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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B266DB it is the complementary color #4D9924. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B266DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B266DB shade: #B766D6, #C878E9, #D98AFC, #EA9CFF and #FBAEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B266DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B266DB shade: #B266DB, #A154C8, #9042B5, #7F30A2 and #6E1E8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B266DB shade: #B266DB, #D166DB, #DB66C5, #DB66A5 and #DB6685

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B266DB shade: #B266DB, #9266DB, #7366DB and #6666DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B266DB shade matches the following richer shades: #B266DB, #B656EA and #BB47F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B266DB shade: #B266DB, #AD75CB, #A984BC, #A493AD and #9FA39E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B266DB shade: #7166DB, #9166DB, #B066DB, #CF66DB and #DB66C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B266DB shade: #8D2DC1, #A144D3, #B266DB, #C287E2 and #D3A8EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B266DB shade: #B266DB, #DB6679 and #66DB81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B266DB shade: #B266DB, #DBB066 and #66DBB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B266DB shade: #B266DB, #DB6679, #91DB66 and #66DBC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B266DB shade: #B266DB, #DB7566, #91DB66 and #66CBDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 53 / 0 / 14

HEX #B266DB

RGB 178 102 219

HSL 278.97, 0.62%, 0.63%

LAB 56.17, 50.34, -48

 

Complementary color

CMYK 50 / 0 / 76 / 40

HEX #4D9924

RGB 77 153 36

HSL 98.97, 0.62%, 0.37%

LAB 56.57, -44, 50.67

 

CMYK 14 / 52 / 0 / 16

HEX #B766D6

RGB 183 102 214

HSL 283.39, 0.58%, 0.62%

LAB 56.51, 50.61, -44.6

 

CMYK 14 / 48 / 0 / 9

HEX #C878E9

RGB 200 120 233

HSL 282.48, 0.72%, 0.69%

LAB 63.01, 49.85, -44.85

 

CMYK 14 / 45 / 0 / 1

HEX #D98AFC

RGB 217 138 252

HSL 281.58, 0.95%, 0.76%

LAB 69.44, 49.08, -45.06

 

CMYK 8 / 39 / 0 / 0

HEX #EA9CFF

RGB 234 156 255

HSL 287.27, 1%, 0.81%

LAB 75.13, 45.14, -37.67

 

CMYK 2 / 32 / 0 / 0

HEX #FBAEFF

RGB 251 174 255

HSL 297.04, 1%, 0.84%

LAB 80.74, 40.85, -28.87

 

CMYK 19 / 53 / 0 / 14

HEX #B266DB

RGB 178 102 219

HSL 278.97, 0.62%, 0.63%

LAB 56.17, 50.34, -48

 

CMYK 20 / 58 / 0 / 22

HEX #A154C8

RGB 161 84 200

HSL 279.83, 0.51%, 0.56%

LAB 49.6, 51.08, -47.74

 

CMYK 20 / 64 / 0 / 29

HEX #9042B5

RGB 144 66 181

HSL 280.7, 0.47%, 0.48%

LAB 43.01, 51.68, -47.36

 

CMYK 22 / 70 / 0 / 36

HEX #7F30A2

RGB 127 48 162

HSL 281.58, 0.54%, 0.41%

LAB 36.43, 51.97, -46.74

 

CMYK 23 / 79 / 0 / 44

HEX #6E1E8F

RGB 110 30 143

HSL 282.48, 0.65%, 0.34%

LAB 29.98, 51.62, -45.7

 

CMYK 19 / 53 / 0 / 14

HEX #B266DB

RGB 178 102 219

HSL 278.97, 0.62%, 0.63%

LAB 56.17, 50.34, -48

 

CMYK 5 / 53 / 0 / 14

HEX #D166DB

RGB 209 102 219

HSL 294.87, 0.62%, 0.63%

LAB 60.04, 58.52, -41.62

 

CMYK 0 / 53 / 10 / 14

HEX #DB66C5

RGB 219 102 197

HSL 311.28, 0.62%, 0.63%

LAB 60.42, 57.51, -28.5

 

CMYK 0 / 53 / 25 / 14

HEX #DB66A5

RGB 219 102 165

HSL 327.69, 0.62%, 0.63%

LAB 59.23, 52.77, -11.98

 

CMYK 0 / 53 / 39 / 14

HEX #DB6685

RGB 219 102 133

HSL 344.1, 0.62%, 0.63%

LAB 58.28, 48.81, 5.2

 

CMYK 19 / 53 / 0 / 14

HEX #B266DB

RGB 178 102 219

HSL 278.97, 0.62%, 0.63%

LAB 56.17, 50.34, -48

 

CMYK 33 / 53 / 0 / 14

HEX #9266DB

RGB 146 102 219

HSL 262.56, 0.62%, 0.63%

LAB 52.65, 42.21, -53.81

 

CMYK 47 / 53 / 0 / 14

HEX #7366DB

RGB 115 102 219

HSL 246.67, 0.62%, 0.63%

LAB 49.81, 35, -58.52

 

CMYK 53 / 53 / 0 / 14

HEX #6666DB

RGB 102 102 219

HSL 240, 0.62%, 0.63%

LAB 48.81, 32.29, -60.18

 

CMYK 19 / 53 / 0 / 14

HEX #B266DB

RGB 178 102 219

HSL 278.97, 0.62%, 0.63%

LAB 56.17, 50.34, -48

 

CMYK 22 / 63 / 0 / 8

HEX #B656EA

RGB 182 86 234

HSL 278.92, 0.78%, 0.63%

LAB 54.6, 62.33, -58.92

 

CMYK 25 / 71 / 0 / 2

HEX #BB47F9

RGB 187 71 249

HSL 279.1, 0.94%, 0.63%

LAB 53.93, 72.78, -68.33

 

CMYK 19 / 53 / 0 / 14

HEX #B266DB

RGB 178 102 219

HSL 278.97, 0.62%, 0.63%

LAB 56.17, 50.34, -48

 

CMYK 15 / 42 / 0 / 20

HEX #AD75CB

RGB 173 117 203

HSL 279.07, 0.45%, 0.63%

LAB 57.96, 37.44, -36.17

 

CMYK 10 / 30 / 0 / 26

HEX #A984BC

RGB 169 132 188

HSL 279.64, 0.29%, 0.63%

LAB 60.4, 24.55, -23.92

 

CMYK 5 / 15 / 0 / 32

HEX #A493AD

RGB 164 147 173

HSL 279.23, 0.14%, 0.63%

LAB 63.16, 11.24, -11.29

 

CMYK 2 / 0 / 3 / 36

HEX #9FA39E

RGB 159 163 158

HSL 108, 0.03%, 0.63%

LAB 66.55, -2.38, 2.09

 

CMYK 48 / 53 / 0 / 14

HEX #7166DB

RGB 113 102 219

HSL 245.64, 0.62%, 0.63%

LAB 49.65, 34.57, -58.79

 

CMYK 34 / 53 / 0 / 14

HEX #9166DB

RGB 145 102 219

HSL 262.05, 0.62%, 0.63%

LAB 52.55, 41.96, -53.98

 

CMYK 20 / 53 / 0 / 14

HEX #B066DB

RGB 176 102 219

HSL 277.95, 0.62%, 0.63%

LAB 55.93, 49.82, -48.39

 

CMYK 5 / 53 / 0 / 14

HEX #CF66DB

RGB 207 102 219

HSL 293.85, 0.62%, 0.63%

LAB 59.78, 57.99, -42.05

 

CMYK 0 / 53 / 9 / 14

HEX #DB66C7

RGB 219 102 199

HSL 310.26, 0.62%, 0.63%

LAB 60.5, 57.83, -29.51

 

CMYK 27 / 77 / 0 / 24

HEX #8D2DC1

RGB 141 45 193

HSL 278.92, 0.62%, 0.47%

LAB 40.23, 62.51, -58.9

 

CMYK 24 / 68 / 0 / 17

HEX #A144D3

RGB 161 68 211

HSL 279.02, 0.62%, 0.55%

LAB 47.51, 60.99, -57.41

 

CMYK 19 / 53 / 0 / 14

HEX #B266DB

RGB 178 102 219

HSL 278.97, 0.62%, 0.63%

LAB 56.17, 50.34, -48

 

CMYK 14 / 40 / 0 / 11

HEX #C287E2

RGB 194 135 226

HSL 278.9, 0.61%, 0.71%

LAB 65.19, 38.69, -37.6

 

CMYK 10 / 28 / 0 / 8

HEX #D3A8EA

RGB 211 168 234

HSL 279.09, 0.61%, 0.79%

LAB 74.7, 27.53, -27.15

 

CMYK 19 / 53 / 0 / 14

HEX #B266DB

RGB 178 102 219

HSL 278.97, 0.62%, 0.63%

LAB 56.17, 50.34, -48

 

CMYK 0 / 53 / 45 / 14

HEX #DB6679

RGB 219 102 121

HSL 350.26, 0.62%, 0.63%

LAB 57.98, 47.55, 11.78

 

CMYK 53 / 0 / 41 / 14

HEX #66DB81

RGB 102 219 129

HSL 133.85, 0.62%, 0.63%

LAB 79.08, -52.23, 34.42

 

CMYK 19 / 53 / 0 / 14

HEX #B266DB

RGB 178 102 219

HSL 278.97, 0.62%, 0.63%

LAB 56.17, 50.34, -48

 

CMYK 0 / 20 / 53 / 14

HEX #DBB066

RGB 219 176 102

HSL 37.95, 0.62%, 0.63%

LAB 74.23, 6.83, 43.48

 

CMYK 53 / 0 / 20 / 14

HEX #66DBB0

RGB 102 219 176

HSL 157.95, 0.62%, 0.63%

LAB 79.97, -43.23, 11.19

 

CMYK 19 / 53 / 0 / 14

HEX #B266DB

RGB 178 102 219

HSL 278.97, 0.62%, 0.63%

LAB 56.17, 50.34, -48

 

CMYK 0 / 53 / 45 / 14

HEX #DB6679

RGB 219 102 121

HSL 350.26, 0.62%, 0.63%

LAB 57.98, 47.55, 11.78

 

CMYK 34 / 0 / 53 / 14

HEX #91DB66

RGB 145 219 102

HSL 97.95, 0.62%, 0.63%

LAB 80.54, -43.28, 49.77

 

CMYK 53 / 0 / 9 / 14

HEX #66DBC7

RGB 102 219 199

HSL 169.74, 0.62%, 0.63%

LAB 80.52, -37.89, -0.23

 

CMYK 19 / 53 / 0 / 14

HEX #B266DB

RGB 178 102 219

HSL 278.97, 0.62%, 0.63%

LAB 56.17, 50.34, -48

 

CMYK 0 / 47 / 53 / 14

HEX #DB7566

RGB 219 117 102

HSL 7.69, 0.62%, 0.63%

LAB 60.55, 38.28, 26.19

 

CMYK 34 / 0 / 53 / 14

HEX #91DB66

RGB 145 219 102

HSL 97.95, 0.62%, 0.63%

LAB 80.54, -43.28, 49.77

 

CMYK 53 / 7 / 0 / 14

HEX #66CBDB

RGB 102 203 219

HSL 188.21, 0.62%, 0.63%

LAB 76.47, -25.06, -16.97

 

Description

Color code: HEX #B266DB | qconv.com Color code: HEX #B266DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 102 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 102 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 53 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 53% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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