%

LAB 75.42, 27.76, 32.72

 

CMYK 0 / 48 / 69 / 30

HEX #B25D38

RGB 178 93 56

HSL 18.2, 0.52%, 0.46%

LAB 48.98, 31.43, 36.26

 

CMYK 0 / 53 / 77 / 37

HEX #A14B25

RGB 161 75 37

HSL 18.39, 0.63%, 0.39%

LAB 42.37, 33.1, 38.38

 

CMYK 0 / 60 / 88 / 44

HEX #903912

RGB 144 57 18

HSL 18.57, 0.78%, 0.32%

LAB 35.79, 34.87, 40.3

 

CMYK 0 / 69 / 100 / 50

HEX #7F2700

RGB 127 39 0

HSL 18.43, 1%, 0.25%

LAB 29.32, 36.52, 41.23

 

CMYK 0 / 81 / 100 / 57

HEX #6E1500

RGB 110 21 0

HSL 11.45, 1%, 0.22%

LAB 23.17, 37.68, 34.37

 

CMYK 0 / 48 / 69 / 30

HEX #B25D38

RGB 178 93 56

HSL 18.2, 0.52%, 0.46%

LAB 48.98, 31.43, 36.26

 

CMYK 0 / 66 / 69 / 30

HEX #B23C38

RGB 178 60 56

HSL 1.97, 0.52%, 0.46%

LAB 42.74, 47.6, 28.91

 

CMYK 0 / 69 / 69 / 30

HEX #B23838

RGB 178 56 56

HSL 0, 0.52%, 0.46%

LAB 42.12, 49.27, 28.17

 

CMYK 0 / 48 / 69 / 30

HEX #B25D38

RGB 178 93 56

HSL 18.2, 0.52%, 0.46%

LAB 48.98, 31.43, 36.26

 

CMYK 0 / 29 / 69 / 30

HEX #B27E38

RGB 178 126 56

HSL 34.43, 0.52%, 0.46%

LAB 56.75, 13.19, 44.92

 

CMYK 0 / 11 / 69 / 30

HEX #B29F38

RGB 178 159 56

HSL 50.66, 0.52%, 0.46%

LAB 65.39, -4.93, 54.03

 

CMYK 8 / 0 / 69 / 30

HEX #A4B238

RGB 164 178 56

HSL 66.89, 0.52%, 0.46%

LAB 69.48, -20.83, 57.81

 

CMYK 26 / 0 / 69 / 30

HEX #83B238

RGB 131 178 56

HSL 83.11, 0.52%, 0.46%

LAB 67.24, -34.25, 54.8

 

CMYK 0 / 48 / 69 / 30

HEX #B25D38

RGB 178 93 56

HSL 18.2, 0.52%, 0.46%

LAB 48.98, 31.43, 36.26

 

CMYK 0 / 57 / 81 / 23

HEX #C55525

RGB 197 85 37

HSL 18, 0.68%, 0.46%

LAB 50.1, 42.18, 47.93

 

CMYK 0 / 64 / 92 / 15

HEX #D84E12

RGB 216 78 18

HSL 18.18, 0.85%, 0.46%

LAB 51.94, 51.89, 58.05

 

CMYK 0 / 48 / 69 / 30

HEX #B25D38

RGB 178 93 56

HSL 18.2, 0.52%, 0.46%

LAB 48.98, 31.43, 36.26

 

CMYK 0 / 37 / 53 / 38

HEX #9F644B

RGB 159 100 75

HSL 17.86, 0.36%, 0.46%

LAB 48.25, 21.07, 24.06

 

CMYK 0 / 23 / 33 / 45

HEX #8C6C5E

RGB 140 108 94

HSL 18.26, 0.2%, 0.46%

LAB 48.4, 10.61, 12.72

 

CMYK 0 / 5 / 7 / 53

HEX #797371

RGB 121 115 113

HSL 15, 0.03%, 0.46%

LAB 48.91, 1.92, 1.92

 

CMYK 23 / 7 / 0 / 48

HEX #667B84

RGB 102 123 132

HSL 198, 0.13%, 0.46%

LAB 50.28, -5.5, -7.45

 

CMYK 0 / 69 / 53 / 30

HEX #B23854

RGB 178 56 84

HSL 346.23, 0.52%, 0.46%

LAB 42.66, 51.2, 11.64

 

CMYK 0 / 66 / 69 / 30

HEX #B23C38

RGB 178 60 56

HSL 1.97, 0.52%, 0.46%

LAB 42.74, 47.6, 28.91

 

CMYK 0 / 48 / 69 / 30

HEX #B25C38

RGB 178 92 56

HSL 17.7, 0.52%, 0.46%

LAB 48.77, 31.97, 36.01

 

CMYK 0 / 30 / 69 / 30

HEX #B27D38

RGB 178 125 56

HSL 33.93, 0.52%, 0.46%

LAB 56.5, 13.75, 44.65

 

CMYK 0 / 12 / 69 / 30

HEX #B29D38

RGB 178 157 56

HSL 49.67, 0.52%, 0.46%

LAB 64.85, -3.85, 53.47

 

CMYK 0 / 48 / 69 / 55

HEX #733C24

RGB 115 60 36

HSL 18.23, 0.52%, 0.3%

LAB 31.82, 21.83, 25.25

 

CMYK 0 / 48 / 68 / 43

HEX #924C2E

RGB 146 76 46

HSL 18, 0.52%, 0.38%

LAB 40.37, 26.8, 30.64

HEX #924C2E

CMYK 0 / 48 / 69 / 30

HEX #B25D38

RGB 178 93 56

HSL 18.2, 0.52%, 0.46%

LAB 48.98, 31.43, 36.26

HEX #B25D38

CMYK 0 / 43 / 61 / 22

HEX #C6714D

RGB 198 113 77

HSL 17.85, 0.51%, 0.54%

LAB 56.44, 30.2, 34.32

HEX #C6714D

CMYK 0 / 34 / 48 / 18

HEX #D08A6C

RGB 208 138 108

HSL 18, 0.52%, 0.62%

LAB 63.89, 23.36, 26.97

HEX #D08A6C

CMYK 0 / 48 / 69 / 30

HEX #B25D38

RGB 178 93 56

HSL 18.2, 0.52%, 0.46%

LAB 48.98, 31.43, 36.26

 

CMYK 34 / 0 / 69 / 30

HEX #75B238

RGB 117 178 56

HSL 90, 0.52%, 0.46%

LAB 66.45, -39.49, 53.73

 

CMYK 69 / 62 / 0 / 30

HEX #3844B2

RGB 56 68 178

HSL 234.1, 0.52%, 0.46%

LAB 34.37, 31.83, -59.98

 

CMYK 0 / 48 / 69 / 30

HEX #B25D38

RGB 178 93 56

HSL 18.2, 0.52%, 0.46%

LAB 48.98, 31.43, 36.26

 

CMYK 69 / 0 / 48 / 30

HEX #38B25C

RGB 56 178 92

HSL 137.7, 0.52%, 0.46%

LAB 64.53, -52.29, 34.29

 

CMYK 48 / 69 / 0 / 30

HEX #5C38B2

RGB 92 56 178

HSL 257.7, 0.52%, 0.46%

LAB 34.64, 44.94, -59.42

 

CMYK 0 / 48 / 69 / 30

HEX #B25D38

RGB 178 93 56

HSL 18.2, 0.52%, 0.46%

LAB 48.98, 31.43, 36.26

 

CMYK 34 / 0 / 69 / 30

HEX #75B238

RGB 117 178 56

HSL 90, 0.52%, 0.46%

LAB 66.45, -39.49, 53.73

 

CMYK 69 / 21 / 0 / 30

HEX #388DB2

RGB 56 141 178

HSL 198.2, 0.52%, 0.46%

LAB 55.18, -13.48, -26.87

 

CMYK 34 / 69 / 0 / 30

HEX #7538B2

RGB 117 56 178

HSL 270, 0.52%, 0.46%

LAB 37.53, 49.81, -54.6

 

CMYK 0 / 48 / 69 / 30

HEX #B25D38

RGB 178 93 56

HSL 18.2, 0.52%, 0.46%

LAB 48.98, 31.43, 36.26

 

CMYK 55 / 0 / 69 / 30

HEX #50B238

RGB 80 178 56

HSL 108.2, 0.52%, 0.46%

LAB 64.83, -51.29, 51.53

 

CMYK 69 / 21 / 0 / 30

HEX #388DB2

RGB 56 141 178

HSL 198.2, 0.52%, 0.46%

LAB 55.18, -13.48, -26.87

 

CMYK 14 / 69 / 0 / 30

HEX #9938B2

RGB 153 56 178

HSL 287.7, 0.52%, 0.46%

LAB 42.48, 57.62, -46.36

 

Description

Color code: HEX #B25D38 | qconv.com Color code: HEX #B25D38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 93 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 93 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 69 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 69% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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