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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B261D5 it is the complementary color #4D9E2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B261D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B261D5 shade: #B761D0, #C873E3, #D985F6, #EA97FF and #FBA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B261D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B261D5 shade: #B261D5, #A14FC2, #903DAF, #7F2B9C and #6E1989

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B261D5 shade: #B261D5, #D161D5, #D561B9, #D5619A and #D5617B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B261D5 shade: #B261D5, #9361D5, #7461D5 and #6161D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B261D5 shade matches the following richer shades: #B261D5, #B851E5 and #BF41F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B261D5 shade: #B261D5, #AC71C5, #A582B5, #9F92A4 and #98A294

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B261D5 shade: #7361D5, #9161D5, #B061D5, #CF61D5 and #D561BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B261D5 shade: #8C30B4, #A241CC, #B261D5, #C282DD and #D2A3E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B261D5 shade: #B261D5, #D5616F and #61D582

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B261D5 shade: #B261D5, #D5B061 and #61D5B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B261D5 shade: #B261D5, #D5616F, #86D561 and #61D5C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B261D5 shade: #B261D5, #D57761, #86D561 and #61C0D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 54 / 0 / 16

HEX #B261D5

RGB 178 97 213

HSL 281.9, 0.58%, 0.61%

LAB 54.88, 51.63, -46.64

 

Complementary color

CMYK 51 / 0 / 73 / 38

HEX #4D9E2A

RGB 77 158 42

HSL 101.9, 0.58%, 0.39%

LAB 58.23, -45.56, 50.13

 

CMYK 12 / 53 / 0 / 18

HEX #B761D0

RGB 183 97 208

HSL 286.49, 0.54%, 0.6%

LAB 55.25, 51.92, -43.19

 

CMYK 12 / 49 / 0 / 11

HEX #C873E3

RGB 200 115 227

HSL 285.54, 0.67%, 0.67%

LAB 61.73, 51.21, -43.53

 

CMYK 12 / 46 / 0 / 4

HEX #D985F6

RGB 217 133 246

HSL 284.6, 0.86%, 0.74%

LAB 68.15, 50.46, -43.8

 

CMYK 8 / 41 / 0 / 0

HEX #EA97FF

RGB 234 151 255

HSL 287.88, 1%, 0.8%

LAB 74.09, 47.74, -39.29

 

CMYK 2 / 34 / 0 / 0

HEX #FBA9FF

RGB 251 169 255

HSL 297.21, 1%, 0.83%

LAB 79.67, 43.45, -30.51

 

CMYK 16 / 54 / 0 / 16

HEX #B261D5

RGB 178 97 213

HSL 281.9, 0.58%, 0.61%

LAB 54.88, 51.63, -46.64

 

CMYK 17 / 59 / 0 / 24

HEX #A14FC2

RGB 161 79 194

HSL 282.78, 0.49%, 0.54%

LAB 48.34, 52.29, -46.29

 

CMYK 18 / 65 / 0 / 31

HEX #903DAF

RGB 144 61 175

HSL 283.68, 0.48%, 0.46%

LAB 41.79, 52.75, -45.77

 

CMYK 19 / 72 / 0 / 39

HEX #7F2B9C

RGB 127 43 156

HSL 284.6, 0.57%, 0.39%

LAB 35.28, 52.81, -44.97

 

CMYK 20 / 82 / 0 / 46

HEX #6E1989

RGB 110 25 137

HSL 285.54, 0.69%, 0.32%

LAB 28.94, 52.08, -43.65

 

CMYK 16 / 54 / 0 / 16

HEX #B261D5

RGB 178 97 213

HSL 281.9, 0.58%, 0.61%

LAB 54.88, 51.63, -46.64

 

CMYK 2 / 54 / 0 / 16

HEX #D161D5

RGB 209 97 213

HSL 297.93, 0.58%, 0.61%

LAB 58.89, 59.78, -40.06

 

CMYK 0 / 54 / 13 / 16

HEX #D561B9

RGB 213 97 185

HSL 314.48, 0.58%, 0.61%

LAB 58.22, 56.23, -25.11

 

CMYK 0 / 54 / 28 / 16

HEX #D5619A

RGB 213 97 154

HSL 330.52, 0.58%, 0.61%

LAB 57.1, 51.78, -8.88

 

CMYK 0 / 54 / 42 / 16

HEX #D5617B

RGB 213 97 123

HSL 346.55, 0.58%, 0.61%

LAB 56.21, 48.11, 7.98

 

CMYK 16 / 54 / 0 / 16

HEX #B261D5

RGB 178 97 213

HSL 281.9, 0.58%, 0.61%

LAB 54.88, 51.63, -46.64

 

CMYK 31 / 54 / 0 / 16

HEX #9361D5

RGB 147 97 213

HSL 265.86, 0.58%, 0.61%

LAB 51.33, 43.72, -52.51

 

CMYK 46 / 54 / 0 / 16

HEX #7461D5

RGB 116 97 213

HSL 249.83, 0.58%, 0.61%

LAB 48.34, 36.42, -57.47

 

CMYK 54 / 54 / 0 / 16

HEX #6161D5

RGB 97 97 213

HSL 240, 0.58%, 0.61%

LAB 46.84, 32.45, -59.98

 

CMYK 16 / 54 / 0 / 16

HEX #B261D5

RGB 178 97 213

HSL 281.9, 0.58%, 0.61%

LAB 54.88, 51.63, -46.64

 

CMYK 20 / 65 / 0 / 10

HEX #B851E5

RGB 184 81 229

HSL 281.76, 0.74%, 0.61%

LAB 53.74, 63.99, -57.46

 

CMYK 22 / 73 / 0 / 4

HEX #BF41F5

RGB 191 65 245

HSL 282, 0.9%, 0.61%

LAB 53.44, 74.95, -66.88

 

CMYK 16 / 54 / 0 / 16

HEX #B261D5

RGB 178 97 213

HSL 281.9, 0.58%, 0.61%

LAB 54.88, 51.63, -46.64

 

CMYK 13 / 43 / 0 / 23

HEX #AC71C5

RGB 172 113 197

HSL 282.14, 0.42%, 0.61%

LAB 56.7, 38.07, -34.75

 

CMYK 9 / 28 / 0 / 29

HEX #A582B5

RGB 165 130 181

HSL 281.18, 0.26%, 0.61%

LAB 59.25, 22.89, -21.73

 

CMYK 3 / 11 / 0 / 36

HEX #9F92A4

RGB 159 146 164

HSL 283.33, 0.09%, 0.61%

LAB 62.18, 8.23, -7.71

 

CMYK 6 / 0 / 9 / 36

HEX #98A294

RGB 152 162 148

HSL 102.86, 0.07%, 0.61%

LAB 65.48, -6.23, 6.06

 

CMYK 46 / 54 / 0 / 16

HEX #7361D5

RGB 115 97 213

HSL 249.31, 0.58%, 0.61%

LAB 48.26, 36.2, -57.61

 

CMYK 32 / 54 / 0 / 16

HEX #9161D5

RGB 145 97 213

HSL 264.83, 0.58%, 0.61%

LAB 51.12, 43.23, -52.86

 

CMYK 17 / 54 / 0 / 16

HEX #B061D5

RGB 176 97 213

HSL 280.86, 0.58%, 0.61%

LAB 54.64, 51.11, -47.05

 

CMYK 3 / 54 / 0 / 16

HEX #CF61D5

RGB 207 97 213

HSL 296.9, 0.58%, 0.61%

LAB 58.62, 59.25, -40.5

 

CMYK 0 / 54 / 12 / 16

HEX #D561BC

RGB 213 97 188

HSL 312.93, 0.58%, 0.61%

LAB 58.35, 56.7, -26.64

 

CMYK 22 / 73 / 0 / 29

HEX #8C30B4

RGB 140 48 180

HSL 281.82, 0.58%, 0.45%

LAB 39.55, 58.48, -52.35

 

CMYK 21 / 68 / 0 / 20

HEX #A241CC

RGB 162 65 204

HSL 281.87, 0.58%, 0.53%

LAB 46.74, 61.03, -54.62

 

CMYK 16 / 54 / 0 / 16

HEX #B261D5

RGB 178 97 213

HSL 281.9, 0.58%, 0.61%

LAB 54.88, 51.63, -46.64

 

CMYK 12 / 41 / 0 / 13

HEX #C282DD

RGB 194 130 221

HSL 282.2, 0.57%, 0.69%

LAB 63.88, 40.36, -36.86

 

CMYK 9 / 29 / 0 / 10

HEX #D2A3E6

RGB 210 163 230

HSL 282.09, 0.57%, 0.77%

LAB 73.29, 29.13, -27.14

 

CMYK 16 / 54 / 0 / 16

HEX #B261D5

RGB 178 97 213

HSL 281.9, 0.58%, 0.61%

LAB 54.88, 51.63, -46.64

 

CMYK 0 / 54 / 48 / 16

HEX #D5616F

RGB 213 97 111

HSL 352.76, 0.58%, 0.61%

LAB 55.93, 46.91, 14.62

 

CMYK 54 / 0 / 39 / 16

HEX #61D582

RGB 97 213 130

HSL 137.07, 0.58%, 0.61%

LAB 77.13, -50.86, 31.32

 

CMYK 16 / 54 / 0 / 16

HEX #B261D5

RGB 178 97 213

HSL 281.9, 0.58%, 0.61%

LAB 54.88, 51.63, -46.64

 

CMYK 0 / 17 / 54 / 16

HEX #D5B061

RGB 213 176 97

HSL 40.86, 0.58%, 0.61%

LAB 73.58, 3.91, 45.05

 

CMYK 54 / 0 / 17 / 16

HEX #61D5B0

RGB 97 213 176

HSL 160.86, 0.58%, 0.61%

LAB 78.03, -41.67, 8.41

 

CMYK 16 / 54 / 0 / 16

HEX #B261D5

RGB 178 97 213

HSL 281.9, 0.58%, 0.61%

LAB 54.88, 51.63, -46.64

 

CMYK 0 / 54 / 48 / 16

HEX #D5616F

RGB 213 97 111

HSL 352.76, 0.58%, 0.61%

LAB 55.93, 46.91, 14.62

 

CMYK 37 / 0 / 54 / 16

HEX #86D561

RGB 134 213 97

HSL 100.86, 0.58%, 0.61%

LAB 78.18, -44.92, 49.16

 

CMYK 54 / 0 / 7 / 16

HEX #61D5C7

RGB 97 213 199

HSL 172.76, 0.58%, 0.61%

LAB 78.61, -36.15, -3.05

 

CMYK 16 / 54 / 0 / 16

HEX #B261D5

RGB 178 97 213

HSL 281.9, 0.58%, 0.61%

LAB 54.88, 51.63, -46.64

 

CMYK 0 / 44 / 54 / 16

HEX #D57761

RGB 213 119 97

HSL 11.38, 0.58%, 0.61%

LAB 60.07, 34.52, 28.22

 

CMYK 37 / 0 / 54 / 16

HEX #86D561

RGB 134 213 97

HSL 100.86, 0.58%, 0.61%

LAB 78.18, -44.92, 49.16

 

CMYK 54 / 10 / 0 / 16

HEX #61C0D5

RGB 97 192 213

HSL 190.86, 0.58%, 0.61%

LAB 72.92, -22.22, -19.1

 

Description

Color code: HEX #B261D5 | qconv.com Color code: HEX #B261D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 97 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 97 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 54 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 54% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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