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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B269CE it is the complementary color #4D9631. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B269CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B269CE shade: #B769C9, #C87BDC, #D98DEF, #EA9FFF and #FBB1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B269CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B269CE shade: #B269CE, #A157BB, #9045A8, #7F3395 and #6E2182

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B269CE shade: #B268CE, #CD68CE, #CE68B3, #CE6898 and #CE687C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B269CE shade: #B268CE, #9668CE, #7B68CE and #6868CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B269CE shade matches the following richer shades: #B268CE, #B958DE, #C048EE and #C738FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B269CE shade: #B268CE, #AA78BE, #A389AE, #9C999D and #95A98D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B269CE shade: #7B68CE, #9668CE, #B168CE, #CC68CE and #CE68B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B269CE shade: #8C38AC, #A249C4, #B268CE, #C287D8 and #D2A7E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B269CE shade: #B269CE, #CE6871 and #68CE88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B269CE shade: #B269CE, #CEB168 and #68CEB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B269CE shade: #B269CE, #CE6871, #85CE68 and #68CEC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B269CE shade: #B269CE, #CE7E68, #85CE68 and #68B8CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 49 / 0 / 19

HEX #B269CE

RGB 178 105 206

HSL 283.37, 0.51%, 0.61%

LAB 56.11, 46.02, -40.73

 

Complementary color

CMYK 49 / 0 / 67 / 41

HEX #4D9631

RGB 77 150 49

HSL 103.37, 0.51%, 0.39%

LAB 55.7, -41.74, 44.67

 

CMYK 9 / 48 / 0 / 21

HEX #B769C9

RGB 183 105 201

HSL 288.75, 0.47%, 0.6%

LAB 56.47, 46.41, -37.28

 

CMYK 9 / 44 / 0 / 14

HEX #C87BDC

RGB 200 123 220

HSL 287.63, 0.58%, 0.67%

LAB 63.02, 45.65, -37.6

 

CMYK 9 / 41 / 0 / 6

HEX #D98DEF

RGB 217 141 239

HSL 286.53, 0.75%, 0.75%

LAB 69.49, 44.89, -37.87

 

CMYK 8 / 38 / 0 / 0

HEX #EA9FFF

RGB 234 159 255

HSL 286.88, 1%, 0.81%

LAB 75.77, 43.56, -36.69

 

CMYK 2 / 31 / 0 / 0

HEX #FBB1FF

RGB 251 177 255

HSL 296.92, 1%, 0.85%

LAB 81.39, 39.28, -27.88

 

CMYK 14 / 49 / 0 / 19

HEX #B269CE

RGB 178 105 206

HSL 283.37, 0.51%, 0.61%

LAB 56.11, 46.02, -40.73

 

CMYK 14 / 53 / 0 / 27

HEX #A157BB

RGB 161 87 187

HSL 284.4, 0.42%, 0.54%

LAB 49.47, 46.78, -40.44

 

CMYK 14 / 59 / 0 / 34

HEX #9045A8

RGB 144 69 168

HSL 285.45, 0.42%, 0.46%

LAB 42.78, 47.44, -40.04

 

CMYK 15 / 66 / 0 / 42

HEX #7F3395

RGB 127 51 149

HSL 286.53, 0.49%, 0.39%

LAB 36.08, 47.87, -39.43

 

CMYK 15 / 75 / 0 / 49

HEX #6E2182

RGB 110 33 130

HSL 287.63, 0.6%, 0.32%

LAB 29.45, 47.79, -38.46

 

CMYK 14 / 50 / 0 / 19

HEX #B268CE

RGB 178 104 206

HSL 283.53, 0.51%, 0.61%

LAB 55.91, 46.55, -41.05

 

CMYK 0 / 50 / 0 / 19

HEX #CD68CE

RGB 205 104 206

HSL 299.41, 0.51%, 0.61%

LAB 59.28, 54.11, -35.52

 

CMYK 0 / 50 / 13 / 19

HEX #CE68B3

RGB 206 104 179

HSL 315.88, 0.51%, 0.61%

LAB 58.3, 49.83, -21.63

 

CMYK 0 / 50 / 26 / 19

HEX #CE6898

RGB 206 104 152

HSL 331.76, 0.51%, 0.61%

LAB 57.36, 45.81, -7.44

 

CMYK 0 / 50 / 40 / 19

HEX #CE687C

RGB 206 104 124

HSL 348.24, 0.51%, 0.61%

LAB 56.56, 42.31, 7.75

 

CMYK 14 / 50 / 0 / 19

HEX #B268CE

RGB 178 104 206

HSL 283.53, 0.51%, 0.61%

LAB 55.91, 46.55, -41.05

 

CMYK 27 / 50 / 0 / 19

HEX #9668CE

RGB 150 104 206

HSL 267.06, 0.51%, 0.61%

LAB 52.77, 38.88, -46.21

 

CMYK 40 / 50 / 0 / 19

HEX #7B68CE

RGB 123 104 206

HSL 251.18, 0.51%, 0.61%

LAB 50.18, 31.91, -50.5

 

CMYK 50 / 50 / 0 / 19

HEX #6868CE

RGB 104 104 206

HSL 240, 0.51%, 0.61%

LAB 48.64, 27.46, -53.06

 

CMYK 14 / 50 / 0 / 19

HEX #B268CE

RGB 178 104 206

HSL 283.53, 0.51%, 0.61%

LAB 55.91, 46.55, -41.05

 

CMYK 17 / 60 / 0 / 13

HEX #B958DE

RGB 185 88 222

HSL 283.43, 0.67%, 0.61%

LAB 54.62, 59.62, -52.1

 

CMYK 19 / 70 / 0 / 7

HEX #C048EE

RGB 192 72 238

HSL 283.37, 0.83%, 0.61%

LAB 54.04, 71.18, -61.98

 

CMYK 22 / 78 / 0 / 0

HEX #C738FE

RGB 199 56 254

HSL 283.33, 0.99%, 0.61%

LAB 54.16, 80.99, -70.66

 

CMYK 14 / 50 / 0 / 19

HEX #B268CE

RGB 178 104 206

HSL 283.53, 0.51%, 0.61%

LAB 55.91, 46.55, -41.05

 

CMYK 11 / 37 / 0 / 25

HEX #AA78BE

RGB 170 120 190

HSL 282.86, 0.35%, 0.61%

LAB 57.75, 32.07, -29.14

 

CMYK 6 / 21 / 0 / 32

HEX #A389AE

RGB 163 137 174

HSL 282.16, 0.19%, 0.61%

LAB 60.55, 16.77, -15.8

 

CMYK 1 / 3 / 0 / 38

HEX #9C999D

RGB 156 153 157

HSL 285, 0.02%, 0.61%

LAB 63.58, 1.86, -1.71

 

CMYK 12 / 0 / 17 / 34

HEX #95A98D

RGB 149 169 141

HSL 102.86, 0.14%, 0.61%

LAB 67.04, -12.33, 12.14

 

CMYK 40 / 50 / 0 / 19

HEX #7B68CE

RGB 123 104 206

HSL 251.18, 0.51%, 0.61%

LAB 50.18, 31.91, -50.5

 

CMYK 27 / 50 / 0 / 19

HEX #9668CE

RGB 150 104 206

HSL 267.06, 0.51%, 0.61%

LAB 52.77, 38.88, -46.21

 

CMYK 14 / 50 / 0 / 19

HEX #B168CE

RGB 177 104 206

HSL 282.94, 0.51%, 0.61%

LAB 55.79, 46.27, -41.25

 

CMYK 1 / 50 / 0 / 19

HEX #CC68CE

RGB 204 104 206

HSL 298.82, 0.51%, 0.61%

LAB 59.15, 53.83, -35.73

 

CMYK 0 / 50 / 13 / 19

HEX #CE68B4

RGB 206 104 180

HSL 315.29, 0.51%, 0.61%

LAB 58.34, 49.99, -22.15

 

CMYK 19 / 67 / 0 / 33

HEX #8C38AC

RGB 140 56 172

HSL 283.45, 0.51%, 0.45%

LAB 40.22, 53.46, -46.54

 

CMYK 17 / 63 / 0 / 23

HEX #A249C4

RGB 162 73 196

HSL 283.41, 0.51%, 0.53%

LAB 47.54, 55.82, -48.73

 

CMYK 14 / 50 / 0 / 19

HEX #B268CE

RGB 178 104 206

HSL 283.53, 0.51%, 0.61%

LAB 55.91, 46.55, -41.05

 

CMYK 10 / 38 / 0 / 15

HEX #C287D8

RGB 194 135 216

HSL 283.7, 0.51%, 0.69%

LAB 64.77, 36.61, -32.7

 

CMYK 7 / 26 / 0 / 11

HEX #D2A7E2

RGB 210 167 226

HSL 283.73, 0.5%, 0.77%

LAB 74.08, 26.15, -23.75

 

CMYK 14 / 49 / 0 / 19

HEX #B269CE

RGB 178 105 206

HSL 283.37, 0.51%, 0.61%

LAB 56.11, 46.02, -40.73

 

CMYK 0 / 50 / 45 / 19

HEX #CE6871

RGB 206 104 113

HSL 354.71, 0.51%, 0.61%

LAB 56.3, 41.13, 13.81

 

CMYK 50 / 0 / 34 / 19

HEX #68CE88

RGB 104 206 136

HSL 138.82, 0.51%, 0.61%

LAB 75.37, -45.17, 25.92

 

CMYK 14 / 49 / 0 / 19

HEX #B269CE

RGB 178 105 206

HSL 283.37, 0.51%, 0.61%

LAB 56.11, 46.02, -40.73

 

CMYK 0 / 14 / 50 / 19

HEX #CEB168

RGB 206 177 104

HSL 42.94, 0.51%, 0.61%

LAB 73.26, 1.08, 40.99

 

CMYK 50 / 0 / 14 / 19

HEX #68CEB1

RGB 104 206 177

HSL 162.94, 0.51%, 0.61%

LAB 76.23, -36.73, 5.32

 

CMYK 14 / 49 / 0 / 19

HEX #B269CE

RGB 178 105 206

HSL 283.37, 0.51%, 0.61%

LAB 56.11, 46.02, -40.73

 

CMYK 0 / 50 / 45 / 19

HEX #CE6871

RGB 206 104 113

HSL 354.71, 0.51%, 0.61%

LAB 56.3, 41.13, 13.81

 

CMYK 35 / 0 / 50 / 19

HEX #85CE68

RGB 133 206 104

HSL 102.94, 0.51%, 0.61%

LAB 76.15, -41.41, 43.38

 

CMYK 50 / 0 / 4 / 19

HEX #68CEC5

RGB 104 206 197

HSL 174.71, 0.51%, 0.61%

LAB 76.75, -31.9, -4.69

 

CMYK 14 / 49 / 0 / 19

HEX #B269CE

RGB 178 105 206

HSL 283.37, 0.51%, 0.61%

LAB 56.11, 46.02, -40.73

 

CMYK 0 / 39 / 50 / 19

HEX #CE7E68

RGB 206 126 104

HSL 12.94, 0.51%, 0.61%

LAB 60.82, 28.67, 25.1

 

CMYK 35 / 0 / 50 / 19

HEX #85CE68

RGB 133 206 104

HSL 102.94, 0.51%, 0.61%

LAB 76.15, -41.41, 43.38

 

CMYK 50 / 11 / 0 / 19

HEX #68B8CE

RGB 104 184 206

HSL 192.94, 0.51%, 0.61%

LAB 70.65, -18.59, -18.7

 

Description

Color code: HEX #B269CE | qconv.com Color code: HEX #B269CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 105 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 105 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 49 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 49% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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