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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B267C5 it is the complementary color #4D983A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B267C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B267C5 shade: #B767C0, #C879D3, #D98BE6, #EA9DF9 and #FBAFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B267C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B267C5 shade: #B267C5, #A155B2, #90439F, #7F318C and #6E1F79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B267C5 shade: #B267C5, #C567BF, #C567A5, #C5678C and #C56773

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B267C5 shade: #B267C5, #9967C5, #7F67C5 and #6767C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B267C5 shade matches the following richer shades: #B267C5, #BC56D6, #C645E7 and #D034F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B267C5 shade: #B267C5, #A878B4, #9E89A3, #949A92 and #8AAB81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B267C5 shade: #7E67C5, #9867C5, #B167C5, #C567C0 and #C567A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B267C5 shade: #8A3C9E, #A349BA, #B267C5, #C185D0 and #D0A3DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B267C5 shade: #B267C5, #C56768 and #67C58B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B267C5 shade: #B267C5, #C5B167 and #67C5B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B267C5 shade: #B267C5, #C56768, #7BC567 and #67C5C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B267C5 shade: #B267C5, #C58267, #7BC567 and #67AAC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 48 / 0 / 23

HEX #B267C5

RGB 178 103 197

HSL 287.87, 0.45%, 0.59%

LAB 55.27, 45.23, -36.92

 

Complementary color

CMYK 49 / 0 / 62 / 40

HEX #4D983A

RGB 77 152 58

HSL 107.87, 0.45%, 0.41%

LAB 56.43, -41.67, 41.43

 

CMYK 5 / 46 / 0 / 25

HEX #B767C0

RGB 183 103 192

HSL 293.93, 0.41%, 0.58%

LAB 55.66, 45.69, -33.41

 

CMYK 5 / 43 / 0 / 17

HEX #C879D3

RGB 200 121 211

HSL 292.67, 0.51%, 0.65%

LAB 62.22, 44.94, -33.81

 

CMYK 6 / 40 / 0 / 10

HEX #D98BE6

RGB 217 139 230

HSL 291.43, 0.65%, 0.72%

LAB 68.7, 44.19, -34.16

 

CMYK 6 / 37 / 0 / 2

HEX #EA9DF9

RGB 234 157 249

HSL 290.22, 0.88%, 0.8%

LAB 75.11, 43.46, -34.47

 

CMYK 2 / 31 / 0 / 0

HEX #FBAFFF

RGB 251 175 255

HSL 297, 1%, 0.84%

LAB 80.95, 40.33, -28.54

 

CMYK 10 / 48 / 0 / 23

HEX #B267C5

RGB 178 103 197

HSL 287.87, 0.45%, 0.59%

LAB 55.27, 45.23, -36.92

 

CMYK 10 / 52 / 0 / 30

HEX #A155B2

RGB 161 85 178

HSL 289.03, 0.38%, 0.52%

LAB 48.62, 45.96, -36.54

 

CMYK 9 / 58 / 0 / 38

HEX #90439F

RGB 144 67 159

HSL 290.22, 0.41%, 0.44%

LAB 41.92, 46.59, -36.04

 

CMYK 9 / 65 / 0 / 45

HEX #7F318C

RGB 127 49 140

HSL 291.43, 0.48%, 0.37%

LAB 35.21, 46.96, -35.32

 

CMYK 9 / 74 / 0 / 53

HEX #6E1F79

RGB 110 31 121

HSL 292.67, 0.59%, 0.3%

LAB 28.58, 46.78, -34.19

 

CMYK 10 / 48 / 0 / 23

HEX #B267C5

RGB 178 103 197

HSL 287.87, 0.45%, 0.59%

LAB 55.27, 45.23, -36.92

 

CMYK 0 / 48 / 3 / 23

HEX #C567BF

RGB 197 103 191

HSL 303.83, 0.45%, 0.59%

LAB 57.4, 49.63, -30

 

CMYK 0 / 48 / 16 / 23

HEX #C567A5

RGB 197 103 165

HSL 320.43, 0.45%, 0.59%

LAB 56.37, 45.29, -16.59

 

CMYK 0 / 48 / 29 / 23

HEX #C5678C

RGB 197 103 140

HSL 336.38, 0.45%, 0.59%

LAB 55.55, 41.64, -3.25

 

CMYK 0 / 48 / 42 / 23

HEX #C56773

RGB 197 103 115

HSL 352.34, 0.45%, 0.59%

LAB 54.87, 38.57, 10.46

 

CMYK 10 / 48 / 0 / 23

HEX #B267C5

RGB 178 103 197

HSL 287.87, 0.45%, 0.59%

LAB 55.27, 45.23, -36.92

 

CMYK 22 / 48 / 0 / 23

HEX #9967C5

RGB 153 103 197

HSL 271.91, 0.45%, 0.59%

LAB 52.4, 38.11, -41.64

 

CMYK 36 / 48 / 0 / 23

HEX #7F67C5

RGB 127 103 197

HSL 255.32, 0.45%, 0.59%

LAB 49.79, 31.04, -45.94

 

CMYK 48 / 48 / 0 / 23

HEX #6767C5

RGB 103 103 197

HSL 240, 0.45%, 0.59%

LAB 47.77, 25.08, -49.28

 

CMYK 10 / 48 / 0 / 23

HEX #B267C5

RGB 178 103 197

HSL 287.87, 0.45%, 0.59%

LAB 55.27, 45.23, -36.92

 

CMYK 12 / 60 / 0 / 16

HEX #BC56D6

RGB 188 86 214

HSL 287.81, 0.61%, 0.59%

LAB 54.24, 59.69, -48.15

 

CMYK 14 / 70 / 0 / 9

HEX #C645E7

RGB 198 69 231

HSL 287.78, 0.77%, 0.59%

LAB 54.06, 72.21, -57.97

 

CMYK 16 / 79 / 0 / 3

HEX #D034F8

RGB 208 52 248

HSL 287.76, 0.93%, 0.59%

LAB 54.7, 82.57, -66.38

 

CMYK 10 / 48 / 0 / 23

HEX #B267C5

RGB 178 103 197

HSL 287.87, 0.45%, 0.59%

LAB 55.27, 45.23, -36.92

 

CMYK 7 / 33 / 0 / 29

HEX #A878B4

RGB 168 120 180

HSL 288, 0.29%, 0.59%

LAB 57.13, 29.35, -24.4

 

CMYK 3 / 16 / 0 / 36

HEX #9E89A3

RGB 158 137 163

HSL 288.46, 0.12%, 0.59%

LAB 59.71, 12.79, -10.83

 

CMYK 4 / 0 / 5 / 40

HEX #949A92

RGB 148 154 146

HSL 105, 0.04%, 0.59%

LAB 62.91, -3.7, 3.44

 

CMYK 19 / 0 / 25 / 33

HEX #8AAB81

RGB 138 171 129

HSL 107.14, 0.2%, 0.59%

LAB 66.61, -19.43, 18.01

 

CMYK 36 / 48 / 0 / 23

HEX #7E67C5

RGB 126 103 197

HSL 254.68, 0.45%, 0.59%

LAB 49.7, 30.78, -46.09

 

CMYK 23 / 48 / 0 / 23

HEX #9867C5

RGB 152 103 197

HSL 271.28, 0.45%, 0.59%

LAB 52.29, 37.83, -41.81

 

CMYK 10 / 48 / 0 / 23

HEX #B167C5

RGB 177 103 197

HSL 287.23, 0.45%, 0.59%

LAB 55.15, 44.94, -37.12

 

CMYK 0 / 48 / 3 / 23

HEX #C567C0

RGB 197 103 192

HSL 303.19, 0.45%, 0.59%

LAB 57.44, 49.81, -30.5

 

CMYK 0 / 48 / 15 / 23

HEX #C567A7

RGB 197 103 167

HSL 319.15, 0.45%, 0.59%

LAB 56.45, 45.6, -17.64

 

CMYK 13 / 62 / 0 / 38

HEX #8A3C9E

RGB 138 60 158

HSL 287.76, 0.45%, 0.43%

LAB 39.75, 48.23, -38.93

 

CMYK 12 / 61 / 0 / 27

HEX #A349BA

RGB 163 73 186

HSL 287.79, 0.45%, 0.51%

LAB 47.1, 54.04, -43.6

 

CMYK 10 / 48 / 0 / 23

HEX #B267C5

RGB 178 103 197

HSL 287.87, 0.45%, 0.59%

LAB 55.27, 45.23, -36.92

 

CMYK 7 / 36 / 0 / 18

HEX #C185D0

RGB 193 133 208

HSL 288, 0.44%, 0.67%

LAB 63.89, 35.77, -29.6

 

CMYK 5 / 26 / 0 / 14

HEX #D0A3DC

RGB 208 163 220

HSL 287.37, 0.45%, 0.75%

LAB 72.74, 26.51, -22.53

 

CMYK 10 / 48 / 0 / 23

HEX #B267C5

RGB 178 103 197

HSL 287.87, 0.45%, 0.59%

LAB 55.27, 45.23, -36.92

 

CMYK 0 / 48 / 47 / 23

HEX #C56768

RGB 197 103 104

HSL 359.36, 0.45%, 0.59%

LAB 54.63, 37.42, 16.56

 

CMYK 48 / 0 / 29 / 23

HEX #67C58B

RGB 103 197 139

HSL 142.98, 0.45%, 0.59%

LAB 72.68, -40.98, 20.68

 

CMYK 10 / 48 / 0 / 23

HEX #B267C5

RGB 178 103 197

HSL 287.87, 0.45%, 0.59%

LAB 55.27, 45.23, -36.92

 

CMYK 0 / 10 / 48 / 23

HEX #C5B167

RGB 197 177 103

HSL 47.23, 0.45%, 0.59%

LAB 72.42, -2.75, 40.28

 

CMYK 48 / 0 / 10 / 23

HEX #67C5B1

RGB 103 197 177

HSL 167.23, 0.45%, 0.59%

LAB 73.54, -32.77, 1.42

 

CMYK 10 / 48 / 0 / 23

HEX #B267C5

RGB 178 103 197

HSL 287.87, 0.45%, 0.59%

LAB 55.27, 45.23, -36.92

 

CMYK 0 / 48 / 47 / 23

HEX #C56768

RGB 197 103 104

HSL 359.36, 0.45%, 0.59%

LAB 54.63, 37.42, 16.56

 

CMYK 38 / 0 / 48 / 23

HEX #7BC567

RGB 123 197 103

HSL 107.23, 0.45%, 0.59%

LAB 72.97, -40.88, 39.85

 

CMYK 48 / 0 / 1 / 23

HEX #67C5C3

RGB 103 197 195

HSL 178.72, 0.45%, 0.59%

LAB 74.03, -28.3, -7.63

 

CMYK 10 / 48 / 0 / 23

HEX #B267C5

RGB 178 103 197

HSL 287.87, 0.45%, 0.59%

LAB 55.27, 45.23, -36.92

 

CMYK 0 / 34 / 48 / 23

HEX #C58267

RGB 197 130 103

HSL 17.23, 0.45%, 0.59%

LAB 60.62, 22.79, 25.19

 

CMYK 38 / 0 / 48 / 23

HEX #7BC567

RGB 123 197 103

HSL 107.23, 0.45%, 0.59%

LAB 72.97, -40.88, 39.85

 

CMYK 48 / 14 / 0 / 23

HEX #67AAC5

RGB 103 170 197

HSL 197.23, 0.45%, 0.59%

LAB 66.26, -13.97, -20.41

 

Description

Color code: HEX #B267C5 | qconv.com Color code: HEX #B267C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 103 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 103 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 48 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 48% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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