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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B27591 it is the complementary color #4D8A6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B27591. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B27591 shade: #B7758C, #C8879F, #D999B2, #EAABC5 and #FBBDD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B27591. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B27591 shade: #B27591, #A1637E, #90516B, #7F3F58 and #6E2D45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B27591 shade: #B17591, #B17581 and #B17575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B27591 shade: #B17591, #B175A1, #B175B1, #A175B1 and #9175B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B27591 shade matches the following richer shades: #B17591, #C36490, #D4538E, #E5418D and #F7308B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B27591 shade: #B17591, #A08792, #8F9894, #7DA995 and #6CBB97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B27591 shade: #B175B1, #B175A1, #B17591, #B17581 and #B17975

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B27591 shade: #884C68, #A25B7C, #B17591, #C090A6 and #CFAABB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B27591 shade: #B27591, #B1A175 and #75A9B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B27591 shade: #B27591, #91B175 and #7591B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B27591 shade: #B27591, #B1A175, #75B195 and #7585B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B27591 shade: #B27591, #AFB175, #75B195 and #7775B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 19 / 30

HEX #B27591

RGB 178 117 145

HSL 332.46, 0.28%, 0.58%

LAB 56.32, 28.08, -5.3

 

Complementary color

CMYK 44 / 0 / 20 / 46

HEX #4D8A6E

RGB 77 138 110

HSL 152.46, 0.28%, 0.42%

LAB 52.82, -26.65, 8.9

 

CMYK 0 / 36 / 23 / 28

HEX #B7758C

RGB 183 117 140

HSL 339.09, 0.31%, 0.59%

LAB 56.77, 29.13, -1.67

 

CMYK 0 / 33 / 21 / 22

HEX #C8879F

RGB 200 135 159

HSL 337.85, 0.37%, 0.66%

LAB 63.43, 28.33, -2.56

 

CMYK 0 / 29 / 18 / 15

HEX #D999B2

RGB 217 153 178

HSL 336.56, 0.46%, 0.73%

LAB 70, 27.6, -3.36

 

CMYK 0 / 27 / 16 / 8

HEX #EAABC5

RGB 234 171 197

HSL 335.24, 0.6%, 0.79%

LAB 76.47, 26.93, -4.1

 

CMYK 0 / 25 / 14 / 2

HEX #FBBDD8

RGB 251 189 216

HSL 333.87, 0.89%, 0.86%

LAB 82.84, 26.31, -4.79

 

CMYK 0 / 34 / 19 / 30

HEX #B27591

RGB 178 117 145

HSL 332.46, 0.28%, 0.58%

LAB 56.32, 28.08, -5.3

 

CMYK 0 / 39 / 22 / 37

HEX #A1637E

RGB 161 99 126

HSL 333.87, 0.25%, 0.51%

LAB 49.5, 28.89, -4.43

 

CMYK 0 / 44 / 26 / 44

HEX #90516B

RGB 144 81 107

HSL 335.24, 0.28%, 0.44%

LAB 42.58, 29.77, -3.42

 

CMYK 0 / 50 / 31 / 50

HEX #7F3F58

RGB 127 63 88

HSL 336.56, 0.34%, 0.37%

LAB 35.54, 30.69, -2.2

 

CMYK 0 / 59 / 37 / 57

HEX #6E2D45

RGB 110 45 69

HSL 337.85, 0.42%, 0.3%

LAB 28.44, 31.56, -0.62

 

CMYK 0 / 34 / 18 / 31

HEX #B17591

RGB 177 117 145

HSL 332, 0.28%, 0.58%

LAB 56.2, 27.71, -5.49

 

CMYK 0 / 34 / 27 / 31

HEX #B17581

RGB 177 117 129

HSL 348, 0.28%, 0.58%

LAB 55.74, 25.26, 3.15

 

CMYK 0 / 34 / 34 / 31

HEX #B17575

RGB 177 117 117

HSL 0, 0.28%, 0.58%

LAB 55.44, 23.6, 9.71

 

CMYK 0 / 34 / 18 / 31

HEX #B17591

RGB 177 117 145

HSL 332, 0.28%, 0.58%

LAB 56.2, 27.71, -5.49

 

CMYK 0 / 34 / 9 / 31

HEX #B175A1

RGB 177 117 161

HSL 316, 0.28%, 0.58%

LAB 56.73, 30.43, -13.98

 

CMYK 0 / 34 / 0 / 31

HEX #B175B1

RGB 177 117 177

HSL 300, 0.28%, 0.58%

LAB 57.31, 33.38, -22.31

 

CMYK 9 / 34 / 0 / 31

HEX #A175B1

RGB 161 117 177

HSL 284, 0.28%, 0.58%

LAB 55.56, 28.15, -25.16

 

CMYK 18 / 34 / 0 / 31

HEX #9175B1

RGB 145 117 177

HSL 268, 0.28%, 0.58%

LAB 53.94, 23.01, -27.79

 

CMYK 0 / 34 / 18 / 31

HEX #B17591

RGB 177 117 145

HSL 332, 0.28%, 0.58%

LAB 56.2, 27.71, -5.49

 

CMYK 0 / 49 / 26 / 24

HEX #C36490

RGB 195 100 144

HSL 332.21, 0.44%, 0.58%

LAB 54.79, 43.04, -6.74

 

CMYK 0 / 61 / 33 / 17

HEX #D4538E

RGB 212 83 142

HSL 332.56, 0.6%, 0.58%

LAB 54.17, 56.35, -6.22

 

CMYK 0 / 72 / 38 / 10

HEX #E5418D

RGB 229 65 141

HSL 332.2, 0.76%, 0.58%

LAB 54.41, 68.1, -4.96

 

CMYK 0 / 81 / 44 / 3

HEX #F7308B

RGB 247 48 139

HSL 332.56, 0.93%, 0.58%

LAB 55.84, 77.36, -1.3

 

CMYK 0 / 34 / 18 / 31

HEX #B17591

RGB 177 117 145

HSL 332, 0.28%, 0.58%

LAB 56.2, 27.71, -5.49

 

CMYK 0 / 16 / 9 / 37

HEX #A08792

RGB 160 135 146

HSL 333.6, 0.12%, 0.58%

LAB 58.86, 11.4, -2.34

 

CMYK 6 / 0 / 3 / 40

HEX #8F9894

RGB 143 152 148

HSL 153.33, 0.04%, 0.58%

LAB 62.03, -4.02, 0.98

 

CMYK 26 / 0 / 12 / 34

HEX #7DA995

RGB 125 169 149

HSL 152.73, 0.2%, 0.58%

LAB 65.68, -19.08, 5.54

 

CMYK 42 / 0 / 19 / 27

HEX #6CBB97

RGB 108 187 151

HSL 152.66, 0.37%, 0.58%

LAB 70.15, -32.65, 10.72

 

CMYK 0 / 34 / 0 / 31

HEX #B175B1

RGB 177 117 177

HSL 300, 0.28%, 0.58%

LAB 57.31, 33.38, -22.31

 

CMYK 0 / 34 / 9 / 31

HEX #B175A1

RGB 177 117 161

HSL 316, 0.28%, 0.58%

LAB 56.73, 30.43, -13.98

 

CMYK 0 / 34 / 18 / 31

HEX #B17591

RGB 177 117 145

HSL 332, 0.28%, 0.58%

LAB 56.2, 27.71, -5.49

 

CMYK 0 / 34 / 27 / 31

HEX #B17581

RGB 177 117 129

HSL 348, 0.28%, 0.58%

LAB 55.74, 25.26, 3.15

 

CMYK 0 / 32 / 34 / 31

HEX #B17975

RGB 177 121 117

HSL 4, 0.28%, 0.58%

LAB 56.39, 21.36, 11.06

 

CMYK 0 / 44 / 24 / 47

HEX #884C68

RGB 136 76 104

HSL 332, 0.28%, 0.42%

LAB 40.25, 29.16, -5.14

 

CMYK 0 / 44 / 23 / 36

HEX #A25B7C

RGB 162 91 124

HSL 332.11, 0.28%, 0.5%

LAB 47.78, 33.39, -5.78

 

CMYK 0 / 34 / 18 / 31

HEX #B17591

RGB 177 117 145

HSL 332, 0.28%, 0.58%

LAB 56.2, 27.71, -5.49

 

CMYK 0 / 25 / 14 / 25

HEX #C090A6

RGB 192 144 166

HSL 332.5, 0.28%, 0.66%

LAB 64.89, 21.6, -4.47

 

CMYK 0 / 18 / 10 / 19

HEX #CFAABB

RGB 207 170 187

HSL 332.43, 0.28%, 0.74%

LAB 73.29, 16.27, -3.61

 

CMYK 0 / 34 / 19 / 30

HEX #B27591

RGB 178 117 145

HSL 332.46, 0.28%, 0.58%

LAB 56.32, 28.08, -5.3

 

CMYK 0 / 9 / 34 / 31

HEX #B1A175

RGB 177 161 117

HSL 44, 0.28%, 0.58%

LAB 66.61, -0.85, 25.07

 

CMYK 34 / 5 / 0 / 31

HEX #75A9B1

RGB 117 169 177

HSL 188, 0.28%, 0.58%

LAB 66.01, -15.1, -9.61

 

CMYK 0 / 34 / 19 / 30

HEX #B27591

RGB 178 117 145

HSL 332.46, 0.28%, 0.58%

LAB 56.32, 28.08, -5.3

 

CMYK 18 / 0 / 34 / 31

HEX #91B175

RGB 145 177 117

HSL 92, 0.28%, 0.58%

LAB 68.57, -21.8, 27.22

 

CMYK 34 / 18 / 0 / 31

HEX #7591B1

RGB 117 145 177

HSL 212, 0.28%, 0.58%

LAB 59.17, -1.94, -19.94

 

CMYK 0 / 34 / 19 / 30

HEX #B27591

RGB 178 117 145

HSL 332.46, 0.28%, 0.58%

LAB 56.32, 28.08, -5.3

 

CMYK 0 / 9 / 34 / 31

HEX #B1A175

RGB 177 161 117

HSL 44, 0.28%, 0.58%

LAB 66.61, -0.85, 25.07

 

CMYK 34 / 0 / 16 / 31

HEX #75B195

RGB 117 177 149

HSL 152, 0.28%, 0.58%

LAB 67.57, -25.63, 8.21

 

CMYK 34 / 25 / 0 / 31

HEX #7585B1

RGB 117 133 177

HSL 224, 0.28%, 0.58%

LAB 55.82, 4.97, -25.07

 

CMYK 0 / 34 / 19 / 30

HEX #B27591

RGB 178 117 145

HSL 332.46, 0.28%, 0.58%

LAB 56.32, 28.08, -5.3

 

CMYK 1 / 0 / 34 / 31

HEX #AFB175

RGB 175 177 117

HSL 62, 0.28%, 0.58%

LAB 70.76, -10.17, 30.52

 

CMYK 34 / 0 / 16 / 31

HEX #75B195

RGB 117 177 149

HSL 152, 0.28%, 0.58%

LAB 67.57, -25.63, 8.21

 

CMYK 33 / 34 / 0 / 31

HEX #7775B1

RGB 119 117 177

HSL 242, 0.28%, 0.58%

LAB 51.63, 15.04, -31.55

 

Description

Color code: HEX #B27591 | qconv.com Color code: HEX #B27591 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 117 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 117 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 19 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 19% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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